Demon Slayer the Movie: Mugen Train – All Aboard

In 2020, and what I believe to be the first time ever, the highest grossing film of the year wasn’t American. It wasn’t Chinese, either, which one could reasonably expect to be the first non-American film to take the crown. No, it was Demon Slayer the Movie: Mugen Train. That’s an achievement that may never be matched. It also broke the record for home box office gross, now reigning over both Spirited Away and Your Name.

$500 million gross is a lot of cash to rake in, especially during a global pandemic. But after finally getting around to watch Mugen Train, which is essentially “Season 1.5” of the series, I totally understand why: it is an absolute crowd pleaser stuffed with action, comedy, and drama. I laughed; I cried; I may have pumped my fist and shouted “Fuck yeah!” once or twice.

But! Mugen Train is merely a very good movie. It is certainly a very good movie watching experience. What it is definitely not is a great film, and falls far short of the masterpiece status of the anime films whose records it broke. There is no single big reason for that, but several smaller ones which become evident throughout its prestigious 117-minute runtime.

* * * * *

First, as we know from the end of the first season (yes, you really should watch it), a Kasugai crow ordered Tanjirou (with Nezuko on his back), Zenitsu, and Inosuke to join Flame Hashira Rengoku Kyoujurou aboard the titular Mugen Train, which has a demon problem. Rengoku is, as most high-ranking warriors in these kinds of shows, a bit of an eccentric, but has heard about Tanjirou and Nezuko and is even willing to train him.

Their demon opponent is Enmu, a member of the Lower Six and the group’s resident “gross body horror” expert, a niche occupied by the likes of Bleach’s 12th Captain, Kurotsuchi Mayuri (or more recently, Jujutsu Kaisen’s Mahito). Enmu spends much of the movie standing atop the front of the train, talking about how much he’s looking forward to devouring its 200 passengers but never actually doing so despite having ample opportunity. Ya know, typical big bad behavior.

Enmu’s preferred way of rendering his prey helpless is by putting them to sleep. He has made four regular human passengers plus the conductor into his minions: the tickets the conductor punches contain a bit of his blood which is used to put the slayers to sleep along with everyone else. In exchange, the minions are promised wonderful dreams in which to lose themselves.

With all the demon slayers asleep, we take a look into the dreams they’re having, none of which come as much of a surprise. Tanjirou’s is a very happy dream in which he’s reunited with his family, who act like they were never slaughtered by a demon. Suffice it to say, it’s an easy dream to get lost in.

Zenitsu’s dream involves frolicking through forests and fields with Nezuko, which would be touching were his relationship with her in the show not so easily boiled down to “one-sided obsession” or simply “toxic.” Inosuke’s dream is aggressively weird and surreal, like him, but like Zenitsu and Tanjirou’s doesn’t offer any further insight into the character.

Rengoku’s does, but only because aside from a couple of brief scenes last season, we don’t really know who the guy is. What we do get is pure hero boilerplate: following in the footsteps of a former Hashira father who gave up the life and doesn’t care anymore, while having to be both big brother and father figure to his younger brother to keep him from falling into despair. Also, their sainted mom is dead.

Ultimately the dreams aren’t supposed to be particularly enlightening to us, as long as they keep the dreamers occupied and distracted. The minions then go in, find the edges of their dreams, tear them open with what look like icepicks provided by Enmu, and pass into the subconscious where their spiritual cores lie. Obviously, none of the minions succeeds.

Tanjirou already has an inkling he’s in a world of illusion, since his default thoughts are that his family is dead and Nezuko is a demon, so his senses must be wrong. His subconscious actually reaches out to him through a reflection in the water, telling him he needs to wake up, even if it’s being made very difficult to do so because it means running away from his confused and upset family.

His minion, by the way, sought relief in his dreams because in the waking world he was wasting away from Tuberculosis. When he reaches Tanjirou’s gorgeous (and very Spirited Away-esque!) subconscious, he doesn’t have the heart to go through with destroying his core. Tanjirou ends up waking up by slashing his neck with his own sword—call it the equivalent of the “kicks” in Inception that wake you up from dreams (or dreams within dreams).

Tanjirou is the first to wake up. Rengoku’s survival instinct kicks in and he chokes his minion before she can destroy his core (a very graphic depiction of violence against a woman that’s very oddly scored as triumphant) but he remains asleep. Tanjirou sees that Nezuko burned away the rope connecting him to his minion, and asks her to burn away the others’ ropes while he goes topside to meet the boss.

