Space Dandy 2 – 08

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Every once in a while a rare and truly special episode comes along that wraps you up in it like a warm, thick blanket on a cold winter’s night. It’s not the kind of episode an anime, even Space Dandy, can or should do every week, as it would then cease to be rare and special. But when it does come around, it’s a wonderful thing.

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This episode is oozing with highly refined whimsical trippy goodness right from the start, as the camera pulls back from the Aloha Oe’s pinup to show her crashed on a planet with plants growing out of her, followed by a kind of Norse funeral, with a long-haired Dandy as the honored dead. The show often makes fun of blowing up its world and characters only to hit the reset button, but there’s a much more serious tone here.

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Then Dandy wakes up in his viking boat, which crumbles away to dust, and starts wandering a utterly alien and yet immediately comforting world of lush, gorgeous imagery and a similarly lush, immersive soundtrack to match. There are enough visual and musical cues to make this identifiable as a Dandy episode, and Dandy remains the same old Dandy, but there’s a heightened dreaminess to everything around him. Compared with his usual alien milieu, it all feels a lot more human here.

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Everything has this lovely, fantastical, trippy “off” quality to it (reminding me of everything from Ghibli and Bosch and Pink Floyd to Schim Schimmel and Alice in Wonderland), but as I said, not in a threatening way. As it turns out, this is Planet Limbo, a world without sadness, which also means a world without joy, as you can’t have one without having experienced the other. Any world that lacks one or the other is not a world Dandy, or any human can live in happily.

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None of the colorful characters Dandy meets cast reflections in the water, meaning they’re ghosts who are caught between the worlds of the living and dead, and are neither as long as they’re there. Dandy’s not done living yet, so he elects to board one of the awesome trams strung along the sky piloted by a strange white girl, a girl who has a brief monologue in the beginning of the episode but otherwise wordlessly watches Dandy from afar.

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This girl is Limbo, the avatar of the planet itself, the only living thing left on a world whose civilization destroyed itself long ago. Now that another living thing, Dandy, is there, she has fallen in love. But loving him, she is willing to let him return to the living world he treasures, even sacrificing the planet’s remaining energy to send him back. As it turns out, Dandy hit his head on a lever in the Oe during a choppy ride through a dark nebula.

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When QT and Meow see him passed out over the lever, they assume he’s sleeping and leave him be, and he returns to Limbo on the same Tram he left on. It’s a very sudden and bizarre but strangely sweet twist, because it means Limbo will be reunited with her love, suggesting that maybe, with at least some life among all the dead, there can be joy in limbo after all.

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It seems unfair to call this just another anime episode. This was a 24-minute psychedelic cinematic masterpiece: an offbeat exploration of life, death, and in-between; soaring vistas; a wealth of memorable images; a simple little love story for good measure; and an absorbing, truly inspired and score that complements the visuals and themes perfectly (if you enjoy DSotM, you’ll dig this music too). The only downside to this episode I can see is that its greatness will cast a long shadow over the show’s five remaining outings.

10_sesRABUJOI World Heritage List

 

Space Dandy 2 – 05

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After a middling high school musical episode, Dandy bounces back with a particularly spiffy alien twist on the classic “Big Fish” adventure. It starts as an ordinary fishing trip, with QT lording his expertise over everyone, until Meow suggests they fish for something that will make them money. To whit: the legendary Munagi of the planet Kayu.

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A bit of defining: we learned after watching that Munagi means “ridgepole” while Kayu means “porridge.” And Kayu indeed is a world with an exceedingly thick, goopy, viscous ocean. The world is also suitably alien and bizarre-looking, looking influenced by some canny combination of Dali, Seuss, Dunning, and Hokusai.

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When the Aloha Oe is stuck in space kelp(!), Dandy teleports to Kayu and meets the small, adorable Erssime, who lives with her grandfather(?) L’Delise, a seasoned fisherman. These two happen to be the only ones who, like Dandy, believe in the Munagi, but L’Delise wants nothing to do with Dandy and snorts at his feeble attempts to catch it.

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We’re treated to another lovely Dandy montage of Dandy and Erssime fishing in various strange landscapes. Eventually some other locals laugh at Dandy for believing the ramblings of a little kid and a weird old man. The legend doesn’t even make sense: the Munagi is said to come on a blue moon, but Kayu has no moon.

