Prison School – 09

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One nice little insidious part of Prison School I appreciate is that it’s not above exposing its high school characters’ ignorance. Neither Shingo nor Anzu knew what Grapes of Wrath was about, assuming it’s some B-movie about giant rampaging grapes or something.

This week no one but Gakuto knows who Sun Tzu is, and assume he’s some telecom guy. But he’s not: he’s a general whose strategic and tactical ouevre will aide the newly-united lads’ last-gasp effort to overturn their expulsion: they must use the mighty Vice President Shiraki Meiko’s strength against her.

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They attempt to do this by appealing to her confidence in her own strength and conditioning, and the arrogance that comes with it. Meiko doesn’t just have an open shirt, she’s an open book, and the countless times she’s demonstrated her strength, either through punishment or intense calisthenics, they know she won’t be able to resist proving naysayers wrong. So they loudly arm wrestle, one of them mentions her by name as being the strongest in the school, and another expresses doubt, because she’s a gurrrrrl. That’s all that’s needed to provoke Meiko.

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Gakuto goes up against her first, and from the prison physique he’s developed, we think he might have a chance, but nope, he goes down in a second. It’s up to the other four to keep her busy for at least ten minutes while Gakuto steals her keys, sneaks into the office, downloads file restoration software, and recovers incriminating DTO emails that will expose the council of sabotaging the boys. If they can publicize that material, they can sway the school, and more importantly the director, into cancelling their expulsion.

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But even with four guys, ten minutes is a lot to ask. Kiyoshi succumbs to her nip-slip far too quickly, Shingo is all talk, and the emaciated Joe gets flung across the room like a dry rubber band, which was one of if not the funniest sight gag of the episode. The only one left is Andre, who must hold up for upwards of seven minutes. 

And while he’s really big, and strong from to the need to lug his weight around all day every day, Meiko probably doesn’t need 100% of her strength to beat him quickly as well…were it not for something completely oblivious to Andre, but which drives Meiko absolutely cuckoo: a very long hair protruding from his nipple.

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This is when things get a little…weird. In a brilliant reversal, Meiko is the one utterly mesmerized by someone else’s nipples. So much so, she begins to daydream of a single tree swaying in the desert, first on a clear day, then during a tornado (when Andre’s breath whips the hair around further). It’s a distraction within the larger distraction of the arm wrestling contest: and it creates a stalemate that is only overcome when she realizes she should just close her eyes, and enough of her spit from yelling excites Tinyface to the point he can’t hold out any longer, and loses.

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It’s a good thing Andre cries out, too, because it gives Gakuto the signal that he’d better get back to the cell, which he does, just in time, holding keys he can innocently say dropped out of Meiko’s jacket while she was wrestling. She takes the keys and departs without suspecting a thing.

If only anything came of the whole enterprise! Yes, despite having time to download and install the restoration software, in the end Gakuto didn’t have any time left to locate the incriminating files, to say nothing of distributing them. His momentary freedom was hard won, and a series of small miracles in and of itself, but it wasn’t enough.

And so, the guys become consigned to their fate, having given it their all. Expulsion is all but certain now, unless they can come up with any other ideas. Sun Tzu didn’t work out, but maybe they can glean a fresh strategem from the telecommunications gentleman’s biography!

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Prison School – 08

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Yours truly should have known, but my “manly feelings” were also manipulated, as I, like Shingo, stopped worrying about what was or wasn’t too good to be true and actually roll with the idea of a random girl at Shingo’s school being legitimately into him. After all, Chiyo can’t be the only one who likes having the guys around, right? Well, it’s not really a yes or no question.

But let’s just say for most of the episode and all of last week, Anzu was putting on an act. Unlike Chiyo, who puts herself at risk trying to warn Kiyoshi of the impending plot afoot (writing it in Go stones…so refined!), Anzu is acting on behalf of the Underground Student Council, in exchange for Mari’s recommendation she be named to the executive committee next year. She was a part of DTO…but by the end, she’s almost responsible for foiling it.

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Why does she do that? Well, everything was going according to plan, with cheek-pinching about to move on to something else, until Shingo just cant sit there and watch some random kid in the park get sand thrown at him by his friends. When he yells at them too harshly, they cry, and the kid who was getting bullyed throws sand on him. 

This isn’t just a show about T&A. It’s a show about fate and justice; friendship and forgiveness. The confessions that take place in that park aren’t of love between Shingo and Anzu. Shingo confesses to being a snitch, and can’t betray his friends anymore. But then Anzu ‘fesses up about being appointed by Mari to seduce him as part of a plan to get the boys expelled.

