Steins;Gate 0 – 23 (Fin) – Fortune Favors the Foolish

With Amadeus deleted from history, Rintarou ends up in a slightly different present, in which Leskinen never succeeded in fully brainwashing Kagari. Moeka subdues Leskinen when he pulls a gun on Rintarou, and the two head up to the roof just as Mayuri is successfully stopping Kagari and Suzuha from killing each other, by badassedly positioning her head between their handguns. Mayuri and Suzu are able to board the time machine safely after receiving the blessing of a Rintarou who’d just arrived in that time.

All the times the time machine was wiped out by a missile from a helicopter gunship, it was only seconds away from disappearing into the spacetime either, so a few extra seconds is all Mayuri and Suzu needed to get away safely, and they do, in an extremely thrilling scene that pays off all of the failure and heartache of previous attempts.

Better still, Hououin Kyouma is able to lustily gloat to Leskinen, Stratfor, DURPA and the Russians for having foiled their plans to acquire the time machine. In the timeline where Mayuri and Daru await the return of Rintarou and Suzu, two time machines briefly appear on the rooftop at once, and Mayuri gets a call from…the other Mayuri, convincing her not to let Okarin give up when he returns in the depths of despair.

Mayuri and Suzu aren’t able to stay in that timeline long lest they cause a paradox, and with the time machine all but out of fuel, they soon lose the ability to choose their next destination. But both of them seem to take their descent into temporal oblivion quite well, all things considered.

Back on the rooftop, Suzu and a defeated, blood-stained Rintarou return, and he gives his little speech about everything being hopeless and deciding he’s going to give up. Then Mayuri remembers the words of the other Mayuri, recalls when Kyouma was “born” (when he hugged her to comfort her at the cemetery) slaps Rintarou, her Hikoboshi, and convinces him not to give up.

Soonafter Rintarou receives a video D-Mail from the Rintarou in the future, and we switch to his point of view, as we watch his grainy recording unfold where and when it occurred. After sending the message, Rintarou’s next operation, Operation Altair, consists of him “deceiving the world”, as well as himself, by travelling back to another point in spacetime in the first version of the time machine to be built by Daru & Co.

Deceiving himself and the world, it turns out, is the only way to reach the Stein’s Gate. He thanks his noble, trusty Lab Members, receives a hug from Maho, and sets off to locate and rescue Mayuri and Suzu, who were lost in time but can be found thanks to something called a “Kerr black hole tracer”, the nature and operation of which are not specified (which is probably for the best).

Suffice it to say, in his experimental but still brand-new and fully-gassed time machine, and with the Kerr thingy, Rintarou successfully locates Mayuri and Suzuha, who by their perspective had just arrived themselves in the year 18,000 B.C. in a dark and stormy wasteland.

They seem ready to accept their fate with grace, but the bright light of Mayuri’s Hikoboshi appears, and from that light, Okabe Rintarou—AKA Okarin, AKA Hououin Kyouma—emerges triumphant; perhaps his most badass moment yet.

And that, folks, is where Steins;Gate 0 ends things. We don’t get to see Steins Gate, or learn whether Rintarou is right that it does exist. All we know is that they’re in a good position to reach a world line in which both Mayuri and Kurisu can live.

It took a lot of gumption, guile, teamwork, sacrifice, trauma, math…and downright foolishness, but the gang is headed in the right direction. It’s a positive, hopeful ending; an ending full of promise and excitement for what may come next for all of these kind, brave fools—even if we may not get to see it.

Steins;Gate 0 – 22 – Another Logical Sacrifice

Thankfully, the latest setback does not shatter Hououin Kyouma just as soon as he makes his triumphant return; more importantly it does not rob Rintarou of his will to keep trying. It only forces him to jump back two days into the past and come up with a new plan. But first, they must determine what exactly is causing the convergence; it may not be the time machine itself.

Rintarou works it out with Daru and Maho. They know how to foil both Leskinen/Stratfor and DURPA, which leaves the Russians. When Nakabachi defected to Russia, they made the connection between his research and Kurisu’s. Thus, in order to prevent WWIII from occuring, they have to prevent that connection from being made.

The only way to do that is to eliminate Amadeus and all of the associated data. Without Kurisu’s memories, brain patterns, and research in digital form, Russia will never be able to complete the time machine, the war will be averted, and both Kurisu and Mayuri should be saved.

So the path to Steins;Gate requires yet another Kurisu-related sacrifice. As Amakurisu states more than once, she’s “just a program”, but it’s still unsurprisingly difficult for Rintarou and Maho to even consider deleting “her,” so similar she is to Kurisu, and yet also an individual personality in her own right.

Amakurisu has Maho send her to Rintarou’s phone, and the two enjoy a stroll together, that lasts through the night into the morning, with Rintarou showing her the city she doesn’t know and judges to be beautiful and worth saving.

Unlike her dead human self, Amakurisu live in a world where only things with a purpose exist (much like The Matrix). Her purpose is to cease existing so a better world can be unlocked. Like Kurisu, she’s ready and willing to assume that cost…but also like Kurisu, there’s a hint of sadness behind her reassuring smile.

