It’s a bit late (sorry about that), but here’s our November chart. You’ll notice it’s far shorter than last month’s, and that’s because we left off the dropped shows (seventeen in all) for a cleaner and more manageable look.
You’ll also notice the chart is split into five fairly distinct clusters, with our four ‘kings’ (rated 9 or higher) sitting up top. Three of those four (Fate, Uso, and Bahamut) have spent time in first place, and it’s anyone’s guess which will win out in the end.
The kings are followed by four shows rated between 8.5 and 9. Below them is a set of seven shows between 7.5 and 8, a set of three between 7 and 7.5, and rounding out the bottom are the four shows rated below 7, led by the bizarre, enigmatic Cross Ange.
The weighted average of all the shows you see above comes out to 7.66, making Preston’s Garo the most ‘average’ show we’re watching right now. Sounds about right.
Include every episode of every show we’ve watched this fall, including drops (a total of 214 episodes and counting), and the average drops to 7.31, not too far off the combined 7.27 MAL score of those shows.
Overall, it’s been a very good Fall, with a lot of quality at the top and something to like in each of the mid- and lower-ranked shows. That being said, we’re looking forward to a lighter load come Winter!
Happy Halloween, ya’ll! We’ve compiled the big-ass chart above to illustrate just how much the four of us have watched this month. Some of it good, some of it great…some of it meh, and some of it horrid. Let’s get down to business.
Franklin:F/sn: UBW merges film school theory with fantastic visuals and thoughtful storytelling to create the best show this season. Anyone who claims otherwise is trolling.
Hannah: I would say I respect, rather than love, F/sn: UBW. For all its visual and aural style, It can feel a bit dry and sterile at times. I’m also not enamored of Rin’s derivative character type so far (though it’s early) as the girl who has feelings for the guy but is constantly ragging/looking down on him.
Hannah: Where do I begin? There is so much to like about this show, from its colorful, complex characters and excellent chemsitry, a vast, expansive world, intricate magical/mythological milieu and supernatural elements that are all polished to the max. Each episode has told a different story with different genres in play, yet they all fit together to form a cohesive and compelling whole. I can’t belive this is based on a card game!
Franklin:Bahamut contends with F/sn for best looking, most fantastically animated show this season. It may well be better animated, actually. Fluid, less conventional character design, and people of color: it’s only missing Samurai Champloo/Cowboy Bebop’s legendary musical support to achieve maximum greatness!
Zane: I had no shows at all nailed down for Fall. It was a grab bag I was reaching into in the dark, hoping to find some gems. But I knew at the first glance of Shigatsu wa Kimi no Uso’s Shinkai-esque promo art that this had the potential to be something special. So far, it is just that, and not just because it’s so desperately pretty, but because I care about each and every character. And the musical performances…oh, man, the musical performances. So much win.
Franklin: The piano-deaf trope keeps it away from top shelf and the recent ‘hospital hints’ may have spoiled its next tragedy for me – but I’m keeping quiet. This drama’s blond has my heart and, like it’s protagonist, I can’t help but race along behind it!
Franklin: wears a confident smile beneath is ice-cold gaze. Mystery, humor, lovely visuals and playful style. It beats all but the most Piano’d of quirky teen romantic dramas this season, and only then, because Shigatsu’s got higher stakes.
Zane: I’m intent on not directly comparing InoBato to past magical school greats like Suzumiya Haruhi and Chu2Koi; which is a tall task. But I’ve given InoBato all nines because shortcomings compared to those shows (and the pretty dang overt harem aspect) aside, it’s drawn me in. Trigger’s “gorgeously competent” animation isn’t all this has going for it, at least for me. It’s not an all-time great, but it is delivering what its title promised: the rendering of commonplace life in a high school club whose members just happen to have awesome powers.
Franklin:InoBato somehow mashes up the extremely well constructed yet uninteresting nature of Shirobako with the soullessness of a Chu2Koi clone. I respect it. I even appreciate the word play on several levels but InoBato’s cast is shallow compared to similar shows of this season and appallingly so, compared to Chu2Koi. I’m no longer watching.
Hannah: I mentioned in my reviews a slight “Psycho-Pass fatigue” that made my buy-in a bit slower compared to the first series, but three episodes in, both the show and I have found its groove. It takes storylines like Akane’s unique relationship with the Chief/Sybil and the fate of Ginoza, and gives us a new villain who may not be quite as brilliant as Makishima, but has more noble intentions. I consider Akane the best all-round character of the Fall.