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Of course, Anzu was only one of Mari’s variables in her devastatingly intricate scheme, which involved using Meiko’s voluptuousness and lack of punishing Andre to drive him mad until he’s chasing cardboard cutouts, and finally, the real thing. When Meiko offers to whip him if he just comes through the fence, Andre can’t help himself, pushes through the wire (which had already been cut), and is guilty of the boys’ second breakout. If Shingo doesn’t get back in time, that will be three strikes, and they’ll be out. Baseball Metaphor!

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In the time Anzu’s spent with him, culminating in those shared confessions, she can no longer play him any more than he can play Kiyoshi and the others. So she does everything she can to get him back to school on time. At first, their getting along seemed all to easy, then was revealed to be an artificial fondness that then became real. I just hope this isn’t the last we see of these two.

If Mari and the council have their way, however, it will be…and the boys won’t get to experience “seaside school” in the summer, when the girls hold a wet t-shirt contest. While I’m almost positive that’s just bullshit to get them riled up, the fact they believe her so intensely is pretty hilarious.

In fact, it’s that dream of transparent tops that move Kiyoshi, Gakuto, Andre and Joe to put their wishes and hopes together and chant for Shingo’s on-time return. Shingo is almost hit by a truck, but avoids it, and that truck happens to be the laundry truck for the school! Almost as if the universe is rewarding him for his honesty, eh?

Well, not quite: the kicker in DTO is that the other four inmates were put to work adjusting how the door to the stockade opens so it slides rather than pushes in, so Shingo can’t open it, and he’s outside when his time runs out. Dayum, that is one ice cold checkmate.

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Happily, as they await their impending expulsion, Shingo prostrates himself and apologizes profusely for what he’s done…and he’s forgiven, just like that. Well, until he mentions details of what happened with him and Anzu; then they lay into him, but when they’re done, they’re all of them satisfied and even. Mari may have gotten them expelled, but she failed to break their brotherly bonds.

Mari all but smacks her dad in the face with the official school regulations and how the boys are indeed guilty of breaking out three times. Chiyo is there to argue their case, but her pleas are shouted down by Kiyoshi and her confederates. This is one of those times you’d really wish her dad the chairman had some backbone, but considering how awkward and awful he feels about Mari seeing so many overt glimpses of his fetish, he probably feels he has no moral ground to stand on, even if Chiyo were to back him up in the pro-boys corner.

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So, is that that? Will the end of the week after next be all she wrote for our lads? Or is the festive victory celebration by the council—complete with cake, sparkling cider, and Meiko getting her thong caught on the door after doing fingertip pullups—premature? For her part, Anzu tells her boss how she ended up failing her mission when she fell for the target, but Mari lets her off the hook, while ordering surveillance on her as soon as she’s out of the room.

As for the boys, because their bonds have never been stronger, and their hopes somewhat miraculously reached Shingo, they belive anything is possible. They’re not done yet. They’ve got allies in Chiyo and maybe Anzu and the director, they have each other, and they have at least a couple of weeks. Can they somehow overturn the verdict of the council? Will they turn DTO’s victory into a defeat? I hope so.

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Prison School – 07

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It’s been interesting to watch the deterioration of Kiyoshi and Shingo’s relationship over the last seven weeks, but to Prison School’s credit, Shingo is not always just the bad guy. Or at least, there’s more to him than simply his feud with Kiyoshi, as nicely demonstrated this week when he’s released into the wild by Meiko. He meets the bold, lovely Anzu in an arcade, who says she’ll take him on anytime; in video games, but also, perhaps, more than that.

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Among the inmates who aren’t Kiyoshi, Shingo is definitely the most “normal”, and there’s nothing normal about being in prison school for two months, so it stands to reason he’d do anything even for fleeting instances of freedom and normal life. Meiko knows that, and milks him for all he’s worth. When Shingo presents the missing sword from Gakuto’s figurine (which no one else knows about except Kiyoshi), which he found on the bathroom floor, Meiko does some googling and snooping and not only finds the figuring in the bathroom closet, but deduces it must be Gakuto’s—or “Dirty Four-Eyes.”

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For his quite accidental informing, Shingo gets another few hours on the outside, and his flirtation with Anzu continues, from her playing video games over his shoulder to sharing their ice cream cones to her offering to take him to go see The Grapes of Wrath. The two have nice chemistry, and feel very natural and normal together. While I wouldn’t want this to be the whole show, it is nice to see Prison School successfully playing the romantic slice-of-life straight, without any ecchi mayhem.

