Cop Craft – 07 – Keep Your Friends Close

Tilarna and Kei suddenly find themselves deep in the world of vice and political intrigue, as Tilarna serves as bait for a john at a high-end brothel, and they end up arresting Cole Mozeleemay, a powerful Semanian politician running for mayor of San Teresa. While Cole didn’t get far at all with Tilarna before Kei and the cops take the hotel room, the fact he touched her hair is enough to make her upset Kei didn’t bust in sooner.

Mozeleemay very publicly asserts his innocence to the press (gaslighting them in the process), while his ambitious politician’s wife commits to helping him get through this (but that doesn’t mean he can touch her). Tilarna is as expected disgusted by Earth’s slow, plodding brand of justice, especially when even that kind tends to slow even more when a powerful person is involved.

All Kei tells her is that this is the way it is, and that she’s going to have to resign herself to that, as he has over the years. She needs a friend—someone other than Kei—and is comforted when she has a chance encounter with Zoey, the woman who was kind to her at the brothel, and who is also an amateur photographer.

Zoey actually needs help moving after the police raid, and Tilarna, being nice, helps out. Knights may be solitary by nature, but the more Tilarna hangs out with Kei, the more used to relationships she gets. Her need for female companionship must have been stronger than ever considering what she went through and how Zoey (unlike, say, Cecil) can relate to the life.

Tilarna and Zoey become fast friends over their brief time together, and Kei just happens to return to the spot where they split up to pick her up later that night. She’s also enchanted by Zoey’s photography. They continue to hang out despite Kei’s warnings not to get too involved with people they’re investigating (Zoey believes Tilarna is merely a rich runaway).

Meanwhile, the already-tenuous solicitation case against Mozeleemay takes another blow when a list of the club’s clients is leaked to the media. Some of the names are real and some are fake, creating more reasonable doubt for Mozeleemay’s lawyers to use in his defense.

We learn that Zoey is the one who provided Mozeleemay with the list, in exchange for enough cash to afford the gorgeous apartment with an ocean view. Mozeleemay shows his true colors once more when he offers extra pay for a quick trick, but Zoey spurns him. Mozeleemay’s wife, who is following him, spots Zoey exiting his car.

Tilarna, increasingly distraught over the increasing possibility she went undercover and endured what she did for no good reason, brings up the possibility of an employee at the club being the leaker. Jamie shows them the video stills of everyone who accessed the list, and sure enough, Zoey’s photo sticks out.

She goes to Zoey’s place immediately to confront her. Zoey doesn’t answer the door and Tilarna prepares for the worse by drawing her sword, only for Zoey to ambush her…with her camera. She has a photo canvas for Tilarna as a gift for helping her move, but Tilarna is all business, and starts with the accusations. Zoey denies, then asks if Tilarna is a cop, and Tilarna can’t lie.

Then, as the two stand almost back-to-back in front of those huge ocean view windows, a bullet strikes Zoey in the chest, then a hail of bullets shatter the windows as the women hit the deck. Kei, providing backup for Tilarna, manages to shoot one of the two assassins, but he says nothing about who sent him before passing out.

That night, as he watches the news about himself, Mozeleemay gets word that Zoey was shot, and relays the message to his wife when she comes in the room, and noting how it could help him beat the charge. Then he realizes his wife was the one who arranged the hit. She denies it, of course, but taking his hand in hers, tells him he shouldn’t worry about such things—the implication being his job is to win the election; nothing more.

Zoey’s final words to Tilarna before passing out express her disappointment in having been betrayed by someone she thought was a friend. There’s not enough time for Tilarna to explain the complex circumstances, and how she considered Zoey a good friend too. Kei is by her side at the hospital when she learns Zoey has died, and upon returning to her apartment, unwraps the photo Zoey gave her as a gift: a behind-the-back of Tilarna beaming in the sunset. Tilarna takes Zoey’s camera as a memento.