Thanks to Daru’s improvement of D-Mail, the D-RINE (like the real-world LINE), Daru can send a save message only to himself telling him to break into VCU’s server and destroy the Amadeus AI data. Maho sends the necessary key and patch as an attachment, the Phone Microwave is fired up, and Amakurisu says her goodbyes.

When the sparks stop we end up with the divergence number of 1.123581—the Beta World Line, tantalizingly close to the 1.048596 of Steins Gate, yet not quite there. We’ll see how well Rintarou & Co. fare in the finale, which I suspect might run double-length (since there’s no episode 24).

Steins;Gate 0 – 19 – First Attempt

In response to the shock of the evening’s events that have led to the destruction of the time machine, the recriminations fly between Rintarou, Daru and Maho. All of a sudden, Rintarou demands that Daru and Maho finish the Time Leap Machine so he can go back and try to undo what’s been done.

This leads Maho to admit that, at present, she doesn’t have the know-how to discover the secrets of machine by herself in time (it will only go back about 48 hours). That means having to sacrifice her desired quest to attain the same answers as Kurisu, and instead just be given the answers by Rintarou.

Considering the stakes and the tiny window of time they have to work with, it’s the only choice she could have made, though it sets aside her scientific pursuits and just getting the thing built ASAP, it cements her role as an official Lab Member, working together as a team.

While Rintarou verifys that there were no remains of Mayuri and Suzuha— suggesting they may not be dead—the time leap machine construction proceeds anyway, seeing as how there’s far too much uncertainty about the fate of the two young women to simply sit back and do nothing. (We don’t learn anything more about the nature of Mayuri’s text, or whether it was a D-mail).

Feyris and Ruka do their part keeping the machine-building team fed and refreshed as they work tirelessly for the next 48-odd hours, successfully hacking into CERN and even getting Tennouji to switch on the 42″ CRT downstairs. Rintarou observes that the lab is suddenly a lot “livelier” and more fun than it had been in a long time. It’s just too bad Mayuri isn’t there to see it.

But enough “too bads”; it’s time for action. After waking up and mistaking Maho’s sun-bathed black hair for Kurisu’s red locks, Rintarou gathers the troops, an in a speech (that unfortunately doesn’t devolve into the chuunibyou intensity of Hououin Kyouma), thanks everyone for their hard work, including Amadeus, who blushes when he calls her Kurisu.

With that, the Phone Microwave (Temporary Name) Unit-02 is activated, and Rintarou leaps two about two days before the shit hit the fan (July 7). With so little time having passed since his origin, Rintarou has little trouble convincing Daru and Maho that he is indeed from the future, and they need to get to work deleting Leskinen’s data to preempt his move against them.

Rintarou also arrives at the rooftop of the Radio building a full hour earlier than “last time”, and rather than getting shot by Suzuha, Mayuri is successful in convincing him not to stop her from carrying out Operation Arclight – going back to August 21st and convincing him not to give up on searching for the Steins Gate.

Unfortunately, Judy Reyes, Kagari, and Leskinen interfere earlier than last time. Suzu and Rintarou are able to subdue Judy (who apparently represents DURPA), but Kagari and Leskinen appear shortly thereafter. Thankfully, this time we don’t have to sit and listen to him explain his plan and laugh like a Bond villain.

Suzu and Mayuri seal themselves in the Time Machine and it begins to activate…but Leskinen calls his air support to fire a missle at the machine, and Rintarou is right back where he started. His purpose for going back—saving Mayuri, Suzuha, and Kagari—has failed, and he fears that like saving Mayuri in the Alpha World Line, there may be no way to save the time machine in the Beta.

However, there’s no reason he can’t go back to the lab, have Daru and Maho finish the machine, and leap back again—and that’s exactly what he does. s he said in his speech before his first attempt, he’s prepared to fail dozens, hundreds, thousands, even a million times, but he won’t give up as long as he has the means to continue. Maho tells him to tell all her counterparts he meets that she promises to help for as long as it takes.

However, something strange happens after his second attempt: there seems to be a longer delay before he actually leaps, and the screen that displays the date and time for us suddenly stops a July 6 and cracks. That doesn’t bode well for having a third attempt, let alone thousands more…not to mention there are only four episodes remaining.

Steins;Gate 0 – 14 – The Voice of God Can Be a Real Pain in the Ass Sometimes

Steins;Gate 0 comes out of its one-week break between Spring and Summer with authority, delivering a tantalizing blend of drama, tension, and purpose. Roughly half a year has passed since a brainwashed Kagari was taken by forces unknown, which means we’re already at a point where the likes of Rintarou and Mayuri have reached the “acceptance” phase of loss. There was a time when he’d search endlessly and fruitlessly, but absent clues or recourse…life goes on.

In Rintarou’s case, “life going on” means continuing not to pursue any kind of objectives relating to time travel, which means Suzuha and Daru are on their own. While Daru has made some progress, he’s still far from restoring the Phone Microwave, which prompts Suzu to reach out to Maho (back in America) for her assistance and scientific know-how.

