Dropped: Kabukichou Sherlock – Case Closed

This was a tough one, but as we always say, when you know you’re done with a show, you just know. Sherlock seems content to continue its lighthearted and zany cases-of-the-week while, meanwhile, a teenager is in prison for murdering a monster who tore out and ate his invalid twin sister’s reproductive organs.

The tonal dissonance has grown too intense. I can’t enjoy the new cases while I know Moriarty is being abused behind bars. I realize there’s no getting around the fact he committed a murder himself, but he deserved a break. Sherlock shoulders some of the responsibility for getting a child and a victim so involved in the case, but when it came time to deal with the culprit, he lost control.

Even if Sherlock reckons with that failure and Moriarty is given early release, the show’s fast-and-loose attitude towards narrative seriousness has poisoned my emotional investment in the show beyond repair. It was a decent enough first cour; I just wish the show had ended with one.—Preston

Kabukichou Sherlock – 13 – Holes in Their Hearts

A dreary pall of despair is immediately cast on the second half of Kabukicho Sherlock as Watson, Sherlock, and Mrs. Hudson visit James in prison. He’s trying to keep a brave face, but there are clear signs he’s receiving beatings from other inmates.

It’s gut-wrenching to see such a bright kid of such potential to help people behind bars, but he doesn’t try to run away from the fact he chose to murder Jack, and this was the consequence.

Mycroft pays a visit to Holmes’ house and thoroughly examines it, while a client-of-the-week arrives with a murder case. As Sherlock starts to unravel the case on the spot, Watson is happy his friend is able to stay busy.

Mycroft tells Watson how Holmes left his accomplished family for Kabukichou because he was missing something very profound at home. It was a void he was able to at least partially fill in his new role as detective and performer of mystery-solving rakugo.

It turns out that rakugo was James’ idea, suggested to Sherlock soon after the two met quite by chance (the fact that Sherlock’s brother was James’ father’s secretary for five years was mere coincidence). When his mother took her life and even before losing his twin sister to Jack, James had a similarly large hole in his heart that Kabukichou and the people in it managed to fill.

Now he feels alone again, as his attackers in prison grow more brazen and one of his protectors being beaten half to death and being released early. It’s just a horrible situation all around. No matter how many cases Sherlock solves, as long as James is in prison (and danger) the emptiness and despair will always creep back into the spaces between the cases.

Vinland Saga – 23 – Adrift At Sea

Following the thorough and decisive physical and emotional ownage cast upon him by Askeladd, Thorfinn is quite literally lost. Limping through the mud, his arm searing with pain and the blood still on his face, he can’t be bothered to do much of anything, aside from engage in a bit of street brawling and get arrested and thrown in jail.

Canute, meanwhile, begins the intricate dance of death with his father Sweyn at the council of elders. The king embraces his son and thanks the gods for returning him and Thorkell, then appoints Canute to rule the fertile and prosperous lands of Mercia, hard won by his leal service. To Askeladd’s eyes, everything is going as he had foreseen…right up until it doesn’t.

While the king is playing nice, he adds a caveat that, intentionally or not, changes the game completely: announcing his intention to open up a new front against Wales in the Spring. This leaves Askeladd scrambling to think of a counter-move that will still net Canute the crown without setting his beloved homeland ablaze. He doesn’t come up with one here, indicating he underestimated the king’s wits. And Floki definitely notices Askeladd going pale (as Ash!) upon hearing Wales.


As for Thorfinn, he’s probably where he should be considering how he’s basically squandered the last eleven years of his life on a meaningless, self-defeating, futile quest for revenge. Leif Erikson hears he’s been locked up, and visits the jail to try to snap him out of this profound slump, first by considering it a matter of personal honor to return Thorfinn to Iceland.

That doesn’t go over so well, so Leif offers him something else: The New World: Vinland. Perhaps there, Thorfinn can gain a new, more fulfilling purpose. To his credit, Thorfinn sits up and doesn’t immediately dismiss the offer. Here’s hoping he takes it, especially if things with Askeladd turn sideways.

