Jahy-sama wa Kujikenai! – 06 – Two Drunk Besties

After her harrowing encounter with the enormous Magical Girl, Jahy is spooked by the mere word “maho”, whether it’s a student’s name, or Mahogany wood, or some kind of mantra. This segment plays with depth of field to subtly show Jahy retreating headfirst into a garbage can.

She ends up losing her precious giant mana crystal, but Manager ends up finding it for her. It’s at this point Jahy determines she can’t move forward if she continues to rely on the kindness and generosity of others. The seriousness of her farewell is quickly undermined by the Manager urging her to take a bath immediately.

Jahy later encounters a young woman carrying a mana crystal just like hers, and assumes she’s just some weak human. Turns out it’s the Magical Girl in disguise. She wants Jahy’s mana crystal, and no matter how much misfortune befalls her as a result, she’s able to bear the punishment due to her Magical Girl super strength and toughness.

This results in the Magical Girl making off with Jahy’s giant mana crystal along with her own. It’s a huge loss for Jahy, basically putting her back at square one. Just imagine if the Magical Girl had an actual brain rattling around inside her skull…Jahy would be well and truly fucked!

Jahy proceeds to use her original mana crystal to transform into adult mode so she can wash away her sorrows, one liter of beer at a time. The Manager doesn’t necessarily approve, but she doesn’t stop pouring the beer, either. Then her sister Ryou arrives, and rather than continue their rivalry, drink Jahy tells her to park her keister next to her and start drinking.

Ryou proves every bit as rambunctious a drunk as Jahy, and the two complement each other perfectly, with Jahy lamenting all her flaws and Ryou countering them with heartfelt praise. She tells Jahy she’s proud of her for managing to get by in a foreign land. The two proceed to have a rager of a night, dancing, hugging, holding each other, and generally having a swell old time.

The next morning, Jahy wakes up naked next to a sleeping Ryou on the floor of the bar where Manager left them. That nefarious Manager also happened to snap a whole bunch of photographic and video evidence of Jahy and Ryou not just getting along, but getting along famously like absolute best buds. Jahy demands immediate erasure, but the Manager will surely save a couple of choice shots to remember that night.

Finally, in the disconnected omake following the credits, we get several mini-episodes of a cooking show starring Jahy, where the only recipe ever prepared is stir-fried bean sprouts with various seasonings. By the end of the segment Jahy’s bubbly enthusiasm has totally evaporated, and if she looks at another bean sprout in a hundred years it’ll be too soon. So naturally, Ryou arrives with a big bag of fresh sprouts.

Rating: 4/5 Stars

Fune wo Amu – 02

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When I was in Tokyo, I availed myself of the impeccable (compared to my city) mass transit, not just to get from Point A to Point B, but because I have an affinity for trains, and subways in particular. It was like I had died and gone to heaven: the unique aesthetics of the individual stations, the elaborate yet useful signage, the machines that sold everything from drinks to books.

Oh, and the people. Never did a single person block the opening doors of a train. People got in tidy lines, often using the lines on the platform, and ingress and egress were smooth and efficient, and ultimately quicker than if it was every person for themselves. Especially in the early mornings, it was a rush and a crush, but it all worked, and it was all polite and precise.

When Majime speaks almost wistfully about the way people on the subway got into neat lines (as if controlled by some unseen power…called courtesy!) and rode the escalators up and down, I could relate. I was on vacation after all; I had no particular place to be, nor any particular time to be there. Majime also takes his time, and Araki and Matsumoto are impressed by how he’s able to express how he enjoys his “hobby” of escalator-watching.

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The point is, everything is “fun” for someone, even if it’s boring for others, or even most people. Majime finds observing humans on the go fun. Matsumoto and Araki find dictionary-making fun—why else be in the business so long? And Majime’s new job, for which he seems preternaturally well-suited, also looks like a lot of fun.

His new office is an old, dim, dusty building (once the main building for the company), and there are stacked books with colored tags and shelves full of tiny cards, containing hundreds of thousands of words and their definitions. It is, to use the symbolism of the show, a shipyard—the place where the ship The Great Passage will be built, patiently, steadily, over a period of ten years.

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Majime seems pleased with his new position, and eager to contribute…but it’s working together with other people (rather than simply observing them) that troubles him. He’s unsure he’ll fit in, and even more worried he’ll let the others down.

His landlady Take asserts that he really shouldn’t be sweating such things at his age. Socializing with people is give-and-take, plain and simple. Take the two of them: she essentially exchanges hot, tasty meals for company, but through multiple encounters over however many months or years he’s lived in the boarding house, and it’s as if a different symbolic ship has been constructed—a friendship, to quote Mr. Burns—and Take’s able to say with confidence dictionary editor is the perfect job for young Majime.

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This episode is called “Encounter”, and it’s not just his new job, his new colleagues, and the great new undertaking he encounters. It’s a beautiful young woman, posed perfectly in front of a huge yellow moon, whom he encounters by chance while looking for his big fat orange cat Tiger.

Majime is literally taken aback by the sight of this striking person, and likely even more intrigued that she’d playfully take the words meant for Tiger (“There you are…I’ve come to get you”) as words he meant for her. No doubt she’ll play a big role in Majime’s growth in the coming episodes.

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