Call of the Night – 05 – Feel Them for Me

This week starts off with a day/night in the life of Nanakusa Nazuna…at least before the sun goes down. It’s not even 17:00 when she sun wakes her (but notably does not burn her). The ensuing events are a glorious festival of boredom as she tries to fill time she’d normally be asleep.

When she’s sick of video games and TV and considering cleaning, she heads out into the night (at just 20:00), plays with a kitty, then hits up a not-busy-at-all bathhouse where she finally releases her lilac locks from her trademark braid loops and laments her inability to see her reflection.

While she asks the desk guy to tell her when her watch beeps, his reflexes are no match for hers (though for a split second when she threw open the bath door he saw her nude, the next split second she’d wrapped herself in a towel). Her coat, sneakers, and long hair make for an entirely new, cute look Kou isn’t ready for.

They head back into the bath (on separate sides, natch) and an inner monologue from Kou ensues. His nights of late have been fun and amazing, but his “heart is always busy” with thoughts good and bad, conflicting and confusing. He’s so busy sifting through those emotions he completely blanks out…until Nazuna gets right in his face.

That’s when he asks her to drink his blood. Because as it turns out, when she does, it clears his head, calms him down, and allows him time to assess the feelings he normally couldn’t untangle. He gets his blood sucked to know his own feelings. But precisely because he’s so riled up, his blood tastes so good Nazuna drinks more than usual.

Not in a discriminating mood due to his fatigue, Kou suggests they rest as the nearest place that says it’s for “rest”…which turns out to be a love hotel. The pink neon lights were a dead giveaway to me, but I didn’t just get my neck drained, now did I? That said, once they’re in the room, the fact Nazuna is jumping on the bed like a kid makes things a little less tense.

Nazuna then reveals to Kou that when she drinks his blood, she can also get an idea of what he’s thinking and feeling from the taste, including the desires he has when he looks at her, a woman. Kou tells her it feels “immoral” to feel that way with a “friend”, but she retorts that enjoying the night the way they are is immoral to most.

Nazuna reminds them they have a deal because his blood tastes so good, and now he knows why: because of the intensity and diversity of emotions hanging out with her creates. She wants to taste all of his fun, pain, joy, sadness, and everything in between.

Another night, Kou’s mind starts churning again, deducing that because she finds his blood so tasty, it means she’s drunk the blood of others in order to compare. Even if he weren’t an open book, Nazuna knows his feelings through his blood, so she teases him for being jealous, but also makes it clear it’s a much more businesslike affair for other men and women since she makes her living…as a professional snuggler.

The whole idea of this is super raunchy, but that’s reductive thinking for someone who has only begun to enjoy the call of the night. She offers a friend’s discount for her services, and he orders the massage course. Not only does he learn something new about Nazuna, which he’s always eager to do, but he learns she’s actually quite good at massage, and using various pressure points to redirect blood and oxygen flow.

Nazuna is about to transition from massage to blood drinking (and the lights in the room suddenly go dark and everything is suffused with that intense, intimate red light) when there’s an unexpected ring of the doorbell: one of her clients. Nazuna has not been working since she met Kou (resulting in her being a little light on funds, but after working on Kou, she’s tired, so she asks him to take care of the client.

…The twenty-four-year-old, raven-haired, stressed office worker client Shirakawa Kiyosumi, that is. Kou is worried about not knowing what to do (among other things), but Nazuna tells him just to emulate what she did to him and he’ll be fine. Also, since she knows a healthy measure of his thoughts and feelings every time she goes to the red well, she offers him the reward of another kiss if he does this for her.

Kiyosumi may ether be throwing her money away tonight, or Kou may be a natural at massage and just not know it. The bottom line is that both the night and Nazuna are opening new doors and new experiences for Kou.

A Couple of Cuckoos – 09 – Batting Off Steam

While informing Nagi the bath is free, Sachi’s towel slips off, but in a nice subversion of the trope, Nagi isn’t awake to see anything. Sachi, however, sees one of Hiro’s texts on his phone, referencing a d-d-d-date. The next morning, Erika finds Nagi all dressed up and ready to go. Nagi meets Hiro resplendent in comfy casual clothes, and is excited for their date, but also expects it to be another shrine stamp-collecting affair.

So he’s surprised to find Hiro has taken them to an amusement park. She usually goes alone, so it’s significant she’s bringing him along. Yes, she is doing it in part for the couples discount, but also because she believes Nagi can “keep up” with her. That proves mostly true, as Nagi accompanies her on every heart-racing ride again and again, and even accidentally kisses a reflection of her in the hall of mirrors.