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But then, one stormy night, a blue moon does appear; in actuality it’s the blue Rubini Comet, which last passed by Kayu 3600 years ago, matching the timing of the Munagi legend. L’Delise and Dandy put their differences aside and, with the help of Erssime, Meow, QT, and a gaggle of convinced locals, get a good grip on the emerging Munagi.

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Ultimately, the King Munagi and all of its smaller subjects are far to collossal to be caught, and in any case they’ve risen to the surface in order to hitch a ride on the very comet that deposited them at Kayu nearly four milennia ago. They lost the Munagi, but everyone is safe, and the collective experience brought everyone closer together.

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Dandy, Meow, and QT end up in the same place they were in the beginning: fishing, with Meow suggesting they catch something profitable. After all, there are plenty of fish (-populated planets) in the sea (of stars). Unlike the high school ep, this one took it well-tread story—the Big Fish Tale—and put a truly creative, whimsical spin on it.

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Space Dandy 2 – 04

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There are Space Dandy episodes I can run out onto the parquet dance floor and bust various moves with, and then there are those where I’m just kind of chilling in the periphery of the venue, sitting on a folding chair, sipping some punch, and tapping my foot, half to the beat, half impatiently. This was one of those latter episodes.

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Dandy has done a lot of different stuff, but hadn’t tackled the “high school musical” genre yet. But it just didn’t feel like its heart was in it in the same way it is for all of its trippy, metaphysical, and high concept episodes. As Dandy remarks upon first meeting his future prom date, much of the episode had a “well-honed plainness” to it. Much of the ground it covers has already been covered in better ways.

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A good musical, high school or no, has to have good songs, but most of the songs here were seriously lacking. The lyrics were dull, simplistic, and repetitive, and the pacing of the song and dance numbers dragged on way too long: the Queen Bee describing the school’s caste pyramid took up way too much time, and even if the awkward pacing was intentional, it just felt like stalling.

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That said, it was still a fun episode with some good bits: Dandy getting shot down by increasingly alien girls, and the 80’s-style pre-prom training montage, and the fact the girl was the rare alien Dandy enrolled to the school to find in the first place, but he, QT and Meow simply forgot about by the end. With Dandy, if you don’t like one episode, just move on to the next.

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Space Dandy 2 – 03

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“Oh shut up. If we have this, we could do this and that, and then that’ll happen, and we’ll be able to eat as much as we want.”

This is Dandy’s defense this after Meow scolds him for buying a sketchy teleporting flashlight instead of food because the lady who sold it to him was hot. It also serves as a tidy and prescient synopsis for their adventures to come, which are many in number and absolutely insane in nature. Seriously, there hasn’t been a Dandy this free-wheelingly, awesomely nutty in quite a while, and yet it all holds together quite nicely when you remember Dandy’s above line.

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Essentially, the episode is a treatise on the merits of another one of Dandy’s lines, and the title of the episode itself: “Good things come to those who wait [baby].” That applies as much to us the audience as it does Dandy, Meow, and QT, as the episode is deliberately roundabout and baroque in its storytelling, and initially quite head-scratching and surreal. For a few minutes there, we had no idea what was going on. Like Dandy’s head, we were just…watching a fish set up an umbrella and beach towel.

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From the first scene at the space mall that accentuated the crippling amount of choice was available to Dandy and Meow to the “fistronaut’s” futuristic underground city, this was also one of the more detail and vista-packed episodes of Dandy in a while, though all of its episodes are pretty intricate. The episode also had fun with physics, astronomy, and relativity, and dished out some very painterly, lyrical animation for the boat trip up the water column from Planet Pushy Boyfriend to Planet Girlfriend. Even those random names describe the planets pretty well in their way.

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There are a lot of familiar Dandyisms on display here: from Meow’s hunger leading to crazy adventures, to Dandy snatching perceptiveness out of the jaws of ignorance, to Dr. Gel almost capturing Dandy, to a hastily-told but intricate look into the worlds orbiting one of the countless stars in space. Dandy and Meow also witness a couple more ends: both the end of the short-sighted civilization of arrogant, mean-spirited, clothed fish, to the fishtronaut himself, who turns into grilled fish that is the food Dandy promised the flashlight would ultimately provide.

