The night of the Gozan Fire Festival arrives, and the Shimgamo family ascends into the sky with the port wine-fueled tearoom. Akadama gradually accompanies them, and they’re joined by his friend; the two recount the “False Nyoigatake Incident” and how Soichirou scattered the Kurama tengu.The Ebisugawas arrive in a grand flying boat (with Benten aboard) and harass the tearoom with fireworks. Yasaburou and his mom return fire, ignoring Yaichirou’s pleas for calm. The Ebisugawas grab the tearoom with an anchor, but Yasaburou ruins their ship and blows them all overboard with one of Benten’s folding fans. Akadama drinks the last of the wine, the tearoom crashes, and Yasaburou loses the fan.
There’s nothing like a great party, and the Kyoto tanukis certainly know how to hold one. Being suspended high in the air aboard grand ships and eating and drinking way too much is definitely a way to do it, but another tradition, their annual antagonism of the Shimogamos via sky battle, goes too far and strikes a nerve. Yasaburou in particular, disgusted by his older brother’s sniveling propriety, decides to take up the mantle of protector of the family’s pride and honor, if only for the night. He and his mother know that sometimes bullies need to be given a bloody nose. Benten, meanwhile, literally floats above the fray, drink in hand and aloof smirk on her face.
Interestingly, someone we don’t see is Yasaburou’s betrothed, Keisei, whom you’d think would be on the family boat he ultimately sunk. The party environment would have been a good chance for them to interact, but things got too adversarial too fast. We also enjoy how the party was also a venue for Akadama to stop pining for Benten for five minutes and reminisce on better times. The flashbacks continue to portray Soichirou as every bit the awesome badass everyone builds him up to be, making it that much more shocking that Benten made him into soup. Benten helps Yasaburou this week, but is she merely sizing up her next meal?
Rating: 9 (Superior)
- It goes without saying, but the launch sequence of the tea room, and all the subsequent scenes of the floating “pleasure cruisers” made for an incredibly beautiful sight.
- We liked how the upstart Kurama tengu dressed in suits like Yakuza; one more insult to the heritage Nyoigatake Yakushibo stood for.
- Yajirou was also absent, which was kind of sad.
- If the tearoom isn’t rebuilt (it looked pretty far gone), the Shimgamos will have to find another cruiser next year. But more urgently, they’ll have to explain to Benten why her tearoom was destroyed (and her fan lost).
On the eve of the Bonbori festival, it appears that Kissuiso is overbooked. The staff is overworked, accidents are happening, and everyone is more focused on “winning” the battle with the Madam Manager. Ohana is caught in the middle, but little by little, everyone realizes they don’t have the guests’ comfort at heart. When Tomoe sprains her ankle, The manager fills in, Ohana’s mom volunteers to help, and they get back to “festing it up”, rather than just grinding.
The Battle for Kissuiso was fought for all the wrong reasons. Last week I sided with the staff for wanting to keep the inn open, not thinking about how it would have to change to become profitable. This week, I was on Ohana’s side, who was basically on her own side. The frantic inn where the customers’ needs were obstacles to overcome was not the Kissuiso she loved. Overwork was making the staff short with her, and clumsy in their duties. Tomoe’s ankle sprain provided the catalyst to snap everyone out of it. Jiromaru’s corny narration was icing on the cake.
On the evening of the festival, Sui, Satsuki, and Ohana marching three abreast down the hall is a triumphant sight, and unlike the first half of the episode, everyone is working like a well-oiled machine. Not only that, they’re enjoying what they’re doing, rather than just doing it mindlessly in the pursuit of profit. This was a great final “inn arc” episode that brough everything and everyone together beautifully, and was simply oozing with emotions. It’s still in the air whether Kissuiso can make it, but it seems the finale will deal primarily with Ohana and Ko.
Tiger & Bunny have to dodge the H-01’s attacks until their powers return, and even when they do, it has little effect on the ultra-powerful android. Rotwang tortures the other heroes by making them decide whether they should save only themselves or risk everyone dying. Kaede manages to escape her captors and take Rotwang out, but by then Bunny has already used the H-01’s weapon to destroy him while Tiger holds him down. The blast mortally injures Tiger in the process, or so it seems.
By the end of last week we were left with the questions: with the heroes’ bonds of friendship outlast their own desire for survival? Will Tiger & Bunny defeat the big bad android? Will Kaede be made safe? The answer to all three is yes. Duh. The execution of these objectives wasn’t the most elegant or innovative process it the world, but it got the job done. Rotwang’s typical villain-gloating and watching everyone’s reactions in the cells got awfully repetetive though.
So did what should have been epic climactic battle with the H-01, which consisted mostly of the two heroes releasing battle cry after battle cry, then bouncing off of him. But the one thing I didn’t expect was for Tiger to be killed in this last episode. Or was he? He certainly lost consciousness. It’s a big city; get him to a hospital already. If he is dead, it wasn’t the most necessary death in the world. It didn’t even make that much sense. Why is Tiger suddenly strong enough to hold the android? Why didn’t it simply contort its way out of his hold? We’ll never know.
Utao’s mysterious brother, Kirio, is kind of a jerk, but he does have a point: Utao started the fight. For her part, Utao was understandably freaked out by the sudden appearance of another kid who looked just like her. What follows is the first sustained kakashi-on-kakashi battle, and at the start, Kirio seemed to have had more practical experience, because Kukuri is schooled by Takemikazuchi, as Utao panics and flails about rather haphazardly at first.
I was a little annoyed that we get no explanation for why Kirio would be so evil and cruel right off the bat, but not as annoyed that the battle was so public; in the view of dozens of people, even caught on camera, and resulting in casualties. I feel the consequences of this exposure are too underplayed. The seki aren’t Men In Black; they can’t just flashy-thing the town and remain in the shadows. This was a big screw-up. Still, the battle itself is very exciting and nicely animated. I’m sure we’ll see more of this.
Kirio presses his attack on Utao, even though he had clearly won the day. This is the sign of youthful exuberance, but not sense. He was sent to capture Aki, not play with Utao, and when he kicks Utao when she’s down, she digs deep and comes back in a big way, tearing Kirio’s kakashi to bits. Both seki must now return to the village for kakashi repairs. In Kirio’s case, that means returning to a physically abusive bearded bastard. Now we know what Kirio’s a cruel jerk: people have been cruel jerks to him.
This week Saya continues to juggle her cute, klutzy, kind side at school with her ass-kickin’ superhero shrine chick persona by night. It continues to be a most intriguing juxtaposition of lives. The school scenes are as light and breezy as her battle scenes are dark, exciting, and genuinely scary at moments.
After all, her mother used to do what she does, and she died doing it. You can tell her doting pop hates putting her in harms way, but apparently there’s no way around it; only she can wield the sacred sword. This week she fought two; a humanoid demon and a giant evil plant. She won, but got more and more messed up.
Her extracurricular activities are leaving marks that questions will be asked about, and somehow I’m doubtful Saya’s not looking forward to talking to her friends about such things. So far, she’s fighting the elder bairns deep in the forest, isolated from civilization. But that could change, and with it her secrets may be revealed. Rating: 3.5