Kaguya-sama: Love is War – 03 – Sex Ed, Ten Questions, and the Joy of Not Being Driven

When inappropriate literature is confiscated by the headmaster and given to Miyuki to dispose of, Chika takes one look and is scandalized, emphatically challenging fact about 1 in 3 high schoolers having “done it.” That means 1 in three in that very room could have already had an “experience”.

It’s Kaguya who comes right out and said she’s had one, shocking Chika and Miyuki and putting the latter in a bind: if asked if he’s done it, he knows Kaguya will sniff out a lie and likely respond with a devastating “that’s cute.”

Miyuki is defined by being extremely well-liked by the opposite sex (he’s even been given homemade chocolate…full of hair?!?) but utterly inexperienced with same (not counting his non-romantic interactions with Kaguya and Chika). Boundless confidence and pure chastity are a weird combo, but they take a back seat to Kaguya’s situation.

You see, Miyuki is bailed out from having to answer whether he’s “done it” after Kaguya says several things that paint the picture of an extremely perverse upbringing, having “done it” with a “newborn on videotape” and assuming Chika’s “done it” with her dog many times.

He finally asks Kaguya what she thinks “doing it” refers to, and she replies that it means “kissing.” It’s an answer someone who’s been boxed up and protected from any and all sexual education for all of her sixteen years. When Chika finally explains what “doing it” really means (a 15-minute process!), her faces says it all: she’s lost this round.

In the middle segment Miyuki notes how much Kaguya has mellowed, and how in the half-year they’ve worked together he’s come to understand her better. She decides to put him to the test with a game of “20 Questions”, only he limits him to just ten, since he claims to know her so well.

She writes something on a piece of paper, and he’ll have ten questions to figure out what it is. Miyuki is game, while Kaguya senses an opportunity.

Her “yes” and “no” questions take a turn when Miyuki asks “is it something you like” and she suddenly gets all bashful and flustered. He comes to think the thing she wrote down was him, as all the responses fit that conclusion so far.

Miyuki himself is so flustered by the end of the sequence, he blows his ninth question by providing a non-yes/no query. But after thinking about it more (or rather thinking about the other side of Kaguya he knows; the one that plots) He eventually guesses “dog”, and he’s correct.

Kaguya was probably trying to lead him to reveal his feelings by getting him to suggest she was talking about him, but he doesn’t go for it, and in the process proves that he indeed understands her. A win for Miyuki!

The rubber match…isn’t even a match between Kaguya and Miyuki, and Chika’s not even in the sequence. Intead, with a cat holed up in the engine compartment of the car that drives her to school, she decides to walk to school for the very first time, having watched other kids do it thousands of times from the car window.

It’s a beautiful sequence that underscores just how rare an experience this is for the sheltered princess, and knowing Miyuki’s bike route, attempts to “surreptitiously” cross paths so he’ll give her a ride to school. Her plan is seemingly foiled by a crying, scared middle schooler who can’t cross the street without a buddy.

As Kaguya stays with her for all the crosswalks that lead to her school, she learns that like she herself, this girl doesn’t want to walk alone. When Kaguya suggests she just arrange to walk with her friend, independent of official group walking, the girl labels her a genius before meeting up with her friend (who has the colorful nickname “Yeti”).

At this point, Kaguya knows she’ll be late to school, but as she’s coming to terms with that, the crossing sign flashes “stop” and none other than Miyuki screeches to a halt on his bike right beside her. After he gets over the shock of Kaguya being there, he instructs her to get on and ride with him, as it would be a black mark for the StuCo if she were late.

There’s no hesitation or embarrassment in what Miyuki does, and he even puts school rules ahead of traffic rules prohibiting two people on a bike. Logic is on Kaguya’s side today, and you can sense her joy as she rides with the furiously pedaling Miyuki, keeping her skirt down, her hair flowing in the wind.

Even though the next day she’s back in the car, she’ll always look fondly at the one exciting day she set out on foot and got picked up by the boy she likes. Kaguya wins without anyone losing—a marvelous example of the show balancing its usual cynicism with lovely, joyful segments like this.

Other Stuff:

  • The two cats in this episode looked really good. It’s like they were drawn by people who have actually seen cats before! :-)
  • Slight continuity error: In one shot, the Audi A8L in which the cat has taken up residence has a prop shaft holding open the hood, but in the next scene the shaft is gone. In real life the A8 hood has hydraulic struts.
  • Moments after the middle schooler mentions her friend “Yeti”, a real Yeti appears in the edge of the frame, using the crosswalk, as one does.
  • I couldn’t close without mentioning Chika’s absolutely adorable song-and-dance during the credits. Just tremendous animation that has the look of motion capture but without that fake smooth CGI look that plagued Zombieland Saga. A welcome surprise after an episode that was otherwise light on Chika.
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Just Because! – 03

Izumi’s entanglement with Komiya Ena proves all to brief, as she’s forgotten the photo that she wants permission to submit. Showing zero consideration for Izumi, she zooms off on her moped to grab it, and it’s no surprise when she returns, in the rain, to find he’s gone.

The next day is Christmas (?), and everyone seems a bit listless, mimicking the somewhat grayish day with their moods. Izumi and Natsume type messages into LINE, but delete them without sending, seemingly hesitant to make any forward motion that will evoke a response from the other. It’s a stalemate, I tellya!

Things are dreary at Casa Morikawa too, as Morikawa confides to Yoriko that her life plan after high school doesn’t include furthering her trumpet performance, but rather college, a job, and eventually taking over the family business. It’s all said with the enthusiasm of someone inspecting turnips.

Left unsaid is any discussion of starting her own family, and as Morikawa seems almost criminally oblivious to Souma’s feelings (mostly his fault, BTW), that’s not surprising.

When Komiya reaches out to Natsume for info on Souma, Natsume uses it as an excuse/opportunity to message and meet up with Izumi. When they meet up, they’re still very cold and distant to one another, and the energy completely changes when Komiya spots her elusive transfer student.

Komiya’s casual nature with Izumi doubtless irks Natsume even more, since neither she not Izumi know what the heck they’re doing or what they should do. And while Komiya’s mission to get Izumi’s permission or LINE ID fails, she doesn’t seem like the type to give up easily.

Meanwhile, Souma is invited by Yoriko to join her and Morikawa for a walk, and his resulting meandering bike ride to their location is a constant source of suspense…will he ever get to them?

He does, only to freak out when Morikawa’s dog barks at him, which he thinks is a deal-breaker where dating her is concerned. Frankly, he should be more worried about, you know, telling her how he feels about her and asking her out on a proper date…but who am I?

When Souma reports the dog incident to Izumi and begs him for help getting better with dogs, Izumi tells him he has no pets, but Komiya stealthily enters the frame and offers her help…in exchange for Izumi’s LINE ID, which he gives her.

Interestingly, Komiya makes it clear she’s “over” the fact Izumi didn’t give her permission to use the photo, but with his ID, maybe she’s playing a longer game. Heck, maybe she just likes the cut of Izumi’s jib and wants to be friends…or more, which would complicate the love polygon even further.

Speaking of complications, Souma, unaware of the deal Izumi struck with Komiya, messages Natsume about helping him with dogs, since she has one too. This basically puts Natsume in the friendzone area of helping her unrequited crush get along with his own crush.

Over the most mundane circumstances, and in the absence of direct, honest, face-to-face conversation regarding how people feel about one another, the web of conflicting or one-sided romantic interests grows ever more tangled.