After exchanging some standard big-bad/hero dialogue, Tanjirou manages to behead Enmu, but of course his head isn’t really his head, nor his body his real body. Turns out he’s merged with the train, meaning the entire train his his body, with his head hidden…somewhere (the head of the train).

Enmu then continues to put Tanjirou to sleep, taking the same route as the Farscape masterpiece “Won’t Get Fooled Again”, turning the dreams into increasingly disturbing nightmares to throw the hero off his game. Tanjirou counters this by continuously slashing his neck as soon as he enters his dream.

With every surface of the train suddenly erupting with reddish-purple goo, suddenly all 200 passengers have to be protected at once. Fortunately, thanks to Nezuko burning their ropes the others start waking up, starting with Inousuke, who is ready to rumble. Nezuko slashes at the tentacles attacking passengers, but is quickly overwhelmed and restrained.

Enter Zenitsu, who gets to have a seriously badass moment with his thunder breathing assault, rescuing her from her doom. Let it be said this film does nothing to make Nezuko more than the bit character/mascot she devolved into in the anime, and outside of Tanjirou and Zenitsu’s dreams, she never speaks, which remains odd as there are plenty of demons who can talk.

All the commotion caused by Zenitsu’s thunder and lightning finally wakes up Rengoku, who has does his whole “how have I been sleeping through all this” line, and fills the cars with tentacle-burning flames (which naturally don’t affect the passengers). He orders Tanjirou and Inousuke to find Enmu’s head while he protects the passengers in five of the eight cars and Zenitsu and Nezuko handles the remaining three.

When his best water breathing technique can only tear away the flesh of Enmu’s “neck” to reveal the bone, Tanjirou employs his dad’s Hinokami Kagura breathing, which does the trick. Enmu’s real head is separated from his body (the train) and in his death throes, the train is derailed and crashes…which really should kill a lot of the passengers, yet doesn’t.

During his struggle with Enmu the minion conductor stabbed Tanjirou in the abdomen, but Rengoku quickly teaches Tanjirou how to use Total Concentration, Constant to staunch his broken blood vessel. Even so, Tanjirou is in no condition to fight anymore, with more than forty minutes left in the film. Enmu slowly disintegrates after lots of whining, including about how he was never able to enjoy his meal (which was all his fault) or rise to the ranks of the Upper Ten.

Right on cue, one of the members of that Upper Ten shows up completely out of the blue: the Upper Three, Akaza, covered in tatts and slightly resembling an evil Tanjirou with his short-cropped red hair. And while the ensuing duel between Akaza and Rengoku is pretty cool, the combat animation isn’t appreciably better than that of the TV show. More importantly, Akaza and the battle feel tacked on rather than a natural escalation of the conflict.

It also begs the question of if an even bigger demon big bad could show up willy-nilly, why couldn’t the same be true of other Hashira? The answer is, because the movie needs Rengoku to die, even though he was being set up as Tanjirou’s new mentor and big brother figure. At the end of the day, Akaza can regenerate almost instantly, while Rengoku is a mortal human of flesh and blood, and the wounds he suffers prove fatal.

The climax of the film also plays with the timing of the rising of the sun, which begins to light Akaza’s face as Rengoku tries to hold him in place so he’ll disintegrate. Instead, he flees into the forest to fight another day and provide Tanjirou with a future opponent with whom to avenge Rengoku. Like Demon Slayer reinforcements, the sun doesn’t show up when you’d think it should.

The final act consists of Rengoku providing Tanjirou the same encouragement as his little brother in his dream (and presumably in real life), as well as meeting his force ghost sainted mother, who tells him she’s proud of him (he did reject Akaza’s repeated offers to turn him into a demon, after all). Tanjirou is naturally very upset over losing another important person in his life.

As for the impact it had on me…the film just didn’t do the adequate legwork to make Rengoku anything more than a passing guest star. He had a few goofy moments, a few badass moments, and a very long and melodramatic death scene, and then he was suddenly gone, seemingly as soon as he arrived.

So as much of a funny, thrilling and sometimes genuinely moving crowd-pleaser as Mugen Train was, as a sequel to the series it fulfilled a merely utilitarian role, establishing how tough the Hashira can be, while establishing that the most powerful demons are even tougher, on the biggest screen possible. There’s not much else that’s new here.

