SSSS.Gridman – 10 – Akane’s in Her Heaven, All’s Wrong with the World

Akane has a dream in which Tonkawa and all of the other people she killed are back, but wakes up in the dark in her room, the weird “ceiling city” in the background, and Alexis looming over her, waiting for her to complete her next kaiju.

Yuuta, Rikka, Shou, and Neon Genesis all determine that if Akane is being controlled by an alien, they have to at least go to her house to talk with her. Somewhat hilariously, that means simply walking out the door to the junk stop and going next door to Akane’s house, but when the door is forced open, there’s nothing on the other end but…more “back-end” city.

Writing the slogan of NERV from Eva in his notebook, Shou gets back to his studies, saying that even if he, his world, and everything in it was made by Akane, there are still things that need to be done, like studying for midterm exams. After all, there are no kaiju attacks for several days in a row.

Yuuta, Rikka, and Gridman muse about why Akane built this world: was it to find tranquility, or refuge from the world of the other gods? Rikka thinks it wasn’t because Akane was/is weak, merely that she’s sensitive, and as she says so, the very sunset she beholds seems to speak to that sensitivity.

When a frankly fucked-up-looking kaiju suddenly disturbs the peace, I was wondering if Alexis had simply used one of the incomplete kaiju models Akane didn’t seem motivated to finish.

It certainly doesn’t take much for a full-powered Gridman to take it down, while a determined Anti in kaiju form doesn’t give him much more of a fight. Later, we learn that unique to all the other kaiju she’s created, Anti alone has “life”, which makes it possible for him to read the hearts of others, even think about or look out for them, something true kaiju would never do.

But Akane doesn’t seem to have a use for a kaiju with feelings, and so basically tells him to buzz off and do whatever he wants. Later that night, out of the husk of the dead weak kaiju, another, more aggressive-looking kaiju emerges.

It proceeds to chop the heads off all of the massive “custodian kaiju” that dot the city, and the pall of fog/poison gas they emit is lifted. When Gridman sorties once more, this new kaiju is more than a match, he can read all of Gridman’s moves and outmaneuver and outgun him.

It isn’t until this pointy-headed monster is looming over a trashed Gridman flat on his back, surrounded by flames, that Anti springs back into action, this time saving Gridman from the kaiju. His logic is that in order to crush him, he must fight together with him to defeat that which would crush him first. He doesn’t just want Gridman crushed by anyonehe wants to be the one do it.

Anti then transforms into a Gridman clone, or “Gridknight”, and with a shimmering purple energy donut, cleaves the kaiju—which represent’s Akane’s heart—in two. Perhaps that’s why Akane seems so down when she appears in the Junk Shop and inspects the computer used to interface with Gridman: one could say Anti just “broke her heart”.

In return, now knowing that Yuuta and Gridman are separate entities, she suddenly embraces Yuuta, then pulls away, revealing a bloodied knife as Yuuta falls to the ground.

For the first time, she’s foregone the use of kaiju or other godly powers and bloodied her own hands to rid her world of someone messing everything up. It would seem, then, that she’s made her choice, even if she doesn’t seem particularly happy about it.

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Dies Irae – 01

There wasn’t much I liked about Die Irae’s episode 00, and not much reason to continue with it—other than the fact 00 was a prologue and the first “regular” episode might totally different, better, or more promising.

Well, this first episode certainly is different; totally different. We’re now in modern-day Japan, following Fujii Ren, a regular high school kid, around as he’s discharged from the hospital after a fight with his best friend Shirou, who then dropped out of school and ran away.

After almost dying in an epic rooftop fight, Ren’s friend Ayase Kasumi (who he calls BAkasumi) thinks he’d enjoy going to a sword exhibition, but then they come across a rusty guillotine that shouldn’t be there and both of them get freaked out. Ren, in particular, has a vision of a beautiful woman flying out of the guillotine.