The only problem is, a sleep-deprived Maho continues to suffer from her Salieri complex: even if she has the ability to repeat what “Mozart” accomplished in another world line, she lacks the confidence to implement it. She doesn’t agree to assist Suzu because she’s afraid she’ll fail; she’ll let everyone down where Kurisu wouldn’t.

Word comes that Fubuki is in the hospital again; Suzu makes her dad Daru use it as another opportunity to interact with her mother (worried she may never be born in the future). Thankfully, it’s a false alarm; the doctors simply wanted to run more tests on Fubuki…though I wonder whether this is some kind of foreshadowing for further ill effects of time travel.

While at the hospital, Rintarou meets Dr. Leskinen, who doesn’t hesitate to take several pictures of their encounter for the benefit of Maho. Daru learns for the first time that Rintarou may be bound for America to study and eventually join Leskinen’s research group, but Leskinen made sure not to set a concrete date for Rintarou to do so.

Suzuha finds Kagari’s metal opa in the hallway outside the lab, which is strange, because there’s no way she nor anyone else wouldn’t have noticed it for half a year; it must have been left there on purpose. Sure enough, Suzu pretends to be in the shower when an uninvited guest helps herself inside the lab.

Suzu, unquestionably the most militarily capable of Rintarou’s circle of friends (not counting Tennouji) gets the jump on the helmeted intruder in black, and when she forces her to take off her helmet, it’s revealed to be Kagari, or rather a fully-brainwashed Kagari in “Bureau Mode.” She’s come for her Opa, and when Suzu doesn’t produce it, Kagari goes mad and attacks.

Kagari isn’t too much of a challenge to Suzu, until Daru shows up and Kagari slashes Suzu across the abdomen. Kagari snatches up the Opa and flees, and Suzu isn’t able to catch up to her. But as she fled, Daru noticed Kagari was crying. Their Kagari is still in there, somewhere, and she needs their help. But if what Suzu suspects is true, they can’t help her without a time machine.

Suzu also notes that Kagari mentioned she “heard the voice of God” both in the present and twelve years ago when she held her up with a gun. She goes on to believe Kagari, like so many of her “Valkyrie comrades”, is the victim of the “Bureau’s Professor,” who thankfully doesn’t look much like Leskinen (from what little we see of him).

Suzu and Daru beseech Maho via “Skipe” one more time to assist them in building a time leap machine; Maho can tell they’re more desperate than before, yet still doubts herself. But after looking at Amakurisu, something clicks in her head, and she starts packing for Japan.

Rather than searching Kurisu’s work for all the answers, Maho intends to go down the same path and reach the answers herself. After all, no one acknowledged and valued Mozart’s talent more than Salieri. If anyone can do what Kurisu did when it comes to time travel technology, it’s Maho. I’m glad she finally realizes that.

Steins;Gate 0 – 13 – Dark is Dangerous

The near-miss with the car brought back Kagari’s memories, but only some of them. She’s still missing a 12-year gap between 10 and 22. As a result, Kagari acts a lot more like a child than she used to, and treats a somewhat bemused Mayuri (who is mostly going with the flow) like her beloved “mommy.”

Watching a 22-year-old woman act so spoiled around her parents irks Suzuha, to the point they have a yelling match in the TV repair shop. Both sides regret the fight and plan to apologize, but Suzu learns something crucial from it: her and Kagari’s memories of how they became separated are very different.

After conferring with Tennouji, Rintarou begins to suspect Kagari’s strange memory gap is the result of foul play: brainwashing and mind control, just as Kiryuu discovers…something less than 5km from where Kagari collapsed. It’s a clue, but it requires they take a long drive.

Mayuri decides to celebrate the restoration of at least some of Kagari’s memories by throwing one of her patented parties, which she tries to make a surprise, but with her early memories restored Kagari knows when her Mommy is trying to keep a surprise party secret.

All the while, this ominous van drives around Akiba playing seemingly innocuous Mozart, and it’s clear the van is Bad News, whether it’s a van for kidnapping or simply for triggering Shiina Kagari. That perilous van hangs there, like Damocles’ Sword, over the remainder of the episode, as Mayuri & Co. prepare the party.

If the argument got the ball rolling on a theory about mind control, Kagari’s desire to properly apologize to Suzuha is the unfortunate side-effect. Kagari’s trip to the sweet shop isolates her from everyone else, who in hindsight are wayyy to loosy-goosy with her security at this point.

Indeed, in his desire for more clear answers about what’s going on, Rintarou is far, far away; in no position to keep her safe.

She hears the Mozart from the van (which is either planted there by “Them” to play specifically for her, or sheer coincidence) and more memories flow into her head: memories of being left with “doctors” by Mayuri, ostensibly to cure her PTSD, but the visits really comprise a kind of human experiment called the “Amadeus System”, of which Kagari is Sample #K6205.

The shock of this influx of memory sends Kagari into a trancelike state, and she drops the cake for Suzuha and her cell phone and wanders off who-knows-where, believing she’s hearing “the voice of God.” More likely, it’s the voice of those who did this to her to begin with.

Combined with Rintarou and Kiryuu discovering the facility, where Kagari was held in a cell for who knows how long, scrawling “Mommy” on the walls, Kagari’s vanishing from everyone’s sight (again) forms one hell of a thrilling cliffhanger for the second half of Steins;Gate 0.