It also gave Tanjirou both further motivation to fight the demons, though considering what he’s lost so far, I’d say he already had plenty, as well as the direction to the next nugget of info about his pop’s Kagura, which he’ll surely pursue in the second season. Mugen Train had no shortage of faults to go with its merits, but one thing at which it unassailably succeeded was making me excited for the second season, for which my ticket is already punched.

Rating: 4/5 Stars

Demon Slayer: Kimetsu no Yaiba – 26 (Fin) – Catching the Evening Train

After semi-binging this series to the tune of 26 episodes in 30 days, I can’t help but feeling now that I’ve arrived at the end that this first season was nothing but a prologue for the real story to come.  Heck, It wasn’t until last week that Tanjirou was able to use Constant Total Concentration—an absolute necessity when fighting elite demons.

Mind you, I am not complaining. If this is a prologue, it’s one of the best I’ve seen, and instantly makes any future adventures with Tanjirou, Nezuko & Co. more meaningful because we know how hard everyone’s worked to get this far—and how far we have yet to go.

The end of this epic beginning starts with a meeting similar to that held by the Demon Slayer Corps commander with the Hashira, only it’s Kibutsuji Muzan and the five surviving Lower Six of the Twelve Kizuki. The meeting takes place in a gorgeous, trippy, Relativity-style space of his own making. Unlike the Corps commander, Muzan doesn’t lead with a serene, considered manner, he rules by absolute fear.

With the loss of Rui, he’s decided the Lower Six aren’t even worth his effort anymore, and he executes them all except for one: the Lower One. Unlike the others, this one tells Muzan what he wants to hear, and is rewarded not only with his life, but Muzan’s blood, and a mission: defeat a Hashira and Kamado Tanjirou.

Just before dawn a Kasugai Crow wakes Tanjirou, Zenitsu and Inosuke, informing them of their new mission to join the Flame Hashira Rengoku Kyoujurou on the Mugen Train, a crisis that has already claimed forty lives. The balance of the episode consists of Tanjirou preparing to depart and saying his goodbyes.

Tanjirou’s sweet nature and pure heart reassure Aoi, who feels like she’s a coward for not fighting on the front lines, that he’ll carry her emotions on the battlefield in her place, and should he hurt himself again, he’ll be relying on her care once more. Say what you want about his idealism, but our boy possesses emotional intelligence in spades.

But the true highlight of the episode is his parting interaction with Tsuyuri Kanao, who flips a coin to decide whether to talk to him, and then does. Tanjirou asks her about the coin, and when he learn she basically takes orders from chance, he suspects it’s because the voice in her heart is soft.

He asks her to make a deal with him: He’ll flip the coin, and if it comes up Heads, she’ll try listening to her heart more, even if she has to strain to hear its whispering. She watches carefully as he flips it and notes he does not cheat, and it comes up Heads. He returns the coin to her and takes hands in his as a sign of heartfelt optimism, promising they’ll see each other again.

As he runs off, she raises her voice in asking why it landed on Heads, to which he replies that it was only chance, but had it been Tails he would have kept flipping it until he got Heads. If Tanjirou, who bears his heart on his sleeve, and Kanao, whose heart was buried deep in her chest by her past, eventually become a romantic couple, I will be 100% and fully Here for it. They are surpassingly adorable.

Tanjirou, Zenitsu, and Inousuke pass Naho, Kiyo, and Sumi’s Giant Gourd Test, meaning they now possess the breathing to fight some serious demons. Giyuu stops buy for a quick, stoic goodbye, telling Tanjirou he can thank him for vouching for Nezuko by “doing good work.”

With that, the trio set off West to the train station, and we realize that neither Tanjirou nor Inosuke have ever seen a train. Inosuke believes it’s some great sleeping god; Tanjirou speculates it may be an benign deity. It’s here where Zenitsu’s city smarts shine as he castigates his “country bumpkin” comrades for making a scene.

We also learn that Demon Slayers are not officially recognized by the Japanese government, and so they’re not legally allowed to carry swords in public. They hide their swords—well, Inosuke tries but also insists on going shirtless, so it doesn’t go well—and wait for nightfall to board the train while avoiding the police.

As they leap onto the departing train and it begins to steam into the night, we get a great closing shot of the three slayers on the caboose, ready and excited for their new mission, while Tanjirou tells Zenitsu that the safest place for Nezuko is together with him, in the box on his back.

