Ay Caramba was that a jumbled mess of an episode, full of people being selfish and awful, other people being pushed and pulled around like ragdolls, people saying things no normal people would ever say out loud, and peppered with seemingly even more superfluous fanservice than usual.
First up, Fuuka, who leaves the band she forced everyone into to begin with to sign a contract with a studio. You know she’s leaving the band because it’s too painful to be around Yuu, and I know that too, but Yuu doesn’t, because he’s an idiot.
This isn’t about pursuing her dreams. You can tell because throughout this episode she’s sad and saying out loud “I AM MAKING THE RIGHT CHOICE HERE,” as if trying in vain to convince herself.
As for the other girl whose feelings for him Yuu is totally unaware, Koyuki surprises him when he’s moping in the dark his bedroom, presumably a few days later. When Koyuki learns why he’s blue, she tells him it’s for the best, how she wants to be on stage with him, no matter how much he sucks at bass, then opens her blouse and pounces on him.
Yuu is just not feelin’ it, and Koyuki starts to sob, talking about how she knew she wasn’t the one, how she knew about the feelings he doesn’t know he has, and how he needs to “be honest with himself” before leaving the site of her almost comically brief and awkward attempt at seduction. I feel bad for Koyuki, not because she was rejected so utterly, but that she likes a schlub like Yuu in the first place.
Yuu isn’t just a schlub: he’s also a deeply selfish, destructive person. Mind you, it feels like only a few days have passed, but all the other members of the band have already moved on to other things; Fuuka was the now-absent glue that held them together. Without her, Nachi goes back to focusing on track, Mikasa prepares to move back home and be the finance bro his dad wants him to be, and the talented Sara instantly finds another band to play in.
The wound of the short-lived The Fallen Moon (ugh) is healing nicely for everyone…except Yuu. The band was, apparently, all he had, so he tears it back open, writing a song that “contains all his feelings” (ARRGH) and delivers them to the members one by one in person, totally ignoring their firm yet polite attempts to decline.
Mikasa’s egregiously soapy-yet-oddly robotic monologue to Yuu borders on self-parody:
Sorry, Yuu…I’d moved out of my family’s home as a rebellion against my father, but that’s over now too. I’ve decided to listen to my father. He’s literally promised me a happy future! So I won’t have to suffer or stress myself out chasing pointless dreams anymore!
Who talks like that? Who wrote this drivel??
Yuu doesn’t give a shit what you’re up to now. HE wants the band back together, and he knows if they just hear his song, they’ll come running back to Denny’s. And of course, one by one, the rubes prove Yuu right.
“You’re absolutely right Yuu! How silly of us to move on with our own lives after the most talented, charismatic member of our band quit. Let’s re-form the band on the recommendation of the least talented and charismatic member!” What are these people, lemmings?
The only one he’s not able to immediately bring back is the one who he let leave in the first place without a word of complaint, saying at the time, “if it’s her decision, there’s nothing we can do.” Moping in the dark, getting jumped by Tama-chan, and pouring his feelings into a song have changed him. Now he wants the band back, Fuuka included. Everyone has to do what he says, dammit!
It’s tricky, though, because Fuuka, perhaps not ready to face the band she started then abandoned, is using her mom to screen visitors to her house. She mopes much like Yuu mopes, clutching his feelings-song in her hands, insisting she’s on the right path despite all outward evidence to the contrary, to say nothing of the turmoil in her head.
The insinuation is that, like Yuu had been doing until now, Fuuka isn’t being honest with herself. So go ahead, pursue your dreams as far as your talents will take you…but only until Yuu incessantly hounds you to return to the band. You’re done with the band when he TELLS you you’re done.
I don’t like this show anymore!
Fuuka still hasn’t written the lyrics. Everyone’s hounding her, but it isn’t until Yuu tries to offer some friendly help when she momentarily snaps. She’s sick of feeling the way she feels about Yuu, and seeing him flirt with Koyuki.
Of course, Koyuki isn’t satisfied either, because it’s not as if she and Yuu are really a couple. There something in between, something that just isn’t cutting it, and she can’t go on. So yeah, Yuu’s making precisely no one happy right now.