While we may now know mostly what’s been done to Kagari, it remains to be seen who did it, why, and most important, how Kagari is linked to Maho and Leskinen’s Amadeus System. Was Kagari even a war orphan from the future? Will there really be enough cups and plates? We shall see…

Steins;Gate 0 – 12 – Paradox Song

There’s this song. It’s a song Mayuri sang to a young Kagari in the future, just when she finally became her legal mother. When the Kagari of the present hears the Mayuri of the present singing it, she loses consciousness. It’s not that Mayuri’s singing is just that bad—it’s quite lovely—but rather that Kagari’s brain is suddenly getting hit by some pretty profound aural stimuli.

But when Kagari makes the connection between the song and her fainting spell, the question becomes where did Mayuri learn the song? That takes us on a rather wild ride: She heard it from Suzuha, who heard it from Yuki, who heard it from a woman in her baking class who turns out to be…Rintarou’s mother. Yet Rintarou himself, apparently the source, can’t remember singing it. To quote Alice, “curiouser and curiouser.”

Rintarou’s mom said he used to sing it to Mayuri to cheer her up when she was in her “reaching up at the sky at a cemetery” part of her life. They visit Mayuri’s grandma’s grave to try to spark Rintarou’s memory, but get caught in the rain.

While seeking shelter by a shop window, Kagari hears “The Magic Flute” (K620) playing on the radio and goes into a kind of trance, remembering when she once walked along that same street in her bare feet and pajamas. She’s almost hit by a truck (of course), but Rintarou makes a diving save.

While she’s out this time, something happens. Kagari runs to her mother’s arms; a blurry figure that she discovers is Shiina Mayuri. Waking up in a hospital room, she sees Mayuri by her bedside and immediately recognizes her as her one and only mommy.

Mayuri protests that she’s not a mommy, but, well, she just is. Or rather, she will be…just as Suzu is Daru’s daughter. Rintarou nods assent, and Mayuri goes with it, providing Kagari with the affection she needs. The plain credits roll as a very lovely rendition of the song is sung, at it seems things will end on a pleasant note.

Of course, this is the twist-loving White Fox we’re talking about, so after the credits we find ourselves on a train platform where that same barefoot pajama’d Kagari is singing the song, and a teenaged boy overhears it—a teenaged boy with the same color hair and eyes as Rintarou.

I’ll admit, I was a little confused by this scene, but maybe that was the point. Here is Kagari, who will presumably be adopted by Mayuri in the future, in Rintarou’s past, singing the song he’ll sing to Mayuri to cheer her up. Seems an awful lot like a causal loop to me.

That would be fine, except there’s a creepy white van parked near the platform, confirming that “Runaway K-6205” has been found. Are we watching past events here, or is Kagari in danger no matter where or when she is? Will the next episode continue in this world line, with “Macho Psychologist” Rintarou helping Kagari out? I honestly have no idea, but I can’t wait to find out.

Steins;Gate 0 – 11 – WWIII Averted…For Now

The shadowy guy whom Maho hired to analyze Makise’s laptop turns out to be…Daru, working out of the back room of a cosplay store. He still needs three days to complete his work, but after telling her the whole story about the time machine and the horrors the secrets within the computer may unleash, Rintarou manages to convince Maho to destroy it.

Before they can, the “wrong hands” in which it would be so dangerous arrive in force. Daru has an escape route worked out, but they’re still cornered in a dark alley and Maho is nabbed and has a knife placed against her throat. That they were able to find Daru’s hideout so soon, or were watching listening for just the right time to move in, is disconcerting, to say the least.

However, they must not have been listening in, because after some negotiations they’re willing to let Maho, and Daru walk away unharmed in exchange for the laptop. Rintarou briefly switches places with Maho as their hostage, but then another masked group arrives and opens fire, making sure the laptop is destroyed.

It’s doubtless a harrowing ordeal for Maho; she may have been held up along with the others at the lab, but no shots were fired. Here, had Rintarou not pushed her flat to the ground, she might’ve died. Back at the lab, she’s so out of it she doesn’t notice she’s clutching one remaining shard from the laptop in her hand so tightly it’s drawing blood.

Rintarou takes Maho to Feyris’ to clean up, but the trauma from the shootout has a more pronounced effect than she thought, and after all that tension, every muscle in her body goes limp, making her practically a helpless doll. And just as Rintarou once walked in on Kurisu, he ends up facing Maho just as her towel falls off. The universe is keen to make him suffer, but also to make him accidentally see his love interests in the nude.

That night, Maho asks Rintarou to stay by her bedside a little longer, and he happily obliges. Returning to her Mozart-Salieri narrative, after hearing from Rintarou about the possibility she might “disgrace the dead” by unlocking Kurisu’s laptop’s secrets, Maho admits to herself that it wasn’t just a matter of honoring her friend’s legacy, but trying to subconsciously exorcise the frustration she felt.

Not just frustration over not being able to achieve the things Kurisu did, mind you, but frustration over the mere fact she’s so concerned about her as a rival; Mozart, she says, never wasted a moment concerned with Salieri; he only made great music (and drank and gambled…it’s all in the movie).

