Kakushigoto – 04 – Somewhere Far Away

This week’s time leap occurs at the beginning, with 18-year-old Hime explaining that the boxes her mother left her were full of things she’d need for the age labeled. Because everything was pre-stored, some if not most of those items were out of date by the time Hime attained those ages.

But she doesn’t mind. Thanks to the boxes, she’s able to experience a unique closeness to her mother she couldn’t have experienced. They serve as both time capsules and something like prophesies about a future Hime’s mother couldn’t possibly see…and yet at the same time, could.

But it’s back to the more lighthearted present-day of the show, when an assistant notes Kakushi is signing unimportant documents with “Kazushi”, assuming it’s his real name. However, Kakushi is his real name, and used it when he got published, so it’s his pen name as well.

When Kakushi’s editor Tomaruin goes to the EiC to declare his artists’ wish to change his pen name, the higher-ups are worried Kakushi has fallen in with fortune-tellers who may brainwash him not just to change his name, but start a cult! While having lunch with Ichiko, considers what it would be like for people to name their children after characters he created…only to find a woman named a dog after one of them…purely coincidentally.

Also coincidentally, Hime gets into onomancy (divination through names) and determines that while her pop has 5-star luck in just about everything, he should avoid the artistic fields at all costs. Later, Tomaruin stops by Kakushi’s house to find Hime engaging in Nadila’s native version of fortune-telling.

The editor is immediately smitten with Nadila, and returns to the bosses with the glazed cult member look, declaring his new name is “CEO”. But at the end of the day, Hime tells her dad they can rest assured, because there’s a guardian spirit watching over them both. That spirit is, of course, her mom.

When Hime comes to her father with an art assignment and asks for help with the background, the subject of “can dad draw?” comes up, something Kakushi would really rather avoid. That said, his assistant worry about his background skills as he hasn’t had to draw them in years (to say nothing of coloring).

While at first Kakushi wanted to balance helping Hime create an impressive work of art and exposing the fact he’s a professional artist, the assistants bring him back down to earth, making him raise the question of whether he can cut it with non-manga art after doing nothing but manga for so long!

The answer is, well…not really! Not because he’s particularly bad at backgrounds or coloring, but because his manga background unconsciously influences his style. He discovers this when on a lark he attends an art class run by none other than…Future Idol Senda Naru, who assumes he’s there to see her!

Naru is pretty good herself, and it’s she who gets Kakushi to realize manga has been so absorbed throughout his artistic language, he’ll sketch a stone bust like a shounen hero without even trying. But this is all moot, as Ichiko informs him when he leaves the class: he’s not allowed to help Hime with her drawing at all!

Now Kakushi isn’t worried about embarrassing Hime with manga-style backgrounds, but of Ichiko and Hime’s peers questioning her integrity. To avoid any question of him directly aiding Hime with her drawing, he arranges to have Ichiko accompany them to the zoo.

Ichiko rightly sees this as a date, belieiving Kakushi wants to keep them at a distance in case people see a teacher on a date with a student’s parent and get the wrong idea. Of course, this is the wrong idea, and Kakushi is just trying to protect Hime’s honor, but by the end of the date Ichiko thought the date was wonderful!

Kakushi’s odd date parameters also cause Ichiko to pay a different price with her other students: when she tells them her date is “far away” while looking wistfully up in the sky, they assume she’s gone crazy from the grief of a dead lover, and promise to behave in class from now on!

The myriad misunderstandings—some positive, some negative—are all a matter of the perspective of the observers. And so it is with Hime’s drawing: when the tigers don’t come out of their cave, she decides to draw herself and her dad from the tigers’ perspective—an idea both beyond her years and just the kind of creative thinking a kid would come up with organically.

Kakushi proceeds to buy the most gaudy, expensive frame for the drawing and hangs it prominently on the wall, despite Hime’s believe it disrupts the feng shui. Kakushi finds something very familiar about the drawing. Sure (and eerily) enough, the composition is identical to a photo he and his wife had taken with baby Hime at the same tiger enclosure, on the same bench.

In that regard Hime wasn’t just drawing what the tigers in the cave saw, but what her mother saw from her perspective “far away”, up in the sky: her daughter and father safe and happy, returning to a spot they once all shared. And so even without a time leap, the ending made me tear up all the same!

Attack on Titan – 04

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I’ll say this about these first episodes of AoT: it does not dick around. Two more years pass during which Eren, Mikasa, Armin, and a large group of fellow young cadets are hardened and trained, and graduation nears. As the drill sergeant observes them training in the woods he helpfully lays out the strengths and weaknesses of each recruit.

Armin lacks strength, but he’s got a sharp mind; Eren isn’t spectacular at any one thing, but he learns quickly, works hard, and no one is more driven. Mikasa is perfect at everything; a once-in-a-generation all-round talent. But you know what? That’s fine with me, because she’s so damn modest and unassuming about that ability.