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Also like many other Dandy episodes, this one has high re-watch value, though there’s nothing like being blissfully in the dark and wondering precisely how (or if) the show is going to divine a coherent resolution from all the colorful chaos. And no show airing now is quite as good at bending my minds and making me hungry at the same time. If you’ll excuse me, I’m going to attempt to locate some grilled fish. The more interesting the life they’ve lived, the tastier they are.

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9_ses

Space Dandy 2 – 02

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As anyone who watches knows by now, this weeks episode of Space Dandy was always going to be absolutely nothing like the last one. Rather than explore the chaotic possibilities of Dandys from far-flung parallel universes interacting, this week’s Dandy exhibits its whimsical, free-wheeling way with cause-and-effect…or effect-and-cause, if you will.

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A seemingly innocuous argument between Dandy and Meow (on how some song went) leads to Dandy saying goodbye to his two long-time crewmates forever…before Honey can even serve him pancakes. He boards the Little Aloha and flies off to answer an invitation from a fan he believes to be a shapely rare alien girl. Of course, this is only a gross misunderstanding on Dandy’s part; something he’s so good at, QT finds and then enters him into a Misunderstanding Grand Prix, which he promptly wins in absentia.

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Much to Dandy’s dismay, the rare alien turns out not to be a hot alien chick, but “Ukeleleman” a somewhat frightening marionette-type golem with a very calm, dull voice; someone who collects smiles and wants Dandy’s for his own. While hardly the strangest Strange Alien-of-the-Week the show’s dreamed up, he’s definitely very random and more than a little offputting; not necessarily evil, but dangerously single-minded.

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In fact, Meow and QT had already met him and fallen victim to his “hypno-petrification” tune, after locating where Dandy crash-landed, then transporting from one highly hazardous area to another until coming across Ukeleleman. The sight of his friends reduced to garden statuary keeps Dandy from giving him the smile he wants, and Dandy eventually runs off with them. His plan is to throw them into the Strange Phenomenon-of-the-Week: the River of Time that rings the planet.

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First referred to by Dr. Gel as a means of capturing Dandy once and for all, the River is much like any other in that it’s made of a water-like substance, only the water represents time, its source the past, and its mouth the future. It’s also subject to the Pororoca phenomenon, meaning at times it flows backwards, returning the past to the present.

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On a show Space Dandy that hits the reset button every week, a device such as the River of Time might seem redundant. Despite that, and despite the fact the actual practical mechanics of the river are a bit loosy-goosy, the execution is entertaining, showing us ducks turning into ducklings and then eggs, or a Space Battleship turning into a Galleon, as the waves crash. Dandy also gets to break out his surfboard.

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That battleship crushes Dr. Gel’s dropship, and his latest attempt to capture Dandy along with it. The final showdown between Dandy and Ukeleleman is muted and lacking in emotional investment—frankly, we’re glad to see the weird-looking bastard go up in flames. But it’s in death that he finally achieves the smile he’d worked his whole life to achieve. And when his ukelele drops into Dandy’s hands, Dandy is able to properly remember how that song went.

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Space Dandy – 12

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Well, presumably it had to happen sometime: a genuine clunker from Space Dandy. It was still fairly entertaining, but the “alien that looks like anything” plot was somewhat lacking, that this was also the first episode that we really felt went on too long, rather than not long enough.

Now, because something can transform into a duplicate of one of our characters, repetition is part of the game, but it was a card that was overplayed and grew tiresome. What also grew tiresome is the abject lack of basic observation skills. Honestly, the BBP crew just seemed dumber than usual this week.

Despite being a subpar Dandy outing, there were bright spots: Scarlett’s constant debasement of Dandy’s alien hunting skills, QT geeking out on fishing, and his reaction faces in the “Who Wants to Be A Millionaire”-parodied Dandy Quiz. But even these things felt overstretched and undercooked. We just weren’t feeling this one.