It’s as heartbreaking and poignant as Cop Craft has dared to get so far, and really makes me feel for poor Tilarna. While she’s no fool, she is young, inexperienced, and naive. And Zoey was right when she said Tilarna can’t understand the difficulty of lowborn Semanians trying to go straight in San Teresa. Adding ironic insult to injury, the self-proclaimed advocate of Semanians like her is…Cole Mozeleemay.

Yet look at what he allowed to happen to someone like Zoey, just because he couldn’t keep it in his goddamn pants. I want Tilarna to get revenge, but I don’t want her to get in trouble. At the same time, I don’t want her to suffer the unique turmoil that comes from being perpetually unable to do what is right and just in a world where justice is whatever the most rich and powerful say it is.

As far as Tilarna and Kei’s partnership friendship may have come, Earth still feels like a place that will only continue to eat away at her pure and virtuous soul…as it has already done to him. How can a place like that—which gave her a new older sister then took her away just as fast—ever feel like a home?

Cop Craft – 06 – Jump Out If You Want To!

While they’re a formidable duo when they’re on duty, I might just like Tilarna and Kei better when they’re off duty, as it presents so much more opportunity for the two to talk and interact off-the-cuff. And both professionally and personally, they’ve built up a nice rapport. Just take Tilarna using an elixer to eliminate Kei’s cat allergy, but not to tell him about it until he wakes up with Kuroi in his room and is breathing fine.

Even so, things only go so far, and Kei would rather continue to live alone, so he’s trying to find a place for Tilarna, with little success (realtors in San Teresa are apparently racist). And when their leisurely crepe lunch is interrupted by a stolen truck shearing off the side mirror of Kei’s car and he gives spirited chase, Tilarna would kinda rather be anywhere but in the passenger seat, losing years off her presumably otherwise extremely long life.

With a bit of reckless driving, Kei manages to wreck the rig, which is full of…legal porno mags. Tilarna decides to be useful and move Kei’s car out of the flow of traffic, but neglects to set the parking brake, so it rolls right back into traffic, into the grill of another passing truck, and into utter ruin.

Tilarna gets to see a whole new side of Kei at the station; that both of someone who just lost some(thing) precious too them, as well as someone who acts like a little kid who wants their toy when they meet with Chief Zimmer for a new ride. Tilarna also gets her first look at human porn, which is doubly shocking to her considering how little photography exists where she’s from.

Kei gets his colleague Tony to pose as a fence and arrange a deal with the Semanian truck thief, who is indeed trying to make a killing selling the stuff across the gate. One wonders why he didn’t simply buy up a lot of porn legitimately, as there’s no doubt he’d still make a profit re-selling it in Reto Semani. Kei also gets his new car—a repo’d Ferrari 812 Superfast (which costs over $360,000 US) and takes it for a spin while Tilarna meets with Cecil.

Tilarna came to Cecil for driving lessons unaware that “ex” meant “ex-lovers,” something that embarrasses her. When asked, Cecil isn’t sure whether she likes Kei, but she doesn’t hate him, and simply wishes he’d treat her as an equal rather than a kid, hence her desire to learn to drive. Cecil warns her that might be tricky, as there’s a good chance Kei sees a lot of his lively younger sister, whom he lost ten years ago, in Tilarna. They have tended to act like siblings, haven’t they?

The next day, the porn deal goes south when the Semanian kid is double-crossed and Tony is captured at gunpoint. Kei is temporarily blinded by being too close to a gun blast. so Tilarna grabs his hand, tosses him into the passenger seat of the Ferrari, and shows her what she’s learned. (The automotive pedant in me would question whether she’d know how to work the controls of a car so different from the Jeep Cherokee she trained in, but never mind.)

What matters is, Tilarna doesn’t quite drive like anyone else Kei has ever driven with—which is to be expected—and she gets an absolute goddamn kick out of it; a true need for speed! It’s immensely fun to see the tables turned for once, and Kei begging for death and being given the option to jump out the car window. Tilarna launches the F12 like a projectile into the fleeing baddie, wrecking them both.