Back home Erika finds Sachi texting curses to her brother and confirms that he’s on a date with a Hiro-chan, appreciating that Sachi feels like the other girl is taking her brother away. Sachi is also upset he’s out on a date when he’s engaged, calling it “indecent”—something Erika never considered as she never planned to actually marry the guy. No Nagi around affords the biological sisters another opportunity to hang out, as Erika tags along when Sachi goes on her usual de-stressing trip to the batting cages and public bath.

Nagi returns home having felt like his date with Hiro was a “disaster”, but he’s way overreacting. There’s nothing wrong with a girl saying she thinks you’re “cute”, and it’s obvious she had a lot of fun by the way she was humming when they parted ways. A few hours later, at three in he morning, Nagi and Sachi’s dad (and Erika’s biological dad) arrives at their door, saying they’re all going fishing.

Turns out this is a tradition for both Nagi and Nagi’s dad, though Nagi always gets seasick and always says he has a terrible time. His dad though, has always picked times when he knew Nagi was down, and there’s nothing like fishing to take you out of a bad place and into a better one. While Erika and Sachi compete for the biggest catch, Nagi admits to his dad that he “doesn’t hate” his life right now.

Rating: 4/5 Stars

Karakai Jouzu no Takagi-san 3 – 04 – Tease the Night

The weather is starting to turn in TakaKata Land, but the day Nishikata decides to change to his warmer winter uni, Takagi is still in her short-sleeved summer fuku. We see just how accustomed to losing challenges Nishikata is when she says that because he changed first, he wins a game she had goin on in her head—that doesn’t sit right with him!

He makes up a new game—one he’s sure to lose—in which Takagi loses if she says the word “cold”. He tries to get her to respond in a manner that would sound like the word cold, but as usual she’s too sharp for him. When he tries again, she turns the game to her advantage, drawing very close and asking if she says “cold” like he wants, will he…warm her up?

After the three girls are out of sync due to an undelivered text, Nishikata finds all his usual lunch buddies are out sick (or pretending to be sick), so he resigns himself to eating lunch alone on the steps, which he tries to make the best of but can’t help but feel lonely. Sure enough, Takagi sensed he might be lonely and joins him.

It occurs to me that these two rarely eat lunch together since they each have their own circles of lunch buddies. It’s so lovely to see them just sitting together silently munching away. Then Takagi has Nishikata guess what’s in her onigiri, claiming one of his prized karaage should he be wrong. She wins, but feels bad about taking his food, so gives him one of her crispy lotus roots, acting until the very last second like she was going to feed him, lovey-dovey style.

The next segment involves Nishikata trying to snap a photo of a thrown rock that looks like a UFO in the sky. Takagi helps by doing the throwing, and while she admits she doesn’t really believe, she likes that Nishikata does. It’s part of what makes her adore him. In a lovely whimsical twist, she spots a actual UFO, but he doesn’t see it.

One day the bath in the Nishikata household is inoperable, so he has to use the public baths. Takagi asks him what time he’s going and he tells her, then spends the entire time there either looking for her or wondering why she didn’t come. Then she surprises him by the milk vending machine, admitting she not only came, but came early, perfectly calculating how much longer she’d take compared to him.

Nishikata’s longing for Takagi’s company, even if they were separated by the different sections of the bathhouse, speaks to his growing affection for her and desire to be by her side more often than not. The feeling is obviously (to everyone but him, of course) mutual, as Takagi remarks how they don’t usually walk together at night, and how it obscures their faces.

After Nishikata very foolishly challenges Takagi to a “whose face turns red first” contest— as soon as she leans into him he loses—the two continue their nighttime walk until it’s time to part ways to head to their respective homes. As she departs, Nishikata offers, unbidden, to walk her home, since it’s nighttime and thus not as safe for a young lady.

Takagi is so shocked by his offer, and loves so much how it sounds like something a boyfriend would say, she simply stands there in a perfect blend of befuddlement and delight. Then she thanks Nishikata for the offer and darts off, strategically hiding from him what must be a beet-red face.

My Senpai is Annoying – 10 – Buns, Basketball, and Baths

The most inscrutable character in Senpai has to be the eccentric, mischievous Tsukishiro Mona. She’s such a mystery I kinda want a segment that explains her more, though like the alien in Alien (or the Cylons in Battlestar) perhaps the less known, the better. All we know is, she can get away with grabbing a dieting Sakurai without fear of HR reprimand, inadvertently shoving Sakurai chest-first into Kazama, an innocent bystander.

The next segment threw me off a bit because Takeda seemed not to recognize Tsukishiro outside of work. Turns out she loves pork buns, and accepts his challenge in an eating contest at his favorite hole-in-the-wall eatery. It also turns out she’s only ever eaten them cold, so not long after biting into one of those steaming beauties, she resigns. When the two talk about it at work, Futaba is left out and feels a little jealous, but Takeda can read her like a book and offers to take her out for more buns.

