Rea’s odd behavior culminates in her jumping out the window when she sees Babu; she follows him to a hygrangea bush, and the two return to normal. A momentarily lucid gramps explains the potion isn’t perfect; Furuya will have to perfect it if he wants to keep Sanka around. When his father spots her, he asks if they can shelter her; he agrees. Furuya begins carefully observing and documenting Rea, and takes her out for exercise, where she’s spotted by her father’s butler.
Like the resurreciton potion, this episode wasn’t perfect, but it did competently resolve many of Furuya’s more immediate problems. Rea was rotting and losing her humanity, acting more like an animal than a person, and keeping her a secret forever wasn’t going to happen. Once she’s done freaking out (which we’ll allow her under her circumstances), she takes the news pretty well, and while Furuya’s sister and father don’t know the truth, they at least know she exists, and Furuya won’t have to hide her. The fact his shriveled little grampa knows all about the potion – but only when he’s ‘having a good day’ – is a nice little twist that was hinted at last week. Did he write that old spellbook? Either way, we’re relieved Rea is herself again, if only temporarily.
But while those immediate problems were for the most part resolved, Furuya has other problems. Neither the potion nor supplemental hydrangea leaves will keep Rea animated indefinitely; so she’s still mortal in this regard. His initial attempts at close observation – following her body with his camera and such – was an interesting choice, considering her past trauma posing for her father. He’s not aware of her trauma, so we can’t call him insensitive, but we can call him an idiot for not being more careful with Rea out and about. The first night they do so, her dad’s butler spots them. This is a HUGE fuck-up in our books, and we don’t see a solution beyond their leaving home and going into hiding, because her dad has reach, and isn’t above ruining Furuya’s family to get to him and the treasured daughter he abused and killed.
Rating: 7 (Very Good)
Sanka has stopped moving and Furuya is concerned she’ll rot away if he doesn’t do something, but in the meantime he must help his family clean the temple grounds, so he turns up the A/C and stashes her in his closet. Gramps mentions seeing not only Babu, but ‘Sada’ alive, having mistaken Rea for her, as well as a ‘resurrection potion’. Wanko stops by and enters Furuya’s room to borrow a DVD, but she is attacked by Rea, who starts licking her chest. Hearing Wanko scream, Furuya rushes to his room, where Rea pounces on and starts kissing him.
Well, the zombie cat is officially out of the bag: the first Wanko hears about Sanka Rea going missing is the same day she finds out where Rea went: to Furuya’s house. This week she plays the ‘first victim’, although rather than going for the brain, apparently the hungry Rea can be satiated by persperation coming from Wanko’s rack, or Furuya’s saliva. Either way, she’s acting very frisky, but her motivations are probably more primal – requiring sustenance – than amorous.
It’s interesting how she said nothing, but only made a bunch of zombie-like sounds. Will her personality return? Of course, most importantly, now somebody knows he’s resurrected a girl. He’ll have to tell her the whole story about Rea’s father and falling from a cliff if he’s ever going to get her silence, because at this point he can limit the exposure to just Wanko. But with Rea’s father already issuing a fatwa against him, this is one more example of mo’ zombies mo’ problems.
Rating: 6 (Good)
The potion she drinks doesn’t kill her, so Rea remains a prisoner in her home, and overhears her father instructing his butler to castrate Furuya; she sneaks out again to warn him. He’s chasing the newly resurrected Baabu around town. The zombie cat leads him to the place where the hydrangeas were picked, where Furuya also finds Rea on the cliff she climbed before. Her father tracks her down and there’s a confrontation culminating in Rea falling and being fatally impaled on a sharp rock. Then the potion kicks in, she rises, and embraces Furuya…
The cryptic parting shot of the first episode – Rea walking, nay, lurching towards Furuya, entrails hanging out and blood dripping – that was merely a portent to what transpired in this episode. It’s an episode of Rea feeling trapped and unable to keep going on. Her mother and father are both horrible people, but her father is far worse because he tries to justify his monstrous behavior as his paternal duty, which is bullshit. Despite his abuse, fear of Furuya getting hurt motivates her to defy him once again, damning consequences. She’s a brave, strong young woman.