Thanks to modern automotive safety, nobody is seriously hurt and the perp is arrested. When Kei starts to scold her again, Tilarna speaks up for herself and gains a deserved apology from Kei for going too far about the Mini before. At this point he believes the Ferrari is still reparable, and agrees to go with her on more driving lessons, but it soon bursts into flames, GTA-style, and he’s back to the same blind rage and despair when his Mini was busted.

He eventually cools down, and when he arrives home (by bus) from a meeting with the real estate agent, he finds Tilarna has already made a cozy home for herself on the lower level of his house, and invites him in. Looks like he’s not going to get rid of her so easily…if that’s even what he wants at this point. After all, it’s not every day you get to have your beloved little sis back in the form of a knight from another world!

Fruits Basket – 15 – Lakeside Detour

In a show that is very upfront of being just the first of several seasons—and a 25-episode first season at that—it’s going to move at its own leisurely pace, and there’s going to be the odd episode that feels more like filler than others. This week was one of those times, and it felt like a few disparate story lines were combined to fill the run time, none of which were resolved or even advanced all that much; only inched forward a bit.

Ever since seeing her hat and remembering when he last saw it, Yuki has been quiet and awkward around Tooru. Similarly, Kyou has been quiet and awkward ever since he seemingly kissed her as she napped. Tooru is very weirded out by their lack of arguing and naturally assumes she said or did something to offend them. Before they can assure her, she trips and falls down a hill.

Meanwhile, Hatori, who drove everyone to the cabin, passes the time reading Shigure’s books. Shigure claims he’s just teasing his editor by going AWOL for a couple of days, but Hatori sees a possible other reason: his former fiancee Kana is getting married, and perhaps Shigure just wanted to get his friend away from…all that.

Tooru’s tumble results in Yuki and Kyou transforming into rat and cat for the first time in a while, and it’s apparently enough of a shock to forget why they were so silent and awkward and start arguing again, which makes Tooru laugh with relief and joy. But they still don’t tell her what was bothering them, and because she’s so easily distracted (or relieved), she doesn’t press the matter.

That brings us to the most problematic part of the episode from where I’m standing: Ayame coming out of freakin’ nowhere. Ayame is just way to zany and hyper for the scenes he’s in, which feel like they go on forever: he says something that angers Yuki and Kyou, they react with hostility, rinse repeat. It just isn’t that interesting.

We later learn that Ayame came to give Hatori Kana’s wedding picture, courtesy of her friend Mayuko (whom Shigure dated for a hot minute but they broke up). Even if Hatori has decided there can be no going back to Kana, as his BFF Ayame isn’t satisfied. Shigure hopes Hatori finds happiness with someone else some day; he’s still very young after all.

Hatori just wants to make sure the likes of Yuki and Kyou don’t end up making the mistakes he did—by which I presume he means letting Akito control every aspect of his life, torch his relationship with his soul mate, and blind him in one eye.

The Rising of the Shield Hero – 19 – United Front

The Pope packs a whallop with his attacks, but turns out the first couple were just “trial runs”, to unleash the full power of the weapon he transforms it into a spear and draws upon the mana his holy army of followers, who number in the thousands despite not having any kind of supply train. Did these people just walk out here from wherever they came from without provisions of any kind? Seems like a logistical nightmare.

That weapon turns out to be a replica of the Cardinal Heroes’ own weapons, able to transform as needed. Melty is shocked to learn it still exists, believing it had been lost long ago, while Motoyasu condemns its use as “cheating.” As for Naofumi, he asks why, if they could make such powerful weapons, did they bother summoning heroes at all?

However, Motoyasu’s weapons, nor combo attacks by him and his party, have any effect thanks to Popey’s magical barrier, which enables said Pope to laugh and bray on about delivering judgment and such.  What he didn’t count on, however, were the Sword and Bow Heroes not being dead after all.