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Of course, it almost seems to make up for that normalcy by having Mari and Meiko unveil their suspicions about Gakuto in the strangest, meanest, wrongest way possible, offering one snack kernel for each inmate, but putting the missing sword in Gakuto’s hand and testing his reaction.

When he doesn’t bite (even when she places the figuring in her cleavage),  she mounts the horse it came with, threatening to crush it with her ample frame. Gakuto scoops it from beneath her, but before Mari can finish her judgment, he smashes it against the ground all by himself, declaring he’s not into those kinds of things.

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Just like that, Gakuto’s seven years of life go up in tiny shards of plastic. But he did it so he wouldn’t waste his entire life putting trinkets ahead of his hard-won friendships. He also apologizes for shunning Kiyoshi. I daresay it’s one of the most honorable moments from Gakuto not involving soiling himself.

As for Meiko, her little scheme backfired, and Shingo blurts out where the sword Mari touched came from (the boy’s bathroom), causing Mari to faint from shock, then to shun a Meiko who desperately wants to be whipped, in a very clever ecchi Twister game of tea time.

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Mari’s punishment for Meiko is to wear a skirt and shirt that cover her breasts and panties, but which prove so unbearably restrictive, Meiko almost faints in the hallway. Chiyo is there to help her, and by hanging around the council office, she’s able to learn for the first time about her sister’s DTO operation, which she surely takes exception to, as she’s one, like Anzu, who don’t mind boys at the school.

Mari’s “final phase” of the plan to expel the boys, seems to involve Andre, who they know is a masochist who keeps a “slave diary” (with some very nice illustrations in it, I must add!), but also notable this week is that all the inmates other than Shingo have now forgiven Kiyoshi, and also forgive Gakuto after he smashed his figurine.

Now it’s not Kiyoshi on an island, but Shingo. Would he still be so eager to continue help Meiko if he knew it was in service of getting the boys—including him—expelled? Certainly, being able to hang out with Anzu certainly makes it easier, but if he’s expelled, they won’t go to the same school anymore. Quite the quandary.

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Prison School – 03

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Three episodes, in, and I’ve been subjected to three sickeningly funny, pants-shittingly good outings by Prison School…and hope is still alive that Kiyoshi will have his date! But while there’s plenty of sex and toilet humor, and enormous boobs to be had, there’s also taut, witty dialogue, tremendous voice performances, and a solid narrative replete with “cause and effect” situations. And holes. Lots of holes.

Cause: the guys peep on the girls. Effect: they’re thrown in Prison School. Cause: Kiyoshi escapes the scorn of his sweetheart. Effect: the date is still on, he just needs to break out. Cause: Kirihara also has a secret he needs to conceal. Effect: Kiyoshi’s Plan A fails, and he’s forced to move to a more daring Plan B.

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But those are just the main plot points. There’s also the fact that Shingo, Andre, and Joe start getting suspicious when Kiyoshi and Gakuto start spending so much time together, while they start to suspect Shingo is on to their escape plan. Then Shingo catches them in the shower in a couple of very compromising (but ultimately innocent) positions, giving Shingo the idea that his two friends have begun a physical relationship. And while his initial reaction is shock and horror, he accepts Kiyoshi for who he is. What a nice friend!

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As for the holes I mentioned, a change in their duties the day of his date means Kiyoshi must find an alternate covert route to his hole in the wall, so he uses a drainage channel. While hiding there, he comes across an even smaller hole, through which he can watch Shiraki doing Hindu squats, as is her wont, from the most favorable possible angle.

But again cause and effect rear their ugly heads: due to his position, when Shiraki’s stiletto slips and falls through a hole, it goes right into Kiyoshi’s hole. The resulting blood makes his friends, who’ve been told about him and Gakuto by Shingo, think he pitches as well as catches. But Shingo makes the excuse to Shiraki that Kiyoshi has hemorrhoids.

That segues nicely into Gakuto’s revised plan for Kiyoshi to escape: using an audio recorder with sounds of flatulance to serve as a diversion for Kiyoshi while he’s away. Only their internet access is restricted, so he must record those sounds himself.

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The Three Kingdoms-obsessed Gakuto is always extremely formal and archaic in his speech patterns and vocabulary, so when he and Kiyoshi discuss the pros and cons of what he’s about to do, it’s given all the pomp and heft of a far nobler venture than intentionally shitting oneself in computer class. Yet Gakuto sells the ever-loving shit out of it, cutting loose and producing the necessary audio to aid Kiyoshi—who is, after all, getting him his ultra-rare 3K figures.

