Carole & Tuesday – 12 – Setting the Stage to Stardom

As a dejected Carole tells Gus and Roddy what just happened, Tuesday is briefly scolded by her mother upon returning to her mansion. Her mom couldn’t give to shits about her beyond how her actions reflect on her, and she basically says as much before locking her daughter in her room for a week.

You’d think for a politician worried about the scandal of a runaway daughter, subjecting that daughter to solitary confinement might not be the best look! Anyway, what follows is an effective montage of the two girls suddenly ripped apart becoming more and more morose. They are both The Loneliest Girl all over again.

Gus, who had a similar falling-out with a loved one that in hindsight he believes he could have salvaged, offers some sage advice to Carole about not letting things fester too long without making amends. Carole, eating her feelings in the form of a double Whopper, is way ahead of him: She needs Tues, and she thinks Tues needs her. Gus agrees, which means it’s time to plan the rescue mission—which, yes, may technically involve kidnapping!

Meanwhile, Tuesday’s only non-robot visitor is Spencer, who is as supportive as Gus about getting the duo back together, and letting his sister pursue her dreams. He reveals to her he saw her in the club, and while he admits he never thought his sis was capable of running away to the big city or getting into music, he can relate (having once pursued music but gave up, likely under pressure from mom).

I like Spencer. He’s a good brother! He didn’t give in to their domineering mother when it mattered most. Mom’s too self-involved and distracted by politics and toy boys to realize her hold on him is not as strong as she thinks. And while he couldn’t make it, he can tell she’s got what it takes, and so will do everything to free her from her gilded prison.

That night—the night before the finals, as Carole, Gus, Roddy take the train to Tuesday’s district—Angela is at the Artience Lab with Tao, asking him why the AI lyrics seem to be almost reading her mind. His answer is that, well, the lab itself has been reading her mind all along, as well as her body. It’s been listening and watching and writing, and perhaps even drawn out words from her subconscious she’d never be able to draw out alone.

In this regard, Angela is not a solo act, despite appearing alone on stage. Tao is her collaborator, since he’s the one who developed the AI. After getting into singing to please Dahlia, she can’t sing the final song to her Mama, so she asks Tao to indulge her and look at her and only her throughout the performance.

Tao agrees, but only this once. Like Carole and Tuesday, there’s nothing overtly or explicitly romantic in play here, but it’s also not like there’s nothing there.

The next morning, the rescue attempt, in which Spencer aids Carole, Gus and Roddy without even knowing it by unlocing her door and holding back a security robot so she can run away in her very inappropriate-for-running fancy shoes. They also catch a bit of luck when a driver in a car that’s faster than the cops recognizes them and offers them a ride to the station.

Gus and Roddy are arrested, but the mission is complete: Carole & Tuesday are on their way to their destiny. On the train, Carole apologizes to Tues for the things she said, and the two make it clear to each other that they want nothing more than to by each other’s side. Carole also finally manages to give Tues her birthday gift: a shiny acoustic guitar pin.

When the two return to Alba City, the grandeur of the first episode in which Tuesday arrives for the first time returns, only now she’s not alone and unknown, but running hand-in-hand with her new bestie as the throngs of people recognize and cheer them on. The only problem is, they’re very late; the season finale of Mars Brightest has already started, and as promised, Tao is in the back of the hall, his gaze locked on Angela.

Angie takes that gaze and runs with it, turning in another lovely performance. The vocals are good, but as usual I’m just not that impressed with the lyrics. She sings two identical verses without any change, which makes me wonder, are they that deep and sophisticated as to make Angela believe the AI was reading her mind? I don’t know, but as usual I have to grade on a curve and for this show, it’s a damn good song, well performed.

The judges agree, and are ready to crown Angela a winner until the sudden belated appearance of Carole & Tuesday. Catherine whips out the rulebook and states that any performers not present at the start of the show will be disqualified. Despite this, Carole, Tuesday, Benito, the crowd, and even Angela all compel her to allow them to perform anyway.

