To Aru Majutsu no Index III – 07 – The Bodyguard

Like a jargon-heavy book that keeps making you flip to the glossary in the back, the Academy City Underworld arc was so laden with groups, individuals, motives and goals that I had to refer to the Index wiki on more than one occasion just to find out who the hell some of the people were. As a result, it was hard to sit back and just enjoy the action.

So thank goodness this week is a far simpler Index episode (even though it takes a number of turns), featuring a straightforward plot and familiar, beloved  characters. It certainly starts out where Kamijou Touma would prefer to be, at school, where the most fraught action is being chased by a burly teacher when he and Tsuchimikado are the only two able to escape school to get to the convenience store for the lunch they want.

For all the misfortune swirling around him, Touma does catch a break every once in a while. In this case, a very lovely break in the person of Itsuwa, who mistakes Saigo for a hostile and takes him out for Touma. She’s come to A.C. to serve as Touma’s bodyguard due to stirrings that the powerful Saint Acqua of the Back (or Rear) is going to target him.

The rest of Amakusa is there to back Itsuwa up, as well as to try to get her to pull the trigger on Touma, whom she apparently likes. In this venture it’s Itsuwa who is more unfortunate, since she must contend with the jealousy of Biribiri, who makes a welcome return to the show. Misaka was actually concerned that Touma had amnesia, only to catch him deep in Itsuwa’s bust. Thankfully, Touma manages to keep Itsuwa from mistaking her for a hostile…even though she kinda is!

This also marks the rare Index III episode that actually has sizable portions of Index in it, as she watches with concern as Itsuwa enters her and Touma’s home, buys the loyalty of Sphinx with some high-quality bonito, and starts making dinner.

Like living a simple high school life with occasionally exciting lunch runs, just seeing a girl in his kitchen making dinner gives him no end of joy. The fact that Itsuwa is acting like a proper house guest and helping out exposes how comparatively little his other guest Index does.

Of course, the reason Index doesn’t help out is that her help often only causes more work, such as when she pours an entire bottle of drain cleaner down the shower and almost causes a fire.

Itsuwa cuts off their ensuing dust-up, rents a motorcycle and sidecar, and takes Touma and Index to a splendid public bathhouse in the 22nd School District, which is entirely underground yet has a giant screen in its “sky” projecting the real sky. It’s a really beautiful motorcycle ride that shows yet another side of the sprawling city.

Naturally, Misaka ends up in the same bath as Index and Itsuwa, and as Itsuwa clumsily tries to explain how Touma came to end up in her breasts she then becomes the target of Index’s ire, while Biribiri stews until she overheats and a medical team with a stretcher has to be called.

I presume Misaka had to be temporarily taken out of comission in order to lend more peril to the final act of the episode. Touma and Itsuwa go on what could be construed as a romantic evening constitutional, but once they reach the bridge (Touma and bridges don’t mix!), Acqua suddenly appears, and wastes no time mopping the floor with the both of them.

Itsuwa is a strong and honorable bodyguard, but she simply has no chance against a Saint, and her restoration spells have limited effect on Touma due to his right arm. About that arm: Acqua will let him live if he cuts it off and gives it to him. He couldn’t care less about Kamijou Touma, he wants Imagine Breaker taken out of the equation of church and global affairs.

In his surpassing charity, Acqua doesn’t simply take what he wants, even though he’s certainly capable of doing so (unless Imagine Breaker somehow prevents the arm from being separated from Touma’s body). He gives Touma one day to decide whether he’ll give it up willingly, or die. And since Itsuwa is his sworn bodyguard, she and the rest of Amakusa will certainly die defending him before he does.

So yeah, a Saint with the Right Hand of God either wants Touma’s arm or his life, and Itsuwa alone won’t be enough to stop him. Like I said, straightforward! I imagine one needs a Saint to fight a Saint, so we’ll see if Kanzaki enters the fray…not to mention Misaka once she recovers from overheating in the bath.

