TONIKAWA: Over the Moon For You – 11 – Perfect T.A.K.O.

Chitose is about to drop in on Tsukasa when she discovers her apartment is gone. She spots Tsukasa passing by, and Tsukasa tells her she’s living in the park now, lures Chitose into one of those big plastic domes with holes, and leaves her there.

Back home, Nasa has found a pan for grilling takoyaki, and suggests they have a takoyaki party (or Takopa), since that’s what the young people are into these days. Tsukasa isn’t sure where Nasa learned that, but thinks a party will be a good opportunity to get to know Aya. I’m also reminded of the similar fondue parties that were so popular in America back in to 60s.

Chitose and her maids track Tsukasa to the bathhouse, where Kaname tells them to have a nice refreshing bath to cool their jets. Chitose and Aya clash over the worthiness of Nasa to be with Tsukasa and vice versa, respectively. Chitose very nearly insults the bath, but insists to Kaname she wasn’t.

Tsukasa and Nasa decide to invite everyone to their little home for the Takopa, and the maids have helpfully done the extra shopping needed. Tsukasa proves she’s prime wife material to Aya when every single thing she makes is delicious.

But culinary skills aren’t all it takes, so Aya decides to test Tsukasa another way: with video games, specifically Street Fighter V: Champion Edition. Not a parody, mind you: the actual real-life game, released back in February.

I’m not sure if Capcom provided promotional consideration, but the episode is able to avoid feeling like a commercial because it’s the personalities of the characters, not the game, that take center stage, especially when the maids propose a competition among the girls with the prize of having Nasa do any one thing they ask.

Kaname backs out due to her inexperience, and while Chitose is game, she is quickly torched by Aya. Tsukasa puts up a better fight but ultimately Aya beats her too, and Tsukasa hates losing so she keeps playing. Soon, the contest format is forgotten.

Once it’s clear she can’t beat Aya at SFV she whips out the original game, for which she had Nasa use his electronics expertise to create the necessary retro proprietary controllers. Tsukasa gets a lot of early wins, but Aya is a natural gamer and soon figures out the controls, resulting in a Double K.O. in their final game.

Tsukasa and Aya do a fist-bump to express their mutual respect, and Kaname reminds them that, as it’s a takoyaki party, perhaps they should start making some takoyaki? Chitose watches as Tsukasa shows Nasa the proper way to turn them, sees how much fun they’re having and how happy she is, and decides to more or less drop her disapproval of the marriage.

A good time is had by all, and once everyone is gone, and Tsukasa and Nasa clean up in the kitchen, Nasa asks Tsukasa what she would have done if she’d won the video game contest. Rather than tell him, she just does it: she leans in and kisses him.

Stating that she can do that whenever she wants, she responds “Sometimes, then…”, and the two shift a little bit closer to each other and lean on one another. They’re in an adorable state of true spousal bliss, brought on by the fact they were able to pull off one hell of a lively party—an indication of further growth in an otherwise slice-of-life episode. After all, entertaining isn’t just about having fun with friends, but showing yourselves off as a couple.

Rating: 4/5 Stars

TONIKAWA: Over the Moon For You – 10 – A Life of Firsts

This week we get four more cozy, sweet, heartwarming, adorable, feel-good slice-of-life segments with Nasa, Tsukasa, and the Arisugawas. Tonikawa has long since established itself as a wonderfully earnest crowd-pleasing show, and continues to not let me down!

Fry, Don’t Buy—Nasa and Tsukasa’s temporary new home was previously used to store all of Kaname and Aya’s dad’s “nerd crap”, but the couple is welcome to whatever useful items they find. The result is a thoroughly “old-fashioned” living space complete with huge CRT TV.

Tsukasa prepares tonkatsu for dinner, a favorite of mine, and Nasa is again shocked and impressed by his wife’s culinary skill. Nasa’s a super-utilitarian person, and was raised with rice cookers and a “buy-not-fry” mentality, but Tsukasa shows him the rewards of an honestly home-cooked meal. Nasa, in turn, feeds Tsukasa some delicious melon for dessert.

A Model Home—A favorable update to their living sitch, his landlord is rebuilding and they’re welcome to move back in with the same rent and no deposit. They even arranged a model room for Nasa and Tsukasa to inspect before making a decision, and they are surprised to find it’s an ultra-luxurious apartment with a bird’s-eye-view of the city.

Tsukasa sits in the huge bathtub with a view and the two get red-cheeked over the prospect of sharing a big bed together, but in the back of their heads they’re always wondering if this was really meant to be the model room for them to look at. Turns out it isn’t—their landlord made an error—but the couple isn’t disheartened. Big or small, new or old, home for Tsukasa will be wherever Nasa is. He feels the same way.