Since they had no time to write or practice a new song, they go with their very first song, Loneliest Girl, the song that marked the beginning of their friendship, the end of their loneliness, made them a viral sensation (thanks to Roddy) and put them on the road to musical greatness.

While we’ve heard the song a few times throughout the series, it’s never been performed so powerfully as this time, and with both this and Angela’s finals performance, Mars Brightest finally sounds and feels like a genuine reality TV competition, breaking through the walls of mere imitation.

That’s carried forward with the deliberation of the judges afterwards. Even DJ Ertegun is moved to tears! Catherine initially holds her “rules are rules” ground, but allows an exception that satisfies everyone from the crowd, to Angela (who wanted a fair-and-square fight) to Gus and Roddy (still stuck in jail): Angela is the official winner, but both acts will be permitted to make their pro debuts.

They earned it, and Angela is cordial in congratulating them. She, Carole and Tuesday have come a long way, and many challenges remain. Will their continued chilly rivalry curdle into outright hostility? Will Cybelle break out of prison and finish what she started? Will Tues’ mom take harsher measures, despite the blowback from the duo’s growing legion of fans? We’ll find out in the second half of the series. I’ll be on board!

Koe no Katachi – (Film Review)

Koe no Katachi isn’t just the redemption story of a guy who bullied a deaf girl in elementary school, got caught, became ostracized, and came a hair’s length from offing himself. It’s more than just the tale of a deaf girl trying to do the best she can to fit into a world in which everyone else can hear. It isn’t just the story of a little sister being so worried about her big sister that she neglects her own life.

It’s all of those things, and far more. It’s really a story about all of us, because we all have flaws. We can’t always fix those flaws, either due to lack of understanding or guidance. All of us have at some point or another hurt others, or been selfish, just as others have hurt us or been selfish themselves. These are not unique qualities to have, they are the things that make us human.

Can people truly love themselves, or anyone else, completely unconditionally? Rarely. There are always conditions and compromises, and transactions. Words fly and are heard or not heard, but actions are felt, and ultimately they define us. Not one action or two, but all of the actions in one’s life, good or bad. And the sequence of those actions are crucial.

Ishida Shouya WAS a colossal dick in elementary school. He DID bully Nishimiya Shouko mercilessly until she had to transfer out. When confronted with his crimes, he DID lash out at his friends, who then turned on him one by one. But he’s trying to make things right; he’s trying to make amends. And he’s lucky; Shouko is as kind and forgiving in the present as she was in the past; almost to a fault.

And yet meeting Shouko again, seeing that she harbored no ill will, and even seemed interested in being friends with him aftrer all that happened, changes everything for Shouya. One by one, he makes friends again, through acts of kindness, forgiveness, and selflessness. Yet he learns that friendship isn’t a right attained by fulfilling qualifications or conditions, but about the simple gesture of reaching out and grasping someone else’s hand.

Of course, friendships can and almost always do get a lot more complicated. Back in elementary school, Shouya likely did what he did not just for personal amusement, but for approval and acceptance. When those things suddenly didn’t work, and in fact had the opposite effect, he was suddenly un-moored, and left with nothing but his own regret for all of the pain he caused.

But as long as there are other people in the world who will even consider sharing the same space or breathing the same air, recognizing pain and sharing it is the best way to go. We are social creatures. We may hurt each other sometimes, but we need each other to survive; to help each other live.

Whew…that’s probably enough pretentious babbling like I’m some kind of expert in psychology or sociology for one sitting! It’s just that Koe no Kotachi, as I said, is far more than the sum of its parts, and even those parts are phenomenal in their construction and presentation, be it its fully-realized and complex characters, KyoAni’s seemingly more obsessive-than-usual attention to human and environmental detail, marvelous dialogue, voice acting, music, etc.

Koe no Kotachi is BIG, and it’s often messy, much like life. There are moments of despair and disgust, but also moments of grace and astonishing beauty. Scenes filled with hate and loathing mixed with scenes of love, understanding, and camaraderie.