Only…by episode’s end, she’s no longer a living woman. Despite the rather obvious ramifications of her having a tussle with her dad up on a narrow cliff, her gorey death was still a visceral shock (though the network censors blurred the strong viscera). and a spellbinding, heartbreaking few moments. Furuya is shocked too when he discovers she must have taken the same potion that brought his Baabu back, because there she is, walking and talking, albeit with terrible posture and haunting red eyes. She’s back…but can she possibly be the same Rea?
Rating: 9 (Superior)
Car Cameos: Cars that pass in the night while Furuya takes Rea home on his bike include a Mazda A-Z Wagon and a Toyota Crown Majesta.
Furuya continues to experiment on the proper potion to revive Baabu, and Rea assists him. She narrates her controlling father and him abnormal relationship with her, which includes taking nude pictures of her every year. When she heeds her friend’s advice to tell him to stop, he makes that friend’s father transfer far away. Rea suggests they use Hydrangea, which doesn’t seem to work on Baabu, and they go home. Her father catches her, and promises she’ll never leave the house again. When Ranko opens Furuya’s box, a reanimated Baabu soars out into the night. Locked in her room, Rea drinks a portion of the potion she reserved for herself.
Between her Drunkard Ice Queen mom and her TOTAL CREEPER dad, it’s a wonder Sanka Rea is as well-adjusted as she is. Imagine every aspect of your life being under a microscope, and anyone you get close to disappearing if they don’t meet his approval. And then there’s the pictures. This father is no doctor and these are no clinical documents: he dresses her up in skimpy costumes. This is SO wrong, even the totally isolated and naive Rea knew deep down it was wrong, and her friend Nakadai only confirmed it. But now Nakadai is gone and Rea has no other friends, except for Furuya. And her father would never approve of him, anymore than he’s approve of her seeing a greaser.
First, he’s a guy; second, he’s poor; and third, well, he’s trying to re-animate his cat (though that’s frankly not nearly as bad as taking nude pics of your daughter; it’s not even in the same time zone). When she sneaks home from meeting with this boy – with a limp, no less – he brings down the hammer – no more leaving the house for her! Though we no doubt suspect she and Furuya will meet again. And then there’s that little matter of the potion working. If it brought Baabu back, what will it do to her?
Rating: 7 (Very Good)
Furuya Chihiro is the son of a widowed priest who lives on temple grounds with his little sister, father, and grandpa. He’s always had a fascination with zombie romance. When his cat Baabu is hit by a car, he tries to resurrect it by following a mysterious old book he found. He does this in an abandoned resort, the same place where the troubled Sanka Rea – daughter of the rich and powerful Sanka family – comes to scream her heart out into a well. When she detects him watching her, she promises to do anything in exchange for his discretion. When he jokingly asks her to be his test subject for the resurrection drug, then admits he only likes zombie girls, she agrees to become his zombie…
We like ourselves nice and simple yet novel and quirky stories, and we have one right here. A kid with an interesting family situation has an even more interesting proclivity. He doesn’t just like zombies…he loves them. Does it matter why? Not really. Suffice it to say this kid is weird, and any normal high school girl would totally lose it when he shows her his dead-for-days cat he’s trying to bring back to life. She may even call the cops on him. But not the titular Sanka Rea. She’s not normal. Her father takes nude pictures of her to document her growth. She hates her entitled but strict and sheltered life, and wants a new one, so she understands Furuya. She doesn’t even flinch at his venture – she even pets his damn dead cat.
The somewhat messed-up yet oddly endearing relationship between Furuya and Sanka is the core of this episode. Furuya seems a shy fella (his half-year-older cousin loves to tease him with her bod, in one of the less endearing scenes of the episode), but he’s also aware of how pure and unblemished by the trials of society this girl is, and as such, is a lot more comfortable talking to her. He lays it all out: his fetish, what he’s doing with his cat; what he’d kinda sorta want to do to her (make her a zombie); all of it honest without any beating around the bush. Here I am; take it or…run away screaming. And much to his surprise, Sanka still likes him…and in the somewhat confusing ending, she actually becomes a zombie, entrails leaking out and everything. Furuya just got what he wished for. We’ll see if he can handle it!
Rating: 7 (Very Good)