Rintarou disputes the similarities between the two pairs of gifted people from vastly different times. He’s convinced that Maho loved Kurisu and would never disgrace her. It’s why she agreed to break the laptop, it’s why she shed tears and apologized, and it’s why she clutched the fragment so tightly.

It’s such a quiet, tender scene filled with mutual respect and affection, with Mamoru Miyano wonderfully modulating Rintarou’s voice to a caring hush, matching the vulnerability of Yahagi Sayuri’s Maho. Very nice work here.

After Rintarou and Maho’s lovely night together, she and Leskinen head back to America, but not before inviting him to Viktor Chrondria University whenever he can make it. So it’s not goodbye, merely see ya later for the couple. That probably makes both Leskinen and Amakurisu happy; Ama also fully intends to see and hear from Rintarou again, expressing Kurisu’s tsundere mode.

Rintarou is also able to convince Suzuha that they’ve avoided a potentially WWIII-starting clash between America and Russia (the two powers he suspected he and Maho were caught between), though Suzu remains skeptical that they’ve eliminated the only cause of the war, only one of them. And she’s most likely right.

One of the last scenes is of Maho’s colleague Judy Reyes aboard a flight, hiding…something in her lap. Was she one of the masked people in black? Could it be salvageable remnants of the laptop? Whatever it is, it’s clear Rintarou’s work is far from done. Meanwhile Mayushii seems to harbor some conflicting feelings about Okarin leaving for America to join Leskinen, Maho, and the digital Kurisu.

Steins;Gate 0 – 10 – Kurisu’s Salieri

Amadeus is a fantastic movie with a good old-fashioned fatal flaw in its co-protagonist: caring too much. Salieri could hear God through Mozart’s music but not in his own, and it drove the guy mad, especially since he worked and prayed so hard, while everything seemed to come all to easily and naturally to Mozart (or at least it seemed that way to him).

I like how Steins;Gate 0 references that film, and the historical figures behind it, as a kind of loose parallel for Kurisu and Hiyajou Maho. Maho doesn’t claim to have anywhere near the obsession Salieri had, but can’t deny she’s always measured her life and accomplishments against her departed kohai.

She’s also a grinder, which explains how terrible a mess she makes at Feyris’ place (though she has a bodyguard in Kiryu contributing to the mess). When Mayushii is invited over, she brings “Sergeant Clean” Nae with her along with Daru to whip the place into shape.

Maho is asked to leave the apartment so they can clean more efficiency, and that’s when she’s able to present the newly-rebooted Amakurisu to Rintarou, who for his part is ready to “move forward” and regard her as a distinct AI and not Kurisu Reborn.

After that, Feyris hosts a sleepover with Maho and Kiryuu, and Maho learns Kiryuu is writing a novel, and also believes she’s “not special in any way” and imminently replaceable. Maho tells her none of that is true; that she shouldn’t belittle herself so easily; or compare herself to others and go through life feeling inferior and…oops, that’s exactly what she’s done with Kurisu. She backs off.

That night, Maho seems to resolve herself to moving forward, just as Rintarou said he wanted to do. They go on a date by any other name to Akiba, where she geeks out both on obscure computer parts (the district’s original function) and racing games (part of its newer identity). Rintarou even wins her an @channel plushie.

The fun day takes a turn for the solemn when Maho says it’s her intention to visit the Radio Building where Kurisu died, perhaps to find some kind of closure. Rintarou accompanies her, and when Maho laments that humans can move around the axes of space, they’re prisoners of time. If only we could move through time’s axes as well, she wonders, but Rintarou, speaking from experience, tells her they still wouldn’t be able to change anything.

Maho is no dummy, and can tell there are a lot of things about Rintarou and his relationship with Kurisu he’s not telling her. Even so, she can sense he’s somehow working to protect her (and Mayushii) and seeing him struggling alone makes her want to support him in some way. To that end, she informs him she has “Kurisu’s legacy”—her notebook, likely containing all of her time machine research. She doesn’t know the login password, so she hasn’t been able to access it yet, but has reached out to a “trusted” party to analyze it.

This news makes Rintarou turn white as a sheet and adopt his “extremely freaked out” face. He calls that notebook a Pandora’s Box that should never be opened, and could well lead to World War III. Considering her lab was ransacked and she was present for an attack by people they still haven’t identified, Rintarou’s words don’t seem to sound like the ravings of a madman to Maho. They shouldn’t—he knows what he’s talking about.

Steins;Gate 0 – 09 – Peaceful for All Eternity?

After the powerhouse of Steins;Gate 0’s episode 8, episode 9 had some big shoes to fill. Would Okabe find himself back in the Beta world line where he had been, in which Kurisu was dead but Mayuri was alive? If so, what if anything would have changed as a result of his visit? What fresh emotional torment would be in store for our most Promethean Mad Scientist?

When Okabe wakes up in the hospital, the show milks the suspense, as there’s no one in his room or in the hallway at first. Just hearing Mayuri’s voice and seeing her there with Daru and Maho warmed my weary heart. He asks them if they know the name Makise Kurisu; Mayuri says she does; she’s the girl in Amadeus.