Rating: 5 (Average)

 

Space Dandy – 11

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We open this episode with gifted scientist Dr. Gel so deep into complex, esoteric calculations, he doesn’t even hear Admiral Perry’s orders to invade the library planet Lagado. Gel’s assistant Bea, who seems like a capable chap, takes command. Meanwhile Dandy is trying to register a rare alien in a box he isn’t supposed to open for reasons he forgets. When the box is opened, sirens blare, a booklet and ticket to Lagado are revealed. While we suspect Gel’s calculations have something to do with all this, we are, for the moment, as confused and clueless as Dandy.

This episode gradually reveals its premise regarding the Great Librarian of Lagado (an alien in the form of a book) being checked-out by Admiral Perry because Dr. Gel said he needed it. The book manipulates Dandy & Co. to steal her from Perry, then manipulates them to successfully escape from the Gogol fleet and return her to Lagado. She had a desire to see the outside world with her own eyes, not merely in print. Now home safe and sound, she rewards Dandy with the box we see in the beginning, which they open again to reveal a videotape…and the cycle continues.

This episode was a showcase for Space Dandy’s uncanny ability to open an episode with a messy pile of disparate building blocks but end up with a relatively sturdy, recognizable whole by the end. The episode does so stylishly too, adopting a totally different aesthetic for the time Dandy, QT and Meow are being manipulated by the book, with most of the color being sapped out of the world, lighting becoming more dramatic and textured noir-ish. It’s a fitting depiction of the somewhat hazy, incomplete nature of memory.

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All the sci-fi mystery aside, the episode also manages to make a fairly unadorned commentary on the consumption of media. Whether it’s books, tapes, laserdiscs or floppies, mankind’s drive to record anything and everything is absolute and unrelenting. Such media provides their consumers with thoughts and ideas they didn’t have to come up with on their own, which can lead to those consumers being manipulated and their very lives directed by said media.

For us, that media is anime: we can scarcely get enough of it, and we schedule chunks of our lives to watch and review it. We’re not much different than QT sucking up punch cards of smooth yet bold-tasting data; it’s just a matter of complexity. And with the ultimate knowledge of the cosmos taken to its extreme, we witness Dr. Gel finally comprehending everything, leading to his destruction; moderation was not practiced. But hey, at least we now we know why the end credits contain all those weird calculations!

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Rating: 8 
(Great)

Space Dandy – 10

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Sket Dance was a typically very goofy, loopy show where anything goes that also happened to be really good at serious episodes when it felt like doing them. Space Dandy has been the same way; whether it’s the elderly ramen alien, Adelie, it’s those deeply emotional episodes with a message—even if the message isn’t all that complicated or original—we’ve enjoyed the most.

This week Space Dandy aims to transform its lazy, dirty doofus that is Meow into a more well-rounded, sympathetic, real character by having the Aloha Oe touch down on his home planet of Betelgeuse for repairs. His small, unexceptional hometown that has seen better days, his chaotic but relatively warm family, and a snapshot of the life he left to explore space, all of it is efficiently rendered within a day.

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Then that day becomes another day, and another after that, all exactly the same, and suddenly we’re in a Space Dandy version of Groundhog Day, one of our favorite films. Obviously, that makes us a bit biased towards this story, but we love time loops in general, from TNG’s “Cause and Effect”, all the way to “Endless Eight” and Natsuiro Kiseki’s finale. Like Groundhog Day, once Meow realizes tomorow isn’t coming, he makes use of the loops to improve himself and explore the life he left behind.

When he learns his high school crush is a lesbian, he scours the internet for a fix, and it turns out the calendar itself the camera always fixes on in the beginning of each loop is the key; the source of the Moebius loop created by the energy discharge of an imploded superweapon Dr. Gel insisted wasn’t ready yet but Perry deployed anyway. The resolution is beautiful, requiring the precision metalworking skills of Meow’s blue-collar dad to free the stuck page from the calendar.

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We had been thinking it would have involved machining the part needed for the Aloha Oe, that “piece of a certain appliance” that Meow won an award in school for constructing. The last comment about the lives Meow, Dandy, and QT are returning to are usually pretty monotonous, but as QT said, there’s a huge difference between “pretty much” the same day and the exact same day over and over.