He awakens in his room, which we learn Ayase can access at any time from a hole in the wall. Her room, Ren’s, and Shriou’s are connected this way. Ren has another vision in which the blonde woman sings a song about beheading people, then finds himself locked into a guillotine, and his head goes flying with a fountain of blood. When he wakes up screaming, sirens can he heard outside: someone has been murdered…by beheading.

His other female friend Himuro Rea spends a good deal of time teasing Ren before telling him she and someone named Sister Riza saw the body. She mostly wants to make sure Ren’s okay after leaving the hospital.

As much as he may want his high school life to go back to normal, Shirou’s absence, the physical and emotional scars he left, and these sudden visions and real-life murder all conspire to prevent that normalcy from returning, perhaps ever.

Finally tying this episode into the prologue, we begin seeing some of Heydrich’s supermen/women appearing in the city, apparently ready to sacrifice it for the sake of their lord, believing nothing they do, not matter how awful, will be seen as a sin in the eyes of that lord.

So yes, this episode was pretty different from the first. Was it better? Hard to say. It at least fleshed out its characters a little better, but Ren, Kasumi and Rea aren’t anyone we haven’t seen in anime a hundred times over; both girls laid on their shtick pretty thick.

It remains to be seen if impending doom makes them anyone we met this week more interesting. The bottom line is that more questions arose here than were answered. On one hand that’s frustrating; on the other, a part of me still wants to watch on to see what happens…time permitting.

Re:Zero kara Hajimeru Isekai Seikatsu – 15

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I honestly didn’t think a second cour episode of Re:Zero could match the cinematic majesty of episode 7, but, well…here we are, eight episodes later, and this show is still topping itself. My expectations for the finale have now risen to unreasonable highs. But never mind that; we’ve got a long, long way to go, as does Natsuki Subaru.

Subaru doesn’t choose to commit suicide. He does die and Return by Death; but not by his choosing. He is slain in the most nightmarish way imaginable, having his fingers and leg cleaved off before freezing solid and cracking. Jeez, this show is rough on ol’ Subaru.

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Surprisingly, he respawns not in a bed, but at the vender’s cart, where he was with Rem seemingly an eternity ago (but in reality, early in last week’s episode). It isn’t long before he’s in a bed, however, as he’s so traumatized by what he witnessed and experienced in his last life, he is still in shock and barely able to speak.

Felis can’t do anything about his mental condition, so Crusch lets Rem take him home to Roswaal’s manor, hopeful being with Emilia and Ram will help him recover. Crusch also asks why Rem is so devoted to Subaru, and she responds “because he’s special.”

Once again, they fail to reach manor without incident, even though it’s Rem and not Subie’s choice to head there.

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The hooded baddies—witch cultists—ambush the cart, bloody a furious Rem, and take Subie captive.

Subie wakes up in chains, still unable to speak, and comes face to face with the grotesque and thoroughly insane Betelgeuse, who would be a goofy character for Re:Zero if we didn’t already have his less evil counterpart, Roswaal.

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Oh, and if this guy wasn’t fucking threatening and terrifying as all Hell, and merely a subordinate to “The Gospel”, and presumably, The Witch. Betel is a high priest of “sloth”, and initially calls Subie “pride” (perhaps why the cultists bowed to him last week?), and while his plans for Subie aren’t precisely clear, he’s intent on finding and killing Rem as soon as possible.

Rem all but grants his wish by busting into their cavern hideout, hopelessly outnumbered and surrounded. For all her power and combat ability and heartfelt desire to save her beloved Subaru, she’s still quite messed up from the initial ambush, and when she gets too close, Betel strings her up in mid air and breaks all the bones in her body, then twists her extremities in the opposite direction just two twist the proverbial knife.

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Betel heads off to prepare for “The Ordeal”, but Rem is amazingly still alive enough to scoot towards Subaru and free him from his chains, and from what is certainly to be more horrible torment at the hands of that monster and his master.

She tells him to live, and that she loves him, then passes away in his arms. While Rem has died before, as has Subaru, I just wasn’t prepared for this. She was found dead suddenly last week, but here the death is drawn out, as is Subaru’s apparent helplessness.