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Cause and Effect strike again, when a weak-willed Kurihara, having dug up the booty pics he buried, re-buries them in concrete, he also patches up Kiyoshi’s escape hole. But Kiyoshi doesn’t despair long; he decides he’ll break out by dressing as a girl (snatching a uniform from the laundry truck that will come Friday) and walking out the front gate with the other girls. This is a very old, very stupid bit, but I have full confidence in Prison School to put its unique mark on it when the time comes.

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That confidence is even further buoyed by the final dramatic set piece of the episode, a masterpiece of movement, timing, and ecchiness. Gakuto, who seems a little more weary of Kiyoshi’s chances of success, seemingly goes nuts when he’s supposed to lay low, getting up in Shiraki’s crotch, being smothered in her bust, and finally pulling down President Mari’s skirt. What is his deal…has he lost it? Or is this another plan? Is he creating a cause for some intended effect? We shall see, my friends.

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Prison School – 02

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This week we meet Mari’s dad Kurihara (voiced by Fujiwara Keiji), the chairman of the school, and the man who allowed boys to enroll at the school in the first place. Kurihara has a very hilarious way of speaking, ending each sentence with a dramatic pause before delivering the final words like an accusation.

At first he looks like he could potentially be a useful ally to the guys, as he insists Mari at least give them the weekends off, opening the opportunity for Kiyoshi to have his sumo date with Chiyo after all. That impression doesn’t last long, however, as Mr. Kurihara immediately becomes more a liability than an asset (he left a web page featuring “latina asses” open on his computer).

Note he doesn’t rub this in her face; she finds it out by accident. But it’s enough to anger her into giving the inmates so much work they won’t possibly get it all done by the weekend. Kiyoshi’s dreams are crushed almost as soon as he let them take hold. Then he spots an anthill, and decides no matter what, he’s breaking out.

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My first thought was “okay, they’re totally getting their sentence doubled.” But this week doesn’t move too fast; instead, it delves into the difficulties of breaking out. However, Kiyoshi gets instant and powerful motivation when Chiyo herself tosses him the details of their date to him.

I’ve very glad there’s at least one girl at the school who doesn’t consider all men scum, and who is perfectly fine with Kiyoshi breaking the rules if it means she can enjoy a sumo match with him. And God, their little sumo-related (I’m guessing) “thank you” gestures are the most adorable fucking thing.

I still can’t see a scenario in which he’s able to get out without getting caught and having his sentence doubled or worse. But Chiyo makes it worth the risk.

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But as Kiyoshi continues to scrape a hole in the wall within the refuse shed, he gets the feeling Gakuto knows about his plan, because Gakuto pretty much tells him he knows about his plan (the dramatic expressions in this show are a freakin’ hoot).

Kiyoshi has another immediate problem: Hana. Her thirst for justice, honor, and equity in all things demands that because he saw her pee (never mind how accidental that was), she gets to watch him pee. And the more she tries to make that happen, the more excited she gets, the more it seems her interest in Kiyoshi goes beyond simply balancing the scales, demonstrating that the show is interested in presenting the perversions of both sexes, not just the lads’.

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There’s a lot I loved in this episode, but one scene I might consider my favorite is when Mari and her dad cross paths in the hall after school. When the book slips out of her dad’s hands and photos of butts scatter all over the floor; the looks and words that are exchanged; the dad’s final look at the camera as he finishes his lines with panache, it’s pretty much perfection, and it had me in stitches.

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Once again, an easily-avoided slip-up by Mari’s dad convinces her that the inmates need even harsher treatment, resulting in Shiraki Meiko using her new riding crop with gusto on Kiyoshi and Gakuto at once, with Gakuto taking “heads” and Kiyoshi taking “tails” in the worst way.

Kiyoshi and Gakuto’s plan to destroy the shed (so they can stay near his escape route without suspicion) goes off without a hitch, but they don’t count on Hana setting up a table and chair and supervising the repairs personally. She also brings enough tea to make Kiyoshi have to go really bad, something she’s determined to be present for.

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This results in the raunchiest and grossest set piece to date: when Hana gets impatient and tries to whip Kiyoshi out herself, he struggles, she trips, grabs what she can (his pants), pulls them (down), and in the commotion, Kiyoshi just…can’t…hold it in anymore. That brings us to a match cut to rival 2001’s bone-to-satellite transition—with Meiko having a most unladylike drink before hearing Hana’s scream.