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Tada-kun wa Koi wo Shinai – 05 – A Good Meal, a Nice Bath, and an Unexpected Guest

The first minutes of this episode of Tada-kun are, in a word, heartbreaking. A grown Mitsuyoshi and Yui pray at their parents’ grave with their gramps, and we’re taken back to the rainy day their dad suddenly has to hop on a flight, and their mom drives him to the airport.

As they pull away, his dad pokes his head out the window and snaps a picture of his kids. Mitsuyoshi is sullen. Yui is cheerful. It turns out to be the last picture their dad took; he and their mom were killed in an accident, and would never return.

Back in the present, Kaoru blasts into the Tadas’ cafe to announce the “Tenth Annual Ijuuin Kaoru Show” is on, and it’s live. This year, all are welcome, from Hajime, Hinako and Yamashita Dog, to newcomers Teresa and Alec. Kaoru asks them all to sit back while he utilizes his not inconsiderable culinary skillz to prepare all their favorite dishes.

When Mitsuyoshi and Teresa are tasked with putting some food away in the fridge in the upstairs apartment, she’s drawn to that last photo Mitsuyoshi’s dad took, and when he explains the context, she remembers when she fell in the drink and was saved by Alec around the same time Mitsu and Yui lost their folks. She considers both times when they decided they had to try to become stronger; in her case for Alec’s sake; in his case for Yui’s.

The exchange is interrupted when Kaoru announces he’s completed everyone’s dishes and it’s time to dig in. Everyone agrees Kaoru (who comes from a restaurant family) is damn good at cooking, even if, in Alec’s case, she doesn’t outwardly say it. Instead, she merely polishes of every last bit of her katsu bowl and asks for seconds.

The Kaoru Show continues after dinner with a trip to a bathhouse he’s rented out for the evening (he’s a young man of means, after all), and the two genders split off to their respective sides of the bath. Since they’re in the bath, there is talk of boob size on both sides, as well as Yui thinking out loud that Teresa would be a great girlfriend for her big brother. Alec says Teresa already has one, only to dismiss it as a “joke.”

Over on the boys’ side, Yamashita pines for an “older girl” presumed to be Hinako, while Hajime overheats and slips on a bowl, nearly cracking his skull. When the two groups reunite, Hinako is right there by Hajime’s side to help him, for which he’s grateful, even if he told his friends in the bath that his getting romantically involved with her would never happen (likely because he’s still mostly convinced Hinako and HINA are different people).

After the bathhouse, the Tenth Annual Ijuuin Kaoru Show comes to a close, and we learn about it’s raison d’etre: ten years ago, when Mitsuyoshi lost his folks, Kaoru, who was his classmate but never got along with him before, took pity on Mitsuyoshi, and made cheering him up at any cost his life’s work from that point on.

In other words, or more accurately in Alec’s words, Kaoru is a “pest”, but “has some good points too”, one of them being he can always be relied on to cheer you up when you’re feeling low. He’s never failed to do so with Mitsuyoshi (and Yui!) for a decade and counting.

After everyone goes their seperate ways and the credits roll, we move on to an entirely new development: the arrival of Teresa’s apparent fiancee/suitor/betrothed, Charles, who not only can stop Alec’s attacks with one hand, but confirms that Teresa is not only a princess of “Larsenberg” (maybe not Luxembourg?), but its future queen.

That makes things a bit more complicated for her and Mitsuyoshi, now doesn’t it?

Sansha Sanyou – 01 (First Impressions)

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Sometimes it’s nice to just sit back, relax, and watch a show about three colorful characters, voiced by three young, hungry seiyuu, coming together and shooting the breeze about nothing in particular…but mostly food!

That’s what we have in Sansha Sanyou, a minimal-stakes slice-of-life comedy with cute design and crisp, clean visuals that I’m seriously considering as my feel-good pick of the Spring

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As I said, Hayama (blonde class prez with a well-concealed mean streak), Futaba (energetic girl who loves to eat) and Yoko (purple-haired former rich girl struggling with making friends) are all voiced by relatively new, inexperienced actresses (Futaba’s seiyu is a pure rookie).