Helping out at the Bath—Kaname opens this segment, going over her morning routine of getting up at 5:30 to clean and prepare the bath for customers before heading to school. Tsukasa offers her services as thanks for her continuing kindness and hospitality, and shows she’s just as highly competent at cleaning as cooking.

In cleaning the entire men’s side of the baths, Tsukasa comes to admire Kaname for the hard work she does every day. Kaname comes to understand why Nasa loves her, and they adopt informal nicknames and by morning’s end are officially friends. Aya, on the other hand, laments the prospect of being shunted off to a spin-off.

An Evening Stroll—After Nasa declares after thorough mathematical analysis that his favorite food is curry, he and Tsukasa head to the store to buy some curry powder and decide to make an evening stroll of it. A cheeky Kaname and Aya’s mom tells Nasa about a nice quiet secluded park where he can make out with Tsukasa, adding some spice to their marriage after buying spice.

Ultimately, Tsukasa declines Nasa’s offer to kiss, since they both just ate garlicky steamed buns from the store. Nasa doesn’t care (and indeed most people who love each other don’t really care about mildly bad breath) but she’s self-conscious about it. So instead, Nasa suddenly embraces Tsukasa from behind, both surprising and exciting her.

He asks her how her married life is going so far, and she remarks on how many firsts she’s experienced with him and will continue to experience—among those being the intimate position they’re currently in. She looks forward to experiencing more firsts with him, and Nasa doubtlessly feels likewise.

Rating: 4/5 Stars

TONIKAWA: Over the Moon For You – 03 – Not Your Usual Bath Episode

Tsukasa is impressed to find Nasa has a fully-stocked fridge, but her opinion goes down a peg when she learns he cooks only for optimal nutrition and minimal waste, and after exhaustive research determined the only thing he should ever make is hot pot!

She remedies that monotony by using the same ingredients to whip up an eclectic feast that shows her hubby that cooking can and should be as much art as science. Nasa even references Food Wars while watching his wife work her culinary magic!


After breakfast, it’s time to hit the bathhouse, but Nasa’s taste in toiletries (i.e. the bare necessities) again fall short, necessitating a quick stop to the store for skin toner, serum, and lotion. Nasa is amazed at the complexity of a woman’s skin grooming routine, as it explains both why her skin is so beautiful and why she smells so nice.

The extra characters dam finally opens this week as we’re introduced first to Kaname, who despite being a year younger than Tsukasa practically runs the family bathhouse with her sister (who is Nasa’s age). Naturally, someone who’s known Nasa for years is shocked that he’s suddenly married, but even more upset that he hasn’t properly proposed, or bought Tsukasa a ring, or planned a ceremony!

When Nasa brings up the fact all of those things are wasteful and inefficient, Kaname, wise beyond her years, responds that’s irrelevant. No one will hold him to account if he doesn’t make those gestures, but he still has a primary responsibility to make his wife happy however he can.

Nasa assures Kaname he’ll do just that, because, and he proclaims this loud enough for all to hear, he loves Tsukasa. She comes back to grab the toiletries from him just as he’s saying this, and while she tells him it’s embarrassing, it also makes her happy. Her delivery and face are enough to make both Nasa and Kaname blush!

Once in the bath, Nasa is soon further teasted by Kaname, who for some reason has to clean the part of the bath where he is. She overheard his childhish monologue about this being a “bath episode”, but thankfully that’s not what he or we get. Sure, Kaname gets a good look at Nasa, but that’s nothing new; they go way back.

While there are subtle shots of legs and cleavage, the fan service is kept to a minimum, and instead Tsukasa is introduced to Kaname’s older sister Aya, who is gorgeous but easily mistaken and confused, and has a low opinion of herself, as she repeatedly promises to kill herself for walking in on Tsukasa’s bath.

She ultimately offers to make up for it by washing Tsukasa’s back, during which time she likens her skin to “silk” before questioning why the secretion of a worm is appropriate compliment, then goes too far in the other direction by saying her skin is like “an IPhone X,” which I’ll just say is a really good joke!

Nasa dreams of when he was laid out on the pavement bleeding to death in the cold when he suddenly wakes up in a massage chair to the cold feeling of a bottle of milk on his cheek, put there by his wife. Then Tsukasa watches Nasa and Aya interact, and witnesses the blatantly easy chemistry and bonhomie between the two.