Franklin:Cross-Ange shows us the beauty in misery and the misery in objectified beauty. Blood, mecha, betrayal and dragons are only half it’s value. It takes guts to use objectification so knowingly. Even the characters seem to hate it.
Hannah:Cross-Ange seems to be suffering in the MAL rankings, and I can understand that: sometimes it’s simply hard to watch. But unlike other shows that are hard to watch but so on-point in their message that you respect them while not necessarily loving them, I also love Cross-Ange. It has guts; both the kind that takes risks and the kind that splatter all over the place.
Preston: This is, I believe, the only show we’re reviewing this Fall focusing primarily on a father and son…and what a father and son these are! The father tends towards hedonism while the son is straight as an arrow – and all the more naive for it. Together they make a great duo, and it’s a treat when they whip out their armor. That being said, the bad guys in this are pretty generic. But I love the show’s offbeat style and the action music is brash assertive in the best way.
Franklin: CGI is good but lacks fidelity and integration of F/Sn or Bahamut. It also has a dreadfully dull world, populated by paper-thin politics, emotionally dull villains, and everyone with facial hair looks idiotic to me. By no means is it anything less than an 8. However, it is by no means something I’m still watching.
Franklin: promised a deeply weird sense of humor and an unsettling environment for its unsettled cast. It remains visually unique, yet not unbelievably so, and by episode 4 we’re starting to see the truly weird world under its candy-sweet harem exterior. It’s taking it’s time though, and not in a good way.
Franklin: mash up of Inuyasha and Barakamon feels better on paper than in practice. It gets me laughing to be sure but lacks soul and has a bland look. However, like Kohina-chan’s ramen addiction, I can’t seem to stop eating up GKs’ cheap artificial thrills.
Franklin:Parasyte creeps me out, makes me smile, and gives me nightmares to laugh at in the morning. The perfect off-kilter mid-level genre defier for the season.
Preston: Talk about marching – or rather slithering to the beat of its own drum (or rapidly-beating heart). As its title suggests, Parasyte burrows itself into your soul and nibbles away, setting off your primal reptilian fight-or-flight response, but also tantalyzingly toeing the line between pain and pleasure. There’s also a really good romance at its core, but you can’t help it’s SO doomed!
Zane: The title and synopsis suggest this was going to be another flash-in-the-pan misogynistic rom-com that I’d have a little fun skewering until skipping it off a creek like a smooth, flat rock, never to be seen again. How wrong I was! While the titular Wolf Girl is indeed treated badly (or rather, like a literal dog) more than occasionally, it’s a situation entirely of her making. The show already seems to be exhibiting signs of moving past that initial goofy charade, as both girl and guy definitely have legitimate feelings for each other. It’s just a matter of making the transition.
Franklin:Ronja hangs on by a thread on my watchlist, and that thread is a 3-year-old boy who asks me to watch it once a day, all week long. It partially shows how underwhelming Garo’s CGI truly is and, unlike Garo, frustrates me by how good it would look without that CG. Pretty, safe, remarkably fresh compared to western children’s television but not meant for me.
Preston: That’s weird, I never once thought GARO’s CGI was that bad, it was just being used for a very specific, special purpose (for the armor). Meanwhile, the content of Ronja is pretty and happy and pleasant enough, and by the end of the first two eps I was even mostly used to the CGI. But then the end credits rolled, showing the same characters in 2D, and I thought to myself “Dagnabbit…why doesn’t the show look like this all the time!”
Franklin: This show will be remembered for being consistently the highest rated show I see no reason to watch. Flawlessly constructed, it’s massive cast held together, yet utterly uninteresting due to it’s pedantic subject matter. Shirobako is the define of unnecessary self indulgence. Dropped.
Preston: From the start, this been mostly big, loud, colorful, goofy, over-the-top fantasy action, but I’ve found it extremely watchable nonetheless, and when characters are killed off, it’s done a reasonable job making those ends emotionally resonant, if uncomplicated. Most of all, I’ve enjoyed the Tatsumi-Esdeath quasi-romance, but there’s sadly been precious little of that.