You can hear their infectiously fresh exuberance in their line delivery, much like Sore ga Seiyu. They also happen to have decent chemistry, comic timing, and range. They’re young, but they’re talented. Their efforts are backed up by appealingly above-average, colorful character design and naturally-flowing dialog that takes some interesting and unexpected turns.

I like how Hayama and Futaba, already good friends, decided to become friends with Yoko just because various random circumstances brought them together, and…well, why not? At the same time, Yoko is working hard to fit into “commoner society” now that she’s no longer super-rich.

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Yoko’s doting worry-wort semi-stalker of a former servant is a nice touch, as is her legitimate elation over receiving freebies, her worries over the cost of everything (hence her bread crusts being her main repast) and her earnest attempts at cooking for her friends, who enjoy the variable results without complaint, as good friends do.

Hayama also shows she’s got a hard edge behind her adorable demeanor, making a challenging classmate cry off-camera then shrugging it off. And while Futaba is the simplest of the three characters, she knows Hayama well and they bounce off each other’s eccentricities nicely.

There’s nothing overly complicated here, and that’s the point. The only question is whether I’ll have enough time to watch it, because it’s definitely good enough to keep.

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Utawarerumono: Itsuwari no Kamen – 06

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Utawarerumono is tops this Fall in sheer amount of time spent in the baths, but by that same measure, no Fall show is better at selling the sheer pleasure of those baths, particularly after a hard day’s work. This week, there’s no work, nor does the episode ever leave the inn. But that’s okay, because a lot of neat stuff happens within the inn’s walls, as well as in its baths.

And it all starts when a beautiful, mysterious woman offers Haku sake in those baths, without any concern about him seeing her naked. The next day Haku receives an invitation to a banquet hosted by inn’s owner, whom Haku deduces was that woman. He brings Kuon as his plus one, and they proceed to explored the surprising depths (and heights) of the expansive inn.

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Kuon solves a puzzle on the wall at the supposed top level, revealing a staircase to an even higher level, Myst-style. But Kuon Has A Bad Feeling About This and doesn’t want to go up there. Haku doesn’t have any reservations, and the woman from the bath ends up on top of him. But for all the threatening purple fog and compromising positions, there’s actually nothing to be afraid of.

Turns out the woman is Mother Karura, one of the women who raised Kuon, and who is so sensitive about her age Kuon must call her Big Sister Karura. The three of them are soon joined by another one of Kuon’s guardians, the husky-voiced Mother Touka. Her reservations were based on her believing she saw Touka before, dressed as an inn employee.

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Turns out the mothers founded the inn as a kind of home away from home, complete with baths that the country they’re in used to lack. It explains why Kuon likes the inn so much, as well as her nervousness around the mothers. She doesn’t consider herself a “full adult” like they are, and was unsure how to act.

Haku is a good guide in this instance, calling for the start of drinking, only to be drunk under the table by Karura. He nearly drunkenly confesses his love for Kuon before passing out, leaving the daughter and two of her many mothers to chat and reminisce.

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Touka, for one, believed Kuon and Haku were married, and Kuon reacts like she usually does in such instances, assuring anyone curious that they’re just “travelling together” and she’s far more of a guardian than a lover. Her mothers let her obfuscation pass, though they may well sense better than she does what she has with Haku, and it ain’t just guardianship.

After a huge meal (which poor passed-out Haku misses out on, but is apparently smaller than the meals Kuon used to scarf down), and the mothers explain their presence in Yamato (they’re investigating and observing its development…to be continued), Kuon loosens up a lot more, and before long, the women are back in those lovely baths.

There, the mothers have a pleasant surprise for her: they share sake with her, like a fellow adult, and not just any sake: the same sake she accidentally drank when she was a boisterous little girl. All this time Kuon sought the ideal of adulthood her mothers represented, but they already considered her an adult ever since she drank that sake. Now that she’s drinking it again, she can officially consider herself one, too. And not just because she’s a Hakusitter.