Aya, for her part, isn’t aware they’re married; she just knows they’re “family”, but Tsukasa understandably gets a little self-conscious, as despite her quirks Aya is a true beauty. When she mentions Aya’s looks, Nasa proceeds to gush about Aya. He noticed the change in mood, which he chalks up to the fact he and Tsukasa just walked past a church where a wedding is taking place.

Because of this, when Tsukasa comes right out and says it would be nice if “he called her pretty”, he mistakes it as being in the context of being a bridge in a wedding gown at a ceremony. That means Tsukasa doesn’t understand his response—that he needs to think about it, and even runs off to do some research and “make the impossible possible!”

It’s the first misunderstanding between the two, and yet nothing that should cause bad vibes going into next week. Instead, there will be bigger fish to fry, as a straw-blonde girl in a huge limo has found Tsukasa, someone she’s apparently been seeking. Marriage is all about balance, so after Tsukasa met Nasa’s people it’s only fair for him to meet Tsukasa’s!

Rating: 4/5 Stars

Eizouken ni wa Te wo Dasu na! – 07 – Spilling Tea for Art’s Sake

Tsubame’s unyielding passion to capture the motion of the world around her through drawing started when she was in grade school, watching her grandma toss tea into the yard with a precise, practiced motion. The action fascinated her, and she yearned to master it herself so she could capture it in all its glory.

When she ended up in classes on how to stand, sit, and walk in preparation for her modeling career, Tsubame voraciously jotted down all the various motions, even discerning a better way for her infirm grandma to move and walk more comfortably. She carries that passion on in every frame of animation she’s drawing for this robot anime.

She does this in defiance of her mother’s insistence she not get involved in animation, but also in lieu of getting the proper amount of sleep or paying sufficient attention in class. Yet even if she’s sleep-deprived and her grades start to slip, there’s no alternative. Tsubame is gradually learning not to be a total perfectionist, but she’s never going to give anything less than 110% effort.

With Doumeki on board, the trio now have someone with far more audio know-how than the rest of them combined, but that just means she’s able to describe in precise demoralizing detail all of the challenges they face and the consequences of not properly harmonizing visuals and sound.

Meanwhile, Midori is presented artwork that the artists believe was following her instructions, but which she worries will fundamentally change the film they’re making. The artists need to be more flexible, but she needs to be more precise in her direction.

While I’m sure Sayaka considers it another strictly-business opportunity to give her talent a much-needed break, and it is their bathhouse visit after school is closed due to rain turns out to be a nice bonding experience. There’s a familial intimacy to bathing together that the team previously lacked.

It’s also fun to watch Midori dutifully call her very nice parents to let her know where she is and what she’s doing with whom, as well as the very rich Tsubame marveling at every aspect of the bathhouse experience, as well as insisting Sayaka douses Midori over and over so she can watch the motion of the water —much like she asked her granny to keep tossing tea.

The three then dine on crawfish after catching their fair share themselves (though they can’t eat the same fish they caught, as they must be purged of mud first, Midori points out), and Midori and Tsubame whip out their sketchbooks to capture their dinner in all its crustacean glory. Few moments of these young women’s lives seem to ever pass without them capturing it with pen or pencil on paper.

When the rain subsides, they return to their studio, and Tsubame gradually becomes frustrated with her animation of a chainsaw. After discussing possible remedies with Midori, the two bring in Sayaka, who thinks its fine and that they should watch it with sound. Sure enough, it makes more than enough impact for the quick cut…but Tsubame isn’t quite satisfied.

Both Midori and Tsubame consider anime to be the best way to appreciate movement, more so than even live action film, and that comes down to intent. The imagination, passion and effort of a great animator comes out in every frame of their work, lending it greater impact than a mere directed and photographed live-action actor.

Tsubame isn’t looking to “make people smile” with her anime. She wants to be able to wow people like her, who can’t help but spot every potential flaw or revelation; notice every triumph or defeat. By being her own harshest, uncompromising critic, an artiste like Tsubame could potentially problems for a production on a shoestring budget and tight deadline.

But doggone it, the eventual visual rewards of letting her go wild are well worth the pain. It’s why Sayaka is almost always irritated and annoyed, but she’ll gladly bear those emotions if it results in an exceptional—and profitable—final product. When you successfully harness the chaotic energy of special talents and personalities, great things can happen. And like a rocket taking off, the sky’s the limit.

To Aru Majutsu no Index III – 07 – The Bodyguard

Like a jargon-heavy book that keeps making you flip to the glossary in the back, the Academy City Underworld arc was so laden with groups, individuals, motives and goals that I had to refer to the Index wiki on more than one occasion just to find out who the hell some of the people were. As a result, it was hard to sit back and just enjoy the action.