It’s immensely though-provoking and impeccably performed. You’ll laugh, you’ll cry (probably more than you’ll laugh) but mostly it will tear your heart to pieces and then meticulously reconstruct it, bigger and better than ever. Mostly it’s just really really good. I highly recommend it!

Tales of Zestiria the X – 18

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This week Sorey & Co. finally make it to Pendrago, but not before Sorey meets with Emperor Doran of Rolance, who is sympathetic to Sorey’s cause because he’s been informed of the existence of malevolence, just as have all of his predecessors, by storytellers like Mayvin. Sorey even learns about Velvet Crowe, some of whose exploits we saw in the first season.

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While chatting with the emperor, who has decided to accompany Sorey to the capital should there be any problems with access, Rose is wondering what to do next. She’s done so much in the name of justice and righteousness, and yet she’s never seen the malevolence that is the true cause of the world’s ills, nor has she ever seen her “guardian angel” Dezel. She wants to rectify that.

To do so, Dezel tells her she must become the shepherd’s squire, as Alisha has done. Lailah goes over the pros and cons while everyone is en route to Pendrago, and while Sorey seems reluctant to tie his life to Rose’s (if she fails and he dies, she dies too), Rose is pretty adamant, and there’s never any doubt she’ll be Sorey’s squire.

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When she finally does, it’s pretty abrupt, and in the middle of the city’s main church where the malevolence is intense and focused around a dead dragon. It’s a nice transition from what Rose sees before her transformation to after, when she can not only see the malevolence oozing from the dragon, but Dezel and all of Sorey’s seraphim pals.

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When trying to purify the dragon on his own fails, Sorey pairs up with Rose, who takes on some of the malevolence flowing into him, and after some spirited synchronized yelling, and some tactical support from the seraphim, the blue flames overcome the red, the dragon is purified. The rains cease, the clouds part, and the sun returns to Pendrago. Not too tricky a mission, when all’s said and done.

Of course, the next crisis is just around the corner in a tornado-filled Ladylake, as Alisha reports to Sorey using her squire-telepathy skills. Rose is ready for her next mission as his squire, so they seem poised to head out immediately, having proven beyond doubt to the doubters that the shepherd’s power is not only real, but vital.

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Durarara!!x2 Ketsu – 12 (36) (Fin)

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The final episode of Durarara!!x2 opens with almost total chaos: Shizuo and Izaya continuing to go at it, the Saika zombies storming Russia Sushi, and Mikado shooting himself in the head with his microgun.

Gradually, order is restored by various means, such as Varona stopping the duel in order to prevent Shizuo from becoming a “beast” like her. Izaya, for his part, eggs her on to kill him, lest she prove to him by not doing so that she’s just an ordinary human being.

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Simon then stops Varona from killing by tossing a flash-bang into the standoff. Then, all the Saika zombies and the bullets in Mikado and Masaomi are neutralized by Celty, now with her memories as a headless rider overriding her memories as a person and Shinra’s girlfriend.

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Shinra knows Celty is lying about not knowing anything about Ikebukuro, or them, but the head won’t budge on her decision to leave town after cleaning up all the chaos she believed she caused by being a disruptive supernatural entity in an ordinary human city.

When she finally gags Shinra and rides Shooter into the night sky, Shinra cashes in on a high school promise and has Shizuo launch him into the sky, so he can be the “villain.”

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And, well, I guess he is the villain—in that the spooky, powerful, supernatural dullahan should be allowed to leave down—only he doesn’t want that. So he uses the Saika ability he gained to separate Celty from her head once more.

The moment he does this, she starts to panic about the possibility of him dying, even when he’s softly and safely landed in a web of her shadows. I like how she held onto her smartphone, as if subconsciously preparing for the eventuality Shinra would foil her plan to slink away.

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And Shinra, we know, isn’t the only one who counts Celty as a valued friend and ally. She saves Mikado and Masaomi, so that Mikado can take a knife from Nasujima in Anri’s place—an action he makes reflexively but also perhaps as amends the way Celty tried to do.