Vinland Saga – 22 – How to Kill Someone You Hate

Before the latest Thorfinn-Askeladd duel, Thorkell asks Prince Canute who he wants to win, as it who he’d bet money on. Canute doesn’t care who wins. His only task is to stop the duel before someone dies. Ever the King-in-waiting, Canute, looking further out than anyone. The prince then puts the question to Thorkell, who says he’s got Askeladd in this one. When asked why, particularly when Thorfinn beat him, Thorkell goes in real close, and again Canute shows how much he’s matured by not flinching.

Why Askeladd? “Just a feeling. It’s his aura.” Thorkell isn’t kidding. Askleadd just mercy-killed his only friend not a minute ago, and Bjorn’s body is still warm when the duel with Thorfinn takes place. Only it’s not much of a duel. As much of an age advantage Finn might have, he’s missing a fully-functioning arm, and he’s so angry and obsessed with finally cutting his father’s murderer’s throat, he’s rendered an absolute joke of a fighter.

Askeladd, as “in the zone” as a warrior can be, tosses his sword away, so confident he can put Thorfinn down with his bare hands. And he does. Thorkell is disappointed. But Askeladd is fed up with Thorfinn, and moves to deliver a killing blow, seemingly stopped only by a direct order from Canute.

From there, Askeladd declares Thorfinn an exhausting, unrepentant idiot, because he fights like an idiot, both by going into the duel injured, letting his temper get the best of him, and letting his win over Thorkell inflate his opinion of himself. So Askeladd has a seat on the remnant of what could be a Roman wall, and gives his life story, in hopes of teaching the boy “how to kill someone you hate”.

Thorfinn and Askeladd are alike in many ways, but while they both had frail mothers, their childhoods were vastly different. Thorfinn lived in a comfortable, cozy, loving, free family; Askeladd’s mother was a slave his father Olaf raped, and Olaf didn’t bother even naming his bastard children. At age eleven, Askeladd (so named because of his propensity for being covered in ash and soot) had to keep his mother alive as well as himself.

Despite their dire situation, he and his mother were descendants of Artorius, and she never stopped believing that one day he would return from paradise and free his people from bondage and despair. But one day, when his mother snapped and recklessly approached Olaf in the streets, and Olaf raised his sword to kill her, Askeladd knew: Artorius would never return.

That meant someone else—not a hero or a god, just a person—had to save his mother, and himself. For Askeladd, that person was him. Despite having never been trained in swordsmanship, he picked up a blade and used it, putting up a decent fight against Olaf and finally gaining his attention. Far from angry this child attacked him, Olaf sees potential in young Ash, and brings him into his hall.

For two years, Askeladd was trained by his father and half-brothers in both bow and blade, and became someone trusted, accepted and adored by all. Then, one night, the 13-year-old Askeladd made his move, plunging a sword into his father’s throat and killing the only witness, a woman sharing his bed. The sword belonged to the black sheep of the legitimate brothers, and so the murder was pinned on him, not Askeladd.

Olaf’s guard was down, and Askeladd had already determined a path to inheriting his property. Then and only then he struck, with all the certainty his poor mother had that Artorius would come. His people waited 50o years for their hero to arrive, and in the meantime suffered and stagnated. Askeladd only waited two years, until the time he knew he could kill the one he hated.

It’s a masterful story, masterfully told by Askeladd’s seiyu Uchida Naoya, who deserves all the awards.

It’s a stark contrast to Thorfinn, who has been trying to kill Askeladd since the moments after his father died, believing that somehow losing his temper, shouting loudly, and waving his sword around could lead to victory. In this way, Vinland Saga subverts the shounen formula of prevailing by doing all three of those things! His belief that victory will eventually come has been just as futile as Askeladd’s mother’s dream of Artorius’ return.

While it took Askeladd only two years to kill Olaf, it’s been ten years for Thorfinn, and he’s no closer to killing Askeladd. If anything, he’s less likely to do so now that he’s endured so many injuries in battle. He cannot contest Askeladd’s assertion that he’s an idiot, because Askeladd had an objectively worse past and achieved his revenge in less than a fifth of the time it’s taking Finn.