We spot Rengoku Kyoujurou in one of the passenger cars, as well as the Lower One Kizuki standing atop the engine. The stage is now set for the Mugen Train arc, which is covered in the film that premiered in Japan October 2020, which surpassed Spirited Away as Japan’s all-time highest grossing film. I look forward to watching it as soon as it’s available in the states, as well as the second season that will air at some point in 2021.

Demon Slayer: Kimetsu no Yaiba – 25 – Chestnut Flower Drop

Tanjirou intensifies his Constant Concentration Breathing, asking the three little girls (named Naho, Kiyo, and Sumi) to slap him with carpet beaters if he breaks the breathing in his sleep. I love how the girls are rooting for him all the way, and will gladly do what appears to Zenitsu and Inosuke to be straight-up torture.

It may be torturous, but it goes a long way toward Tanjirou making progress. He’s definitely getting closer and closer to tagging Tsuyuri Kanao, who we can be quite sure isn’t going easy on him, while he’s eventually able to break the Lv. 1 Gourd with his breath.

Soon Inosuke and Zenitsu grow weary of falling too far behind. Also, Shinobu knows exactly how to motivate each of them: in Inosuke’s case, talking down to him and saying it’s okay to be weak; in Zenitsu’s case, batting her lovely eyelashes and saying she believes in him.

Shinobu also asks Kanao to get more involved in the boys’ intensifying training, but seems weary of approaching them, leading to her taking out a coin to flip. We learn how she came to rely on that coin for most of her decisions, but first we learn where she came from: nothing. She was dirt-poor and horribly abused by her parents until she one day just snapped and couldn’t feel pain—or anything—anymore.

One day her parents sold her off, and her buyer is preparing to sell her into slavery when they cross paths with Shinobu and her big sister Kanae (Kayano Ai). Disturbed by the sight of the young girl bound by rope, Shinobu tosses all of the cash she’s carrying up in the air and runs off with the unnamed girl.

Eventually Shinobu learns that Kanao was so horrifically traumatized by her life so far that she’s unable to do anything without being told to do it, even eat, resulting in her stomach grumbling far longer than it should. Kanae gives the newly-named Kanao a coin so she can make decisions for herself. Kanae also hopes that one day she’ll fall in love with someone, which will further help her understand her own agency and will. Back in the present, she gets tails, and doesn’t join the boys.

However, as a result of Tanjirou’s intensive training, one day he’s finally able to not only grab Kanao’s hand during tag, but win the cup game, all without splashing tea on her. It’s a stunning victory, and while Kanao never actually speaks to Tanjirou, you can tell she’s impressed by his progress.

After Haganezuka and Kanamori arrive at the mansion with Tanjirou and Inosuke’s reforged swords (and Inosuke re-chips his up with a rock, enraging the swordsmiths), Shinobu declares Tanjirou’s jaw healed and training complete. All that’s left is actual combat, and she tells him she’s expecting great things. As we saw back when she rescued Kanao to how she’s guided Tanjirou, it’s clear by now that Shinobu is definitely one of the good ones.

Interesting, she doesn’t know anything about the “fire breathing” Tanjirou brings up, only the distinct flame breathing in which Master Rengoku specializes, though he’s away on a mission, so more info on that will have to wait. Meanwhile, we see a Twelve Kizuki demon aboard a train eating its occupants—an apparent preview of the hugely popular October 2020 feature film Mugen Train.

Rating: 4/5 Stars

Demon Slayer: Kimetsu no Yaiba – 24 – Getting Back in the Game

While rest and recovery are the order of most days at the Butterfly Mansion, relaxation is most certainly not. That’s not just because of Zenitsu’s constant bellyaching, but the fact that Shinobu wants to begin their rehabilitation training ASAP, starting with Tanjirou and Inosuke. The training is handled by Kanzaki Aoi, Tsuyuri Kanao, and three pint-sized masseuses.

Zenitsu is perturbed when he sees the two returning from their first session as if they had just been beaten to a pulp, but Zenitsu soon finds out the score for himself, and he’s very disappointed in his companions. Why, he raves like a madman after taking them aside, are the complaining about getting massages, playing cup games, and light sparring, all with cute girls?

Zenitsu has no trouble with the massages or with beating Aoi at cups or tag, but Kanao is another story. She beats them at everything, and handily, as befits Shinobu’s apprentice. Zentisu and Inosuke are so frustrated that they stop showing up, but Tanjirou is determined to become strong enough to beat her.