By no means did Kiyoshi want to do what he did, and he’s clearly ashamed that it happened. Unlike the peeping, he had virtually no control of his role in either peeing incident. If anything, it will be that much harder for him to look at Chiyo without being subsumed by guilt, now that yet another secret he can never tell her about has come between them. Kiyoshi’s slow moral destruction continues apace…

There’s also the matter of him and Hana still not being completely even. If Hana believes in absolute, eye-for-an-eye justice, well then, she’d have to do to him what he did to her. In any case, Prison School has shown it won’t pull its punches.

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Prison School – 01

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I had a very full Summer 2015, so it stands to reason a show fell through the cracks. But what a show! Prison School’s first episode zooms along, laying everything out with succinctness and flair. It’s better looking than Shimoneta, for a start, and on at least some levels, the comedy is a little more sophisticated (no one’s going around blurting out double entendres, for example…though “Joe” does blurt out bad words).

This is the story of five guys lucky enough to be the first male students at Hachimitsu Private Academy, but after a few awkward attempts to interact with the female supermajority, they get greedy, blow it, and end up incarcerated by the super-conservative, super-sadistic Underground Student Council (USC).

The biggest victim is our protagonist and window into this world: Fujino Kiyoshi (Hiroshi Kamiya, bitches!), who is, among the five guys, the one most likely to score a date. He’s hardly confident, however, and stumbles upon the lovely (and sumo-obsessed) Chiyo quite by accident: ironically, he’s able to hang with her in convo and even score a date thanks to his also sumo-obsessed mom.

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But like I said, the boys totally blow it, by going on a black ops peeping mission involving a smartphone (Kiyoshi’s no less) dangling from a wire in the girl’s bathroom window. When it falls into a plant (physics!) Kiyoshi has to go in and retrieve it, and horror of horrors, the only girl still in there is his beloved Chiyo.

The tension of almost getting caught so many times is infectious, but Kiyoshi’s luck is formidable, as Chiyo is woefully nearsighted, mistake shim for her dark-haired best friend, and leaves before she realizes who he really is. Unfortunately, that’s where Kiyoshi’s luck runs out, because as his four tied-up friends are caught by the USC, the council president herself (Ohara Sayaka, bitches!) sidles up to him and takes him into custody.

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What’s great about this premise is that there isn’t any particular injustice here; the guys are guilty, and they deserve punishment. It’s just a matter of levels. The USC decides to incarcerate them in an underground facility under the school, where they’ll take their classes by video and perform manual labor all the rest of their waking hours.

When Kiyoshi locks eyes with Chiyo, he assumes she knows all and has condemned him along with all the other girls. But in a nice twist…she hasn’t; absolutely certain “no one who loves sumo can be a bad person.”

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As for the USC’s tactics, the prez tries using her extremely violent Veep Shiraki Meiko (Itou Shizuka, bitches!) as an enforcer, but quickly determines that the guys are masochists who come to love Meiko’s punishment. So Mari switches to Midorikawa Hana (Hanazawa Kana, bitches!) whose short temper, devastating karate-based punishment, and bulky leggings that cover all conspire to deprive the lads from deriving any pleasure.

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While searching for four-leaf clover (again hinting at Kiyoshi’s general luck thus far), he finds a baby crow on the ground, and without giving it a second thought, climbs a tree and puts him back in his nest with his siblings. This is all witnessed by Chiyo from a classroom window, as further evidence Kiyoshi’s a good guy.

Kiyoshi is a good guy, precisely because he feels so bad about not telling her he’s as guilty as the others insofar as he conspired to peep on girls. Instead, he tells her he’ll come with her to the sumo match, despite the fact he’s in prison. I’m interested to learn how he intends to swing that, and how he’ll continue to wrestle with his guilt as his courtship with Chiyo continues and possibly deepens.

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Rather than a bad guy, Kiyoshi is extremely suceptible to bouts of both extremely good and extremely bad luck. Case in point: right after getting to chat with Chiyo, he finds himself an unwitting witness to Hana having a tinkle in what she believes to be a secluded, unsurveilled part of the forest. As for that baby crow he saved? His mom doesn’t care about that act of kindness, and when she defends her nest, Kiyoshi falls…right onto Hana.

All in all, a very snappy, punchy, generally hilarious first outing that, had I seen it back in June, would definitely have had me sold right from the start. The show looks great; the boys are all ridiculous characters who are funny just to look at, let alone hear (tiny-faced Andre…what’s up with that???). The show also has a penchant for intense close-ups and weird, interesting camera angles and framing, and an all-world voice cast.

My exposure to Prison School has come late, but but better late than…well, you know.

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