There were a ton of details in the episode we loved: the diverse range of siblings Meow had and all their little quirks; the dad’s unashamed love of boobies and routine of going to the bar after work for a couple; the Countach poster on Meow’s wall; the sheer ridiculousness of Dandy picking a fight with an inanimate wall calendar and losing. But most of all, we liked how it took Meow and really elevated him to a new level. It makes us hope origin stories for QT and Dandy are down the road.

9_superiorRating: 9 (Superior)

 

Space Dandy – 09

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The vibrant variety of Space Dandy is such that there’s a little of something for everyone. This flora-centric episode is perhaps the show’s most psychedelic outing yet, relying less on plot and characters than the pure atmosphere of the far-out planet-of-the-week, somewhat unimaginatively-named “Planet Planta.” Large swaths of the episode have no dialogue, using alien ambient sound effects and some very trippy yet catchy music during a colorful and wondrous interlude. This show does some terrific montages.

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This is another episode in which QT stays on the ship and Dandy and Meow are separated on a new planet, but rather than following nearly-identical courses, Meow stays stationary as the simpler southern plant-folk around him fatten him up like a foie gras goose. Dandy, on the other hand, scarcely ever stays still, being swept up by microbes working for the highly-evolved northern plant-folk and delivered to a somewhat daffy scientist. He, his daughter, and his staff are all plants that lack conventional “faces” to lock on to, but still come across as people, not things. We like how things seem a little perilous at first but the doc turns out to be a decent sort; and his daughter is cute as a button.

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Like Dandy, the scientist is after “Code D”; he believes to be of considerable scientific significance, while Meow learned from a magazine that it’s a valuable rare alien. So they load up the plant-caravan and head off on an epic journey vividly illustrated in that interlude we talked about, a grand tour of most of the 18 “plant republics” that make up the northern hemisphere. As they draw nearer, a former colleague and present rival of the scientist arrests them all for illegal travel, but the scientist’s friends bust them out of plant jail and the journey continues.

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The Daliesque odyssey is a lavish feast for the eyes, full of wonder and other-ness, and we particularly like how audio-visual cues are used to effectively portray the intensifying stench of their quarry. Code D turns out to be a technicolor crystalline meteorite, and when Dandy snaps its cables and tries to snatch it, he causes a chain reaction that tears all of the advanced republics’ biodomes, causing a planetary de-evolution of all of the plants back to the inert kind we and Dandy are used to. The scientist doesn’t deny that this was his plan all along: to return plants to their natural state; to their “roots.”

9_superiorRating: 9 (Superior)

RABUJOI World Heritage List

Space Dandy – 08

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This week Space Dandy plays the Dying Dog Card. The DDC is a surefire way to switch on the waterworks for a good portion of the audience, provided it’s done right. The Aloha Oe lands on Machinia, a planet made of junk, quite possibly from all of the space missions in the galactic vicinity. There, as QT geeks out and collects parts and Meow samples the local cuisine, Dandy discovers a dog and coaxes her to his side. Unlike say, Guts from Kill la Kill, a pug highly stylized in design, this P.U.P. is realistically rendered, making her optimal for emotional connection.

And unlike Guts, she’s not invincible. In fact, she’s dying. She tells them this only after Dandy makes her the fourth member of his crew and plays with her all day. Dandy’s translation band even translates her barking into the voice of a frail woman who is glad she got to play one last time. Before Dandy built a rocket memorial for her, we knew the dog was probably Laika, and the narrator—even he gets teary-eyed—confirms the possibility, in a nice nod to real-life space history. It’s also comforting to think Laika may have somehow survived and lived long enough for another human to find her and tell her the humans didn’t shoot her into space because they hated her, but to advance their understanding of the universe. She was a good dog.

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Rather than switch gears entirely, the episode then deals with the consequences of contact with a dog who’s been hanging around on a dumpster planet for God knows how long: namely, fleas. The way they’re gradually revealed is very slick. When we first see the brothers, we actually had no idea the golden fields in which they were lying was in fact the dog’s coat. We should have picked up on it when they started bouncing around like, well, giant green fleas.

After dealing so many normal-sized or huge aliens, a microscopic one is a refreshing change, and they’re able to wreak plenty of havoc despite their size. In the end, though, the Aloha Oe escapes via warp from the black hole created when Machinia imploded, just as Dr. Gel and Bea warp in. Victims of horrible timing, they’re sucked in, perpetuating the trend of Gel and Dandy being two ships passing in the cosmic night.