The three little lady masseuses, who have really taken a shine to the sweet, wholesome Tanjirou (let’s be honest, Zenitsu’s a creep and Inosuke’s a forlorn beast) offer him some key advice. Kanao, along with Shinobu and all the other Hashira, are practicing Total Concentration Breathing … continuously. That is, every breath, morning, noon, and night.

The girls present him with a small, extra-hard beginners gourd he’s expected to break with nothing but his breath; Kanao can break a gourd over ten times its size. But while he clearly has a lot of grueling work to do (even short bursts of breathing wear him down), Tanjirou knows he can’t save Nezuko unless he’s stronger, so he puts the work in.

His efforts don’t go unnoticed by the lady of the mansion, Shinobu, who visits him on a rooftop while he’s practicing and even getting him to blush due to her close proximity and striking beauty. Shinobu is rooting for him because she too would like to live in a world where humans and demons got along.

It’s just, unlike him, she’s growing tired of believing that will ever be possible, having been ground down by battle after battle with lying, deceiving demon opponents. Tanjirou can smell anger behind her smile, which surprises Shinobu, causing that smile to briefly fade.

She tells him how her older sister, pure of heart like him, fought for peace with demons even when they ended up killing her. Due to her love and admiration of her sister, Shinobu promised to always carry the smile her sister loved, no matter how much she might want to frown or cry.

Knowing how much it sucks to lose a sister, she implores Tanjirou to keep Nezuko safe with everything he’s got—and there’s no reason to think he won’t. While I enjoyed this episode and the added depth given to Shinobu, Nezuko’s total absence is both conspicuous and disappointing—especially with only two episodes remaining.

Rating: 4/5 Stars

Demon Slayer: Kimetsu no Yaiba – 04 – Above the Wisteria Line

We learn that Tanjirou was able to defeat Sabito, i.e. cleave the giant boulder, by sensing the “thread” of his target by smell, made possible during Total Concentration. After a celebratory dinner when Urokodaki gives him the cloud-emblazoned tunic like his and a kitsune warding mask, Tanjirou bids his master and still-sleeping sister goodbye and heads to Mount Fujikasane, which is replete with gorgeous glowing wisteria blooms.

The year-long blooms aren’t just for show, as the creepy twins who administer the Final Selection explain: demons hate wisteria, and so they are trapped above the elevation where the blooms don’t grow, making the top half of the mountain a demon prison. The applicants must survive seven days in order to pass. There are many other applicants, but we don’t meet any of them, which is was an unexpected but welcome choice.

Instead of introducing potential rivals and allies, the focus remains on Tanjirou, who decides he’ll stay as far east, where the sun rises earliest, as he can, and use the daytime when the demons aren’t active to rest. He smells his first two demon opponents before he sees them, and is initially a little uneasy, but remembers his training and defeats them both with relative ease (they had been fighting each other over terf, after all).

The third demon is a different story, as it is on a level unlike anything else he’s encountered. A giant grotesque mass of sinewy, veiny hands like something straight out of Akira, Tanjirou is again taken by fear at the mere sight of it, especially as it already has a human applicant in one of his many hands, and drops him into his maw.

Urokodaki told Tanjirou that the more humans a demon has eaten the stronger they are, and when Tanjirou confronts his Hand Demon, he helpfully tells him he’s eaten over fifty “brats” in his extremely long life (dating back to the Edo period).

Not only that, but this “morphed” demon has a particular grudge against Urokodaki, who imprisoned him on Mt. Fujikasane. He’s gotten his revenge by eating no fewer than thirteen of Urokodaki’s students—including Sabito and Momoko, who it’s now confirmed interacted with Tanjirou in some kind of spiritual form.

The demon successfully throws Tanjirou off the game on which he very critically needs to stay by describing in detail how the two others were killed, and our boy ends up smacked against a tree hard, his protective mask shattering. He avoids being killed only thanks, I believe, one of his departed little brothers shouting for him to wake up…just in time to dodge the demon’s killing blow.

Not about to let himself become Urokodaki’s fourteenth dead student (with that track record I can see why he was reluctant to train anyone else), Tanjirou re-centers himself, attains Total Concentration, and uses his specialized water-based attacks (which are beautifully rendered like Ukiyo-e waves) to slash the demon’s neck, defeating him.

