TRAP drops from third to eigth to ninth, worrying both Mashiro and Takagi. Takahama confirms their suspicion that Miura can be overoptimistic at times, and when another manga that kept sliding is cancelled, panic nearly sets in. Back at the editors’ office, Miura gets five different opinions by five other editors, and is initially unsure on how to proceed, but he ultimately warns against big changes to the manga. Mashrio agrees, feeling Takagi’s position hints of desperation. They’re all convinced that TRAP needs to be loud and proud about being a decent mystery, which sets it apart on Jack.
This week doesn’t let us forget that Ashirugi Muto aren’t out of the woods just because they’re serialized. One bad week could spell cancellation; there’s a crapload of manga waiting in line to be published. Case in point: both Fukuda and Nakai/Aoki’s manga are approved for serialization – on the same day. The pressure is truly on for TRAP. This episode was a quick succession of splashes of cold water, and also exposed not only the inexperience of the still very young author and artist, but the relatively green editor Miura as well.
Being inundated with multiple contradicting possible courses of action is always going to happen. Someone who’s good will take the course that is closest to matching what their gut instinct is telling them. One cannot operate without instinct in this industry – take Hiramaru: he’s loathing drawing a manuscript every week; he has all the talent and instincts, but the motivation and passion are lacking. Niizuma is pretty much pure instinct, an unsullied natural talent. Nakai and Fukuda have kept themselves going with hard work determination, and of course luck, like Takagi and Mashiro. What they really need next week is a jump in the rankings: something to reignite their confidence.
Everything picks up where the first season left off, with Mashiro and Takagi getting serialized. Hattori hands them over to a new supervisor, who immediately delves into the logistics of serializing a manga. He hires three assistants for them, sets the deadlines, salaries, and expenses of the enterprise. They are also treated to VIP service as they attend Yoeisha’s New Year’s party, where they meet rivals Hiramaru and Niizuma as well as Mr. Torishima, board of directors. Mashiro sets high goals that impress both him and the Editor-in-chief.
This was a great continuation of the story we’d left last fall, and introduced a lot of new characters and challenges for Ashirogi Muto. It cleverly begins with the OP of Detective Trap, as seen in Mashiro’s head. None of the trials he and Takagi have gone through have jaded him from his ultimate goal. “Hard work, confidence (or conceit) and luck” are the weapons of any successful mangaka, and so confident is he (at least on the surface), Mashrio promises the editor-and-chief and (a very subtly hilarious) Mr. Torishima that he’ll do what his uncle couldn’t – make a living off manga – and do what he left undone – winning first place in the Jack survey.
Lofty goals, but after witnessing the professionalism of his new team – Editor Miura, Chief Assistant Ogawa, Kato the Girl, and Takahama the Quiet – he has cause to strive for them. The party is the perfect vehicle to introduce Kazuya Hiramaru, who some have claimed is even more of a genius than Niizuma – but when they meet him he insists he’d rather be a NEET. The charisma at the party is palpable, as is the cautious optimism. I love how this show doesn’t merely have course enemies as the leads’ rivals; their relationships are often more complicated. Punctuating the episode with a brief cut to Azuki getting Mashiro’s vow via text was also well done.