Turns out Itsuki and Ren never trusted the Three Heroes Church, and were investigating it when they learned that the church had possession of the weapon. They were led to a false shrine where the church tried to assassinate them, but failed. Now, with all the four Cardinal Heroes, assembled, it’s time to turn the tables as one unit…right?

Wrong. Naofumi isn’t fighting with other three. Not after the shit they gave him and the trouble they caused which he and his party had to clean up. And who can blame him? They’ve demonstrated they’re no better than the Pope, taking and doing whatever they want without regard to the lives they affect.

This results in roughly six minutes of the heroes bickering among themselves and pointing fingers before Naofumi finally gives in and joins the others, but only until they deal with the Pope and the Queen’s Shadow Punitive Force arrives (which, by the way, where the hell have they BEEN?), and because he promised Fitoria he’d at least try to make up with the other heroes.

However, by the time they’re ready to fight as one, The Pope has already prepared “Cathedral”, a high-level spell that encases the entire crater in a magical barrier that he maniacally declares will be their “final destination.” Somehow I doubt that. I have to say, I’ve had quite enough of our ambitious pontiff and his seemingly infinite supply of mana.

But at least his actions led to the other three heroes finally learning not only how wrong they’ve been about Naofumi, but how harmful their own actions have been. Here’s hoping the lessons stick, even if the alliance is only temporary.

Owari no Seraph – 05

owa51

This week, on Owari no Seraph:

  • We get a verbatim repeat of the vampire war speech for some reason;
  • Mika wanders around and scares some children;
  • Guren clashes with the higher-ranked Hiiragi family members in an army;
  • Yuu, Shinoa, and Shihou are allowed to interrupt class with their endless bickering;
  • Guren nearly kills said class with his cursed gear, and lets everyone left standing join him in the weapons repository to choose their own gear.

owa52

In other words, not a lot happens. I understand the desire to keep the mood light while at school, but Guren’s childish behavior at the army meeting, and the extended antics in the classroom this week, were both a bridge too far. I get it: Guren’s a “bad boy” like Yuu with a chip on his shoulder, and the bureaucracy is a super hassle and all, but what does acting like a petulant punk get you?

owa53

This episode also underlines Yuu’s refusal to grow the hell up. Even after coming to a kind of understanding, if not forming an official friendship, with Kimizuki, and yet here they are, still resenting one anothers’ existance so much they feel the need to disrupt whatever is going on to engage in name-calling and brawling. It’s wearing thin, as is Shinoa’s constant high-and-mighty attitude and mocking/teasing of Yuu (even though he deserves it).

owa54

Even if you forgive all this immaturity, bickering, and horseplay, all of which takes up much of the episode, it’s still retreading things I already thought were established, such as the fact Yuu, Kimizuki and Yoichi were all valid candidates for cursed gear.

Yuu’s “0” in Japanese spellcraft because he can barely read or write Japanese because he spend his childhood as livestock hardly seems fair, but then the test results end up completely meaningless when Guren busts in and simply unleashes the demon power on everyone.

owa55

Not one other student in the class, besides the main characters we knew would move on, pass the test, rendering them just as pointless as the class itself. It would be nice if one or two new characters we hadn’t met yet would have passed; at least there would have been a reason for the test then.

Everyone also singles out Yoichi, whom they think is too soft to accept a demon. After Yoichi saved his life two episodes ago, Yuu tries to throw him under the bus. Dude, he already decided to come along, and it’s clear he’s tougher than he looks. Why all the discouragement?

owa56

And just when something interesting is about to happen—Yuu draws a cursed blade and prepares to face the demon—the episode ends. Much of this episode felt like half-hearted filler, which aimed to add texture to relationships and politics, but piling on all this over-the-top dysfunction with no real meat only served to make everyone more irritating, not endearing. War is coming, and selfish personal quests for vengeance aren’t going to help humanity.

6_mag