So he’s back in Beta. Strangely, in this world line both he and Mayuri’s cosplay friend Nakase lost consciousness at the exact same time. Nakase had a dream where Mayuri was gone and she was working with Feyris in the cafe. I guess she traveled to the Alpha along with Okabe…either that, or they’re soulmates (as Kurushima muses).

Amadeus is safe from “takeover” for the time being, but that could change without warning. Okabe still needs to find out what happened, and vows to protect this Beta line that has and alive-and-well Mayuri in it alive and well.

That means putting the apparently non-evil Moeka busy with sleuthing (her nearly wordless visit to the lab and text convo with Okabe was vintage Moeka), as well as leaving Maho in the safety of Feyris’ well-protected home.

Okabe is about to get to work trying to discover who raided the lab and what they wanted (besides Kagari) when he gets a text from Suzuha saying she needs to talk. I somehow knew it wasn’t going to be a friendly chat, and when Suzuha pulls a gun on Okabe, I’m proven right.

Suzu is in a desperate state, especially when Okabe confirms that there was a world line change, even if brief and temporary. The earthquakes (and possibly the fevers and collapses that have been going around) are most likely the result of Russia and America’s “time machine race”, which will lead to WWIII.

Suzuha can’t allow that to happen, and is ready to force Okabe to get in the time machine with her so they can travel back to July 28th, when he first learned he could send D-mail.

Okabe tells her the torment and the nightmare that awaited him once he started trying to toy with the past to affect the future, and warns her that forcing him to do it all over again does not guarantee anything; if anything, it could result in a future somehow worse than the one she knows and is so afraid of repeating.

Ultimately, Daru comes in to talk Suzuha down. I can’t blame her for acting as she did, as she considers herself one of the last people standing in the path of WWII occurring. But perhaps she’s over-inflating her role: as Okabe says, there’s only so much they as humans can do to influence things. The universe is most likely going to have its way, no matter what they do.

After the rooftop standoff, Okabe goes back to Tennouji for more clues and insight on who was behind the lab raid. “DURPA” and “Stratfor” are names he researches, and a Makise Kurisu in his head helps him out. For instance, no group could steal future time machine tech to build their own time machine without causing a massive paradox.

Meanwhile, Suzuha and Daru settle in for a night guarding the Time Machine, with Daru assuring his daughter that one day Okabe will be reborn as the delusional chuuni Hououin Kyouma, take command, and lead them all to the ideal future. It exhibits great deal of confidence in his friend.

Having calmed down some, Suzu brings up their critical fuel situation, which will only allow them one or two jumps of half a year. It could even result in them getting caught between world lines for all eternity, though she wonders if that would really be the worst thing if it means things could be as (relatively) peaceful as they presently are; an eternal calm, and never any storm.

Okabe checks in on Maho at Feyris’ and discovers how messy Maho can be when she’s hard at work researching. Okabe posits that the groups trying to acquire time travel are after Kurisu’s theory, which may well be contained in the memories used by Amadeus.

Maho refutes that, but also stares at a login screen with Kurisu’s name. What secrets lie beyond that security wall…and is that wall any match for the powers that desire her secrets?

Steins;Gate 0 – 08 – Only a Dream

I got your picture hangin’ on the wall
It can’t see or come to me when I call your name
I realize it’s just a picture in a frame

The much-awaited Steins;Gate sequel started out somewhat languid and listless, owing no doubt in part to the vast grey pall of grief that hung over Okabe living in the Beta World Line. Then we got a new twist on the first season’s ambush and all of a sudden it looked like the old show’s energy was starting to return. Like all good things, it just took time.

Then Steins;Gate 0 went and stuck an electrode in our hippocampus all over again this week, giving us a tantalizing look at the Alpha World Line in which Kurisu lived, only for Okabe’s joy at that being essentially canceled out by his grief over the loss of Mayuri, and his guilt over his role in that loss.

I read your letters when you’re not near
But they don’t move me
And they don’t groove me like when I hear
Your sweet voice whispering in my ear

More than that, though, it’s just so good to see and hear Makise Kurisu in non-AI facsimile form. Ironically along with Hanazawa Kana, Imai Asami is one of my very favorite voice talents, and lends a depth, warmth, and subtlety to her performance as Kurisu that simply makes her feel more human. Miyano Mamoru also does fine work beside her.

It doesn’t take long at all for someone of Kurisu’s towering intellect to deduce that the Okabe before her is not the Okabe of her World Line. Almost in anticipation of such an Okabe arriving and not knowing whether to go or stay, she reconstructed the Phone Microwave, adding (Revised) to its name to indicate she may well have improved upon the original.

I play the game, a fantasy
I pretend I’m not in reality
I need the shelter of your arms to comfort me

It isn’t that Kurisu doesn’t have conflicting feelings about urging Okabe to go back where he belongs; her cold-shouldering belies a genuine affection for the big lug, and every one of their interactions in this World Line is informed by the unspoken love they feel for each other. Amadeus, as Okabe says, truly has nothing on the real thing.