Preston:Chaika is like a slightly more serious and well-made Akame ga Kill!, further underlined by the fact that like Akame, it’s got a lot of past material to build upon and a huge cast. Chaika’s ten-episode second season is all about discovering new truths, most of them disconcerting, horrible, and, for the main Chaika, life-upheaving. But the chemistry between the choppy-speaking loli and the sibling bodyguards has always been decent.
Franklin:Chaika: AB doesn’t work without it’s first season, which was only mid-quality to begin with. Now that Gillet is back, and probably evil for a short eye rolling plot arc to come, its narrative cowardice is plain to see. Not terrible but I no longer find it worth watching.
Preston: Zane told me after getting somewhat burned by the often-inscrutable Glasslip, he was taking a break from P.A. Works, which fielded SHIROBAKO this year (which Franklin has dropped). But Sora no Method feels an awful lot like my last P.A. Works piece, Nagi no Asukara, which also started slow and got better and better with time, like wine. One notable difference with Sora is that it’s not about a love polygon, just a circle of friends who have drifted apart. Still, it’s showed polish and promise so far, and its setting is sleepy but lushly rendered.
Franklin:WareMete could be brilliant if it even lived up to the ending of its first episode. Unfortunately, as with that episode pre-tragic twist, it’s rather unremarkable now. Slow to the point of feeling delayed, not fantastically animated, and not confident in its purpose. I’m no longer watching.
Zane: I am, but if things don’t pick up soon (and they did a bit last week), I may not be for long. Seriously, that was a great first episode (not necessarily from start-to-finish, but that finish!). Can it fnd that magic again?
Preston: In the last installment (episode 8), this new Sailor Moon (my first exposure to the franchise ever) really hit its stride, earning its first 9. The final guardian has revealed herself, Usagi is no longer just a bumbling airhead depending on her man to save her, and the war against an admittedly very shallow and repetitive force of bad guys is heating up. My long-standing major criticism of the show remains its momentum-hampering biweekly format.
Hannah: The GGO arc bogged down pretty hardcore, but pulled out of its stall and ended strong. After both a stock-taking episode and a recap, SAO has returned to ALfheim Online and, largely, back to the RPG procedural basics of the show, which I think makes for a nice change of pace. Of course, there are two glaring problem with the present arc: One, their lives aren’t on the line, just their game progress. Two, so far Sinon has been relegated to supporting character duty. Neither are enough for me to give up (I rarely give up on shows), but they’re concerns.
Zane: First InoBato, then Daitoshokan…what is it with these unapologetic harem shows that are actually not bad at all? Daitoshokan is aided by great character chemistry and just-above average production values for its genre. It has demonstrated it’s not afraid to dive into the usual harem tropes without really putting any kind of spin on them, but it’s also capable of more heartfelt development.
Franklin:G wants us to remember the 80s and get all warm and fuzzy about how incoherent, sluggish, and stylistically ugly shows were back then. It’s playing at ‘its so bad its funny again’ but I just reviewed 90+ hours of bad Gundam this summer, thanks. I’m no longer watching.
Hannah: Well, there’s your problem: Don’t watch 90+ hours of bad Gundam before watching this show! In fact, don’t watch this show at all unless your able to get on board with its cheeky, semi-serious tone and intentinally clunky action. I will say that the character designs, at least for me, are above reproach, coming from the same hand that penned Eureka Seven. I’m not going to sit here and say the plot is coherent, but you can tell that a lot of work and love was put into this show, but it doesn’t quite feel like a complete show quite yet; more a love letter.
Franklin: To be fair, I liked about 24 hours of the Gundam I watched this summer. Stardust Memory, 06th Team, War in the Pocket, and Unicorn were visually striking and interesting takes on life during mecha warfare, politics and love. However, Gundam G is nothing like those shows. It’s like Zeta and Double Zeta, which were absurdly nonsensical, awkwardly comedic 80s romps through looking down on women, space-magic, and mecha-savior-spaceboy fetishism.
Franklin: Both shows succeed as pleasant, fun shows that I encourage watching if you’re into their genres. Nothing bad here, just unremarkable and draining to maintain in the review schedule. I’m still watching Kaito.
Franklin:Where the heck did you come from? Average in all categories without Wheelchair-chan but interesting because of her. Will it continue to have legs? Probably not but it’s good junk food in the meantime.
Hannah: I tried to get into this affable period piece about three brothers in a alternate version of Japan’s tumultuous period where Western and Eastern culture clashed. But…it kinda just fell by the wayside. There just wasn’t anything that hooked me.