Askeladd’s final barbs before carrying Bjorn away to be buried, about Thorfinn being no better than a dog chasing after food and being “useful” since it’s so easy to “pay” him with these occasional duels he’ll never win, rankles Thorfinn anew, but he can barely stand, and Canute has to prop him up and insist he let his wounds heal before trying again.

Canute also asks Askeladd why he doesn’t just seek the throne himself, Askeladd laughs. Canute is far more suited to being king than either Askeladd or Sweyn. Askeladd considers himself “just a Viking.” If Vikings are anything, they’re decisive, and act to further their interestrs? Had he followed his mother’s path of simply waiting for a hero who will never come, he’d have died long ago.

To be alive today to teach whippersnappers valuable lessons, he became what he hated. Kingship is out of the question.

Fruits Basket – 17 – Paying It Forward

Uotani Arisa was a broken and rudderless teen, subsumed by dirt and blood from pointless beatings; lost in the darkness. Things were briefly made worse when her idol Kyouko turned out to be the “lame” doting mom of the even lamer and impossibly sweet Tooru.

And yet, when Arisa is alone and on the run from more beating than she can take in a day, who does she barrel into once more but that sweet and polite Tooru, who immediately senses her friend is in danger, grabs her by the arm, and runs.

At Tooru’s apartment, Arisa finds herself back in an atmosphere of warmth, tranquility and love that is so foreign to her it’s uncomfortable. She figures her dirty delinquent self wouldn’t change even if she had such an atmosphere at her home, with her dad. Nevertheless, she’s jealous of it, and she wants it.

Tooru Kyouko are more than willing to share it with her, and to soothe her crushing loneliness that has been the core of her struggles in life so far. Back in the present, we see that Arisa is no longer lonely, and loves Tooru and Saki very much. That’s when the three young delinquent wannabes finally confront Arisa, but she ignores them as if they were mere gnats.

While her story about how she became besties with Tooru is complete, there remains the rest of her story: how she became the strong, beautiful, wonderful person she is. It’s a story she doesn’t tell the Souma boys, but is generous enough to share with us.

Hanging out with Tooru and Kyouko is a positive force for change in Arisa, but that change doesn’t come as quickly or easily as removing the stems peas. She may have returned to school and studies with Tooru, but her teachers assume she’s bullying her, while her gang takes none to kindly to her efforts to go straight.

Other students are weirded out by Tooru hanging out with Arisa all the time, and rumors spread about Tooru actually being a delinquent beneath a goody-goody facade. To Arisa’s relief and joy, Tooru pays such rumblings absolutely no mind. She’s going to make an extra muffin for her dear friend Uo-chan, no matter what anyone says.

But while the bond of friendship between Tooru and Arisa can’t be easily broken, the same doesn’t go for Arisa’s bones. While in the present she credits Kyouko and Tooru with saving her, it’s not like Arisa did nothing to help her own cause, and while she might not have known it at the time, going back to her gang to tell them she’s out and facing the consequences was actually the first step towards saving herself.

Thanks to her older gangmate Akimoto, Kyouko learns of the horrible beating Arisa’s doomed to receive if no one intervenes, so the Crimson Butterfly dons her duster for one last rodeo, intervening in the fight, extracting the battered Arisa, and carrying her back to her place on piggyback.

As Arisa demeans and insults her idiotic self for not realizing sooner she was on the wrong path, Kyouko offers some sage life advice, having experience quite a bit of that life herself. She tells Arisa that sometimes you need to hit rock bottom to realize you want to change; and that neither the light nor purity of life she seeks would be possible without the presence of darkness and dirt from which she emerged.

Arisa didn’t understand the feelings she bore until she got hurt exploring them, but now that she’s come out the other side, she knows with the clarity of a mountain lake what she wants to do: to become a strong, beautiful, wonderful best friend in whom Tooru can take pride.