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After Mikado is stabbed—more than once—the show starts wrapping up loose ends, from Kasane denying Ruri’s own attempts to atone for her crimes, to Varona heading back to Mother Russia, promising to duel Shizuo if she ever returns. Shinra and Celty are happily back together. Then Anri, in a rage, turns Saika on Nasujima for hurting Mikado.

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Niekawa stops her blow with her knives, surprising Nasujima, who thought he was controlling her all along (since she always called him “mother”, no doubt) but was mistaken.

While trying to escape Niekawa’s clutches Nasujima ends up crossing paths with the Kodata and the van posse, but before we know whether they run him over, he wakes up in restraints on a table, as Niekawa wheels tools of torture up to him.

As for Mikado, he wakes up. Just before he does, Anri admits to Akabayashi that she likes him, and those feelings are her own. She seems to have accepted that she’s a human; after that night it was a lot less rare to have Saika inside you, after all. Mikado, for his part, isn’t as concerned with whether his life to follow will be ordinary or extraordinary. What matters is that it’s reality.

The twins in the chat room don’t rule out more Durarara!! in the future, but while I enjoyed this latest arc, hopefully it doesn’t come too soon, for I’m little Drrrr‘d out.

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Yuri Kuma Arashi – 12 (Fin)

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Chouko and her bear extermination squad arrange an elaborate ceremony for a bound Kureha to exclude the evil by killing her friend Ginko. Ginko does the only thing she can do in her present situation to try to protect Kureha: try to reject her as a friend, saying she’s only there to eat her.

But Kureha knows that’s a lie; they are friends. And this week we find out how far their love really goes.

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When Kureha wakes up after being beaten for consorting with a bear, she decides the only thing to do in a world of severance between humans and bears is to make the bear she loves a human; that way it will be easier for everyone. So just as Ginko went to Severance Court to offer to give up Kureha’s love for her to make her human, we see Kureha also went to Court, offering to give up Ginko’s love for her.

Now, with Ginko’s death by the Invisible Storm imminent, and her own not far beyond, Kureha finally remembers how things went down, and what she needs to do to be with Ginko forever.

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She places the star pendant around Ginko’s neck, then tells Lady Kumaria she has a wish. The Judgemens fly off and join her growing light, their work apparently done.

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Kumaria comes down…and it’s Sumika. To borrow the vernacular of Kureha’s classmates, that’s way weird, but also way apropos. Could it be that while Ginko was out of Kureha’s life, Lady Kumaria herself took human form to befriend Kureha and teach her about the true love that awaited her across the wall? Is this an Ursus Desu Ex Machina?

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Whatever the case, Kureha asks Kumaria to make her a bear, and she does…and an adorable bear she is! Ginko became a human for Kureha, and now Kureha becoming a bear for Ginko; it’s the very symmetry symbolized by the girls in the story facing their reflections in the mirror—and destroying themselves to make a new being; that of tow joined hearts.

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Chouko still orders the other invisible girls to open fire, and then we cut to the world and the school back to normal, with no active bear alerts and Chouko giving a speech congratulating the exclusion of one evil, and opening the voting on who will be their next target.

But one girl, the one who operated the Konomi cannon, remembers that day on the rooftop, when she saw GInko and Kureha hand in hand, about to ascend a ladder into the heavens. Whether she was witnessing their death, or something more miraculous, I’m going to have to think on that for longer than I have!

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What’s clear to me, though, is that this girl was moved by that scene; so much so that she’s turned a deaf ear to Chouko’s bile, and seeks out the discarded “defective” Konomi. When she finds her, takes her paw in her hand, joyfully announcing she’s found her.

Even if Kureha and Ginko are no longer of this world, they inspired someone else to find their true love and not give up on it, and a new cycle begins, resisting the invisible storm in which they live.

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In an interesting framing device, the storybook tale of Kureha and Ginko is being read by Lulu to her brother Prince Milne, who may or may not be in some kind of afterlife. Milne’s take on the whole story is that considering Lulu ended back together with him )(because she’s dead?) he could have given her his promise kiss all along. Lulu says they’ll be together forever; Milne says he loves her, and oh no, that hornet thing comes back, circling both of them!