So thank goodness this week is a far simpler Index episode (even though it takes a number of turns), featuring a straightforward plot and familiar, beloved  characters. It certainly starts out where Kamijou Touma would prefer to be, at school, where the most fraught action is being chased by a burly teacher when he and Tsuchimikado are the only two able to escape school to get to the convenience store for the lunch they want.

For all the misfortune swirling around him, Touma does catch a break every once in a while. In this case, a very lovely break in the person of Itsuwa, who mistakes Saigo for a hostile and takes him out for Touma. She’s come to A.C. to serve as Touma’s bodyguard due to stirrings that the powerful Saint Acqua of the Back (or Rear) is going to target him.

The rest of Amakusa is there to back Itsuwa up, as well as to try to get her to pull the trigger on Touma, whom she apparently likes. In this venture it’s Itsuwa who is more unfortunate, since she must contend with the jealousy of Biribiri, who makes a welcome return to the show. Misaka was actually concerned that Touma had amnesia, only to catch him deep in Itsuwa’s bust. Thankfully, Touma manages to keep Itsuwa from mistaking her for a hostile…even though she kinda is!

This also marks the rare Index III episode that actually has sizable portions of Index in it, as she watches with concern as Itsuwa enters her and Touma’s home, buys the loyalty of Sphinx with some high-quality bonito, and starts making dinner.

Like living a simple high school life with occasionally exciting lunch runs, just seeing a girl in his kitchen making dinner gives him no end of joy. The fact that Itsuwa is acting like a proper house guest and helping out exposes how comparatively little his other guest Index does.

Of course, the reason Index doesn’t help out is that her help often only causes more work, such as when she pours an entire bottle of drain cleaner down the shower and almost causes a fire.

Itsuwa cuts off their ensuing dust-up, rents a motorcycle and sidecar, and takes Touma and Index to a splendid public bathhouse in the 22nd School District, which is entirely underground yet has a giant screen in its “sky” projecting the real sky. It’s a really beautiful motorcycle ride that shows yet another side of the sprawling city.

Naturally, Misaka ends up in the same bath as Index and Itsuwa, and as Itsuwa clumsily tries to explain how Touma came to end up in her breasts she then becomes the target of Index’s ire, while Biribiri stews until she overheats and a medical team with a stretcher has to be called.

I presume Misaka had to be temporarily taken out of comission in order to lend more peril to the final act of the episode. Touma and Itsuwa go on what could be construed as a romantic evening constitutional, but once they reach the bridge (Touma and bridges don’t mix!), Acqua suddenly appears, and wastes no time mopping the floor with the both of them.

Itsuwa is a strong and honorable bodyguard, but she simply has no chance against a Saint, and her restoration spells have limited effect on Touma due to his right arm. About that arm: Acqua will let him live if he cuts it off and gives it to him. He couldn’t care less about Kamijou Touma, he wants Imagine Breaker taken out of the equation of church and global affairs.

In his surpassing charity, Acqua doesn’t simply take what he wants, even though he’s certainly capable of doing so (unless Imagine Breaker somehow prevents the arm from being separated from Touma’s body). He gives Touma one day to decide whether he’ll give it up willingly, or die. And since Itsuwa is his sworn bodyguard, she and the rest of Amakusa will certainly die defending him before he does.

So yeah, a Saint with the Right Hand of God either wants Touma’s arm or his life, and Itsuwa alone won’t be enough to stop him. Like I said, straightforward! I imagine one needs a Saint to fight a Saint, so we’ll see if Kanzaki enters the fray…not to mention Misaka once she recovers from overheating in the bath.

Tada-kun wa Koi wo Shinai – 05 – A Good Meal, a Nice Bath, and an Unexpected Guest

The first minutes of this episode of Tada-kun are, in a word, heartbreaking. A grown Mitsuyoshi and Yui pray at their parents’ grave with their gramps, and we’re taken back to the rainy day their dad suddenly has to hop on a flight, and their mom drives him to the airport.

As they pull away, his dad pokes his head out the window and snaps a picture of his kids. Mitsuyoshi is sullen. Yui is cheerful. It turns out to be the last picture their dad took; he and their mom were killed in an accident, and would never return.

Back in the present, Kaoru blasts into the Tadas’ cafe to announce the “Tenth Annual Ijuuin Kaoru Show” is on, and it’s live. This year, all are welcome, from Hajime, Hinako and Yamashita Dog, to newcomers Teresa and Alec. Kaoru asks them all to sit back while he utilizes his not inconsiderable culinary skillz to prepare all their favorite dishes.