So Arisa abandons her delinquent past to become just that, and eventually she and Tooru befriend Saki as well. And while she is utterly devastated when Kyouko suddenly dies, she’s also eternally grateful for the things Kyouko gave her and the things she left behind, with which she can not only continue to be a better person with a kinder soul, but pay the love and kindness and wisdom she received to others.

That means not simply socking the redheaded delinquent punk (Ishi-chan) who keeps bothering her, but offering her words of advice she wished she’d received earlier: Stop acting out while you still can, before something serious happens. If you need someone to scold you, I’ll do it anytime.

Ishi is immediately smitten by Arisa’s blend of warmth and coolness, and her two friends fall in line, becoming fans of Uotani Arisa on the spot. After the credits, Ishi not only cosplays as Arisa, but wears the exact same outfit Arisa wore the day they met! Needless to say, this is exceedingly cute and heartwarming.

Just like Arisa idolizing someone like Kyouko instead of a less savory gang member, it’s almost as if the universe is looking out for these three still very young kids who have a lot of life yet to live before giving up.

Because they chose the right woman to idolize, just as she did. And perhaps, one day, when they’re better people, they’ll pay Arisa’s wisdom and kindness forward, and help others become better too. Along with Tooru—essentially a demigoddess of love and kindness—this is the enduring gift Kyouko left behind, and why she’ll never really be gone.

One Punch Man 2 – 08 – Call of the Heroes

Even if Suiryu thought he deserved the tournament win (he doesn’t), he wouldn’t have had more than a few moments to savor it, as Goketsu, escorted by three monstrous crows, crashes the award ceremony. Once a martial arts champion and believed killed by monsters, he was actually given the choice to join them, which he did.

He extends that same choice to the assembled fighters: eat the monster cells and become like him, or die. Some, like Choze, are eager to see how much stronger they can get. Others, like Suiryu himself, aren’t interested in becoming ugly brutes. Instead, he asks a pretty girl if she’ll go on a date with him if he takes care of the monsters.

While Suiryu holds his own and dispatches Monster-Choze, he’s absolutely no match against Goketsu. As Garou picks a fight with Watchdog Man in City Q, Goketsu treats Suiryu like a ragdoll, easily absorbing his strongest attacks and breaking his arm.

To Suiryu’s surprise, Snek and Lightning Max, who had been flicked away by Goketsu earlier, are back for round two, standing their ground like the professional Heroes they are. They made sure to grab effects crucial to their success: Snek’s suit and Max’s shoes.

Ultimately, they’re no more a match for Goketsu as Suiryu. Meanwhile, Bakuzan, who ate a bunch of cells, transforms into a Threat Level-Dragon monster, although still not one that can push Goketsu around. For his part, Goketsu is ordered back to the Monster Association base on the outskirts of City Z, an urges Bakuzan to follow.

But before he does, Bakuzan takes his time wailing on the already battered Suiryu, taking great pleasure in beating down someone much weaker. It’s then when Suiryu, so independent and fun-loving thanks to his good looks and tremendous strength and fighting ability, is brought so low he has no choice but to call out to someone, anyone to help.

And who should answer that call but Saitama, whose absence this entire episode can be chalked up to him either running home or to the locker room to put on his superhero costume. The same man whose punch Suiryu estimated would have ended him had it not been held back; the same opponent who only lost because he was wearing a wig—he’s Suiryu’s only hope. Thankfully, it’s a good bet Saitama’s got this.

Happy Sugar Life – 04 – This is Also Love

The blood from the beating of Mitsuboshi by two sociopath guys dredges up unpleasant memories for Shio: those of her mother saying she’ll never forgive her for letting go of her hand. Uh, that’s really unreasonable, Shio’s Mom! Why is everyone in this show have to be so goddamn INSANE smh.

Satou rolls the dice and manages to take out both of the guys with taser (which thankfully didn’t die on her; anime tasers are very fickle) and a knife (gouging out the eyes of one). She scoops up the unconscious Shio and whisks her home to her suddenly very insecure feeling “castle.”