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Not sure what else to do, and still clearly foggy from his multiple ordeals, Subie continues his trek to Roswaal’s manor with Rem’s body in his arms. Again, he finds signs of a massacre, dead villagers, children, and Ram.

He doesn’t get anywhere near the front door before a colossal dark beast with glowing yellow eyes orders him to “sleep now, like my daughter.” Subaru’s head pops of with a splash of blood…and the blood-red credits start to roll as he’s buried by the snow. There’s no merciful fade to black. The camera doesn’t budge. The stirring, soaring, relentlessly tragic score blares.

By God…that was one of the darkest, cruelest, most hopeless endings I’ve ever seen. But this is Re:Zero, where endings usually lead to new beginnings. Still, it still felt like everything was over and there would be no victory, ever. 

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Sure enough, Subie respawns with Rem at the vendor’s. He’s not catatonic this time. He embraces Rem; alive again; in love with him. The vendor tells them to take a hike and stop scaring customers with their PDA.

Subaru takes Rem’s hand like he never intends to let go of it again, and she’s all to happy to hold his as they walk peacefully, quietly down the street.

But Subaru’s smile slowly vanishes as the camera pans up to his face. It’s a beautiful day, but there’s a storm brewing in his eyes. They’re not the dead eyes of defeat. They’re the fanatical eyes of a demon, and Betelgeuse is his prey.

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Akame ga Kill! – 17

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This week we say farewell to the Empire’s most lovable town-burner, Bols. He blew up his Imperial Arms last week, so we knew even if he survived that, he wouldn’t be long for this world. But aside from all the atrocities he committed for the Empire, he remained a decent human being to the end. He knew what he was doing was bad, and would pay for it one day.

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This was that day, as Chelsea disguises herself as an injured little girl and exploits Bol’s big heart, stabbing him in the back with a needle as they hug. As dumb-looking a character as he was, I’ll always prefer guilty villains like Bols to mindlessly evil/sadistic ones. The Jaegers are composed of both types, and yet it’s funny how they can still all sit at a table and enjoy a meal together just like Bizarro Night Raid.

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One of the Jaeger’s psychopaths, meanwhile, is Kurome, but we learn there’s a damn good reason for that: she and her sister were victims of a deplorable crime. With only two corpse puppets left, she makes a tactical retreat in the present, and remembers when she and Akame were first snatched up and thrown into a beast-ridden forest gauntlet with more than 100 other children.

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Kurome only survives because Akame…and vice-versa, but then the sisters are cruelly separated. Kurome’s master experiments with drugs to boost her attributes, while presumably Akame’s master didn’t. No doubt the sisters drew further apart, to the point that when Akame finally defected, Kurome was fully indoctrinated, believing her sister wasn’t just betraying the Empire, but her as well.

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While armless and exhausted, Leone lives to fight another day, as does Akame, Mine, and Tatsumi. Najenda and Susanoo are also fine, as is Lubbock, who informs the others what the only unaccounted Night Raid member, Chelsea, is up to: she’s going after Kurome.

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Chelsea is able to convince Kurome she is Bols, having learned his personality through Tatsumi’s exposure to the Jaegers. She’s also able to stick Kurome with a needle, just as she did with Bols. Kurome goes pale and collapses. Everything seems to have gone swimmingly for Chelsea, who works to rid the world of depravity…

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…Which is ironic, because had she used a less elegant, more depraved means of killing Kurome — like beheading her or destroying her heart — she would have actually succeeded in killing her. Kurome, who deals with animating the dead all the time, survives the needle. She herself is extremely weak, but she still has Natala and the gunner lady puppets, who chase Chelsea down, destroy her Gaia Foundation, slice off her fingers and arm, and shoot her in the back.

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All those times Chelsea warned herself of going soft, and she turns out to be right. She screws up royally, and unlike Leone, doesn’t get a second chance, which is annoying, because Chelsea was frankly a far more compelling character developed in a fraction of the time Leone’s been around. And for the record, both Bols and Chelsea get equally somber, contemplative death scenes, despite being on opposite sides of the conflict.