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The closing message of Yuri Kuma Arashi is: Change and awaken the world with your own love. It’s a lesson each of our characters learned through the course of the show, after much time and hardship.

It’s also a lesson absorbed by the girl who found Konomi, and even if she and Konomi face are threatened by ostracization or exclusion, if they don’t give up on love, someone will learn from them as well. Perhaps in that way, brick by brick, one day the Wall of Severance will come down.

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Yuri Kuma Arashi – 11

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With only one episode after it (that I know of), not a lot of big mysteries or unturned stones remain, but we never really got any details from Ginko about what happened in between Kureha finding her on the battlefield, and Reia sending her back to the bear world.

This episode corrects that, and while we don’t gain a ton of new insight on Ginko’s motivations, the details help paint Ginko in a more sympathetic light, and we also learn that she regrets giving into desire.

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Kureha may have found Ginko on that battlefield, but it ends up being Ginko dragging an exhausted Kureha back to the human world (not known: what Kureha was doing there in the first place, and whether Reia knew). Kureha’s words saved Ginko, Ginko’s actions saved Kureha, and a fast friendship was formed.

Life was so fun and happy living with Kureha and Reia, Ginko wrongly assumed the human world had accepted her, when in reality only two humans had. The others are quick to pounce on Kureha and exclude her based on mere rumors she’s friends with a bear. There’s no grey area to these vicious young girls, and that makes their fanatical, tribal exclusion of Kureha that much more chilling.

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Realizing she won’t be able to live with Kureha as long as she’s a bear, Ginko goes to Severance Court to ask to become a human girl, and we know the rest from Lulu: they grant her wish in return for the utmost secrecy and the loss of Kureha’s love for her.

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As a result, we see that once Kureha wakes up, she has indeed forgotten she and Ginko are friends, and without the memory of them saving each other, reverts to the same instincts as the girls who beat her: with fear and revulsion.

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It surely wasn’t easy for Ginko, but she effectively blew up her beautiful life with Kureha and Reia to protect Reia from the other girls, and by extension, from the wrath of the world she lived in which, contrary to Reia’s storybook, wasn’t ready for bears.

Of course, whatever selfless effects her actions had, they were still in service of herself: so that one day, after waiting for years on the other side of the wall, she could come back, in human form, and re-spark what she’d had with Kureha; totally irrespective of Kureha’s life in the interim, which included falling for Sumika.

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Back then, Ginko was also so focused on Kureha that she failed to see that someone who loved her there and then was right there in front of her in Lulu. She merely accepted Lulu’s offer of support and treated her like a sidekick. Lulu never complained, because Lulu was and is awesome; giving Ginko all her love without asking for anything in return or even ever bringing up the inequity of their relationship.

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In the present, though she’s more overcome by desire than ever before, Ginko still admits in her narration thatshe took Lulu for granted. At the same time we know that Lulu wanted Ginko and Kureha to exchange promise kisses. To fail in that would make all of Lulu’s support and devotion be for nothing.

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Ginko’s desire fuels a rampage that claims several Yuri hunters, and Ginko seems poised to fulfill her desire’s wish to monopolize and devour Kureha. It’s the same destination that led Yuriika to her doom, just a slightly different route.

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On the roof of the school (where all the big stuff seems to happen on this show!) Chouko Oki tears Reia’s book to shreds. Oki considers the book, which reflects Reia’s philosophy of coexistence, is what got her killed…a la Grizzly Man

She also insists that There Is No God (like the Lady Kumaria the bears worship), only the “invisible atmosphere” that rules them. (For what it’s worth, Life Sexy does say Lady Kumaria was “lost” when she broke up in orbit in the form of a meteor.)

In this regard, the Yuri civilization is ironically painted in the cold, unforgiving light of untamed nature, driven only by the natural processes and instincts its participants possess, rather than any higher power.