Kazama is proving quite the catch for Sakurai as it’s revealed he was once quite the basketballer, and so makes the perfect tutor for her brother Yuuto. She arranges to watch the two practice and even makes a lunch, but doesn’t count on Natsumi, Takeda, and Futaba showing up, resulting in a game of Horse that merely turns into a two-hour-long duel between the two basketball aces of the group: Kazama and Natsumi.

Making it clear that she didn’t get to spend as much time alone with Kazama as she wanted, Sakurai orders an end to the contest. Reading the room, Natsumi departs for the bathhouse with Yuuto (whom she’s taken under her wing as a protégé), Takeda, and a sleeping Futaba. That frees Sakurai and Kazama to have an adorable little private dinner of vending machine hot dogs. Honestly these two could read the phone book together and it would be lovely to behold.

In the meantime, Natsumi remarks on the fact that Futaba hasn’t really grown much since middle school (though isn’t trying to be mean about it), while Yuuto gets some seemingly valuable tips from Takeda on getting bigger (eat a lot, rest a lot), only to learn that Futaba does all the things Takeda recommended to him, and yet remains wee. But as Takeda says quite correctly, she’s fine the way she is!

Rating: 4/5 Stars

Jahy-sama wa Kujikenai! – 09 – Jahyat Emptor

After last week’s charming Druj-centric episode, we get a substantial serving of The Magnificent Saurva, which totally sounds like a Mad Max character. Specifically, we get the bathhouse segment from her POV, and learn that she just wanted somewhere to get away from worrying about defeating Jahy.

Instead, Jahy steals half of her fancy shampoo! Saurva also slips on soap, but lands in the soft bosom of the manager, thus attaining the peace she originally sought.

The next segment is something totally different, as Jahy gets her monthly paycheck and decides to hit up a home goods megastore to stock up on weapons with which to defeat the Magical Girl (who doesn’t appear this week, and remains menacing in her mere absence, like in Jaws or Alien).

Unfortunately, Jahy is extremely suceptable to the hard sell, and marketing in general, and ends up blowing her pay on a bunch of mostly useless junk.

In the next segment Jahy prepares birdlime and other traps at the entrance and window of her apartment in order to trap an attacking Magical Girl. By doing so, she traps herself in, and she has to wait for a Magical Girl that may never come.

Fortunately, Kyou comes in to unknowingly save Jahy from being trapped forever, and as thanks, Jahy takes not a bullet, but a washtub to the head to protect Kyou. It’s a sweet little moment that shows how close they’ve become.

We’re back to Saurva in the fourth and final segment, as she has nightmares about Jahy (and Kyou) and sits in the park feeling sorry for herself. That’s when she finds a little girl with Jahy’s complexion and hair whom she still doesn’t realize is Jahy, but is amazed by how hard she’s fighting against three crows stealing her lunch.

Lil’ Jahy ends up giving Saurva some encouraging advice not to let a few failures get her down and keep doing her best. Alas, when Saurva finds a pissed adult Jahy aggressively waiting tables on an unusually busy weeknight at the craft pub, Saurva decides not to attack quite yet, but give it some time…what’s the rush?

Jahy-sama wa Kujikenai! – 08 – Too Much of a Good Thing

After a thoroughly unpleasant cold bath in her cramped metal tub, a hungry Jahy wanders the streets until picked up by a giant white limo sent by, who else, her trusty attendant Druj. A sumptuous feast of sweets awaits her, and a remote control transports her into starry space. She doesn’t want the ultimately short ride to end; she wants to live in that limo.

However, duty calls. Druj, who is the president of a profitable consulting firm, wants Jahy to give a motivational speech to some young corporate recruits. While I thought Jahy might get stage fright from being out of the spotlight for so long, she ends up having no problem taking the stage and speaking…if only the overeager Druj would let her speak.

The raucous applause that follows Jahy’s time on stage doesn’t please her in the least, because Druj kept interrupting her with what she expected her to say. In a way, perhaps Druj was actually protecting Jahy from embarassing herself by sounding like a chuuni, but on the limo ride back Jahy looks suddenly disillusioned with all the preferential treatment. When Druj invites her to a party, she cheers up a bit.

At work, the manager notices Jahy is smelling a little ripe, the product of only bathing once every three days—and without hot water or soap. This is how Jahy discovers an absolutely kick-ass bathhouse within walking distance of the pub. In addition to vicariously enjoying the simple pleasures of hot water, steam, and sweet-smelling shampoo, Manager can’t help but pamper Jahy (especially when she’s in child form), all while Saurva creepily lurks in the background.

