As the Mirrored City continues to crumble, a portal opens and the Chief Priest of Koto and Inari’s organization arrives with his adjutant, declaring that the city, or “13th plane” was illegally created for Inari and Lady Koto’s own selfish purposes, and it must be destroyed to keep the other 12 planes from being destroyed. Aun and Inari’s familiars turn against him, and Lady Koto is wounded protecting him. Koto despairs at everything being her fault, but before the familiars can get to her Myoue shields her and snaps her out of it. With her hammer at the Chief Priest’s head, Koto demands he help her save her mom and the Mirrored City, or she’ll destroy all the planes herself.
“I feel no uncertainty. I know what’s most important to me.” So says Inari after smashing his fox mask, and with it the “observer” position he surpassed long ago. His boss isn’t moved and dismisses his speech as nonsense and stupidity, but then what he deems most important is far different than Inari. He seeks order and balance among the planes he looks over; the Mirrored City is an anomaly that threatens all that. But Family was what was most important to Inari, a family he was never meant to have but made anyway.
While out preserving the world he built for it, he and Lady Koto had a daughter, who inherited her mom’s not insignificant powers. Once Koto stops blaming herself for being born, it’s simply a matter of properly leveraging those powers to get what she wants: to save her family and preserve the city. There’s no shortage of people telling Koto how special she is, and the time has come to prove it. Is there a way to get what she wants without the rest of the universe suffering? Surely there must be.
Rating: 8 (Great)
Koto returns safely to the Mirrored City with her mother Lady Koto in tow. After a reunion and tour of the city, Lady Koto says it’s time for her to go back, surprising everyone. She tells Koto to help her older brother Myoue, but later that night a distraught Koto breaks down in Myoue’s room. Meanwhile, a portal opens in Kurama’s temple, and Koto’s first “sensei” Inari emerges. He arrives at Myoue’s house and removed his mask revealing himself as the original Myoue, Yakushimaru’s adoptive father. As a result of his entrance, the Mirrored City starts to disintigrate.
For something as momentous as Myoue, Yase, Kurama and Koto’s mother returning after who knows how many years away, her return is surprisingly low-key. Koto and Yase are the ones most outwardly excited, but Myoue and Kurama are more reserved. She’s glad everyone is all right, is pleased with what they’ve done with the place, and asks forgiveness for being gone so long. But she doesn’t solve everyone’s problems; in fact, she creates totally new ones. The original Myoue must’ve sensed her arrival and came back himself, causing serious damage to the drawing in the real world and thus the Mirrored City.
So what, is he the bad guy all of a sudden? Is he improvising, or was this all part of his original plan? Did he even have a plan? Is the city toast? There are just three more episodes to answer those pressing questions, but for now, despite the foreboding tone of the ending, we’ll be cautiously optimistic. After all, the family is finally back together; how could that be bad? Also of note this week: Koto finally protesting being constantly used and asked to do things when nobody is willing to give her any answers about her past. With her sensei back in the picture, that might change.
Rating: 9 (Superior)