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As Ginko nurses her anti-bear beam wound, she puts up a fight against her primal desire to possess and eat Kureha, because that isn’t true love. True love was demonstrated to her by the selfless Lulu, who gave up on love so she could make it happen for Ginko.

Kureha did something similar when she found Ginko, only to collapse from exhaustion and the cold. Both Lulu and Kureha put their lives on the line for Ginko’s sake. Ginko decides she’ll do the same thing, and break through her mirror, because that mirror only shows her herself, and her desire. Kureha’s on the other side.

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As she did with Lulu, Kureha uses harsh words to try to keep Ginko away, but like with Lulu, she’s lying when she says they’re not friends, because she doesn’t want to lose them. If she truly hated Ginko and won’t forgive her, she’d let Chouko take her shot without a fuss.

But just when Ginko has finally decided she must follow Lulu’s example of putting everything she has on the line for the sake of another, not oneself, Lulu performs one last selfless act by literally taking a bullet for Ginko—A LOVE BULLET.

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As Lulu dies a happy bear in Ginko’s arms, her final words are of gratitude for being able to help her, and her belief that Kureha has forgiven Ginko, and they can now be friends, not merely a quarry being sought by a hunter. It’s sad to see the purest soul in the show go, especially when we thought she’d be safe back in the bear world last week. But that’s how the cookie crumbles.

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The question that remains is, can they really be friends, or more? We close in the same place we did last week: with Kureha in Severance Court, about to have her crimes read. Do all of Lulu’s efforts end up going to waste? Can Kureha truly never forgive bears? Why is she alone in court; where’s Ginko? 

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Yuri Kuma Arashi – 10

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An opening flashback depicts Reia sending Ginko across the wall through the Door of Friendship to save the bear from exclusion (i.e. death), giving her her pendant as a love charm and telling her the day will come when bears and people can be bears forever.

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Eleven years later, that day Reia dreamt of has never felt more far off. After the Yuriika Incident, the girls have fully militarized, forming the “KMTG” and procuring a truck armed with an anti-bear beam cannon powered by a cyborgified Yurikawa Konomi of all things.

Even though Yuriika is dead, the insidious threat she represented is having far-reaching consequences. Intolerance, paranoia, and vigilance are at all-time highs. Thankfully, even their leader Chouko Oki doesn’t suspect Lulu, or at least lets on that she doesn’t suspect her, simply warning her to watch out.

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Meanwhile, Kureha joins her mother’s incomplete story with the ending she found in one of Yuriika’s boxes, and so she and we find out what happened to the moon and forest girls, hoping to find some insight as to her and Ginko’s future. Staring at their reflections and warned that breaking through could cost their lives, they both decide break through anyway with barely a moment’s hesitation.

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The shattered mirror of their reflections give way to…each other, and they also waste no time embracing and exchanging promise kisses (i.e. confessions of love), and Live Happily Ever After. It’s a hopeful ending consistent with Reia’s words to Ginko about “one day” people and bears being able to coexist and love one another. But it’s also a bit…naive, not to mention contrary to the real-life story of Reia herself and Yuriika.

Kureha’s reaction to this is rightfully muted. She feels a bit of a fool for hoping she’d get all the answers from what amounts to a fairy tale. After all, there’s nothing in it about an anti-bear SWAT team on the hunt, nor the moon girl’s love for another moon girl (Sumika) whom her forest girl (Ginko) insists she killed, or the fact she simply doesn’t remember her love for Ginko.

There’s simply a lot more complication in Kureha’s world that her mother’s optimistic story doesn’t even bother touching on, so it loses a lot of its power.

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When Lulu arrives on Kureha’s doorstep, it’s with amends in mind. She knows what she did (sell out Ginko) was selfish and wrong and not much better than what Ginko herself did, not to mention it was done for the same reason (jealousy). She offers Kureha Ginko’s (formerly Reia’s) pendant, which she uses to unlock the picture frame, revealing Ginko in the folded photo, proving they were friends as Ginko claimed.