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Rating: 8 
(Great)

Space Dandy – 07

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Many a great sci-fi series features a good old-fashioned Grand Prix race at some point in its run, and Space Dandy reaches into that deep cookie jar of stand-bys with its usual cheek and flair. It’s yet another great opportunity for universe-building, as the various drivers come in every size, shape and color. But the only one that matters to Dandy is the one stealing his thunder at Boobies: The Prince, voiced by Kaji Yuki.

While Dr. Gel is the antagonistic thorn that…never actually makes it into Dandy’s side, Prince is his first legitimate rival, winning hearts of the ladies through impeccable polish, politeness, boyish good looks, and by being the very best at what he does, which Dandy is decidedly not, no matter how entertaining his missions have been. Still, Dandy doesn’t hesitate to take Prince on at his own game, and enters the Magellanic Nebulae Grand Prix.

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QT and Meow are dubious of any kind of success against Prince, but when they find out that Prince is essentially a Bizarro Dandy with his own arrogant robot and (Mickey-like) rat sidekicks, they buy in at once, and the race is on, along a course that bears a close resemblance to Silverstone. (We’re also watching this episode on the day of the Daytona 500; a cool coincidence). Dandy doesn’t get off to a good start, but makes good use of his many trump cards, all of which are activated by the same yellow button.

The race itself is a gorgeous panorama of diverse environments and menagerie of funky aliens, which again just adds to the scale and intricate texture of the Space Dandy universe. The Prince is heel-and-toeing along in the lead, but Dandy keeps clawing and bearing down and showing up in the rear-view mirror until before Prince knows it, Dandy’s in the lead, and he does it His Way, which is to say by ignoring the laws of chemistry, metallurgy, physics—but none of the race rules.

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In the process of dueling with Dandy while the other competitors crash and explode (including Dr. Gel, who got so caught up in the race he briefly overtook his quarry), Prince undergoes a transformation (emotional, not physical): for the first time, he’s going all out and not leaving the competition in the dust. Dandy is pursuing him against all odds, flying in the face of the truths he had held inviolable: that nobody could beat him; that despite the love of the millions, he was alone at the front of the pack—until now.

We expected an ending in which the result of the race was disputed in some fashion or another, but with Prince and Dandy coming away more friends than enemies. But the Prince falling in love with Dandy, Dandy plowing into him from behind at the Seventh Space Velocity, Dandy achieving a higher level of existence, emerging 5 billion years later to find that he had been revered as a Buddha-like deity? Not expected. And those incessant bumper cards throughout the episode in which a chorus sang “Dandy” in various chords actually foreshadowed his apotheosis: it was a mantra.

9_superiorRating: 9 (Superior)

Space Dandy – 06

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As expected, Space Dandy completely changes gears from a heartwarming friendship story to interplanetary diplomacy, as they crash land in the midst of the ongoing struggle between the two last survivors of two warring civilizations. It’s a very old sci-fi concept brought back to life by the show’s passion and knack for fresh storytelling, and unique in what differentiates the otherwise very similar factions: clothes. The Undies wear only boxers, whil the Vestians wear only vests…and n’er the twain shall meet.

Dandy and Meow reconnoitre and are both captured in quick succession by the aliens, in scenes spoofing Luke Skywalker’s capture by Tusken raiders. Ironically, the “droid” in Space Dandy, “QT” isn’t captured. That’s key, because on this particular world with these particular factions: only Dandy and Meow could have been captives…and they’re lucky enough to be captured by the side that favors their own clothing preferences. Dandy is actually most at home in his boxers, while Meow sports the far more Disney-esque vest.

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The aliens themselves are funky designs with awesome voices, and the show makes a point to cross-cut their conversations with their captives-made-allies in order to accentuate how they have far more in common than different. One reason the war’s gone on so long is that they only fight about a minute a day in fighters, and have terrible aim. But their respective causes are quickly taken up by Dandy and Meow, so when they meet, they find themselves fighting on behalf of their new alien friends. More to the point, when the clock expires, both come away with mutual respect for each other. It’s very chivalrous and both sides play fair.