The night of Druj’s Dark Realm party arrives, and at first it’s a lovely simulacrum of Jahy’s former lifestyle, complete with decent approximations of Dark Realm delicacies and using Druj as a chair. But there are constantly little real-world interruptions that ruin the fantasy for Jahy, such as when Druj, while still being sat on, switches to Corporate Mode on her cell.

I have no doubt Jahy appreciates Drujs’ not inconsiderable efforts to make her feel like she’s back home, but the bottom line is she’s not home, and her home doesn’t exist anymore because she wasn’t strong enough to protect it. After the evening of fun, Jahy returns to her ratty apartment and cries bitter tears over things lost, and frustration at her lack of progress.

So she runs inside and basically howls at the moon that she basically won’t let herself be defeated. It’s moments like these when we see the real vulnerable Jahy that have really endeared her to me as a character. Much like Nagatoro, she contains multitudes…nearly all of them charming and adorable.

Rating: 4/5 Stars

TONIKAWA: Over the Moon For You – 11 – Perfect T.A.K.O.

Chitose is about to drop in on Tsukasa when she discovers her apartment is gone. She spots Tsukasa passing by, and Tsukasa tells her she’s living in the park now, lures Chitose into one of those big plastic domes with holes, and leaves her there.

Back home, Nasa has found a pan for grilling takoyaki, and suggests they have a takoyaki party (or Takopa), since that’s what the young people are into these days. Tsukasa isn’t sure where Nasa learned that, but thinks a party will be a good opportunity to get to know Aya. I’m also reminded of the similar fondue parties that were so popular in America back in to 60s.

Chitose and her maids track Tsukasa to the bathhouse, where Kaname tells them to have a nice refreshing bath to cool their jets. Chitose and Aya clash over the worthiness of Nasa to be with Tsukasa and vice versa, respectively. Chitose very nearly insults the bath, but insists to Kaname she wasn’t.

Tsukasa and Nasa decide to invite everyone to their little home for the Takopa, and the maids have helpfully done the extra shopping needed. Tsukasa proves she’s prime wife material to Aya when every single thing she makes is delicious.

But culinary skills aren’t all it takes, so Aya decides to test Tsukasa another way: with video games, specifically Street Fighter V: Champion Edition. Not a parody, mind you: the actual real-life game, released back in February.

I’m not sure if Capcom provided promotional consideration, but the episode is able to avoid feeling like a commercial because it’s the personalities of the characters, not the game, that take center stage, especially when the maids propose a competition among the girls with the prize of having Nasa do any one thing they ask.

Kaname backs out due to her inexperience, and while Chitose is game, she is quickly torched by Aya. Tsukasa puts up a better fight but ultimately Aya beats her too, and Tsukasa hates losing so she keeps playing. Soon, the contest format is forgotten.

Once it’s clear she can’t beat Aya at SFV she whips out the original game, for which she had Nasa use his electronics expertise to create the necessary retro proprietary controllers. Tsukasa gets a lot of early wins, but Aya is a natural gamer and soon figures out the controls, resulting in a Double K.O. in their final game.

Tsukasa and Aya do a fist-bump to express their mutual respect, and Kaname reminds them that, as it’s a takoyaki party, perhaps they should start making some takoyaki? Chitose watches as Tsukasa shows Nasa the proper way to turn them, sees how much fun they’re having and how happy she is, and decides to more or less drop her disapproval of the marriage.

A good time is had by all, and once everyone is gone, and Tsukasa and Nasa clean up in the kitchen, Nasa asks Tsukasa what she would have done if she’d won the video game contest. Rather than tell him, she just does it: she leans in and kisses him.

Stating that she can do that whenever she wants, she responds “Sometimes, then…”, and the two shift a little bit closer to each other and lean on one another. They’re in an adorable state of true spousal bliss, brought on by the fact they were able to pull off one hell of a lively party—an indication of further growth in an otherwise slice-of-life episode. After all, entertaining isn’t just about having fun with friends, but showing yourselves off as a couple.

Rating: 4/5 Stars

TONIKAWA: Over the Moon For You – 10 – A Life of Firsts

This week we get four more cozy, sweet, heartwarming, adorable, feel-good slice-of-life segments with Nasa, Tsukasa, and the Arisugawas. Tonikawa has long since established itself as a wonderfully earnest crowd-pleasing show, and continues to not let me down!

Fry, Don’t Buy—Nasa and Tsukasa’s temporary new home was previously used to store all of Kaname and Aya’s dad’s “nerd crap”, but the couple is welcome to whatever useful items they find. The result is a thoroughly “old-fashioned” living space complete with huge CRT TV.