When Kureha offers her bath to Lulu (who is filthy from searching for the pendant in the dirt), Lulu tells her why Ginko said, and believes, she killed Sumika. Like Lulu’s transgression, she did it out of an unwillingness to back down on love. But when Lulu asks if Kureha will forgive Ginko, she says she can’t. This isn’t a fairy tale, and there’s no denying the fact she lives in a world of severance.

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That fact is made abundantly and rudely clear when, after a phone call in which Chouko ascertains a bear is at Kureha’s house, she has the KMTG storm it. Rather than give up Lulu, Kureha runs to the door of friendship, they make a run for it.

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As they run, Lulu figures out why Kureha forgot about her love for Ginko, but nothing else form that time: Kureha’s love is what Ginko gave up in order to become a girl. But Lulu thinks she can get that love back, because she didn’t give up on love, her memories were taken as a consequence of the Judgemens’ Yuri Approval.

Telling Kureha all this has immediate consequences for Lulu: her Yuri Approval is revoked and she reverts to her bear form. In that moment, Chouko targets her with a scope, but that turns out to be another bear on the run.

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Kureha won’t let Lulu, a friend, get excluded, so she takes her to the same place her mother took Ginko: the Door of Friendship at the flowerbed. But unlike Reia, Kureha doesn’t express her desire or hope of bears and people ever being able to coexist. Instead, she tells Lulu to leave “this stupid world,” and warns her that she’ll be shot if she ever returns. The optimism of the flashback is replaced by the despair of the present.

I hope this isn’t the last we see of Lulu, because of the three girls at the center of this show, she’s been the most flexible and caring of the others, and is the one most likely to reconcile the other two. Maybe she’ll get RE-approved?

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Kureha is conflicted between refusing to call bears her friends and knowing in her mind that they were and are. Sending Lulu off saves the bear’s life, but it could have also been a crucial step to Kureha fitting back in with her peers. Could have, that is, if Chouko didn’t catch her in the act, which she does.

With a spotlight on Kureha, Chouko creates her narrative of Kureha’s crimes on the spot: accusing her of consorting with bears and killing their friends. Kureha denies these charges, but she’s at gunpoint and in no position to defend herself against a group that has already made their judgement. All that remains is the sentencing.

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To make matters worse, Ginko is lurking in the bushes, her eyes red with the desire not merely to love Kureha, but to eat her. She’s in a very similar position Yuriika was in; a possessive, conquering love devoid of regard for the object of that love. In other words, right now Kureha is no safer by Ginko’s side than she is in KMPG custody.

Interestingly, after the credits roll, Kureha finds herself not in front of the barrels of their guns, but before the three Judgemens. Did they intervene? Is this happening in Kureha’s head? Either way, Yuriika and Ginko and Lulu have been through their Yuri Trials, and now it’s time for Kureha’s, which means no more standing on the fence.

Even if she wants to reject all bears forever, the yuri world is rejecting her as we speak.

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Kiseijuu: Sei no Kakuritsu – 10

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Tachikawa was a combination of stupid and heroic when she confronted Shimada Hideo alone last week, but the universe isn’t ready to snuff out her candle yet, as she trip-dodges his first blow and tosses the nearest thing at hand — a bottle of paint thinner — that just so happens to give the monster nasty burns and render him unable to morph. Hey, who said fine art is useless!

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That same universe must have determined that it had tortured Shinichi and Satomi enough for the time being, as Shimada’s rampage proves the perfect opportunity for Shinichi to not only play the hero, but mend fences with his sweetheart. Shinichi’s desire to get rid of Shimada himself is another case of his human desire for revenge — combined with the knowledge he has the ability to Do Something — overpowering Migi’s cold logic.

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The ep gives Shinichi and me one last shock when we see a corpse with hair similar to Satomi’s in the hall, but it’s not her. In a vicious beat of dark humor, Shinichi repeats Satomi’s line of “I mistook you for someone else.” The other two students wig out and run right into their deaths, but Shinichi goes into full Get Hitomi To Safety Mode, and damn the consequences of the abilities he exposes.