Fuuka eventually does finish the lyrics, and they’re apparently awesome. Yuu seems to think so. But whether Yuu’s calling her on the phone and being nice, smiling at her, or praising her awesome lyrics, Fuuka continues to feel like shit.
The night of their big gig we get a little slice of all the band members’ lives. Fuuka perches precariously from her roof, but we don’t see her family. Yuu’s sisters promise they’ll be there. Nachi’s grandma sparks some flint for good luck or something. And Makoto? Makoto’s getting disowned by his asshole father for daring to be in a useless band. I wish I cared…but I don’t!
Fuuka’s pink alpaca strap falls off right in the middle of the street, and everything seems to be pointing to Fuuka getting clobbered by the classic “anime truck doing 70 mph in the middle of downtown,” with Fuuka either buying it or ending up in the hospital, probably with a ruined voice on the eve of her big break.
Instead, she avoids the truck (she is pretty athletic), and leaves the alpaca strap behind, which is like a symbol for her attempting to be move beyond the torturous slog of pining for Yuu, something I’m still not quite sure why she’s doing in the first place.
So The Fallen Moon (uuuuuuggggghhhh) performs their Hedgehogs (I’m sick of capitalizing it) cover for the millionth time, followed by a slower number, and then Fuuka’s big number. Throughout the gig, there’s more than one person singing, even though Fuuka is the only one singing, which is weird.
Also, because apparently there wasn’t enough animated material in this episode, we cut to a slow pan of the classic “impossibly starry city sky” again and again. Honestly, the episode went to that sky almost as much as the band goes to Denny’s!
The gig complete (and a huge success), Fuuka finally decides she’ll do that solo contract after all. Mind you, this is the band’s second public performance, and she’s leaving the band. The band Mikasa got disowned to stay in. Nice.
Really though, Fuuka is making the right choice. Even though everyone in the band is pretty good, the offer with the cash wasn’t for the band, it was for her. And you gotta look out for number one. I’m not sure where this is going, but this is actually a mildly intriguing development.
Wow, we’re already nine episodes into this? Wow, that’s pretty far. What better way to celebrate than Yuu going on a date with Koyuki. Wait, whuuuh? Last time we saw them, they were locked in a hug on a pier, now they’re touring Little Edo, AKA Tiny Kyoto.
Koyuki starts out wearing a ski mask, but removes all disguises except for magic glasses that make it impossible for anyone to identify her. Also good news: her voice is “back to normal”…but I’ll believe her when I hear her!
In any case, inertia plus history plus chemistry equals these two becoming something of an item this week, which doesn’t go unnoticed by the band. Yuu is late for practice after all, and while Nachi jokes about him being busy with his girlfriend, Fuuka is less enthused.
After practicing the same damn HEDGEHOGS song for the thousandth time (aren’t they sick of it by now?) they go to Denny’s and Fuuka presents her Next Great Idea: she’ll write an original song…by ear. Yuu ducks out to talk on the phone with Koyuki, and when Fuuka goes out to see where he went, he hears their flirting and remains…not enthused.
A song-writing montage ensues, filled with still images, one of them showing them going to Denny’s again in short order. Honestly, how can these unemployed kids afford so many trips to Denny’s? They must get allowance out the wazoo! You’d think they were already a successful professional band what with all the cash they’re throwing around.
They get the instrumentation done, so all that’s left is the lyrics. I’ve never been in a band, so I supposed some bands do the music first then the lyrics, while others do vice versa, while still others do both at the same time. Fuuka, at least for this The Fallen Moon song (ugh, I forgot that’s the name they picked for their band), goes with the first strategy, but gets lyricist’s block, no doubt exacerbated by her heartache.
Then one day Sara’s brother asks Fuuka to have a meeting with him and a music producer, who heard her sing at the school riot. The guy is perhaps unreasonably obsessed with her from a single impromptu recording, but goes on to say she “ate Koyuki alive” on that modest stage, the implication being, for the first time, that Fuuka is just flat-out better singer than Koyuki.