Zane: Yes, this is based on a cell-phone game and yes, there are more than one million characters, but I’m liking its simple but relatable stories about friendships and its unabashedly positive outlook.
Franklin:Vanadis is a lazy, ugly failure, populated by powerful women with giant breasts who, generally speaking, hate other women and squabble over men. Vanadis’ attempt at world building is so pathetic that we are told about scenes of exposition that happened off screen. The old saying ‘Show not tell’ has never been so needed as it is here. Dropped.
Preston: Wow, way to condemn a show based entirely on one dud episode! Wizard Barristers also had a dud late in its run (because they forgot to animate it), and while the timing was awful, it didn’t ruin the series. It was just a bruise, not a mortal wound. Vanadis’ fourth episode was a little more troubling, but I really enjoyed the first (which introduced us to the world) and third (which gave us what I thought was a pretty nice battle). I’m hoping those episodes are a better indication of what we’re in for moving forward, and that week four was merely an unfortunate aberration. No, the big boobs aren’t going away, but big boobs alone do not a show ruin!
Franklin: My criticism of the show far out strips a single episode and big boobs. The total lack of world building has been an issue from the get go, as has the simplistic cast of pure villains, as has the hand-wavy resolution of any conflict in Tigre’s favor. The fact that woman hate each other for no good reason only makes it despicable as a show, as opposed to an empty Shonen masturbation piece.
Zane:ATM! is short, sweet, and stupid, but also pretty fun and surprisingly addictive. That’s all it needs to be, and that’s about all there is to say about it! Oh, and compared to previous shows in the franchise, the character design kicks ass.
Franklin: is droppable but continues to sucker me in with a low low three minute commitment each week. It’s empty but inoffensive and its worth 30 seconds to know the sea-creature/boy mash of the week.
Franklin: teeters on the edge of being dropped. Witty banter aside, the character motivations are unreasonable and feel contrived for the plot. Otherwise, it’s just another boob-grabbing harem with a smirking demon lord/boy as the central hero. If it doesn’t get interesting soon, out the window.
Franklin: for a show I dropped in the first week, I’ve sure reviewed a bunch of these haven’t I? Honestly, it’s generic, uneventful, and cheaply animated and has no hook at all. For now, I’m respectfully watching it because of its harmless, easy to review nature.
Franklin: is balancing out with Orenchi, in that they are both completely harmless, not especially funny, nor especially clear what they want to do with themselves shows. Otaku Husband is starting to develop a bit of a plot… and Orenchi isn’t. Expect their ratings to flip flop in the coming weeks.
On this evening, 10 years, or 3,652 days, or 87,648 hours, or 5,258,880 seconds ago, the premiere of Bleach aired on TV Tokyo during the network’s 40th anniversary on the air…and the world was never the same. Well, maybe that’s overstating things…but the world was most definitely slightly different for me, as Bleach would go on to be the first contemporary anime I’d follow regularly, and at one point, religiously.
Like another popular animated series, Bleach went on too long, and I watched too long; in hindsight I’d have retired from the show at the conclusion of its third season after a total of 63 episodes. After that came the first of many excrutiating “anime-original” arcs that, also in hindsight, weren’t worth my precious time (or yours). That was a perfectly respectable three seasons.
Bleach’s best years happened long before RABUJOI was a glimmer in its reclusive founder’s eye, so on the tenth anniversary of its premiere airing, I thought it would be fun to give it a standard RABUJOI review, as if I were picking it up for the new Fall 2004 Season (Mind you, I won’t write it as my ten-years-younger self; that wouldn’t be good for anyone.) Enjoy!
A gloomy, colorless dimension: two black objects shoot up out of a larger mass. Cut to the real world at night. We have no form, therefore we fear it. Two objects fall onto a sidewalk; their faces show for a moment. And because we are formless, we revere it. Then cut to a solitary girl in a black perched on a telephone pole, admiring the full moon before bounding over the town. Thus we are slain. Striking images, striking words (displayed, not spoken). An enticing prologue overall. So far so good!
Cut to a punkish-looking kid beating up other punks. Turns out he’s mad over them knocking over the flowers left for a recently-deceased girl, so he’s a punk with a heart as gold as his head, which looks bleached. The dead girl thanks him: she’s a ghost, but Kurosaki Ichigo can see ghosts. At home, above the clinic his dad runs, dad ambushes Ichigo, and a heated battle commences as his more mature little sisters tuck in to dinner. Ichigo isn’t hungry, so goes to bed. Nice looking family; worth fighting for.