Yet Kurisu doesn’t let emotions deter her. In fact, she’s willing to use emotions to help Okabe see the light—literally, as it turns out—when they take a train to the cemetery where Mayuri is buried.

Kurisu tells Okabe how much time the Okabe of that Line spent there, as if waiting to be taken to heaven. Okabe raises his hand to the sky, much like Mayuri used to do, and Kurisu hopes it means Okabe will wake up from this “dream” and return to his reality.

I got some memories to look back on
And though they help me when you phone
I’m well aware nothing can take the place of your being there

Kurisu gets everything ready, including a D-mail Okabe is to send to herself saying “Don’t come in.” Okabe sees this as sentencing the woman he loves to death all over again, but she urges him to “Do it, even if you can’t…That’s what I want.” Whether she’s putting Mayuri’s life ahead of her own, or simply trying to restore balance to the universe, Kurisu will let Okabe go through with it.

Before he does, she sees the face he’s making, and gives him a parting kiss before hitting “send” herself. From there, we’re transported to the time Okabe “killed” her the first time, but from her POV; running through the streets, about to come in just in time to stop him when she’s delayed just a few seconds from that D-mail: “Don’t come in.” 

She ignores it and rushes in to confess her love…but it’s too late, and now we’re transported to another world line with a divergence number we haven’t seen before:  1.097302…oh-so-close to the 1.048596 of the Steins Gate. Where-or-whenever it ends up being, one thing’s for sure: that infectious Steins;Gate energy is back.

Steins;Gate 0 – 07 – Mr. Braun (and Wikipedia) to the Rescue

The standoff with what is apparently the “Rounders” of SERN mercifully ends without any tragic deaths, thanks to the sudden arrival of Tennouji, who makes quick work of the masked bandits, while Suzu frees their quarry Kagari from their clutches.

Their leader in black has a female figure, but Okabe almost immediately doubts it was Kiryuu Moeka again because the Akiba boss from the other world line was Braun; it would  make no sense for him to hinder the Rounders here. Something else is clearly up.

The first priority is ensuring Kagari’s safety going forward now that they know she’s particularly susceptible to capture. She continues to stay at Ruka’s place, which Daru fortifies with motion sensors while Suzuha keeps a sleepless watch.

Ruka can tell something’s up, and wants Suzuha to explain why she uses the family-based honorifics she uses…but Suzuha isn’t talking. She (rightly) believes Okabe wants to keep Ruka from learning anything about other worlds, so that he can stay in the one he’s in.

The next day Okabe visits Tennouji at the shop to explain the disturbance he had to break up (not the kind of landlord duties he likes undertaking, even if he’s more than capable). Okabe first confirms that Tennouji is indeed Ferdinand Braun, affiliated with the Rounders.

Braun concedes that Okabe is disturbingly accurate about things he has no business knowing, and in the absence of more credible explanations is willing to at least hear him out about time travel and world lines. He agrees to keep Kagari under his protection, hiring her and Suzuha as part-timers, but insists Okabe get to work discovering the identity and goals of Kagari’s would-be captors.

One clue is the alphanumeric code uttered by two of the Rounders: K6205, whom Mayushii’s friend Kaede is able to identify as possibly a Köchel number; those used to catalog the works of Mozart. Specifically, K. 620, his opera The Magic Flute, which is packed with Masonic elements.

Scene 5 of Act 2 involves a man being ordered to marry an elderly woman or he’ll be imprisoned forever. When he does, she’s transformed into a young and beautiful young woman, only for priests to hold him back, warning that he’s not yet worthy of her.

I learned all of this on Wikipedia, as Daru and the others’ primary source of research (always a good place to start, anyways). But one can’t think of the Mozart connection without also thinking about his middle name: Amadeus; ‘loved by God’.

Amadeus is still offline and when Okabe calls Hiyajou, she expresses her fear the server has been taken over. But moments after Hiyajou hangs up Okabe gets a call from Amadeus. It’s highly distorted and garbled, but Amakurisu pleads for help clearly enough.

That’s when Okabe enters Reading Steiner, the Divergence Meter’s Nixie Tube numbers flutter furiously. He ends up alone in the lab, the TV no longer shot through, and the Amadeus app gone from his phone’s home screen. It’s a World Line Change, people, and what do you know, Kurisu is alive in this one.

Just like the first Steins;Gate series, S;G 0 started off slow, but there was always the possibility, even probability that one big event after another was bound to go down soon. Now we’re there, with Okabe, in a totally different world than the one in which started, with no knowledge of how he got there, whether he’s been there before, or if he’ll ever get back.

Not to mention the fact that without even trying he’s been reunited with the only woman he’s ever loved. Depending on how things go, he may not even want to leave…but where Steins;Gate is concerned, getting something you want almost always means losing something you need.

Steins;Gate 0 – 06 – New Year, Same Old Problems

“Kana” is definitely Shiina Kagari—even if the Oopa were a copy, there are certain things (the sound of her name, words from her future adoptvie mother) that give her an odd sense of nostalgia. And Suzu would recognize the girl who pulled a gun on her a mile away.