Tsukasa prepares tonkatsu for dinner, a favorite of mine, and Nasa is again shocked and impressed by his wife’s culinary skill. Nasa’s a super-utilitarian person, and was raised with rice cookers and a “buy-not-fry” mentality, but Tsukasa shows him the rewards of an honestly home-cooked meal. Nasa, in turn, feeds Tsukasa some delicious melon for dessert.

A Model Home—A favorable update to their living sitch, his landlord is rebuilding and they’re welcome to move back in with the same rent and no deposit. They even arranged a model room for Nasa and Tsukasa to inspect before making a decision, and they are surprised to find it’s an ultra-luxurious apartment with a bird’s-eye-view of the city.

Tsukasa sits in the huge bathtub with a view and the two get red-cheeked over the prospect of sharing a big bed together, but in the back of their heads they’re always wondering if this was really meant to be the model room for them to look at. Turns out it isn’t—their landlord made an error—but the couple isn’t disheartened. Big or small, new or old, home for Tsukasa will be wherever Nasa is. He feels the same way.

Helping out at the Bath—Kaname opens this segment, going over her morning routine of getting up at 5:30 to clean and prepare the bath for customers before heading to school. Tsukasa offers her services as thanks for her continuing kindness and hospitality, and shows she’s just as highly competent at cleaning as cooking.

In cleaning the entire men’s side of the baths, Tsukasa comes to admire Kaname for the hard work she does every day. Kaname comes to understand why Nasa loves her, and they adopt informal nicknames and by morning’s end are officially friends. Aya, on the other hand, laments the prospect of being shunted off to a spin-off.

An Evening Stroll—After Nasa declares after thorough mathematical analysis that his favorite food is curry, he and Tsukasa head to the store to buy some curry powder and decide to make an evening stroll of it. A cheeky Kaname and Aya’s mom tells Nasa about a nice quiet secluded park where he can make out with Tsukasa, adding some spice to their marriage after buying spice.

Ultimately, Tsukasa declines Nasa’s offer to kiss, since they both just ate garlicky steamed buns from the store. Nasa doesn’t care (and indeed most people who love each other don’t really care about mildly bad breath) but she’s self-conscious about it. So instead, Nasa suddenly embraces Tsukasa from behind, both surprising and exciting her.

He asks her how her married life is going so far, and she remarks on how many firsts she’s experienced with him and will continue to experience—among those being the intimate position they’re currently in. She looks forward to experiencing more firsts with him, and Nasa doubtlessly feels likewise.

Rating: 4/5 Stars

TONIKAWA: Over the Moon For You – 03 – Not Your Usual Bath Episode

Tsukasa is impressed to find Nasa has a fully-stocked fridge, but her opinion goes down a peg when she learns he cooks only for optimal nutrition and minimal waste, and after exhaustive research determined the only thing he should ever make is hot pot!

She remedies that monotony by using the same ingredients to whip up an eclectic feast that shows her hubby that cooking can and should be as much art as science. Nasa even references Food Wars while watching his wife work her culinary magic!


After breakfast, it’s time to hit the bathhouse, but Nasa’s taste in toiletries (i.e. the bare necessities) again fall short, necessitating a quick stop to the store for skin toner, serum, and lotion. Nasa is amazed at the complexity of a woman’s skin grooming routine, as it explains both why her skin is so beautiful and why she smells so nice.

The extra characters dam finally opens this week as we’re introduced first to Kaname, who despite being a year younger than Tsukasa practically runs the family bathhouse with her sister (who is Nasa’s age). Naturally, someone who’s known Nasa for years is shocked that he’s suddenly married, but even more upset that he hasn’t properly proposed, or bought Tsukasa a ring, or planned a ceremony!

When Nasa brings up the fact all of those things are wasteful and inefficient, Kaname, wise beyond her years, responds that’s irrelevant. No one will hold him to account if he doesn’t make those gestures, but he still has a primary responsibility to make his wife happy however he can.

Nasa assures Kaname he’ll do just that, because, and he proclaims this loud enough for all to hear, he loves Tsukasa. She comes back to grab the toiletries from him just as he’s saying this, and while she tells him it’s embarrassing, it also makes her happy. Her delivery and face are enough to make both Nasa and Kaname blush!

Once in the bath, Nasa is soon further teasted by Kaname, who for some reason has to clean the part of the bath where he is. She overheard his childhish monologue about this being a “bath episode”, but thankfully that’s not what he or we get. Sure, Kaname gets a good look at Nasa, but that’s nothing new; they go way back.

While there are subtle shots of legs and cleavage, the fan service is kept to a minimum, and instead Tsukasa is introduced to Kaname’s older sister Aya, who is gorgeous but easily mistaken and confused, and has a low opinion of herself, as she repeatedly promises to kill herself for walking in on Tsukasa’s bath.