It’s clear Shio had problems well before Satou met her, but Satou has similar traumatic memories of interacting with an adult guardian who was not okay in the head. In this case, Satou’s aunt, who was always covered in bruises and bandages, explaining them away to her niece as “another kind of love.” Yeaaah, notsomuch. Control is not love.

The next morning things seem to be back to normal, but the previous night Satou saw fit to install exterior locks to keep her Happy Sugar Girl “safe” (i.e. under control). Words of trust are no longer sufficient, not after last night, the outcome of which Satou is at least lucid enough to know was extremely lucky.

This is a show where it’s almost never good when two people are together (except I guess for Satou and Shio), but things aren’t much better when anyone is alone: Satou’s teacher is suspicious that her aunt isn’t answering the phone, but also just wants Satou to insult and punish him more.

Mitsuboshi witnessed Satou making off with Shio, posters of whom he’s plastered all over his room, because now he’s a demented lolicon who has become fixated on the girl be belives to be his “angel” and salvation. Even Shio has her private secret: scrawling a crude drawing in the closet while in a trance and chanting “spinning.” 2018, AMIRITE?

Shio snaps out of it when Satou comes home early, which is because her cafe staff was sent home early due to the violent attacks in the vicinity. Still, Satou needs to keep working so she can keep saving to buy (hopefully not rent) a stronger “castle” in which to preserve her HSL. While she only speaks of an expensive dream to her co-workers, her brown-haired kohai is impressed by her dedication.

That night, after giving up on cleaning the blood off the wall of the murder room (maybe she needs to call The Wolf), Satou gazes at her account balance on her phone, which I may henceforth call Chekhov’s Account Balance on her phone, since, at some point, those savings could either be spent or vanished via some foul play. In any case, Satou doesn’t really love Shio; she just wants something all hers that she can control.

Meanwhile, the drawing of Chio’s mother lurks menacingly in the closet—another stain Satou can’t remove—while at the closed cafe the brown-haired kohai breaks into Satou’s locker and smells her clothes with alarming gusto. What can you say—she’s a psycho magnet.

Happy Sugar Life – 03 – Escalating Bitterness

This episode operates within the same night that Mitsuboshi brings Asahi to the staff room of the cafe, and as a result, it feels a lot more claustrophobic; there’s no sunlight; only the brief but blinding light of Mitsuboshi offering to escort Asahi home.

Asahi doesn’t know he just survived a crowbar attack by Satou because she realized this was not the place to cut loose; to do so would end her Happy Sugar Life for sure. Unfortunately, that life is jeopardized anyway when Shio, scared that Satou still hasn’t come home, ventures outside the apartment to search for her.

Later, we’re reminded it isn’t just adults who are all horrible people in this show, but most people in general, as Mitsuboshi is just way too into the poster of Shio. By the time Satou gets home to find Shio gone, Shio has gotten lost, and since she’s not wearing shoes, has cut her foot.

Shio also continually has a hallucination of what I imagine to be her mother, who Asahi tried to get out of the house with Shio, and away from their abusive father (or whoever the man was who was living there). Shio only remembers bits and pieces; no doubt the memories of witnessing abuse are repressed.

Mitsuboshi finds Shio before Satou does, and that’s when things get weird. Mitsuboshi, sweating, panting, and barely able to restrain himself believes that being touched by Shio will “purify”, undoing the “corruption” of his old manager. He takes it a step further by saying that his touching her will have the same effect and…yyeeeaaah, anytime a guy is talking about touching a little kid, that’s when we have to put up our hands and say NOPE.

I hate to say it, but the return of two more awful younger dudes, the ones who beat up Asahi for no real reason, is a blessing in disguise for Shio. On the one hand, Mitsuboshi was himself the victim of sexual abuse, but that doesn’t entitle him to abuse others. It’s terrible that he gets beaten, but it does buy precious time for Satou to try to find Shio. Better the devil you know…I guess?

