The Promised Neverland – 21 – More Important than Revenge

By arriving just in time with Mujika and Sonju, Emma is able to talk Norman down and get him to drop his knife. Despite all the time they’ve been apart and the things Norman has done and planned to do, Emma still feels absolutely certain that he doesn’t really want to do those things he planned, even going so far as calling him an “arrogant coward”.

The show deems that she is correct in her assessment, and that, when offered, Norman is willing to share the suffering, pain and fear with Emma, Ray, and the others instead of shouldering it all himself. Mujika then goes around the town administering her blood to those who have degenerated, not only curing them but ensuring they’ll never degenerate again.

As Norman’s plan to annihilate the demons of the village is reversed, Barbara prepares to kill a demon girl and her infant sibling, but when she sees herself in the cowering girl, she finds herself unable to do it. We’re to understand this is the first time she’s been presented with the opportunity to kill a demon child, and was all talk before.

Norman and Emma emerge from the burning town, and Norman tells his comrades the truth: he didn’t want to get revenge on demons, but to save his family. He used the ticking clock on his life to justify taking a path he wouldn’t have otherwise chosen. And he lied about not having succombed to the same Lambda drugs as all of them because he wanted to project reliability.

Barbara, who just stopped herself of her own accord from murdering a child, can’t very well argue, and says Norman is more important than revenge. Cislo and Zazie are also extremely understanding of Norman’s coming clean. Vincent isn’t, but the others tell him to stand down.

Upon returning to the hideout, the kids there tell them they just got word from the Grace Field radio: Phil and everyone else are being shipped. We cut to a scene with Petri and Isabella, who have sent the message as a trap, knowing the kids who escaped will come to the rescue.

What’s odd is that Petri is talking with the demons like Norman and the others just escaped from Lambda; presumably that happened weeks if not months ago. And don’t get me started on Isabella, who we were led to believe was on a short leash, and yet has been allowed to fail for quite some time now.

Of greater import in this scene is Petri’s announcement that the Lambda materials weren’t lost in the bombing, and the entire high-class farming system is poised to be replaced by Lambda-style farming through drug-induced brain enhancements.

Ray rightly suspects the message about the premature shippings is a trap to lure them there, but it doesn’t matter, because they still need to return to Grace Field if they want to save Phil and the others. The fact we haven’t seen one second of Phil or the others at the farm somewhat dulls those particular stakes…as do the developments at the hideout.

Vylk, the grandpa who’d regularly visit the hideout—and who Norman almost killed—and his granddaughter Emma visit so he can tell a story about a small piece of a pen a dying human was grasping, and the remorse he feels for not using his blood to save others besides his own family. When screwed into Emma’s pen, it not only provides blueprints for farming HQ and the gate to the human world, but a cure for the side-effects of the Lambda drugs!

That’s an inordinate amount of coincidence and suspension of disbelief in one little flash drive! But even with all this new information, and with almost everyone on board with returning to Grace Field, the one holdout—Vincent—ends up betraying everyone by using the radio to exchange intel for a deal. I guess he wasn’t moved by the embrace of the Emmas…

Shoujo Shuumatsu Ryokou – 06

The girls are in a spot: a gear has snapped clean in two, stopping the Kettenkrad, and their “last tour” in its tracks. If they can’t get it going, their chances of survival plummet. Chito can’t get it going, and Yuuri won’t help (probably aware there’s little she can do). She just cheerfully sings a little song with one lyric: “hopeless, hopeless.”

Then Yuuri spots an airplane flying in the sky, and Chito spots a woman in a white coat running after it. Hope has arrived, in the person of Ishii, who has taken up residence in an old underground aircraft hangar.

Ishii is a quietly kind yet no-nonsense person. She knows she can’t live in the base forever, so she’s using the plans she’s found to design and build an airplane to fly to the next city (the plane seen in they sky was a prototype).

More than a base, the hangar appears to be some kind of repository of aeronautical history, and just as Chito and Yuuri may be the last two people operating a Kettenkrad, Ishii is possibly the last aeronautical engineer and aviator left.

The girls help Ishii compete construction of her plane, and in exchange, she provides them with food, shelter, a bath (aaaaahhhh) and the part and repairs needed to get their ‘Krad going again, thus probably saving both their lives.

The day of the flight comes, and there’s a sense of finality and longing for the status quo that’s about to be blown to bits by the winds of progress. It won’t stay warm and calm for long; Ishii has to launch now. And she’s glad she has human witnesses for what could be the last manned flight.

After all, it’s only history if someone besides the one making it saw and documented the event. The takeoff sequence is appropriately epic in its portrayal, as is the awe in the girls’ eyes as they watch Ishii achieve flight.

For a few magnificent moments, the plane soars majestically over one of the widest and clearest views of the city we’ve yet seen; loaded with enough fuel to fly 2,000km, more than enough to reach the nearest city, just visible from Ishii’s giant telescope.

But a few moments is all the plane gets; it breaks up in midair, the pieces pathetically plummeting to the ground far, far below. Chito collapses in reaction, but Yuuri spots Ishii in a parachute, slowly descending. She’s okay, but she failed.

Still, Ishii feels a great sense of relief, to the fact she even smiles, which Yuuri interprets as her finally “embracing the hopelessness” all humans in this wrecked world must embrace in order to keep going. She falls and falls and falls, perhaps to the lowest level, but there’s every reason to believe she’ll survive.

As for Chito and Yuuri, they load up on as many ration potatoes they can find and set off in their repaired Kettenkrad, bound for still higher levels of the city. They, like Ishii and Kanazawa, are also a part of history…likely the tail end of it. When they, and whatever other scattering of remaining humans, have passed on, there will be nobody and nothing left but the ruins.

Or maybe, just maybe, there’s hope somewhere out there, waiting to be found. And maybe Yuuri wants to be proved wrong.