She ultimately offers to make up for it by washing Tsukasa’s back, during which time she likens her skin to “silk” before questioning why the secretion of a worm is appropriate compliment, then goes too far in the other direction by saying her skin is like “an IPhone X,” which I’ll just say is a really good joke!

Nasa dreams of when he was laid out on the pavement bleeding to death in the cold when he suddenly wakes up in a massage chair to the cold feeling of a bottle of milk on his cheek, put there by his wife. Then Tsukasa watches Nasa and Aya interact, and witnesses the blatantly easy chemistry and bonhomie between the two.

Aya, for her part, isn’t aware they’re married; she just knows they’re “family”, but Tsukasa understandably gets a little self-conscious, as despite her quirks Aya is a true beauty. When she mentions Aya’s looks, Nasa proceeds to gush about Aya. He noticed the change in mood, which he chalks up to the fact he and Tsukasa just walked past a church where a wedding is taking place.

Because of this, when Tsukasa comes right out and says it would be nice if “he called her pretty”, he mistakes it as being in the context of being a bridge in a wedding gown at a ceremony. That means Tsukasa doesn’t understand his response—that he needs to think about it, and even runs off to do some research and “make the impossible possible!”

It’s the first misunderstanding between the two, and yet nothing that should cause bad vibes going into next week. Instead, there will be bigger fish to fry, as a straw-blonde girl in a huge limo has found Tsukasa, someone she’s apparently been seeking. Marriage is all about balance, so after Tsukasa met Nasa’s people it’s only fair for him to meet Tsukasa’s!

Rating: 4/5 Stars

Eizouken ni wa Te wo Dasu na! – 07 – Spilling Tea for Art’s Sake

Tsubame’s unyielding passion to capture the motion of the world around her through drawing started when she was in grade school, watching her grandma toss tea into the yard with a precise, practiced motion. The action fascinated her, and she yearned to master it herself so she could capture it in all its glory.

When she ended up in classes on how to stand, sit, and walk in preparation for her modeling career, Tsubame voraciously jotted down all the various motions, even discerning a better way for her infirm grandma to move and walk more comfortably. She carries that passion on in every frame of animation she’s drawing for this robot anime.

She does this in defiance of her mother’s insistence she not get involved in animation, but also in lieu of getting the proper amount of sleep or paying sufficient attention in class. Yet even if she’s sleep-deprived and her grades start to slip, there’s no alternative. Tsubame is gradually learning not to be a total perfectionist, but she’s never going to give anything less than 110% effort.

With Doumeki on board, the trio now have someone with far more audio know-how than the rest of them combined, but that just means she’s able to describe in precise demoralizing detail all of the challenges they face and the consequences of not properly harmonizing visuals and sound.

Meanwhile, Midori is presented artwork that the artists believe was following her instructions, but which she worries will fundamentally change the film they’re making. The artists need to be more flexible, but she needs to be more precise in her direction.

While I’m sure Sayaka considers it another strictly-business opportunity to give her talent a much-needed break, and it is their bathhouse visit after school is closed due to rain turns out to be a nice bonding experience. There’s a familial intimacy to bathing together that the team previously lacked.

It’s also fun to watch Midori dutifully call her very nice parents to let her know where she is and what she’s doing with whom, as well as the very rich Tsubame marveling at every aspect of the bathhouse experience, as well as insisting Sayaka douses Midori over and over so she can watch the motion of the water —much like she asked her granny to keep tossing tea.

The three then dine on crawfish after catching their fair share themselves (though they can’t eat the same fish they caught, as they must be purged of mud first, Midori points out), and Midori and Tsubame whip out their sketchbooks to capture their dinner in all its crustacean glory. Few moments of these young women’s lives seem to ever pass without them capturing it with pen or pencil on paper.

When the rain subsides, they return to their studio, and Tsubame gradually becomes frustrated with her animation of a chainsaw. After discussing possible remedies with Midori, the two bring in Sayaka, who thinks its fine and that they should watch it with sound. Sure enough, it makes more than enough impact for the quick cut…but Tsubame isn’t quite satisfied.

Both Midori and Tsubame consider anime to be the best way to appreciate movement, more so than even live action film, and that comes down to intent. The imagination, passion and effort of a great animator comes out in every frame of their work, lending it greater impact than a mere directed and photographed live-action actor.

Tsubame isn’t looking to “make people smile” with her anime. She wants to be able to wow people like her, who can’t help but spot every potential flaw or revelation; notice every triumph or defeat. By being her own harshest, uncompromising critic, an artiste like Tsubame could potentially problems for a production on a shoestring budget and tight deadline.