The next morning is eventful and strange, with Ichigo running into the ghost girl again, who is on the run from a ferocious monster with a very distinctive, Godzilla-esque roar. As the brute bears down, the girl cloaked in black gives it a taste of her katana, then another, and it’s gone. Then she’s gone, and the color and sound of the world returns. Increased ghost sightings, now monsters? Ichigo is troubled.
That night the girl in black breaks into his room and ignores him as if he’s not there, earning her a kick in the ass, killing the dark, serious mood in the best way. The girl is amazed he can see her, but identifies herself as a shinigami, charged with killing monsters like the one he saw that morning, as well as sending more docile ghosts to Soul Society, i.e. heaven. Ichigo voices his disbelief and calls her a stupid brat, and for that gets hit with a kido binding spell. The shinigami explains the particulars of the system: plus good, hollow bad, soul burial good. It’s an infodump, but efficiently delivered with a dash of comedy, thanks to her silly drawings.
The mood becomes dark again when hollows invade Ichigo’s house, and they don’t fuck around, going straight for Ichigo’s beloved little sisters. The shinigami springs into action without unbinding him, but he breaks the magic with sheer shounen will…and yelling. He jumps out in front of the hollow to make it drop Karin, and the shinigami has to come between them to save them, gravely wounding herself in the process.
The hollow is stunned but not dead, so the bloodied shinigami gets a crazy idea, based upon all the unheard-of-for-a-human abilities Ichigo has thus far exhibited. She’ll lend him, say, half of her shinigami powers so he can finish the hollow and save them all, telling him her name in the process: Kuchiki Rukia. But Ichigo isn’t a halfway kinda guy, and ends up taking all her powers. Donning the same black-and-white garb as her and wielding a Freakin’ Huge Sword, Ichigo takes care of business, easily dispatching his first hollow in the first moments of his new job as Substitute Shinigami.
On the whole, this was the kind of episode that mercilessly tempts you to watch on. It lays out a lot, and gets a little talky at times, but still leaves so much up in the air that I can’t help but want to tune in to see what comes next. While Ichigo initially comes off as a bit of a dick for stealing all of Rukia’s powers, he doesn’t do it intentionally, and did it out of a desire to protect his family. It struck a nice balance of action, comedy, and supernatural elements wrapped in a stylish package, somewhat rough animation aside, with a memorable soundtrack to boot. I think this show could go far!
First of all, thanks again to our readers for another phenomenal month. It’s nice to know someone out there is reading!
It’s been a steady but also active month, as the good shows stayed good, a few more shows were dropped (for different reasons), one show switched authors, and the site literally went dark (we’re white on black, or rather light grey on very dark grey, now).
Like last month, we’ve got a big colorful graph to show you how our selection of summer shows has panned out two-thirds into the season. See the full-size version for a closer look…and stay tuned in the next few days for a slightly belated Fall 2014 Preview.
So…Zankyou no Terror…that unassailable whiff of prestige we mentioned last month? Still there, but a bit less potent, thanks to the introduction of a pretty lame villain in Five. We still don’t know exactly what Nine did to her to deserve such unrelenting rage (he left her behind during the escape, I guess?), which makes her motivations muddled in addition to being over-the-top. One could argue every other main character in the show has had as rough and messed-up a life as she has, yet she’s the only one actively trying to murder lots of people. Regardless of the Five Problem, ZnT remains our top show this season; a testament to how much other good stuff is going on around Five.
Calling Aldnoah.Zero a Gundam clone is being a bit unfair. While there’s no disputing the influence of the mega-franchise (and I’ll be checking out Reconguista in G come October), A/Z is delivering its own brand of hero in Inaho, and we’ve fully embraced his bordering-on-bland stoicism. Crazy, messed-up stuff happens all around him, but nothing fazes the guy, nor makes him curl into a ball sobbing. His friend Inko keeps a similarly even keel, but injects more humor and spunk into her performance. It’s a small role by Komatsu Mikako, but a good one.