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What I also like is that Mikasa isn’t just tough for a girl, she’s the toughest cadet, period, and there are other tough girls too, like the food-obsessed Sasha and aloof Annie Lockhart. The latter teaches both Eren and Braun a lesson with combat skills her father taught her, but isn’t taking any of this seriously, as the whole idea of those who are the most talented at killing Titans get to serve furthest away from them, in the interior Military Police.

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Indeed the top ten cadets in the class of 218 have the option of reporting straight to the Military Police, where they may theoretically live out their lives in relative peace and safety. Mikasa graduates top in the class, while Eren finishes a surprising fifth, with Armin placing outside the top ten.

Eren will have none of the military police; he’s joining the Scout Regiment, where he can take the fight directly to the Titans who took his mother and home. Armin and Mikasa decide to join him in turn, with Mikasa convinced he’ll die a quick death without her by his side. Protective? Sure, but he is her family.

When they graduate, Eren gives a speech rejecting the notion the Titans cannot be beaten, and that there’s value in fighting them even at the cost of his life, as continuing to fight them will allow them to gather more and more intel about their foe, so that one day, future forces might be able to bring them down for good. He doesn’t want to die, but he can’t sit back and do nothing.

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The speech clearly moves a few of his fellow top tenners like Conny and Sasha, who join him in the Scout Regiment. When they arrive in Trost district along Wall Rose, they’re welcomed by an optimistic crowd; it’s been five years since the Colossal Titan attacked, and there hasn’t been any advancement by the enemy. In that time, the collective wounds have healed a little, and both hope and dignity are in the air.

…Then, on Eren’s first day atop the wall maintaining the cannon, the Colossal Titan returns, and the lighthearted mood is replaced by terror and despair. Man…Not particularly forgiving to its human populace, this show. Yet Eren doesn’t freeze in fear. He and his comrades are scattered off the wall, but he uses his ODM gear to get back to the battlements and face his nemesis down.

He’s not scared, he’s pissed, and his time has come to finally attempt what he’s wanted to do since he saw his mother get eaten. I have no earthly idea how he expects to take the behemoth on, who will help him, and who won’t survive the imminent battle, but I’m damned eager to find out on all counts.

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Attack on Titan – 03

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Two years after the Titan attack destroyed their home, Eren, Mikasa and Armin begin boot camp, and their drill sergeant suffers no foolishness, especially from one Sasha Blouse, who just can’t help scarfing down a hot potato while he’s talking (the tension of the exchange is highly amusing, showing off Titan’s sense of humor even in such bleak setting. (The sergeant also thinks Armin Arlert is a dumb name.)

It’s a common strategy: strip the cadets down and then build them back up, in their case, into Titan-killing soldiers. As the sergeant walks down the line, we learn how the recruits are from all over, and have enlisted for many different reasons. Many don’t cut it and leave to work the fields on the first day. Others will wash out later. I liked how the sergeant knew from the look of the cadets who’d already gone through the wringer.

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Eren is eager to get through training so he can start kicking Titanic ass on the front lines, but he hits a snag: the omni-directional mobility gear all soldiers need to master. In short, he sucks at it. He has all the motivation and determination in the world, but appears to lack the aptitude. This is a huge setback for his life goals, and you can see in his haunted expression at dinner that he fears failure and his own weakness far more than any Titan.

This episode also presents the opportunity to spread out beyond our core trio to several interesting supporting characters, some of whom may well end up in the same unit as Eren. The aforementioned Sasha is a bit one note in her relentless pursuit of food, but Jean Kirstein’s honesty about wanting to join the military police so he can serve in the safe(r) interior provides a welcome contrast to Eren’s puffed-chest gung-ho act.

Even better though, Jean and Eren don’t just come to blows over the disagreement. A bell rings, and the two make up, perhaps aware that fighting each other is a waste of time. Then there’s Reiner Braun, who like Eren & Co. is one of the few cadets who has seen the Titans firsthand; in other words, who have seen hell.

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But the undisputed rockstar of this episode, and of the show so far, at least for me, is Mikasa Ackerman. We learn a little more about her intensely close, co-dependent bond with Eren; neither of them want to ever be apart from the other; both feed off of one another’s unique energy. She aces the OGM, makes someone fall in love with her just by walking past, looks awesome no matter what her length of hair is, and even owns Sasha by not surrendering her bread.

She also rejoices when Eren finally gets the OGM right (turns out he had a defective belt, but even managed to balance properly on that, proving he’s more than capable). But she’s also the only one who doesn’t see self-satisfaction in Eren’s face. She sees relief that he doesn’t have to leave her.

Not that he would have to: had he failed, she would have gone with him to the fields; Armin too, probably. Because if there’s one thing that’s working out for these three kids in this dastardly post-apocalyptic fiasco of a world, its the three of them sticking together.

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