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In a final insult, Natala beheads Chelsea, who lost because she didn’t do the same to Kurome, and her head is stuck on top of a spike in the Capital, which is how Tatsumi finds out she’s dead. He’s lost beloved comrades before, but that doesn’t make him any more prepared for that horrible sight. So Bols and Chelsea are the first casualties of the war between Night Raid and Jaegers, with Leone and Kurome narrowly escaping demise. So…who’s next?

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Hitsugi no Chaika: Avenging Battle – 03

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It’s so weird. I could have sworn the trio had been to the ocean before, but now that I look back, they never actually had, and are legitimately awed and stoked to see and stand in it for the first time. I like stuff like this; it reminded me of a roommate from Hawaii who’d never seen snow before.

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Akari really wants to see Tooru naked

We see, and learn of, many things this week, along with Chaika and the siblings. And like Chaika, the more we learn, the more we want to learn. At this point, there’s no satisfying her until she knows everything, and she thinks the island and Gaz’s fortune are the best way to get there. Tooru, well, doesn’t agree, like at all…more on that later.

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First, the reason they’re at the seaside city is to pay a visit to the next hero on Claudia’s list, one Clay Morgan. All Akari knows at first is that he wields a spear. And to his credit, the man still wields it pretty well, considering how long he hangs in there against Tooru. I imagine long-reach foe would be annoying to a saboteur who likes close-quarters combat.

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Clay is kind of a joke: unlike other heroes who either fought or challenged the Acuras, the mere sight of Chaika (he saw her head roll) sends Clay fleeing his tacky mansion in terror. When they finally pin the big guy down (Pro: Drydock Fight! Con: Boat not accidentally launched), he agrees to give them whatever they want if they promise never to show their faces near him again. I can’t say I can blame Clay; he obviously has a bit of PTSD, and when the guy you’re helping to kill merely stares at you smiling like your an insect, well, that’s a rough day right there.

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Oh, those are your twin DAUGHTERS…(Sighs, very relieved)

While Morgan’s a relative pushover, their next target, Stephan Hartgen, has the makings of a villain with staying power. When we meet him, he’s sitting on a throne with two of his “daughters” who look just like Chaika, who both want very much to see what happens when all the remains are gathered, which is why he’s luring Chaikas to him via rumors. Is he an ally of Gaz? Does he want the remains for the power?

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Whuuuuh? (left) and WHUUUUUH? (right) look on

Another clear sign this guy means serious business: he has two equally serious guys under his employ: one is from Acura and may well be Tooru and Akari’s big brother, who is looking forward to fighting them. The other is AAAAAUGH, a G-G-G-GHOST! J/K, it’s just Dark Albéric, who didn’t die in that Flying Castle attack after all. Or maybe he did die, and Hartgen brought him back to do his bidding.

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“Alright, I’ll talk to her. JEEZ.”

Back to the Chaika Crew, Tooru is furious that Chaika ran off wihout Fredrica, and repeats his believe that going after secret islands and fortunes is a fool’s errand, and retrieving the remains should be the priority. But Chaika’s at the point where she’s learned too much to be patient. That knowledge is a splinter in the mind in the head that was supposedly separated from her body years ago. Even if she has to go alone, she’s going to the island, period. Miffed, Tooru takes her to mean she’s firing him, so he storms off, and Akari, his dutiful sister, follows.

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Was totally expecting a fight…but not mad we didn’t get one

It was sad to see the happy family break up, even if the split was very temporary. Still, in her haste to find the island and answers, Chaika begs Fredrica to fly her to the island, which, in hindsight, should have been an option from the start, unless Tooru assumed Fredrica would refuse because she refuses to help all the time. This time, however, she smells a lark and agrees.

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Not a fan of Fredrica’s Dragoon design, but it looks pretty cool from this angle, topped by a Gundo-wielding Chaika

Realizing what she did, Tooru and Akari hurry to chase her down, “borrowing” Morgan’s cargo ship for the journey. Red Chaika, David, and Selma stow aboard, but before a fight can break out, a freaking kraken wastes the boat, tossing them all in the sea. Not good! Then Fredrica has her wings sliced off and Chaika falls. Also Not Good! Things are getting very tense and hazardous in a hurry, which is a good thing, as there’s just seven more episodes. No one ever said learning everything was going to be easy!

