Fumito reveals himself as the mastermind of Saya’s entire ordeal. He captured her, a being with the strength and abilities to go toe-to-toe with elder bairns, but rather than human blood, she feeds off of elder bairn blood. He made a half-elder bairn play the role of her father and created the whole shrine maiden artifice as a vehicle to propel her to fight the bairns Fumito sent at her. After killing all the cast save Amino, he escapes to Tokyo, shooting her in the face as she lunges at him…but the game he started isn’t quite over.
For those who wanted the bloodiest, most disturbingly goretastic finale, well, you got one; though most of that gore was covered up by censors. That’s okay, I just ate a rich dinner, and was thus relieved to only have to catch the gist of the carnage. I’m not sure if a future Blu-ray release will be uncensored or not, but if it is, I must remember not to eat a big meal prior to re-watching it. Notably, after making themselves far less likable last week, Nono, Nene, and Tokizane get their bloody, karmic comeuppance. But there wasn’t just grisly death on display; we were also treated to some exquisite Saya ass-kicking that got downright lyrical and reached a fever pace.
Fumito’s obviously an immensely powerful person, but also an immesely sick, disturbed, evil person, and the multiplying elder bairns he unleashes on the fake village to slaughter all the extras just drives that point home. That being said, he’s a human being. He doesn’t believe Saya can kill a human, but if ever there was one for whom she could make an exception, it’s him. This whole series could be boiled down to one, long, harrowing, emotionally and physically torturous practical joke played on Saya. Come next June, she’ll look to settle the score in the film that will wrap this story up.
Tsutsutori, Nono, Nene, and Tokizane reveal themselves as actors in a grand experiment with Saya as the star. She is a not-quite-human entity with superhuman powers. Fumito captured her and began fooling around with her memories. Whenever she attacks an elder bairn, she’s drunk its blood, making her remember some of her real memories of meeting with Fumito. The teacher, twins and Tokizane are tired of this, and want out, so they try to restore her memories permanently to stop the cycle. But they run into Amino and Itsuki, and eventually Fumito also shows up, likely to stop them…
When it was finally clear last week that the whole story to that point had been some kind of simulation, I immediately thought of the Truman Show. Like Truman, Saya is initially utterly convinced that the world she’s living in are real and her friends are really that. It’s pretty cruel for it to turn out to be a production. Even more amusing is how different the actors are from the characters they’ve played: Nono and Nene are immoral, conniving, vain bitches, Tokizane is a greedy, selfish coward, and the teacher is…well, she was always flirty with Saya, so she didn’t change much. Class Rep Itsuki is still a stickler for the rules, but without the friendliness of his character. One of the best lines of the series came from one of the evil twins: “How are these uniforms realistic in any way?”
It turns out they are: black and red hides the blood. Just like a tiny, isolated village makes it easier to keep Saya involved. I’m surprised the elder bairns are real, and in fact still a threat (though not to the main cast, who bear protective talismans), and seem to also be variables in Fumito’s experiment. This is why they kept asking her to “honor the contract” – she was killing them during Shrovetide, a period when it’s okay to eat humans. Throughout all of this explanation though, Saya is fairly inert. She just kneels there on all fours, breathing heavily, unable and/or unwilling to take it all in. But however much she knows, now we know why those school scenes were so tacky!