When Mitsuyoshi and Teresa are tasked with putting some food away in the fridge in the upstairs apartment, she’s drawn to that last photo Mitsuyoshi’s dad took, and when he explains the context, she remembers when she fell in the drink and was saved by Alec around the same time Mitsu and Yui lost their folks. She considers both times when they decided they had to try to become stronger; in her case for Alec’s sake; in his case for Yui’s.

The exchange is interrupted when Kaoru announces he’s completed everyone’s dishes and it’s time to dig in. Everyone agrees Kaoru (who comes from a restaurant family) is damn good at cooking, even if, in Alec’s case, she doesn’t outwardly say it. Instead, she merely polishes of every last bit of her katsu bowl and asks for seconds.

The Kaoru Show continues after dinner with a trip to a bathhouse he’s rented out for the evening (he’s a young man of means, after all), and the two genders split off to their respective sides of the bath. Since they’re in the bath, there is talk of boob size on both sides, as well as Yui thinking out loud that Teresa would be a great girlfriend for her big brother. Alec says Teresa already has one, only to dismiss it as a “joke.”

Over on the boys’ side, Yamashita pines for an “older girl” presumed to be Hinako, while Hajime overheats and slips on a bowl, nearly cracking his skull. When the two groups reunite, Hinako is right there by Hajime’s side to help him, for which he’s grateful, even if he told his friends in the bath that his getting romantically involved with her would never happen (likely because he’s still mostly convinced Hinako and HINA are different people).

After the bathhouse, the Tenth Annual Ijuuin Kaoru Show comes to a close, and we learn about it’s raison d’etre: ten years ago, when Mitsuyoshi lost his folks, Kaoru, who was his classmate but never got along with him before, took pity on Mitsuyoshi, and made cheering him up at any cost his life’s work from that point on.

In other words, or more accurately in Alec’s words, Kaoru is a “pest”, but “has some good points too”, one of them being he can always be relied on to cheer you up when you’re feeling low. He’s never failed to do so with Mitsuyoshi (and Yui!) for a decade and counting.

After everyone goes their seperate ways and the credits roll, we move on to an entirely new development: the arrival of Teresa’s apparent fiancee/suitor/betrothed, Charles, who not only can stop Alec’s attacks with one hand, but confirms that Teresa is not only a princess of “Larsenberg” (maybe not Luxembourg?), but its future queen.

That makes things a bit more complicated for her and Mitsuyoshi, now doesn’t it?

Sansha Sanyou – 01 (First Impressions)

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Sometimes it’s nice to just sit back, relax, and watch a show about three colorful characters, voiced by three young, hungry seiyuu, coming together and shooting the breeze about nothing in particular…but mostly food!

That’s what we have in Sansha Sanyou, a minimal-stakes slice-of-life comedy with cute design and crisp, clean visuals that I’m seriously considering as my feel-good pick of the Spring

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As I said, Hayama (blonde class prez with a well-concealed mean streak), Futaba (energetic girl who loves to eat) and Yoko (purple-haired former rich girl struggling with making friends) are all voiced by relatively new, inexperienced actresses (Futaba’s seiyu is a pure rookie).

You can hear their infectiously fresh exuberance in their line delivery, much like Sore ga Seiyu. They also happen to have decent chemistry, comic timing, and range. They’re young, but they’re talented. Their efforts are backed up by appealingly above-average, colorful character design and naturally-flowing dialog that takes some interesting and unexpected turns.

I like how Hayama and Futaba, already good friends, decided to become friends with Yoko just because various random circumstances brought them together, and…well, why not? At the same time, Yoko is working hard to fit into “commoner society” now that she’s no longer super-rich.

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Yoko’s doting worry-wort semi-stalker of a former servant is a nice touch, as is her legitimate elation over receiving freebies, her worries over the cost of everything (hence her bread crusts being her main repast) and her earnest attempts at cooking for her friends, who enjoy the variable results without complaint, as good friends do.

Hayama also shows she’s got a hard edge behind her adorable demeanor, making a challenging classmate cry off-camera then shrugging it off. And while Futaba is the simplest of the three characters, she knows Hayama well and they bounce off each other’s eccentricities nicely.

There’s nothing overly complicated here, and that’s the point. The only question is whether I’ll have enough time to watch it, because it’s definitely good enough to keep.

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Utawarerumono: Itsuwari no Kamen – 06

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Utawarerumono is tops this Fall in sheer amount of time spent in the baths, but by that same measure, no Fall show is better at selling the sheer pleasure of those baths, particularly after a hard day’s work. This week, there’s no work, nor does the episode ever leave the inn. But that’s okay, because a lot of neat stuff happens within the inn’s walls, as well as in its baths.