3-gatsu no Lion – 12

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I watched this episode in a similar environment to the one Rei keeps finding himself in after recovering from his illness; a place very hard to leave once you’re there, like a kotatsu. It’s currently 20 degrees F and snowing outside, but I’m nice and toasty in my apartment with a hot mug of cocoa, and because it’s Saturday and I don’t have a possibly career-defining tournament to participate in, I’m more than content to stay right there!

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Now that he’s better, Rei has some serious things to consider. Chief among them is ‘not losing anymore this year’, including the huge highly-publicized Lion King Tournament. He just barely defeats one opponent (who has a bizarre way with words), and may well have to go up against Gotou, the guy who calls Kyoko a “stalker girl” and who once beat him up. If it wasn’t for Smith, he’d have gotten beaten up again.

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Instead, he heads to the Kawamotos with bags bursting with freshly-caught fish from the association president, and Akari couldn’t be happier, as it means they can save on food expenses for a while. As usual, the home is warm, fuzzy, full of love and hard to leave…but Rei has to leave. He can’t be the best shogi player he can be if he doesn’t go home and study. So he tells Momo as earnestly as he can, and she and Hina tell him to do his best.

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Perhaps like no previous episode, this one really strongly marked the contrast between the Kawamoto Kotatsu and the world outside, using every visual method at its disposal. As bright and warm and colorful as it is in the sisters’ house, it’s dark and cold and bleak, even threatening outside.

But Rei is determined to become someone who can live in both worlds, and neither be trapped in one or unable to endure the other. Joy and pain are both inescapable parts of life he must learn to balance. And the beast inside relishes the potential opportunity to deliver a blow or two to Gotou, not with his fists, but on the shogi board.

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Re:Zero kara Hajimeru Isekai Seikatsu – 13

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The royal selection process becomes a lot more interesting when Reinhard officially endorses Felt, but you can’t take the slums out of the girl, and Felt turns the court off with her poor breeding and independent, tell-it-like-it-is nature. I’m still firmly on Team Emilia, but I do enjoy Felt rubbing her utter contempt for the whole process in everyone’s faces.

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Rancor builds around the court that just as a sewer rat shouldn’t be allowed to participate, neither should Emilia, a “filthy half-devil” with The Witch’s features. That sets off Subaru, who shouldn’t even be there to begin with, but he won’t stop barking, until Anastasia’s knight Julius confronts him, questioning his claim of being Emilia-tan’s “best knight.”

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Not to side against the protagonist, but Subaru is way out of line here, and I’m not sure I’m supposed to believe otherwise. Emilia really doesn’t want to grab him by the arm and lead him out like a mother taking control of her unruly child, but that’s exactly what happens, and it’s pretty ugly.

Far more surprising, and not altogether plausible, is Old Man Rom’s entry into the throne room to rescue Felt. He’s arrested immediately, and only spared summary execution when Felt changes her mind and agrees to participate in the selection.

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Mind you, Felt’s going to do things her way, which means rule with a healthy hatred of the country she struggled to mightily to survive in, and those who rule it. She makes an intense pledge to destroy the country all these rich bastards hold so dear and build a new one in its place. It sounds, on the surface at least, a lot like Emilia’s “everyone is equal” platform, only the 1% atop the old system won’t be equal to the 99% under Felt’s rule.

Felt may be just as contemptuous of the process as Subaru was, but she has a right to be, considering the life she’s lived and the fact she’s a legitimate participant. Subaru is nothing but an interloper, good intentions be damned. When Julius challenges him to a duel to show him what the knights he mocked are made of, Subie continues to learn, quite painfully, just how out of his element he is in this arc.

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It’s brutal to see him so out of sorts and so powerless to do anything about it. And this time, he doesn’t even have Emilia backing him up, because he’s going against his promise to stay put, which was a really bad decision.

Also bad? Thinking his Shamac spell would be of any use against a knight of Julius’ stature. Subie cannot lay a finger on him, and gets beaten within an inch of his life for refusing to yield. He also ignores a frantic Emilia’s cries to stop this madness, but he ignores them.

