Nagato Yuki-chan no Shoushitsu – 14

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Nagato Yuki-chan’s last episode was so awesome, it would have made a fine end to the series, and part of me kinda wished it was, as I’ve got a full Summer plate. This week didn’t reach the dizzying dramatic highs of last week, it did make me glad after all we got three more episodes.

It was worth it just to see Ryoko welcome Yuki home, with a blend of joy and sadness in her eyes even a dope like Yuki can pick up on. Indeed, she doesn’t remember anything about the time her other self took over, or even the dream in which her other self explains things to her.

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But Kyon remembers, and he hasn’t been able to help but act differently around Yuki ever since. He also stares at the call log entry, as if it’s the entry of someone deceased. In a way, it is; Kyon wants to be able to believe New and Old Yuki were separate people with separate sets of feelings, but he can’t. Like Ryouko, he’s found he likes both equally, and the more they think about it, the more confused they get.

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New Yuki’s words let something in Kyon out that he can’t put back in or compartmentalize behind his stoic surface. It’s plain to see, especially from the newly-returned Haruhi, whose return I thought would be a pain but turned into a wonderful change of perspective, a marvelous use of Haruhi’s character beyond mere comic relief, and a resumption of the love triangle. Haruhi, like Kyon, is dealing with feelings she has for someone who doesn’t remember the same things about him that she does.

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The day they hold Tanabata celebrations is the fourth anniversary of Haruhi meeting Kyon, helping her paint messages to aliens in the schoolyard, and telling he he has no reason not to believe aliens are out there somewhere. He came into her life at a time when she was starting to feel the “senselessness” of her earlier youth give way to more and more common sense, leading to despair.

And he saved her from that despair. She hasn’t forgotten, but he has. People don’t need random car accidents to forget moments that are important to the ones they love. All it takes is time. It’s kind of heartbreaking: even if Haruhi brought up that day to Kyon and he remembered, it wouldn’t change the fact that he forgot in the first place.

But here’s the thing: that past Kyon wasn’t in love with Haruhi. Both Yukis love/d Kyon, and Kyon loves/d both Yukis. They’ve got two episodes to figure out what to /do about it!

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Koufuku Graffiti – 05

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I’ve been intentionally conservative with rating KG’s episodes thus far because, at the end of the day, while the artistry is clear and present and the presentation of food is deliciously creative, the story is as ultra-lightweight and fluffy as a marshmallow. But this show will still make you think a little more about what you’re eating, why you’re eating it, who you’re eating it with, and how it really makes you feel. It will also, obviously, make you hungry.

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I decided to be a little more generous this week because, of all weeks, this KG brought the house; compressing an entire notebook of Summer vacation activities (much of it involving eating) into one gorgeous episode. It’s all achieved thanks to Shiina, who finally invites her new friends to her house.

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“House” doesn’t quite do it justice; it’s more like a sprawling estate that looks like the countryside even though they’re still within the Tokyo Metropolis. It reminds me of Kabaru Suruga’s place, though like Suruga, Shiina isn’t the least bit stuffy, stuck-up, or spoiled as her luxurious quality of life would suggest.

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In this gorgeous, ornate new setting the painters and director can really let their hair down, and they don’t disappoint with Shiina’s digs. It’s also the kind of place where Kirin can start to cross off various items from her Summer Activity checklist, even if some are merely technically being fulfilled (animal traps for a zoo, etc.)

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The episode also fakes us out by first having Kirin meet Shiina’s quiet, kimono’d mom in her garden (who is actually the house maid, Tsuyuko), then showing us that her real mom is like a hyperactive version of Shiina, and just as warm and generous, dispensing ungodly amounts of sweets, and even inviting the girls to partake of flowing somen noodles, a whole big production that requires cutting down bamboo to make the track, before any cooking commences.

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Ryou and Kirin get a little overzealous with the manual labor, but once they’re in the kitchen they’re back in their element, and Ryou helpfully goes over all the sauces and condiments that go with somen, including an orthodoz kombu-and-katsuobushi dashi, which I have made from scratch only a couple times but is far superior to the powdered stuff. I also accidentally leave green onions connected on occasion, as Tsuyuko did.

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Yeah, that’s not how flowing somen works…

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Shiina’s mom gets a nice little meta moment when she expresses relief her daughter isn’t the only one who acts like this when she eats, what with the saturated color, slow-motion and eye-sparkling. As Kirin says in the cold open, eating is a serious duel between the eater and the eaten. In enjoying their noodles so thoroughly (and explaining in detail why), they do their food the attention and justice it deserves.

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While Shiina is inside, her mother thanks Ryou and Kirin for continuing to be her friend, as she was also worried her daughter didn’t have any. Now she notices that Shiina talks a lot more about her day, much of it involving the two of them. The girls react to this by being so overly affectionate to Shiina, she’s a little creeped out, but it’s all cute and charming as hell.

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And thanks to Shiina, Kirin could cross every last item off her checklist (in one way or another), not to mention create priceless memories, which was the purpose of the checklist. An episode that started with three miserable friends stuck in school drawing Summer became three elated, satisfied friends experiencing Summer to its fullest.

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