And it all starts when a beautiful, mysterious woman offers Haku sake in those baths, without any concern about him seeing her naked. The next day Haku receives an invitation to a banquet hosted by inn’s owner, whom Haku deduces was that woman. He brings Kuon as his plus one, and they proceed to explored the surprising depths (and heights) of the expansive inn.

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Kuon solves a puzzle on the wall at the supposed top level, revealing a staircase to an even higher level, Myst-style. But Kuon Has A Bad Feeling About This and doesn’t want to go up there. Haku doesn’t have any reservations, and the woman from the bath ends up on top of him. But for all the threatening purple fog and compromising positions, there’s actually nothing to be afraid of.

Turns out the woman is Mother Karura, one of the women who raised Kuon, and who is so sensitive about her age Kuon must call her Big Sister Karura. The three of them are soon joined by another one of Kuon’s guardians, the husky-voiced Mother Touka. Her reservations were based on her believing she saw Touka before, dressed as an inn employee.

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Turns out the mothers founded the inn as a kind of home away from home, complete with baths that the country they’re in used to lack. It explains why Kuon likes the inn so much, as well as her nervousness around the mothers. She doesn’t consider herself a “full adult” like they are, and was unsure how to act.

Haku is a good guide in this instance, calling for the start of drinking, only to be drunk under the table by Karura. He nearly drunkenly confesses his love for Kuon before passing out, leaving the daughter and two of her many mothers to chat and reminisce.

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Touka, for one, believed Kuon and Haku were married, and Kuon reacts like she usually does in such instances, assuring anyone curious that they’re just “travelling together” and she’s far more of a guardian than a lover. Her mothers let her obfuscation pass, though they may well sense better than she does what she has with Haku, and it ain’t just guardianship.

After a huge meal (which poor passed-out Haku misses out on, but is apparently smaller than the meals Kuon used to scarf down), and the mothers explain their presence in Yamato (they’re investigating and observing its development…to be continued), Kuon loosens up a lot more, and before long, the women are back in those lovely baths.

There, the mothers have a pleasant surprise for her: they share sake with her, like a fellow adult, and not just any sake: the same sake she accidentally drank when she was a boisterous little girl. All this time Kuon sought the ideal of adulthood her mothers represented, but they already considered her an adult ever since she drank that sake. Now that she’s drinking it again, she can officially consider herself one, too. And not just because she’s a Hakusitter.

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Utawarerumono: Itsuwari no Kamen – 05

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Oshutaru/Ukon has taken a shine to Haku and Kuon, to the extent that he assigns them the very open-ended, important misssion of protecting the capital and the people “in his place”, which assumes he’s busy with other matters. Haku and Kuon are intrigued, and a big sack of money cements their acquiescence.

Haku then embarks on a strenuous cycle of manual labor by day and learning to read and write by night. Nekone is surprised to find how quickly he learns, but also comes to understand why her big brother is so interested in him.

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Just when Haku is at the end of his tether, Kuon awards him a day off for all of his hard work. Unfortunately, the same day he has off is the day one Atui-sama, daughter of Soyankekuru-sama, the Ouro of Shahharo, decides to run away from home seeking love.

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Atui may be a bit naive, but she’s a good enough character to trust Haku, who is indeed a good sport as he shows her around the city, all while she’s being hunted by Kiuru, an acquaintance of Nekone tasked with bringing Princess Atui home (though the arrows suggest a dead-or-alive scenario).

Hara Yumi, who also voiced Albedo in Overlord, brings a very distinctive affectation to the royal yet rebellious (and flirtatious) Atui. And whether by accident or by intention, Haku does manage to keep her safe.

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At the same time, Atui wrongly assumes Haku and Kuon are a couple; they are, but not the romantic type. Interestingly, Haku doesn’t seem to want to get involved with anyone, from Kuon and Rurutie to Atui.

When Kiuri, Atui, and the others meet up to discuss things, Atui decides to return home; she doesn’t wish to cause more trouble for anyone. She thanks Haku for a fun day beyond the palace walls.

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When Haku meets with Ukon, he tells him about a rumor spreading across the capital of “a man who hears the people’s voices, no matter how small.” Those rumors are actually about Haku, performing good deeds for his fellow capital-dwellers, while gradually gaining renown in return.

Haku agrees to go along with Ukon’s plan and be “The Righteous Man”, at least until a better-paying job shows up. Then Atui moves into the same inn where Haku and Kuon are staying. He may not know quite who he is (or was), but his allies continue to multiply.