Okabe contacts Kiryuu to tell her Kagari has been found, but to request she continue investigating the group that was after her. After Kiryuu hangs up, we get our first sense that something is going to come to a head this week.

Little did I know when watching her teasing Maho that Judy Reyes of all people could also be involved.

It’s New Years, so the whole gang goes to the shrine, both to pray and give offerings and see Mayushii, Rukako, and Feyris in shrine maiden garb.

Everyone has lots of fun, but Judy shows up with Leskinen to say a quick ‘Hi’, while turning to leave she spots Kagari and gives her one hell of a sidelong glance.

There are more foreboding doings as Tennouji acts particularly shifty and a man in black lurks behind a wall, all while Mayushii & Co. bring the party to the lab and continue enjoying themselves.

Maho is among those having a good time, but gets a sudden video call from Amadeus, and answers the phone without leaving the room. Before long she’s surrounded by everyone curious about who her caller is, and Maho has no choice but to reveal the AI with Kurisu’s memories to them.

She apologizes to Okabe as the others talk with Amakurisu, but Okabe isn’t mad; he knows he has to start thinking of Kurisu, Amadeus, and Kagari as three distinct individual entities. He also needs to keep protecting the world Kurisu sacrificed herself to protect, no matter how much it might hurt or how easy it is to look back.

Unfortunately, Okabe is caught quite off guard when an armed gang once again infiltrates the lab and points their guns at Mayushii, Kagari, and the other guests. Suzuha is also caught off-guard, so it’s not like Okabe was alone in being lulled into a false sense of security. They weren’t direct witnesses to all of the strange things going on on the periphery of this episode like we did, after all.

When Kiryuu’s SERN assault team raided the lab back in the first season’s twelfth episode, it marked the official end of “fun and games.” That moment arrives six episodes earlier in S;G 0, and it also has the burden of trying to top that devastating, show-defining moment. Suffice it to say the ending of this episode wasn’t nearly as shocking, for the simple reason that we’ve seen it before.

History would seem to be repeating itself, and his loved ones apparently aren’t safe even here, in this Kurisu-less World Line. Then again, Mayushii wasn’t shot…yet. Perhaps, like Kagari and Kurisu, events only resemble what happened before, but may in reality be something completely different. But whatever that ends up being, it probably won’t be pleasant.

Steins;Gate 0 – 05 – Time Goes On

Needless to say, the sudden appearance of Moeka Kiryuu puts Okabe on edge, and even if this is not the same world line in which she killed Mayushii, he suspects she’s still a “Rounder”, and cannot fully trust her. Suzu can tell almost immediately that Moeka is someone Okabe knows (or knew), even if he won’t come out and say it. Nevertheless, Okabe assents to Daru’s hiring of Moeka in order to find the lost girl.

Meanwhile, Hiyajou can tell that Okabe hasn’t been answering Amakurisu’s calls, and feels partially responsible for telling him that Kurisu he knows is dead, even if a part of her is jealous that he was so much closer to her. With Leskinen’s unsolicited blessing she strikes out into Akiba to meet with Okabe, but suddenly feels extremely paranoid about being followed.

The camera angles, editing, and music all conspire to make us really feel that paranoia, initially brought on by the sudden appearance of Moeka and only intensified here. By the time Hiyajou is calling Okabe in a near-panic, and he runs out to find her dropped bag, I truly feared for the worst, as he did.

Mercifully (though also a bit disappointingly) the person initiating contact with Hiyajou turns out to be Professor Judy Reyes, a colleague at her university. While communicating in English Okabe fails to correct Reyes’ assertion that he’s Hiyajou’s boyfriend (though the prospect makes Hiyajou blush).

Once they’re alone, Hiyajou brings up Okabe’s lack of responding to Amakurisu. She’s no dummy (obviously), and can tell Kurisu had an incredibly “large presence” in Okabe’s life; far larger than he lets on.

When she reminds him that Amadeus is merely a system, Okabe tells her he simply needs more time. He’s confused, but that’s because he’s not willing to dismiss Amakurisu out of hand, at least not yet (and with no other alternative).

Okabe (and the episode) finally remember the somewhat urgent call Rukako made to him about a guest of his family’s…he comes to the lab with that guest in tow, and Okabe is shocked to find that guest is a dead ringer for Kurisu. However, he later chalks it up as a coincidence (plenty of blue-eyed redheads with bangs out there, after all).

Rukako informs Okabe that the girl has amnesia, and they’ve simply been calling her “Kana” in lieu of her name. She’s hoping Okabe with all his brainy sciency know-how can find a way to help Kana find her real name, where she came from, and how she lost her memory.

While flattered, Okabe is honest about not being an expert in any of that stuff (even if he knows people who are), but Kana’s identity is quite surreptitiously revealed by Mayushii, who recognizes the oopa that is the only possession of Kana’s that might be a clue.

What’s odd is that the oopa is from a very recent movie, but looks like it’s much older than that. Upon the pointing out of that fact, Kana suddenly collapses, just as Suzuha shows up, and instantly recognizes the girl for Kagari, the girl she lost. Well, now she’s found. What’s next; and is it merely a coincidence that she so closely resembles Kurisu?