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Things really escalated fast for Shimada, who was probably going to try to keep the experiment going as long as he could, but the universe wasn’t having it, and in the end he resorted to his killer instincts. A firing squad of pea-shooting cops riddle him with holes before he kills them all. Migi wants Shinichi to leave it to the cops, who will eventually bring something of a larger caliber to bear, but feeling responsible for the Shimada mess to begin with, Shinichi insists on ending him personally.

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He does so…with BASEBALL. The most violent and deadly sport in human history — if a few rules were tweaked a bit, that is. Conceding to Shinichi’s wishes, Migi makes sure this is done right, giving him an awesome muscle monster arm to nail Shimada mortally through the heart from over 300m away.

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The final butcher’s bill? 17 deaths, including students, faculty, and police. But because everyone who saw Shimada in Battle Formation is either among those 17 or scarred from the trauma of the situation, the police and media keep the incident under wraps.

In a big room with a big desk (and a Big Board!), Professor Yui cheerfully briefs the assembled authorities on the nature of the parasites, which he calls “sentient muscle”, and how to detect them: By plucking a hair from the one you suspect. Of course, that assumes it will let you live long enough to pluck the hair and do something about it, which is assuming a lot.

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Still, I guess it’s better than nothing. After a few days, school starts back up (presumably after all the blood was mopped up) and Shinichi runs into a cautious but cordial Murano, who apologizes for not responding to his texts, but thanks him profusely for saving her.

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Shinichi suggests they not dwell on the horrors of the past, and when he does, he doesn’t just mean forgetting about the harrowing bloody experience Satomi just went through, nor the fact he bounded around around like a superhero while she was in his arms. No, he also wants her to forget about all the awful exchanges they had prior to Shimada going postal.

Satomi seems receptive to that arrangement, and just like that, they’re incredibly back on good terms. Just because things went pretty well for Shinichi this week doesn’t mean the trend will continue. But at this point in the show’s 24-episode run, it was nice to see a glimmer of hope that things will turn out okay return, even if that turns out not to be the case at all.

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Ryuugajou Nanana no Maizoukin – 07

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Like NGNL’s last outing, this episode of Nanana benefited from a changing of gears; a brief pause, if you will, to take stock of where we’ve come. There’s no new treasure hunt this week. Instead, it’s an episode about amends; namely, amends Juugo makes towards two of the three most important women in his life (Things are perfectly chipper between him and Tensai).

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First on his list is Nanana. Last week her fury was awesome to behold, but also largely unexplained. Turns out Juugo sold most of her video games, presumably in order to afford the trip to the hot spring. The premium regional pudding he acquires proves sufficient in quelling her rage and gaining her forgiveness, along with the promise to buy her new games.

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The other woman won’t be so easily appeased by confections and toys. When Fugi Yukihime, his beloved martial arts instructor and big-sister figure, tried to steal the treasure he’d already acquired, she broke an unspoken rule of the underground. Juugo saw that as a sign she truly had turned her back on him, which depressed him to no end. I’ll admit, how they left things left a sour taste in my mouth too.

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Cheered on by Nanana (who agrees to let him cry into her chest if he fails, which he assures her he won’t), Juugo meets with Yukihime in the night and promptly challenges her to a duel; one he probably knows he can’t possibly win, and doesn’t. But then he activates Nanana’s treasure, surrounding Yukihime in golden chains, and he suddenly has the power to to anything he wants to her.

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If he follows through on his threats, Yukihime will gain license to truly hate him…but she doesn’t want to—as evidenced by her sudden tears—nor does Juugo want her to. He releases her and tells her he wants them to be on the same side, even if he’s no longer with Matsuri. They both apologize to one another, and Yukihime agrees to keep liking him as much as she had (which is likely more than she lets on).

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It was great to see another episode that fills in the blanks of the last, as well as to see so many more sides of Fugi Yukihime, who is as cute as she is deadly. It was always clear the two had a past, but I didn’t realize the true depth of it until now, and both characters benefited greatly from the elaboration. And yes, that was Star Driver the gals were watching. They have excellent taste!

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