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Utawarerumono: Itsuwari no Kamen – 04

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In the big capital, Haku, Kuon, and Rurutie meet Ukon’s little sister, Nekone, who has her doubts about Haku for most of the episode until she realizes he’s actually a pretty nice and interesting fellow, and learns from observing him not to worry so much or overthink things.

As far as baths are concerned, overthinking is definitely not a problem for Kuon: Clothes come off, Kuon gets in the water. Kuon also makes sure Rurutie and Nekone are as God made them that they might fully enjoy the experience of bathing. When talk that Ukon is with Haku on the men’s side, Rurutie’s inner fujoshi comes out. We even see Maroro without his white base mask.

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The next morning, Haku is very refreshed, and Nekone invites him, Kuon and Rurutie to join her on a tour of the capital, during which she’ll determine whether Haku is worthy of being a friend to her brother. On the tour, they catch sight of the hugely-popular general Oshutaru, and Nekone clashes with Haku on what she perceives as his arrogance, ignorance, and general dimwittedness.

The girls find him a job waiting tables, and to Nekone’s surprise, after a rough start, Haku starts to fit right in. No one has a problem with him the way she does, so she starts to wonder if her perception of him is the true problem. Stepping back from her preconceptions of him, she starts to see the odd but comforting charisma he exerts, and which Kuon, Rurutie, and even her brother Ukon have come to like.

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After a hard day’s work and with the cost of his mistakes subtracted, Haku has made barely enough money to buy a meal, let alone a room at an inn. Nekone is still dubious, but delivers an invitation from Ukon to Haku and the others. When they arrive to find Oshutaru, he reveals “Ukon” is merely a false identity he uses on occasion. With Ukon and Oshutaru being one and the same means he and Haku are already good friends.

Seeing how much her brother truly trusts and cares for Haku, Nekone takes a page out of Haku’s book. She, Kuon and Rurutie have already hit it off, so she decides, without overthinking, to simply regard them as friends, as they clearly already consider her one.

Meanwhile, two cloaked messengers report Haku’s presence in the capital; news that is very well-received by a venerable elder-type whose face is concealed. We saw Haku as a simple waiter this week, but it’s clear there are many people whose existence he’s not even aware of who have far grander plans for him.

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DanMachi – 05

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Another DanMachi, another sweet domestic scene between our quasi-husband-and-wife duo of Bell and Hestia, with the goddess being out too late getting her drank on and the adventurer providing not only a moist washcloth, but the offer of a fancy dinner sometime, due to all the cash he’s raking in. Since the whole reason Hestia had a little too much was because she saw Bell “cheating” with Lili, she decides she doesn’t have a hangover anymore, and that “sometime” will be “today.”

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Alas, while cleaning up at the divine bathhouse (boob comparo alert) Hestia attracts the attention of a bevy of curious deities, and she and Bell end up spending their entire date running and hiding from them. They end up in a romantic starlit spot, and Bell promises dinner another time. Hestia tries to say something, but doesn’t, choosing instead to lean her head on him. So…no real progress in the romance arena.

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That same night Lili is busy paying off her fellow Soma familia members with the generous cuts she’s getting from working for Bell. She seems to think she’ll be close to completing her debt soon, but c’mon, how naive can you get? I don’t see those guys calling it square anytime soon.

To protect Bell, Lili reflexively uses a magic weapon she’d been concealing from him. He, in turn, continues to surprise her with his kindness, letting her have all the days off she wants, and even sharing the lunch Syr made with him. She still doesn’t fully trust him. To be fair, he does seem ridiculously nice, to the point of “weirdness”…at least among the sorta people she’s been around most of her life; i.e. scum.

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In a rather clunkily-deployed plot development, on his day off Bell asks Syr what she does on her days off, and she says “reading,” and the one book in the tavern she just happens to lend him is a magic grimoire. His reading of the magic tome is a half-trippy, half-goofy sequence in which he’s talking to different colored copies of himself, before being shaken awake by Hestia, as if he’d just gone on a Salvia trip.

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Hestia discovers he now possesses a magical fire ability; one he can cast without an incantation. She urges him to try it out in the dungeon tomorrow, so of course he runs off on his own that night after she falls asleep and gets so drunk with his new power he overextends himself and “minds out,” leaving him deep in the dungeon and at the mercy of any number of beasts and bosses.

I understand his excitement with his new power, but honestly, this was a clown move on Bell’s part. Had Ais and Riviera not just happened to be in the same part of the dungeon and found his unconscious idiot self, he’d have been killed and Hestia would have been alone. All because he couldn’t hold his horses. Then again, maybe at this point Bell expects to be bailed out by his increasing phalanx of friends, admirers, and supporters.