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Utawarerumono: Itsuwari no Kamen – 05

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Oshutaru/Ukon has taken a shine to Haku and Kuon, to the extent that he assigns them the very open-ended, important misssion of protecting the capital and the people “in his place”, which assumes he’s busy with other matters. Haku and Kuon are intrigued, and a big sack of money cements their acquiescence.

Haku then embarks on a strenuous cycle of manual labor by day and learning to read and write by night. Nekone is surprised to find how quickly he learns, but also comes to understand why her big brother is so interested in him.

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Just when Haku is at the end of his tether, Kuon awards him a day off for all of his hard work. Unfortunately, the same day he has off is the day one Atui-sama, daughter of Soyankekuru-sama, the Ouro of Shahharo, decides to run away from home seeking love.

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Atui may be a bit naive, but she’s a good enough character to trust Haku, who is indeed a good sport as he shows her around the city, all while she’s being hunted by Kiuru, an acquaintance of Nekone tasked with bringing Princess Atui home (though the arrows suggest a dead-or-alive scenario).

Hara Yumi, who also voiced Albedo in Overlord, brings a very distinctive affectation to the royal yet rebellious (and flirtatious) Atui. And whether by accident or by intention, Haku does manage to keep her safe.

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At the same time, Atui wrongly assumes Haku and Kuon are a couple; they are, but not the romantic type. Interestingly, Haku doesn’t seem to want to get involved with anyone, from Kuon and Rurutie to Atui.

When Kiuri, Atui, and the others meet up to discuss things, Atui decides to return home; she doesn’t wish to cause more trouble for anyone. She thanks Haku for a fun day beyond the palace walls.

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When Haku meets with Ukon, he tells him about a rumor spreading across the capital of “a man who hears the people’s voices, no matter how small.” Those rumors are actually about Haku, performing good deeds for his fellow capital-dwellers, while gradually gaining renown in return.

Haku agrees to go along with Ukon’s plan and be “The Righteous Man”, at least until a better-paying job shows up. Then Atui moves into the same inn where Haku and Kuon are staying. He may not know quite who he is (or was), but his allies continue to multiply.

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Utawarerumono: Itsuwari no Kamen – 04

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In the big capital, Haku, Kuon, and Rurutie meet Ukon’s little sister, Nekone, who has her doubts about Haku for most of the episode until she realizes he’s actually a pretty nice and interesting fellow, and learns from observing him not to worry so much or overthink things.

As far as baths are concerned, overthinking is definitely not a problem for Kuon: Clothes come off, Kuon gets in the water. Kuon also makes sure Rurutie and Nekone are as God made them that they might fully enjoy the experience of bathing. When talk that Ukon is with Haku on the men’s side, Rurutie’s inner fujoshi comes out. We even see Maroro without his white base mask.

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The next morning, Haku is very refreshed, and Nekone invites him, Kuon and Rurutie to join her on a tour of the capital, during which she’ll determine whether Haku is worthy of being a friend to her brother. On the tour, they catch sight of the hugely-popular general Oshutaru, and Nekone clashes with Haku on what she perceives as his arrogance, ignorance, and general dimwittedness.

The girls find him a job waiting tables, and to Nekone’s surprise, after a rough start, Haku starts to fit right in. No one has a problem with him the way she does, so she starts to wonder if her perception of him is the true problem. Stepping back from her preconceptions of him, she starts to see the odd but comforting charisma he exerts, and which Kuon, Rurutie, and even her brother Ukon have come to like.

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After a hard day’s work and with the cost of his mistakes subtracted, Haku has made barely enough money to buy a meal, let alone a room at an inn. Nekone is still dubious, but delivers an invitation from Ukon to Haku and the others. When they arrive to find Oshutaru, he reveals “Ukon” is merely a false identity he uses on occasion. With Ukon and Oshutaru being one and the same means he and Haku are already good friends.