Sword Art Online II’sducks are in a row now, and we’ve proceeded with the Ballet of Bullets that is the centerpiece of this first cour. But as exciting the action of the BoB is, it wisely takes a backseat to the growing but still somewhat arms-length bond between Kirito and Sinon, two souls tortured by pasts in which they ended some lives to save others. As Nurse Aki, in an awesome supporting role, says to Kirito, if he’s in this much pain, then he’s not the monster he thinks he is, had the right to make the decisions he made, and to make them again should the time come. Death Gun must be stopped. Here’s hoping he lets Sinon help him. I also wouldn’t mind these two meeting in the real world.
Even though I pride myself on carefully selecting anime of only the finest quality and watchability here at RABUJOI, sometimes something rotten gets by Quality Control. That’s a charitable description of the sixth episode of Rail Wars!. The show then decided it wanted to establish and augment the harem around the protagonist, before quickly breaking up that nonsense and geting back to its ostensible premise of traincraft. She’s a harsh mistress, but her ability to stay on the tracks, and contrasting love interests like Aoi and Mari, continue to endear it to me.
Barakamon the city-boy artist has really grown and become a member of the community, and the show has demonstrated that in a variety of ways, from bringing a fresh batch of city slickers to the island, to the fact that Naru’s near-constant presence in his home has become more of a comfort than a nuisance.
There’s still one member of Hanayamata who has yet to officially join the yosakoi club, and one member – Yaya, ended up on the verge of not only quitting the club, but tossing aside the others’ friendship. They try to get her back, fail, then try again from a different angle, and get her back into the fold. I rather enjoy when conflicts like this crop up in shows with otherwise lowish stakes, because they’re true to real life: sometimes you’re just not on the same wavelength.
The last five weeks of Space Dandy 2 have been a roller coaster, going from fine to great to good to phenomenal. The standard has been set with it’s transcendant, art-filmesque eighth episode, leaving me hungry for hopeful that we’ll get one more episode approaching its like (albeit with a completely different premise and setting) in the final four weeks.
Ao Haru Ride isn’t just about the “new” Futaba and “new” Ken growing closer together, though they seem to be progressing nicely enough. It’s also about how everyone (except, perhaps, Aya) in the new circle of friends is experiencing true, honest friendship for the first time. The Kou triangle would rend weaker friendships apart, but Futaba and Yuuri reach detente through honesty and courage, and they in turn inspire Shuuko to open up as well. Kou, unfortunately, seems to be dithering.
While early on Glasslip’s supernatural elements were overshadowed by the more conventional teen drama, in the last few episodes things have gotten very trippy and unnerving indeed. Now they’re a legitimate obstacle to Touka and Kakeru’s relationship, and they know they can’t keep it their little secret. Glasslip is trying to do a lot in a little bit of time, so sometimes episodes feel overstuffed, but that’s better than being too sparse. Also, all of the characters are becoming interesting as their narratives grow richer and more complex. Sacchan remains the show’s quiet star.
Akame ga Kill!, which I’ve been likening to a darker, more morally complex Fairy Tail, keeps impressing me in spite of the fact there’s barely an original bone in its body. It’s gotten gutsier, too, killing off two Night Raid members just three quarters in to its first cour…and probably isn’t done. Foes never seem to last long, but more powerful, sadistic ones promptly crop up to take their place, to test Tatsumi, who is now in possession of his own Imperial Arm.
Majimoji Rurumo continues to be the Anti-WCW, wisely focusing on character rather than silly plot. While a few new faces, they don’t get in the way of the core couple. Rurumo continues to wreste with her feelings for Kouta, but meanwhile Kouta isn’t standing still, continuing to improve as a person out of a genuine desire to help and protect both Rurumo and, in one of the saddest episodes of the season, a litter of kittens.
With four episodes in the bag, Sailor Moon Crystal is now where the rest of the summer was this time last month. In those four episodes we’ve met Moon, Mercury, Mars, and the kings who serve Beryl. Looking forward to Jupiter and Venus and seeing the whole troupe kick some demon ass.
Tokyo Ghoul remains a dark and gory show, but not gratuitously so, and it’s been able to successfully leverage its social message by showing us the neither humans or ghouls share responsibility for the mess the world is in. Ken also seems to be gradually grown a pair as he realizes how important he could be; always encouraging.
Super-cool OPs and EDs should never determine whether one watches a show, and even though the mystery and action seemed to be starting to pick up, I was just never ever that impressed with DRAMAtical Murder. The characters act dumb, the story’s a slog, and the animation ranged between ho-hum and fugly.