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Akame ga Kill! – 04

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AGK has been nothing if not consistent, balancing fairly equal measures of exposition, world-building, character dev and action, and keeping me thoroughly entertained. This week is no different, formally introducing us to the forty-eight Imperial Arms, six of which are wielded by Night Raid mebers, while the seventh belongs to the target-of-the-week, Zank the Executioner. Around the time the empire started to rot, Zank was made to take so many heads it became a compulsion, and he started taking heads at random, regardless of whether they were condemned to die.

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This makes Zank notable in that as crazy and murderous a demon as he has become, he was, and one point, just an ordinary overworked executioner, and not necessarily evil. Zank also refrains from rape threats, as he’s only interested in beheading people. Heck, he even thanks Akame for killing him and “silencing the voices of all the people he’s killed, a marked contrast to the previous demons’ last words of protest or contempt.

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His third-eye style sense-augmenting and illusion-creating Imperial Arm makes him the most challenging foe yet, as Tatsumi lacks the strength to defeat him alone. But then that’s why Night Raid was sent out in pairs, and Akame is his partner this week. Zank disguises himself as Sayo to lure Tatsumi away from her, but Tatsumi is able to stay alive lone enough for Akame to find him and clean up the mess.

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When Zank transforms into Akame’s dearest loved one, it backfires on him, as she kills “her” as quickly as possible because she loves her so much. Despite her age, Akame is a hardened assassin who won’t succumb to mind games. And thanks to her Imperial Arm Murasame, it only takes a scratch to kill her opponent, which begs the question: why don’t all the Imperial Arms have that ability?

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Akame’s mindset is not to overestimate the power of her sword; it is a bitch to clean, after all, but they live in a world where just one cut can kill you anyway, regardless of the weapon. Wielders of Imperial Arms are undeniably stronger than those with conventional arms, but they’re still just tools; tools that only sing for the right hands and minds. I imagine Zank’s Arm will pass to Tatsumi, but simply possessing one doesn’t make you invincible.

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Strike the Blood – 03

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Eustach and Astarte retreat and Kojou recovers, but the lightning explosion he created costs billions of yen in damage to the city. Yukina helps him build a case for self-defense, which means finding Eustach, a powerful international criminal. With help from Kojou’s classmate Aiba Asagi, they locate Eustach in an abandoned laboratory. He once again sics Astarte – a homonculus containing an unhatched familiar – on them. She easily tosses Kojou and Yukina aside. Just when Eustach is delivering a killing stroke to Yukina, Kojou steps in front of the axe, which takes his head off.

If the Lion King Organization intended for the fourth primogenitor to be dealt with quickly and decisively, then they may have made a blunder when they chose a teenage girl to observe him. Then again, it’s made clear that, like Eustach with his homonculus girl, Yukina and other girls like her are naught but tools of the organization they serve, and expected to act accordingly. But Yukina isn’t dispassionate. She’s not just her target’s observer and potential executioner anymore. He’s become her savior, her friend…and her crush. Even when Kojou tells her how unstable he is and that he’d totally understand if she decided to eliminate him, she can’t to it.

And it’s not just about thinking he’s dreamy or being grateful for him saving her life. Getting to know him has shown her that he is a good person, worthy of mercy. Kojou causes quite a bit of damage in his self-defense, but it’s a human – Eustach – who is the greater threat, planning to destroy the entire island to get at the gooey “treasure” within. That threat is driven home when Kojou and Yukina barely last ten seconds against Astarte, ending with Kojou’s severed head in the arms of a blood-drenched, stunned Yukina. In classic arrogant villain form, Eustach doesn’t use this opportunity to kill Yukina too, ending any possibility of them coming after him again, but peaces out, sparing her life. You know he’ll regret that later.


Rating: 6 (Good)