This is about more than just preserving Emilia’s pride, something he’s all too ill-equipped to do anyway. It’s about his pride as well. The only problem is, he’s all alone on this one.

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What’s shocking is just how little Subaru realizes how much harm he’s done in these last two episodes. That makes it all the more torturous when Emilia finally lets him have it after he wakes up from his unnecessary beating. Her anger and disappointment cast a gloomy pall on what would otherwise be another gorgeously-lit bedside scene.

To be fair, Subaru physically can’t tell Emilia about any of the previous timelines, but even if he could, how can she trust anything he says when he so brazenly breaks promises he made to her and causes so much chaos in the midst of a delicate succession process?

The time for second chances and slaps on the wrist are over for Subaru, who has never seemed more out of place in this fantasy world. Bottom line: the Emilia before him and the “vision” of Emilia in his mind, are two different people, and he has to come to terms with that.

What does Subie do to counter Emilia’s litany of harsh truths? He digs himself an even deeper hole, selfishly rattling off all of the ways Emilia is indebted to him. That goes about as well as expected: Emilia agrees to repay all of those debts quickly, so they can then part ways, then walks out of the room, stating how she had—past tense—hopes for him. Ouch.

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So far, in this arc, the bad guy is Subaru, but I hope it doesn’t stay that way. The hole he started digging last week became a virtual mine shaft into the bowels of the Earth, and he has no one to blame but himself. Climbing out won’t be easy, even if he dies and wakes up back before all this awful business at the palace.

At the moment, I can’t see any way to earn back the trust and respect he lost today, other than by not losing it to begin with. But what would impress me even more is if Re:Zero and Subie didn’t rely on the Reset button, but found another way to redeem himself.

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GATE – 07

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Itami’s run-in with the Rose Knight Order turned out to be one big misunderstanding, and Pina is furious enough to throw a metal cup at her subordinate’s head, which isn’t that extreme a reaction considering she now fears the treaty is over and the SDF is going to destroy the empire. She doesn’t know yet that that’s not how Itami or the SDF really rolls.

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With some heretofore unseen sleeping spell powers of Tuka Luna, Recon Team 3 re-infiltrates Italica, as their CO is gently nursed by no less than five maids, including a catgirl, a bunnygirl, and a medusa. The cut from these characters, who wouldn’t look out of place in a maid cafe, to the SDF soldiers who barge in fearing the worst, is admittedly a pretty funny sight.

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The fact that Itami’s beating at the hands of the Rose Knights isn’t that big of a deal—but various parties still consider it as such—is drilled home to an extreme degree when Pina essentially orders blondie to “use her body” to make Itami forget anything bad ever happened to him. Replace the pain with pleasure, and all that.

The blonde, being of high breeding, admits she’s been trained to perform such duties, and is steeling herself up to meet Itami in his bedroom (wearing a sheer nightie), only to find Itami’s maids and the SDF posing for digital photos.

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The blonde is insulted when Itami doesn’t notice her entering and seems to be ignoring her, so she slaps him, but again, she’s lucky Itami’s such an easygoing laid-back guy despite, to Kurebayashi’s shock, the fact he’s a certified ranger, i.e. a badass warrior.

Yet perhaps it’s because Itami has undergone/endured such vigorous training to become a ranger that the beatings aren’t that big a deal to him. Pina gets to accompany Recon 3 to their base, along with Blondie, where the two formally apologize to the general, with Lelei interpreting all day and getting so tuckered out Itami has to put her to bed, which is a cute but dubiously necessary scene.

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The next morning, Itami, Kurebayashi & Co. are kitted out in their dress uniforms in preparation to meet with the Diet in Japan. Not only are Lelei, Tuka Luna, and Rory coming along, but Pina and Blondie too (she didn’t make enough of an impact for me to remember her name, sorry :P).

And while seeing the special region people we’ve come to know setting foot in Japan is sure to be a momentous occasion (and a lot of fun to boot), we have to wait until next week to actually see it. This week, rather than fight, the JSDF kinda shifted around from place to place as Pina failed to control her violent subordinate.

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