So far Demon Slayer has been incredibly efficient, getting its protagonist from losing his family to meeting his master to training to reaching the final test that will make him a demon hunter. And yet even though I’m semi-binging, none of it has felt rushed in the least. Events pass as slowly or quickly as I’ve felt they should. Finally, this episode featured the most dazzling combat to date. As expected, ufotable knows what they’re doing.

Demon Slayer: Kimetsu no Yaiba – 03 – Like a Rock

This week is a very workmanlike training episode, what amounts to a lengthy montage in between scenes of Tanjirou writing journal entries to Nezuko describing all of the things Urokodaki teaches him over a year. That includes how to stand, land, hold a sword, breathe, hold your breath and more. All the while, Nezuko sleeps, and Tanjirou worries about her.

Tanjirou soaks it all up like a sponge in order for his master to clear him for the Final Selection that will determine if he can become a member of the Demon Slayer Corps. Once Urokodaki tells him there is nothing else to teach him, he offers him a final test: slice a giant boulder in the woods clean in half.

The varying environments (forest, mountains, waterfall) break up the repetition that is both a bug and feature of most training episodes, and despite how fast time passes you can really feel how hard Tanjirou is working and struggling, and how frustrated he is when he’s suddenly left on his own to accomplish the seemingly impossible.

For another six months Tanjirou tries and fails to slice the boulder, until he’s approached by a boy in a kitsune mask named Sabito and a cute girl named Mokomo. Sabito offers tough love and clichéd motivational patter as he wails on Tanjirou. In between their sparring sessions, Mokomo teaches Tanjirou how to properly achieve Total Concentration, which allows humans to fight on par with demons.

After six months of that, Tanjirou is ready to face Sabito, who wields a metal sword for the first time after using only wood before. Tanjirou uses Total Concentration, her and Sabito rush at each other, and his strike hits Sabito first, cracking his mask in two. With that, the orphans trained by Orokodaki smile and disappear, and all of a sudden Tanjirou is standing before the boulder, which is sliced in two.

As I said, this episode has some cool moments but gets the job done in a pretty matter-of-fact manner. I’ve seen training regimens last only half an episode or less, while I’ve also seen them last entire arcs or cours. In the case of Demon Slayer, Tanjirou’s training takes an episode an change, which seems about right. On to the Final Selection…and hopefully Nezuko wakes up soon.

Rating: 4/5 Stars

Charlotte – 09

char91

Judging from the amount of time he spends figuring out what to wear, Yuu is not only looking forward to his concert date with Nao, but also seems to be developing some feelings for her. When they meet, he encounters a much more pleasant and bubbly and less surly Nao who is genuinely excited to see ZHIEND live (and collect their very practical smartphone case!)

char92

As the concert progresses, Yuu’s mind-splinter like nagging feeling of deja vu keeps building until it finally explodes when Sala starts singing a song caled “Trigger”, which just happens to be the trigger that sends Yuu…somewhere, somewhen else. Here, he and and a very alive Ayumi are patients/inmates at the very kind of government facility Nao always warned about, where ability users are rounded up and monitored, while those more powerful (and thus dangerous) are restrained, dissected, and/or disposed of.

char93

Is this a flashback, or an alternate reality? The show doesn’t say for sure, nor does it need to. Suffice it to say this is an awesome new direction for a show featuring characters with all sorts of crazy powers, so the ability to travel through time (Yuu’s “big brother” Shunsuke’s ability) isn’t that far out there.

The episode fully commits to this new, harsh, dystopian setting with abandon, along with the efforts by other users to free Shun with Yuu’s true power, “plunder”, or the ability to steal other abilities. That power makes him uniquely suited when the time comes to race through the corridors of the facility to release Shun. In the process, many of his associates fall to the security forces. The time between 13:55 and 17:30 is a thrilling masterpiece in and of itself.

char94

Everything seems to be worth it though, as Shun is released, his eyes uncovered, and…well, something happens. Yuu wakes up in the hospital with Nao by his side, as if it was all a dream, but the timing of Shun using his powers suggests it’s because of Shun that Yuu is here, and was here in this world living peacefully with Ayumi.

