Vanitas no Carte – 04 – No Time to Be Choosy

After a pretty but clinical infodump about how the exploration of “World Formula Theory” led to the alternate coal known as astermite, the alternate Paris known as Altus, and the alternate humans known as vampires, we get something a lot hotter and heavier, as Domi offers Noé the blood in her neck and Noé does not refuse it with a boyish blush, but goes in and drunks deep.

Domi probably preferred that Vanitas was on the other side of the wagon door when Noé fed on her, as in the middle of the masquerade ball, she manages to separate Vanitas from Noé and locks him in her sadist torture chamber. She wants to know what he’s really doing with her Noé. Far from frightened by all the spikes and chains, Vanitas is wearing his usual fox-like smirk, loving every minute of this.

Rather than spook him, Domi’s heavy handed tactics inspire him to declare who he is, what he is, and what he plans to do with all the vampire bigwigs at the ball, adding that he looks forward to them experiencing the humiliation of being saved by a human who inherited the name and book of the Blue Moon vampire.

His impromptu speech does not go over well, with Domi’s sister Veronica ordering him killed. But in just an instant the chandelier upon which he was perched falls to the dance floor, and Vanitas is whisked away in a princess carry by Jeanne, following her master Luca’s wishes to meet Vanitas and Noé again.

Unfortunately neither Vanitas doesn’t just have angry, rich, murderous vamps to worry about: Charlatan has crashed the ball in tripartite form, turning numerous vamps into curse-bearers and basically setting up a gift-wrapped scenario in which Vanitas can prove his haughty boasts by healing the bearers. With Noé busy protecting Luca from Charlatan, Vanitas has a little room to work.

He also has Jeanne, who is extremely hungry, and acting suspiciously like a curse-bearer, though not all veiny and demonic like the others. Needing muscle to back him up in Noé’s absence and with no other convenient necks around, Vanitas decides to conduct a new experiment on himself by allowing Jeanne to suck his blood.

She warns him her fangs may be the death of him, but he repeats his claim to have fallen for her, and bids her bon appetit. If Noé drinking Domi’s blood was steamy, Jeanne drinking Vanita’s is downright smoldering, aided by the otherworldly pinks, purples, and reds of Altus.

Jeanne takes a brief pause, but then goes back to Vanitas’ neck for seconds, and he declares that “this isn’t half bad.” Let it never be said Vanitas can’t be sexy as hell right after being goofy as hell!

Rating: 4/5 Stars

Vanitas no Carte – 03 – Blood Laid Bare

Vanitas looks like he was in trouble when he was up against Jeanne the Hellfire Witch, but he employs his usual boisterousness to buy sufficient time for Thomas Berneux paralysis to wear off so he attacks Jeanne for him. Then, with his associates and a neutralized Jeanne, and Orlok’s butler and maid bearing witness, transforms Berneux back into a human.

After that Vanitas turns his attention to Jeanne, who insists she can still fight. He then employs another gambit: having Noé nab Luca and cover his mouth, making it look like he’s a hostage. Vanitas revels in his correct assessment that Luca is Jeanne’s weakness, then wall-slams and kisses her in her weakened state which, well…kissing people who can’t physically resist you ain’t cool!

At least it’s not supposed to be cool; everyone makes it plain Vanitas is a big ol’ jerk. He’s definitely a rascal; you could also call him a scoundrel and I doubt anyone would complain. As for Berneux, he doesn’t last long in his restored human state, as he’s seemingly killed by the one who turned him into a curse bearer to begin with.

Back at Orloks, Amelia’s execution is “postponed” for the time being, on the condition that she works, and Noé and Vanitas live, at a hotel he owns in the city so he can keep an eye on the three of them. Now that he knows the Vanitas no Carte isn’t bunk, he’s loath to let go of such a valuable curse-bearer-exorcising resource.

As for Berneux’s demise, Vanitas chalks it up to “Charlatan”, a monster (possibly a vampire) of dubious corporealness who has been going around town creating curse-bearers to expand his whimsical parade of death and destruction. Noé, revealed by Orlok as a member of the Archiviste Clan, has the ability to read the memories of those whose blood he drinks.

He does just that with Amelia to confirm how she was changed into a curse-bearer, and…goddamn, is it an unsettling, fucked-up little sequence. He wakes up screaming from watching Amelia’s memory of Charlatan glomping her head. But now that he knows who’s responsible, Noé isn’t going to rest until the shithead’s dust.

If that means having to continue to put up with a jerk like Vanitas, so be it. Not long after his memory-reading session with Amelia, his betrothed childhood friend Dominique de Sade struts in, dazzling the stage like a Kill la Kill character. Kayano Ai gives a playful arrogance to the role, and her little steampunk droid Kreisler (or Chrysler, if you prefer) provides a steady cloud of rose petals for added effect.

We learn that “Domi’s” gramps is Noé’s teacher, and that the House of de Sade is known for its rude behavior, but also the power and wealth to back it up. Domi wants Noé to be her escort for a masquerade ball in Altus, the city ruled by the de Sades. No doubt she wants more than just a date; she overheard the situation with Charlatan, and there’s people she wants Noé and Vanitas to meet.

Noé, Vanitas, and Domi reach “the barrier”—elegantly and ominously described as “the product of an experiment gone wrong long ago, or so it’s said”—the bridge between regular, mostly-human Paris and “Altus Paris”, which is frankly way more badass looking with its blood red sky lined with spider web-like lines and towering castle (no doubt the domain of the de Sades).

Humans cannot cross the barrier, but Vanitas is different. He can make the crossing as long as he’s touching a vampire while he’s doing so. He actually took quite a risk in simply leaping into the barrier without telling anyone. Noé just so happened to be close enough to take his hand and catch him, and Vanitas probably expected him to do that.

These three colorful characters in an even more colorful setting should make for an excellent, intrigue-filled fourth episode. Until then, this outing very successfully established the threat (and creepiness) of the Parade of Charlatan, as well as Domi de Sade’s general awesomeness.

Rating: 4/5 Stars