But Fuuka doesn’t even say she’ll think over the producer’s offer to make her, and only her, a pro. She’s sticking with her unfortunately named band. Her selflessness is rewarded when she once more runs right into the middle of a private Yuu x Koyuki interaction.
The show is really piling it on in terms of Yuu and Koyuki rubbing their longer relationship all up in Fuuka’s face. Girl can’t catch a break! But she can’t worry about stuff like this right now; The Fallen Moon (UGH) is opening for other bands in like, no time at all, and she needs to get those lyrics written or she will LET EVERYONE DOWN.
Still, I’m sure no matter what happens, cash will somehow continue to appear out of thin air for the band, with which they’ll continue to buy fried food and sundaes at the local Denny’s. Eat more fish, kids.
Um, so yeah, I don’t know why I didn’t mention it last week, but band solidarity aside, it was really really dumb and selfish to stride out on stage before such a hostile, volatile crowd. By doing so, they put not only themselves, but everyone in that room (including Yuu’s sisters) in unnecessary danger.
It only takes a spark from a couple of n’er-do-wells for the audience to become a mob. So what I wanna know is, where in the hell were the adults in this? Isn’t this a school auditorium? Did no one bother to inform any of the festival organizers of the circumstances surrounding the performance, or the potential hazards?
The bizarre, total absence of any of the controls that would have put the kibosh on this show before it even began were conveniently missing so that “the show could go on.”
So Yuu gets his bass wrecked and his head cut open from a bottle (which is pretty rock-and-roll, now that I mention it), and the crowd grumbles loudly, starts shoving Yuu’s sisters when they protest, and start to crush Koyuki when she reveals herself (another dumb move on her part).
And yet, like the flip of a switch, everyone in the rowdy mob just kinda…shuts up as if suddenly a single unit, and are so charmed by Fuuka’s powerful voice, her unison duet with Koyuki, and the talent of the other band members, their heckling and hostility turns to joy and cheers.
Are you takin’ a piss, Fuuka? Seriously? Quell the crowd with lame J-rock? Sorry…but I ain’t buyin’ it!
After Koyuki is shuttled off by her minders, the band heads to Denny’s to celebrate their bafflingly successful concert, which was streamed on the internet and greatly boosted by Koyuki’s presence. They then come up with a band name, The Fallen Moon, which is, well, there’s no other way to say it, the worst name for a band ever, no hyperbole.
What did elicit a laugh was when Fuuka protested over using her surname to name the band, making it seem like she forced everyone to join, followed by everyone else confirming that yes, she did indeed force them. But why did you let her force you? Is she just that really, really, ridiculously charismatic?
On the other side of the charisma spectrum is Koyuki, who is gently warned by her manager not to pull any more shit, and to stay away from Yuu lest she cause more riots and brawls. Yuu calls and calls, perhaps dozens of times, but Koyuki lets it vibrate, and he doesn’t seem to leave any messages.
All those ignored calls, combined with her guilt over what transpired and her production company cancelling all of her TV appearances (since she’s proven she’s a loose cannon no doubt) conspire to stress her out so much she literally can’t sing when called upon to do so, and has to cancel the last show she had left: the Christmas concert she invited Yuu to.
While walking on the beach, Yuu calls once again, and it looks as if Koyuki feels she has no choice but to answer, or else he’ll just keep calling. The call is brief and curt. Yuu, not satisfied, hops on a train to track her down; not obsessive behavior at all! He finds her at the pier where Fuuka found them in the rain.
Why did she go there? Why did he know she’d be in that specific place at that specific time? Not sure, but Koyuki becomes a wreck upon seeing him, breaking into tears, blaming herself for everything, and begging him forgiveness “for loving him.” Aw jeez. Yuu’s answer is to rush at and embrace her, which…the sea’s right there dude. Be careful!
But it just doesn’t seem like Yuu loves Koyuki…at least anywhere near the extent she loves him. It seems more like an obligation hug, a comforting a friend hug, not an “I love you too” hug. But hey, at least they didn’t fall into the ocean, right?