Nao is confused by Yuu’s thinking out loud, until a dry Kumagami (who was in the facility with Yuu and Ayumi) enters the room, offering to take Yuu and Nao somewhere where they’ll learn everything they’ve missed out on so far, including reuniting with Shunsuke, who Yuu learns was the one who set Nao on her path of finding and protecting users, thus helping the overall cause. Kumagami also says he can help Yuu rescue Ayumi, as if she wasn’t dead (and indeed, we never saw a body.)

char95

From post-rock concert to dystopian government facility to comfy hospital room, Yuu then finds himself following Kumagami with Nao to another top-secret underground facility, though in this case, it’s the well-funded but time-deficient headquarters and last stronghold of the “resistance” of ability users against the government, an organization led by Shunsuke, who is now blind.

This is little more than a reveal, with Shuu exchanging pleasantries and preparing to tell Yuu and Nao Everything, but this episode had done more than enough already, completely changing the complexion and expanding the scope, stakes, and very reality of the show. This is no longer just about a school club that rescues kids one at a time. This is about saving them all, including Ayumi. I’m always suspicious of un-killing characters, but in this case I’m very intrigued to see how they do it.

10_magRABUJOI World Heritage List

Charlotte – 08

char81

Charlotte follows its best episode (and one of the best episodes of the Summer) with another powerful outing, though not quite packing the same punch. It has Yuu returning to school and to the routines he had abandoned after Ayumi’s death. It’s all here, from Joujirou’s fanboying and bleeding, Yusarin’s spells and music videos, Tomori’s standoffishness and drop-kicking.

char82

But just when Yuu (and I) think the wet guy is going to show up with the next ability user, Tomori says he’s not coming. Instead, she has a second ticket to a ZHIEND show tomorrow, and wants one of them to go with her. Citing their honest ignorance of and disinterest in post-rock (look it up on Wikipedia), the process of elimination makes Yuu Nao’s “date,” and when she says it’s nice to have a breather now and then, he agrees and accepts.

Later that day while walking home, he bumps into a fuchsia-haired blind woman who mixes English in with her bizarre accent and is on a quest for “modern-yaki.”

char83

Yuu takes her to a okonomiyaki joint for some hiroshima-yaki instead, and learns that she’s none other than Sala Shane, the lead vocalist for ZHIEND. Not only that, Sala is a remarkably down-to-earth person who picks up instantly on Yuu’s still-raw wounds of grief, and decides to spend the whole day with him.

Yuu calls Nao to join them, but she seems utterly disinterested, which I took to mean she might have somehow arranged this, because the fact of the matter is Yuu benefits from hanging out with Sala, even as he still reflexively pulls out his phone to tell Ayumi he won’t be home for dinner.

char84

Sala once had the use of her eyes, and was once far bigger and more popular than she is now with her “dull” little post-rock band. But when things got out of hand with the fame and the money and the way the people around her changed, she gave it all up, making a deal with God to take her sight in exchange for a smaller, more peaceful life.

I couldn’t help but notice the similarity of her sitting in a dark, trash-filled house with nothing but the light of the TV to similar sights of Yuu in the same position. She remarks that the day may come when he too has to make a deal with God, and tells him to “handle it well” when it does.

char85

We learn where Yuu is taking Sala when we see the rest of his phone call with Nao, in which he tells her he’s bringing Sala to her brother’s hospital, betting she might be able to help bring part of him back from the fog. Where Nao almost seemed annoyed earlier in the call that she’d jump at the chance to see her heroine (in stark contrast to Joujirou, who worships the dirt beneath Yusa’s feet), here she expresses gratitude as the sun sets before her.

The highlight of the episode is Sala’s stirring solo a capella performance to an audience of Yuu and Kazuki. Sala is old enough that she would no longer have a power, and yet there she is, soothing the soul of a fellow adult, as someone who still has their power listens intently.

char86

Kazuki does come back; Yuu wins his bet, at least for now. Nao rushes to her brother’s side, then calls Yuu back to thank him from the bottom of her heart. Yuu doesn’t need Sala’s other heightened senses to detect Nao’s sincerity.

As for Yuu, he takes what Sala said to heart about him knowing good people, which have changed him without him knowing it. Last week, Nao straight-up saved him from falling off a cliff of despair. This week, without even thinking about it, Yuu repaid Nao’s kindness by helping her brother. Thanks to his experiences in these first days back in the post-Ayumi world, Yuu can see the light, and himself, and is happy with what he sees.

But he still gets nostalgic when he hears ZHIEND. Will he reach another breakthrough at the concert with Nao?

9_mag