But doggone it, the eventual visual rewards of letting her go wild are well worth the pain. It’s why Sayaka is almost always irritated and annoyed, but she’ll gladly bear those emotions if it results in an exceptional—and profitable—final product. When you successfully harness the chaotic energy of special talents and personalities, great things can happen. And like a rocket taking off, the sky’s the limit.

To Aru Majutsu no Index III – 07 – The Bodyguard

Like a jargon-heavy book that keeps making you flip to the glossary in the back, the Academy City Underworld arc was so laden with groups, individuals, motives and goals that I had to refer to the Index wiki on more than one occasion just to find out who the hell some of the people were. As a result, it was hard to sit back and just enjoy the action.

So thank goodness this week is a far simpler Index episode (even though it takes a number of turns), featuring a straightforward plot and familiar, beloved  characters. It certainly starts out where Kamijou Touma would prefer to be, at school, where the most fraught action is being chased by a burly teacher when he and Tsuchimikado are the only two able to escape school to get to the convenience store for the lunch they want.

For all the misfortune swirling around him, Touma does catch a break every once in a while. In this case, a very lovely break in the person of Itsuwa, who mistakes Saigo for a hostile and takes him out for Touma. She’s come to A.C. to serve as Touma’s bodyguard due to stirrings that the powerful Saint Acqua of the Back (or Rear) is going to target him.

The rest of Amakusa is there to back Itsuwa up, as well as to try to get her to pull the trigger on Touma, whom she apparently likes. In this venture it’s Itsuwa who is more unfortunate, since she must contend with the jealousy of Biribiri, who makes a welcome return to the show. Misaka was actually concerned that Touma had amnesia, only to catch him deep in Itsuwa’s bust. Thankfully, Touma manages to keep Itsuwa from mistaking her for a hostile…even though she kinda is!

This also marks the rare Index III episode that actually has sizable portions of Index in it, as she watches with concern as Itsuwa enters her and Touma’s home, buys the loyalty of Sphinx with some high-quality bonito, and starts making dinner.

Like living a simple high school life with occasionally exciting lunch runs, just seeing a girl in his kitchen making dinner gives him no end of joy. The fact that Itsuwa is acting like a proper house guest and helping out exposes how comparatively little his other guest Index does.

Of course, the reason Index doesn’t help out is that her help often only causes more work, such as when she pours an entire bottle of drain cleaner down the shower and almost causes a fire.

Itsuwa cuts off their ensuing dust-up, rents a motorcycle and sidecar, and takes Touma and Index to a splendid public bathhouse in the 22nd School District, which is entirely underground yet has a giant screen in its “sky” projecting the real sky. It’s a really beautiful motorcycle ride that shows yet another side of the sprawling city.

Naturally, Misaka ends up in the same bath as Index and Itsuwa, and as Itsuwa clumsily tries to explain how Touma came to end up in her breasts she then becomes the target of Index’s ire, while Biribiri stews until she overheats and a medical team with a stretcher has to be called.

I presume Misaka had to be temporarily taken out of comission in order to lend more peril to the final act of the episode. Touma and Itsuwa go on what could be construed as a romantic evening constitutional, but once they reach the bridge (Touma and bridges don’t mix!), Acqua suddenly appears, and wastes no time mopping the floor with the both of them.

Itsuwa is a strong and honorable bodyguard, but she simply has no chance against a Saint, and her restoration spells have limited effect on Touma due to his right arm. About that arm: Acqua will let him live if he cuts it off and gives it to him. He couldn’t care less about Kamijou Touma, he wants Imagine Breaker taken out of the equation of church and global affairs.

In his surpassing charity, Acqua doesn’t simply take what he wants, even though he’s certainly capable of doing so (unless Imagine Breaker somehow prevents the arm from being separated from Touma’s body). He gives Touma one day to decide whether he’ll give it up willingly, or die. And since Itsuwa is his sworn bodyguard, she and the rest of Amakusa will certainly die defending him before he does.

So yeah, a Saint with the Right Hand of God either wants Touma’s arm or his life, and Itsuwa alone won’t be enough to stop him. Like I said, straightforward! I imagine one needs a Saint to fight a Saint, so we’ll see if Kanzaki enters the fray…not to mention Misaka once she recovers from overheating in the bath.

Tada-kun wa Koi wo Shinai – 05 – A Good Meal, a Nice Bath, and an Unexpected Guest

The first minutes of this episode of Tada-kun are, in a word, heartbreaking. A grown Mitsuyoshi and Yui pray at their parents’ grave with their gramps, and we’re taken back to the rainy day their dad suddenly has to hop on a flight, and their mom drives him to the airport.

As they pull away, his dad pokes his head out the window and snaps a picture of his kids. Mitsuyoshi is sullen. Yui is cheerful. It turns out to be the last picture their dad took; he and their mom were killed in an accident, and would never return.