Seeing how much her brother truly trusts and cares for Haku, Nekone takes a page out of Haku’s book. She, Kuon and Rurutie have already hit it off, so she decides, without overthinking, to simply regard them as friends, as they clearly already consider her one.

Meanwhile, two cloaked messengers report Haku’s presence in the capital; news that is very well-received by a venerable elder-type whose face is concealed. We saw Haku as a simple waiter this week, but it’s clear there are many people whose existence he’s not even aware of who have far grander plans for him.

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DanMachi – 05

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Another DanMachi, another sweet domestic scene between our quasi-husband-and-wife duo of Bell and Hestia, with the goddess being out too late getting her drank on and the adventurer providing not only a moist washcloth, but the offer of a fancy dinner sometime, due to all the cash he’s raking in. Since the whole reason Hestia had a little too much was because she saw Bell “cheating” with Lili, she decides she doesn’t have a hangover anymore, and that “sometime” will be “today.”

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Alas, while cleaning up at the divine bathhouse (boob comparo alert) Hestia attracts the attention of a bevy of curious deities, and she and Bell end up spending their entire date running and hiding from them. They end up in a romantic starlit spot, and Bell promises dinner another time. Hestia tries to say something, but doesn’t, choosing instead to lean her head on him. So…no real progress in the romance arena.

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That same night Lili is busy paying off her fellow Soma familia members with the generous cuts she’s getting from working for Bell. She seems to think she’ll be close to completing her debt soon, but c’mon, how naive can you get? I don’t see those guys calling it square anytime soon.

To protect Bell, Lili reflexively uses a magic weapon she’d been concealing from him. He, in turn, continues to surprise her with his kindness, letting her have all the days off she wants, and even sharing the lunch Syr made with him. She still doesn’t fully trust him. To be fair, he does seem ridiculously nice, to the point of “weirdness”…at least among the sorta people she’s been around most of her life; i.e. scum.

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In a rather clunkily-deployed plot development, on his day off Bell asks Syr what she does on her days off, and she says “reading,” and the one book in the tavern she just happens to lend him is a magic grimoire. His reading of the magic tome is a half-trippy, half-goofy sequence in which he’s talking to different colored copies of himself, before being shaken awake by Hestia, as if he’d just gone on a Salvia trip.

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Hestia discovers he now possesses a magical fire ability; one he can cast without an incantation. She urges him to try it out in the dungeon tomorrow, so of course he runs off on his own that night after she falls asleep and gets so drunk with his new power he overextends himself and “minds out,” leaving him deep in the dungeon and at the mercy of any number of beasts and bosses.

I understand his excitement with his new power, but honestly, this was a clown move on Bell’s part. Had Ais and Riviera not just happened to be in the same part of the dungeon and found his unconscious idiot self, he’d have been killed and Hestia would have been alone. All because he couldn’t hold his horses. Then again, maybe at this point Bell expects to be bailed out by his increasing phalanx of friends, admirers, and supporters.

Among them is Ais, who blames herself for Bell’s minotaur mishap in episode one, and whose battle damage conveniently created underboob she proceeded to put right in Bells face. Subtle!

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The next day Bell learns that the grimoire is now blank now that he read it, meaning he has to go back to Syr and the landlady with hat in hand. While it struck me as odd Hestia doesn’t give Bell any significant dressing down for his blunder last night, I did enjoy Syr’s cute attempt to distance herself from Bell’s “spot of trouble”—something he calls her out on.

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From there, it’s back to the dungeons with Lili…only when he arrives at the meeting place Lili is being accosted by brutes, while a slimy-seeming guy sidles up to Bell and asks him if he wants to get in on their racket working Lili to the bone and taking her earnings.

Frankly, Bell lets both these thugs and Lili off too easily. The thugs should have gotten a beating, and Lili should have been made to explain what the heck is going on. Instead, Lili seems to think because Bell was talking to one of the thugs, he may be in cahoots with them, acting as the “nice guy”…or maybe Lili just doesn’t want Bell involved in her problems.

