Ramen Daisuki Koizumi-san – 01 (First Impressions)

The first Winter 2018 to find my eyes is Ramen Daisuki Koizumi-san, the latest in an inexhaustible succession of 4koma strip adaptations that follow the formula “[MC]-kun/san is [Characteristic].”[Tanaka]-kun is [listless]. [Morita]-san is [taciturn].

In this case, the beautiful transfer student [Koizumi]-san [loves ramen noodles]. This anime is an exploration of its title—no more, no less—and at least at first, it’s not from Koizumi’s POV, but that of her classmate Oosawa Yuu.

Yuu (Sakura Ayane) is immediately smitten by the aloof, doll-like Koizumi-san (Taketatsu Ayana), perhaps wanting something quieter in a cute class idol than her twin-tailed friend Misa (Kito Akari). Indeed, the more Koizumi ignores and shoots her down, the more Yuu likes her.

Yuu is one of those indefatigable optimists who never stays down more than a few moments after facing rejection or failure, which happens numerous times (this anime understandably has the rhythm of a 4-koma, and Yuu snapping out of her momentary funks forms the “fourth panel” of each segment.

Yuu finds the only way to talk with Koizumi is to voice her ignorance of all things ramen. Because Koizumi is a hardcore ramen enthusiast (otaku?), she doesn’t hesitate to lay some of her encyclopedic knowledge of ramen on Yuu (and us), and Yuu is mostly content with this for now, because a cute girl is talking to her in a cute voice, and the blissful face she makes upon completing a bowl is well worth the indifferent scorn Koizumi doles out.

However, Yuu seems determined not just to become proper friends with Koizumi (using their shared love of ramen as an in, as unbalanced as their enthusiasm for it might be), but make her the fourth member of their circle of friends, thus completing the blue/red/green/yellow hair quadrifecta.

I suspect this will be a fairly static slice-of-life involving Yuu and the others enjoying ramen together and learning more about why it’s so good, with perhaps some gradual progress in opening Koizumi’s shell. At the moment, Koizumi doesn’t seem interested in making friends in the least, but due to her love of ramen, she’s not going to stop anyone from developing some ramen love of their own.

Light, crisp, pastel-y, and inoffensive enough (unless you loathe ramen slurping, not as culturally appropriate in America, though of late people tend to do as the Romans, or in this case, Japanese do), RDK is a watchable enough one-trick time-spender…as well as a mild appetite inducer. But with a lot more shows coming in, I probably won’t be reviewing it going forward.

Musaigen no Phantom World – 05

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This week focuses on MPW’s member of the team who isn’t really a member yet, the aloof, distant Minase Koito. We learn she gained her powers at a young age, and at the cost of never being close to friends or family ever again. A chimera-like beast who loves preying on animals is the phantom that first awakened her powers, and she wants payback. Only she has two problems: she can’t take the phantom on alone, and Haruhiko won’t leave her alone.

It starts with one of Haruhiko’s friends saying something mean about Koito with Koito right behind him. Haruhiko means to apologize, but ends up caught up in the fight with the phantom. Koito saves Haruhiko from the brunt of its attack, but gets a face full of voice-nullifying gas, and without her voice, Koito can’t do squat.

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The episode is basically a progression of Koito realizing again and again that the phantom is too much for her to take on alone, as Haruhiko, Mai, Reina, and newcomer Kumamakura Kurumi (the girl who was observing the group from afar last week). Turns out Kurumi’s teddy bear Albrecht can balloon into a huge golem who fights for her

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Koito doesn’t take kindly to having her personal affairs intruded upon by meddlers like Haruhiko and Mai, but Haruhiko, feeling responsible for her voice getting damaged, can’t help but stay near her side as she tries in vain to take out the phantom. Mai, meanwhile, is very obviously miffed by Haruhiko’s sudden obsession with Koito, a classic childhood friend reaction.

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Koito’s voice heals enough for her to go at the phantom one more time, but it isn’t long before it breaks out the gas and she finds herself in a tough spot. But thanks to Ruru, Haruhiko was able to locate her. He summons Marchosias to distract the phantom while Kurumi uses Albrecht to pummel him into submission.

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From there, it becomes a group affair, with Reina healing Koito, Mai employing her elemental magic, and Haruhiko sketch-sealing the phantom. Himeno-sensei then notes that the phantom isn’t the same one that awakened Koito’s powers years ago after all; Koito was chasing after the wrong phantom.