Back in the present, Kaoru blasts into the Tadas’ cafe to announce the “Tenth Annual Ijuuin Kaoru Show” is on, and it’s live. This year, all are welcome, from Hajime, Hinako and Yamashita Dog, to newcomers Teresa and Alec. Kaoru asks them all to sit back while he utilizes his not inconsiderable culinary skillz to prepare all their favorite dishes.

When Mitsuyoshi and Teresa are tasked with putting some food away in the fridge in the upstairs apartment, she’s drawn to that last photo Mitsuyoshi’s dad took, and when he explains the context, she remembers when she fell in the drink and was saved by Alec around the same time Mitsu and Yui lost their folks. She considers both times when they decided they had to try to become stronger; in her case for Alec’s sake; in his case for Yui’s.

The exchange is interrupted when Kaoru announces he’s completed everyone’s dishes and it’s time to dig in. Everyone agrees Kaoru (who comes from a restaurant family) is damn good at cooking, even if, in Alec’s case, she doesn’t outwardly say it. Instead, she merely polishes of every last bit of her katsu bowl and asks for seconds.

The Kaoru Show continues after dinner with a trip to a bathhouse he’s rented out for the evening (he’s a young man of means, after all), and the two genders split off to their respective sides of the bath. Since they’re in the bath, there is talk of boob size on both sides, as well as Yui thinking out loud that Teresa would be a great girlfriend for her big brother. Alec says Teresa already has one, only to dismiss it as a “joke.”

Over on the boys’ side, Yamashita pines for an “older girl” presumed to be Hinako, while Hajime overheats and slips on a bowl, nearly cracking his skull. When the two groups reunite, Hinako is right there by Hajime’s side to help him, for which he’s grateful, even if he told his friends in the bath that his getting romantically involved with her would never happen (likely because he’s still mostly convinced Hinako and HINA are different people).

After the bathhouse, the Tenth Annual Ijuuin Kaoru Show comes to a close, and we learn about it’s raison d’etre: ten years ago, when Mitsuyoshi lost his folks, Kaoru, who was his classmate but never got along with him before, took pity on Mitsuyoshi, and made cheering him up at any cost his life’s work from that point on.

In other words, or more accurately in Alec’s words, Kaoru is a “pest”, but “has some good points too”, one of them being he can always be relied on to cheer you up when you’re feeling low. He’s never failed to do so with Mitsuyoshi (and Yui!) for a decade and counting.

After everyone goes their seperate ways and the credits roll, we move on to an entirely new development: the arrival of Teresa’s apparent fiancee/suitor/betrothed, Charles, who not only can stop Alec’s attacks with one hand, but confirms that Teresa is not only a princess of “Larsenberg” (maybe not Luxembourg?), but its future queen.

That makes things a bit more complicated for her and Mitsuyoshi, now doesn’t it?

Sansha Sanyou – 01 (First Impressions)

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Sometimes it’s nice to just sit back, relax, and watch a show about three colorful characters, voiced by three young, hungry seiyuu, coming together and shooting the breeze about nothing in particular…but mostly food!

That’s what we have in Sansha Sanyou, a minimal-stakes slice-of-life comedy with cute design and crisp, clean visuals that I’m seriously considering as my feel-good pick of the Spring

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As I said, Hayama (blonde class prez with a well-concealed mean streak), Futaba (energetic girl who loves to eat) and Yoko (purple-haired former rich girl struggling with making friends) are all voiced by relatively new, inexperienced actresses (Futaba’s seiyu is a pure rookie).

You can hear their infectiously fresh exuberance in their line delivery, much like Sore ga Seiyu. They also happen to have decent chemistry, comic timing, and range. They’re young, but they’re talented. Their efforts are backed up by appealingly above-average, colorful character design and naturally-flowing dialog that takes some interesting and unexpected turns.

I like how Hayama and Futaba, already good friends, decided to become friends with Yoko just because various random circumstances brought them together, and…well, why not? At the same time, Yoko is working hard to fit into “commoner society” now that she’s no longer super-rich.

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Yoko’s doting worry-wort semi-stalker of a former servant is a nice touch, as is her legitimate elation over receiving freebies, her worries over the cost of everything (hence her bread crusts being her main repast) and her earnest attempts at cooking for her friends, who enjoy the variable results without complaint, as good friends do.

Hayama also shows she’s got a hard edge behind her adorable demeanor, making a challenging classmate cry off-camera then shrugging it off. And while Futaba is the simplest of the three characters, she knows Hayama well and they bounce off each other’s eccentricities nicely.

There’s nothing overly complicated here, and that’s the point. The only question is whether I’ll have enough time to watch it, because it’s definitely good enough to keep.

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