Whatever the case, we know Bell isn’t putting on an act, and won’t hesitate to help Lili if he senses she’s in trouble, even if she doesn’t want his help.

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Nisekoi – 09

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Chitoge’s interest has been piqued by the mystery of her first love, but further investigation is put on hold by “open-air school.” Maiko fixes it so their team consists of him, Raku, Ruri, Kosaki, Seishirou…and her. Once again, Nisekoi shows that nobody airing can match its close-ups of characters’ faces—not even Kill la Kill.

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Whether its everyone’s reactions to learning they’re in the same group (and have to share the cramped bench in the back of the bus), or their hapless attempts at poker faces during a game of Old Maid (which had just as much intensity and pressure of a karuta match in Chihayafuru), this episode was a veritable cornucopia of heated emotions, not the least of which because Chitoge is starting to entertain the notion that Raku could be her first love. He’s got a scar, after all.

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And in Anime Land there are few stages better-suited for the proliferation of high-level discomfort and tension than a hot spring inn, which is ironic, because in real life they’re probably exactly the opposite. Thanks to Claude switching up the gender-specific curtains the the bath entrances (which shouldn’t be that easy to do in the 21st century), Raku ends up in the enviable but potentially disastrous position of being a boy in the girl’s bath.

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There are many obvious ways of proceeding with such a scenario; many of them involving much physical punishment and social ostracism being exacted upon Raku. To it’s credit, the episode doesn’t make Chitoge a conclusion-jumping idiot (this time at least), and not only doesn’t blame Raku, but even does everything she can to get him out of there without being seen. Despite some very close calls (and an accidental kiss to Raku’s upper backside), she even succeeds!

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Uchouten Kazoku – 07

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Yaichirou, Yasaburou, and Yashirou drag Akadama to the bathhouse to clean himself up. The Ebisugawa Elite Guard barges in and Yaichirou is confronted by Kinkaku and Ginkaku, who want him to drop out of the race for Nise-emon. If he doesn’t, they’ll use their ace-in-the-hole to seal Ebisugawa’s victory: information that Soichirou got extremely drunk with Yajirou the night before he was boiled in a hot pot. Yaichiruo disperses the twins and rushes to confront Yajirou in his well, who admits that he got wasted with dad and left him behind, and ultimately to his doom.

All the strife and uncertainty swirling around the wounded Shimogamo family can all be traced back to the sudden boiling of their patriarch in a hot pot, and the mystery of how such a great tanuki ended up meeting such an ignoble fate. This week that mystery is revealed to Yaichirou and Yasaburou, and the truth they get stings all the more because it comes first from their feuding relatives, not Yajirou. Instead of ever telling them what happened after he stumbled home and passed out, Yajirou became a frog and never changed back, shedding his tanuki existence and all the baggage that comes with it.

Last week Yasaburou learned more about how his father faced his demise from the guy who ate him, but his father would have never even ended up in that cage had he not gotten drunk with Yajirou. It could be argued Soichirou died before Yaichirou was fully prepared to succeed him. Now Yaichirou’s election as Nise-emon on his own merits is threatened by the scandal the Ebisugawas will use as ammunition. Knowing how dearly his mistake cost him and his family, no one can blame Yajirou for preferring to live in the bottom of a well. Not for his sake – even as a frog he can’t escape his guilt – but for everyone else’s, taking himself out of the game lest he make another costly mistake.

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Rating: 8 
(Great)

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Hanasaku Iroha finally arrests its downward trend and comes surging back with an extremely dense yet focused episode that recalled the energy of the excellent early episodes of this series. Like those, a lot of stuff happens in a short time, making the episode feel much longer than it actually was. With seven groups equalling twenty fresh customers descending on Kissuiso all at once, it’s all hands on deck.