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After Haruhiko & Co. went the extra mile for her sake without claiming the quarry she meant to claim, Koito can’t help but ask Himeno for Haruhiko’s address so she can wait outside his place as he waited outside hers, in order to apologize and thank him for his help. Which for someone as introverted as Koito, is real progress.

This episode got repetitive at times – Koito faces off against the phantom; loses; gets bailed out; then protests the others’ interference – but it was a decent enough fleshing out of the heretofore least fleshed-out member of the team…aside from Kurumi, who seems to exist in the show for “cuteness (as opposed to comic) relief.”

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Musaigen no Phantom World – 02

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Some concerns going into week two included “can the show keep me engaged in its elaborate magical mechanics?”; “can Ruru’s schtick be consistently better than silent beats it replaces?”; and “is this a lovely show that’s simply trying too hard, riding the coattails of superior past KyoAni work?” Those concerns were somewhat allayed in an episode that built on the strengths of its first outing.

Haruhiko, Reina, and Mai demonstrate solid teamwork that exploits each of their skills, and this time there’s a fourth potential member added to the mix in Minase Koito. She’s talented, and she’s been talented for a long time, but her teacher wants her to learn how to work with others.

When Minase gives the others the cold shoulder and beats them to their job at an abandoned factory, she learns pretty quickly that going it alone is not always the optimal route.

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To whit, her sound-based attacks on the phantoms are cancelled out in the same way her headphones cancel out noise. To incapacitate the phantoms, the good old-fashioned brawn of Mai is needed. Haruhiko is the one to determine what’s stopping Minase’s attack, and directs Mai to smash it.

That leaves Minase free to use her shout to take out the multipliers, Reina to swallow them, Kirby-style, and Haruhiko to seal the sound-cancelling robot by sketching it in his new sketchbook. Not a bad days work…only it doesn’t have the effect of Minase changing her tune and deciding to join their team, nor should she. She levels modest praise on the others’ efforts (ignoring Haruhiko’s entirely) and slinks off, aloof as ever.

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The battle left Mai and Reina’s uniforms filthy, which leads to them showering at Haruhiko’s, but the show doesn’t go down the easy road of having Haruhiko intentionally or accidentally peeping on them.

In fact, the whole scene at his house (the impressive library in which is the source of all his trivial knowledge) was surprisingly innocuous, for what I perceived to be a gift-wrapped harem scenario. Oh, but wasn’t the little sight gag of Ruru sitting among Haruhiko’s figurines just perfect?

Even the next day, with Mai and Reina doing stretches in their bloomers in front of Haruhiko, he’s not sketching them, but a phantom he wishes to summon. He’s only accused of being a creeper when he reacts inappropriately to their next job, which will be at an all-girl’s dorm.

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This dorm, which is ridiculously pink and fuchsia, and its inhabitants are being harassed by a peeping phantom UFO with a camera. They stake out the place, but realize it won’t come until it has something to see, so Mai and Reina kick Haru out and change. Sure enough, the UFO arrives, but it proves a handful, dodging all of Mai’s swipes and stabs and scoring lots of juicy pics in the process.

Haruhiko, meanwhile, is in the catch-22 of his services as a member of the team being required, but the girls being embarrased about being just in towels, which turn out not to be Chekhov’s Towels as they never come off. I loved the physicality and architecture of the sequence, in which he’s constantly going out the window and back up the stairs and into the fray.

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He even uses blood from an inadvertent attack by Reina (for getting tangled up in too exciting a position for him) to summon his phantom, Marchosias. Again the show has a little fun with our expectations, as despite all of Haruhiko’s past accurate sketches of their phantom foes, Marchy turns out to be a fluffy little puppy with wings (that transition from flame-wreathed demon to pink skull cloud to pup was wonderful).

Marchy help—a little, I guess—in rounding up the voyeuristic lil’ stinker, and Reina gobbles him up. The show’s theretofore restraint with amorous material pays off and heightens the sense of surprise when Reina decides to suck on Haruhiko’s finger…and not because she knows her saliva has healing properties, but because she just felt like it.

As for Minase, she peeks her head in, but again claims to be #notimpressed with the team. Sure, they’re not the most professional and efficient, but they get the job done and entertain in the process. If she joined them, a good team might become great. One wonders what will end up swaying her, but I’m glad the show’s not rushing her initiation. Then there’s that strange device Ruru found…

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