Gekkan Shoujo Nozaki-kun landed in my lap at the end of the month but absolutely dominated everything else I was currently watching. It’s clever, quirky, well drawn and funny. Oh, and it has some charming teen romance drama under the hood too. GSN-k’s only challenge will be to actually go somewhere with the plot threads (at least the central thread between Chiyo and Nozaki) without losing it’s grip on the comedy. I’m confident it can do it, but will it?
Sabagebu! continues to surprise me. For Pete’s sake, I almost dropped this show as “knock-off trash cashing in on Gainax’s ‘dreadful girls with airsoft melodrama'” when I previewed the pilot! Thankfully I gave it a second shot. Sabagebu! is deceptively smart, mercilessly funny, and a real treat each week. Only it’s cheap production values keep it away from top shelf for me — and the more I watch, the less I feel I can hold visual shine against the show.
Love Stage!! came and went this month but, happily, it passed on a high note. The drama between Izumi and Ryouma is now fully established and interesting. Izumi’s character is probably done moping and the rest of the season should bare a lot less angst. Still, Love Stage!! was hard to watch, not a genre I’m familiar with, and I feel it was much more sexually aggressive than a similarly scripted hetero show that would broadcast over the air. I can’t decide if it should be applauded for it’s boldness or avoided.
Oh Rokujouma no Shinryakusha!? what. the. hell? You were a harem comedy once and you were half way entertaining. Sure, procedural, but I got a chuckle. Now you’re a baddy of the week (every other week) show, with an intergalactic politics and trans-space/time mystery plot. You’re not funny at all, your harem filler is dull and unstimulating, and your hero is whatever perfect’ish dude mold you want to pour him into. You’ve out stayed your welcome. Good bye and good luck on some other reviewers docket. xoxo – Frankie
Starting with the Spring 2014 season, the reviewing duties around here will be split between three authors, who will watch, review, and rate three to four shows each. They’ll continue to deliver the concise, insightful anime reviews RABUJOI is known for. They will not always succeed.
We felt the change from Winter to Spring was the ideal time for the staff to step out from behind the monolithic rabujoistaff moniker, and take their places behind new, distinct identities. Where there once was one voice, soon there will be three. Please be nice to them…or don’t; they can take it!
Handle: Braverade | Real Name: Hannah Brave | Gender: Female | Birthday: 3 July | Blood Type: O- | Favorite Food: Steak Tartare | Favorite Anime: Evangelion, Macross Frontier, Kill la Kill, Eureka Seven, Book of Bantorra
Greetings. Hannah here, and I like watching things explode, or at the very least moving very fast. To that end, I’ll be focusing on action, adventure, space, and sci-fi genres. This spring, I’ll be watching Akuma no Riddle, Black Bullet (here’s hoping they’re any good), and the second cour of Nobunaga the Fool. Yoroshiku onegaitashimasu.
Handle: sesameacrylic (no caps) | Real Name: Zane Kalish | Gender: Male | Birthday: 12 May | Blood Type: AB+ | Favorite Food: Ceviche | Favorite Anime: Toradora!, Haruhi Suzumiya, Kare Kano, Zetsubou-Sensei, Nazo no Kanojo X, Sket Dance
My focus will be on comedy, romance, school, and slice-of-life; less explosions and punching, more jokes and hand-holding. Where those overlap with genres of Hannah or Preston, we’ll play Jan-ken-pon, but come Spring I’ll be checking out Mekaku City Actors, Ryuugajou Nanana no Maizoukin, and the final seven eps of Nisekoi‘s odd 20-episode run. I wanted the school series Mahouka Koukou no Rettousei, but Preston claimed it because it’s a magic school… :P
Handle: MagicalChurlSukui | Real Name: Preston Yamazuka | Gender: Female | Birthday: 22 Jan | Blood Type: B+ | Favorite Food: Tamagoyaki | Favorite Anime: Mawaru Penguindrum, Puella Magi Madoka Magica, AnoHana, Serial Experiments Lain, From the New World, Shiki
If Hannah is Strength and Zane is Stamina (you need it, getting through some of those will-they-won’t-theys), then I’m Magic. I’ll be delving into the realms of fantasy, magic, mystery, and the supernatural. My Spring watchlist will consist of Gokukoku no Brynhildr, Hitsugi no Chaika, and Mahouka Koukou no Rettousei, in addition to the second cour of Nagi no Asukara. Douzo yoroshiku!