Among them is Ais, who blames herself for Bell’s minotaur mishap in episode one, and whose battle damage conveniently created underboob she proceeded to put right in Bells face. Subtle!

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The next day Bell learns that the grimoire is now blank now that he read it, meaning he has to go back to Syr and the landlady with hat in hand. While it struck me as odd Hestia doesn’t give Bell any significant dressing down for his blunder last night, I did enjoy Syr’s cute attempt to distance herself from Bell’s “spot of trouble”—something he calls her out on.

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From there, it’s back to the dungeons with Lili…only when he arrives at the meeting place Lili is being accosted by brutes, while a slimy-seeming guy sidles up to Bell and asks him if he wants to get in on their racket working Lili to the bone and taking her earnings.

Frankly, Bell lets both these thugs and Lili off too easily. The thugs should have gotten a beating, and Lili should have been made to explain what the heck is going on. Instead, Lili seems to think because Bell was talking to one of the thugs, he may be in cahoots with them, acting as the “nice guy”…or maybe Lili just doesn’t want Bell involved in her problems.

Whatever the case, we know Bell isn’t putting on an act, and won’t hesitate to help Lili if he senses she’s in trouble, even if she doesn’t want his help.

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Nisekoi – 09

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Chitoge’s interest has been piqued by the mystery of her first love, but further investigation is put on hold by “open-air school.” Maiko fixes it so their team consists of him, Raku, Ruri, Kosaki, Seishirou…and her. Once again, Nisekoi shows that nobody airing can match its close-ups of characters’ faces—not even Kill la Kill.

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Whether its everyone’s reactions to learning they’re in the same group (and have to share the cramped bench in the back of the bus), or their hapless attempts at poker faces during a game of Old Maid (which had just as much intensity and pressure of a karuta match in Chihayafuru), this episode was a veritable cornucopia of heated emotions, not the least of which because Chitoge is starting to entertain the notion that Raku could be her first love. He’s got a scar, after all.

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And in Anime Land there are few stages better-suited for the proliferation of high-level discomfort and tension than a hot spring inn, which is ironic, because in real life they’re probably exactly the opposite. Thanks to Claude switching up the gender-specific curtains the the bath entrances (which shouldn’t be that easy to do in the 21st century), Raku ends up in the enviable but potentially disastrous position of being a boy in the girl’s bath.

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There are many obvious ways of proceeding with such a scenario; many of them involving much physical punishment and social ostracism being exacted upon Raku. To it’s credit, the episode doesn’t make Chitoge a conclusion-jumping idiot (this time at least), and not only doesn’t blame Raku, but even does everything she can to get him out of there without being seen. Despite some very close calls (and an accidental kiss to Raku’s upper backside), she even succeeds!

7_very_goodRating:7 (Very Good)

Uchouten Kazoku – 07

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Yaichirou, Yasaburou, and Yashirou drag Akadama to the bathhouse to clean himself up. The Ebisugawa Elite Guard barges in and Yaichirou is confronted by Kinkaku and Ginkaku, who want him to drop out of the race for Nise-emon. If he doesn’t, they’ll use their ace-in-the-hole to seal Ebisugawa’s victory: information that Soichirou got extremely drunk with Yajirou the night before he was boiled in a hot pot. Yaichiruo disperses the twins and rushes to confront Yajirou in his well, who admits that he got wasted with dad and left him behind, and ultimately to his doom.

All the strife and uncertainty swirling around the wounded Shimogamo family can all be traced back to the sudden boiling of their patriarch in a hot pot, and the mystery of how such a great tanuki ended up meeting such an ignoble fate. This week that mystery is revealed to Yaichirou and Yasaburou, and the truth they get stings all the more because it comes first from their feuding relatives, not Yajirou. Instead of ever telling them what happened after he stumbled home and passed out, Yajirou became a frog and never changed back, shedding his tanuki existence and all the baggage that comes with it.

Last week Yasaburou learned more about how his father faced his demise from the guy who ate him, but his father would have never even ended up in that cage had he not gotten drunk with Yajirou. It could be argued Soichirou died before Yaichirou was fully prepared to succeed him. Now Yaichirou’s election as Nise-emon on his own merits is threatened by the scandal the Ebisugawas will use as ammunition. Knowing how dearly his mistake cost him and his family, no one can blame Yajirou for preferring to live in the bottom of a well. Not for his sake – even as a frog he can’t escape his guilt – but for everyone else’s, taking himself out of the game lest he make another costly mistake.

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Rating: 8 
(Great)