But it isn’t: the manager falls ill with old lady syndrome; Nako is off; Tohru is at a wedding somewhere, and the chef, finally in a high-pressure situation for the first time in a long while, is starting to crack. The absences aren’t the only thing that need to be addressed, either. One or more of the groups could be a “mystery guest” from the travel magazines, meaning if their stay isn’t perfect, they’ll write about it with their more-mightier-than-sword pens. And, oh yeah, Ko is coming to see Ohana, but since her phone is off during work (and thanks to an awfully-timed tunnel), she misses potentially crucial calls to meeting up with him.

Throughout all the chaos, Ohana is running all over the place with a glimmer of doubt, like something is “off”, but that’s natural: the head honcho, her grandmother, is out of comission, and Ohana has never had to deal with the inn at this level of busy-ness. When she realizes she’s inadvertently ignored Ko’s calls, she flips her phone back shut; she has a mission to accomplish (locate Tohru), and cannot let her personal problems get in the way of her job and the people depending on her. That’s kind of a raw deal for Ko, but that’s the price of surprising your very busy would-be girlfriend. As for how things will work out at the inn, this is a two-parter, so we don’t know yet. But I damn sure want to find out! Rating: 4

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Kissuiso has been a bathhouse in decline long before Ohana arrived. Her uncle seems to believe modernization is the key, and that requires a consultant. The consultant has a needlessly dramatic entrance, nearly killing Ohana and Nako and covering them in a cloud of dust, then scolds them for not welcoming her properly. But she’s of little use, suggesting silly gimmicks like tarting up the staff. To be fair though, the manager wants no part of her “consultations”.

This episode makes me wonder what the Japanese definition of “Old-fashioned” entails. Is it so bad that Kissuiso errs on the side of tradition? I’ve been to a TOTO bathroom fixture showroom in Shinjuku, and many of the displays featured Japanese baths, which are pretty much stools with a hose and bucket. This traditional form of bathing actually saves water, because a whole bathtub needn’t be drawn; only a few buckets worth for rinsing. A bath is primarily scrubbing while the water’s off. Thus, it makes sense that a very old-fashioned form of bathing – just like the kind one would do by the river centuries ago – survives in resource-scarce Japan.

So many establishments have decided to go outside their element in an attempt to wrangle customers, but this can easily backfire, as exhibited when Ohana and Nako, dressed in skimpy Chinese dresses, greet a family and end up embarassing the dad (through no fault of his own). Skimpy dresses and other cosplay simply don’t fit with Kissuiso’s image. Ohana’s grandmother isn’t being stubborn simply for stubbornness’ sake; she wants to preserve as traditional a bathhouse as she can; even profits seem secondary to that vision. Rating: 3

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It’s all that damn erotica authors fault…

Ah, a misunderstanding episode. While this series has definitely slowed down since the first two eps, it remains one of my favorites this spring. For some reason, this episode reminded me of an episode of Frasier, one in which a little misunderstanding is blown way out of proportion and everyone emotionally commits to an assumption that turns out to be false. Yeah, a lot of Fraiser episodes (and those of many many other shows) are like that, but for some reason Frasier came to mind first. Dunno why.

At any rate, Ohana is, as always, trying to get into Minko’s good graces, this time by going after Tohru, who the author deduces has defected to rival Fukuya. Combined with Minko and Ohana seeing the Fukuya heiress on a motorbike with him, Minko is devastated. She isn’t kidding anyone with her tough, dealing-with-it face, including Ohana. Of couse, as it turns out, Tohru only filled in for one night at Fukuya, and far from dating Fukuya, she just wanted a ride.

It’s a well-written and acted episode to me, because all of the factual omissions that lead to the understanding are very organic and fit nicely with the individual characters involved: the author’s tendency to jump to conclusions, Minko’s infatuation with Tohru, and Ren’s tight-lippedness. All of the facts they have seem to point to him leaving, and they have no reason to question for how long he’ll be gone, or whether he’ll come back. Those who know what’s really going on stay quiet too, because they have better things to do. While I knew the twist was coming from a mile away, it was still well-played and an entertaining watch. Rating: 3.5