It’s also key that QT stays aboard the crashed Aloha Oe; in addition to staying above the fray and making repairs, she reiterates the overarching goal of being there in the first place: registering these two aliens. That can only happen if there’s peace, so Dandy and Meow set to work (in the aliens’ oddly romantic-looking bedrooms) convincing their friends to set their conflict aside. It’s win-win: the last Undie and last Vestian would get to experience what else the universe and life have to offer; while Dandy & Co. get a payday.

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The Accords get off to a good start, with a treaty being signed, and hands shaken. But when it comes time to exchange clothing—a final gesture of differences exchanged rather than merely set aside—neither of the aliens can do it, even though the color of the star on their would-be new garb matches their skin (maybe this was done before in the past?) They take out concealed guns and empty their clips at each other, missing everything, then hurl progressively larger rocks at each other (returning to the most primal tactics of conflict) until they smush themselves to death.

With their dying breaths, each whips out the remote for their trump cards: orbital nukes that will assure mutual destruction. Unfortunately for Dandy and Meow, they’re not aboard the Aloha Oe when repairs are complete and the planet starts tearing itself apart. At this point it seemed likely QT would simply leave them behind to die, after promising to “never forget them”, a common refrain in such situations. But not this time.

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The show had very casually set up a trump card of its own in the first scene of the episode—Dandy’s rocket surfboard—and Dandy and Meow surf the “Big Wave” Dandy been waiting for: the kind that only comes when a planet is exploding. It’s a thrilling, beautiful, joyful end (set to an equally lovely, upbeat song), but it’s also a little wistful, as it demonstrates what could have been had the red and blue aliens committed to peace, waved goodbye to their ten-millennia-old battlefield, and ventured out into the universe. There were two more surfboards, after all.

9_superiorRating: 9 (Superior)

Stray Observations:

  • Nice slice-of-life aboard the Aloha Oe to start us off: Dandy chilling in his very Dandyesque room with a Playboy; QT vacuuming; Meow ensconced in a hilariously Serial Experiments Lain-themed room full of computers and amazon shipping boxes.
  • This is also a way for Meow and QT to mock Dandy as a “shuubie” and poseur for never using his surfboards. Obviously they’ll come in handy later!
  • Dandy mistakes the alien’s advances as sexual. Not a bad instinct.
  • We’re sure there are a whole lot of other clever references in this episode, some we got, some we didn’t; but most omnipresent was the fact the Undies and Vestians reminded us of Dr. Seusse’s Sneetches: both in the elemental nature of their conflict, the odd shape of their bodies, and, of course, the stars!

Space Dandy – 05

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Even though he ends up mired in them almost all the time, Dandy doesn’t like complications, or things that will tie him down or threaten his transitory nature. He does what he wants and doesn’t do what he doesn’t; taking orders from no one. While he may ‘sign’ every other line with “baby”, an actual baby would be anathema to Dandy. The moment someone starts a family they cease to be the most important person in their lives, and they cease to be their own boss to boot. That’s partly why Dandy doesn’t have a family; just a robot and a layabout cat-alien for company. This week, if only this week, that formula changes with the addition of Adélie, an alien who’s been humiliating alien hunters with a huge price on her head. Turns out she’s just a little girl looking for her family, and finds a fleeting one in Dandy.

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This is almost the inverse of Michiko and Hatchin, in which a wronged mother seeks out and snatches up her daughter (we really need to get back to that show someday…): Dandy had no intention of hanging out with a little brat, and indeed, he doesn’t seem he’d be guardian material, considering all the sleazy places he hangs out at, and the dangers his vocation lends. But with the Aloha Oe impounded, the 8 million Woolongs are worth a space train ride to the registration office with said brat. But like Hatchin, Adélie proves a match for Dandy’s robust personality, which is after all so much bluster and bravado…and boobs. At first they can’t even agree on the proper condiment for eggs, but they gradually warm to each other, and have fun adventures on their journey.

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We’ve said that Space Dandy never fails to put on a hell of a show with whatever genre-of-the-week it decides to focus on, and this kind of story is no different, hitting all the right comedic and dramatic notes. Of course, its effectiveness could have suffered had too harsh or bratty a voice been selected to play Adélie. Fortunately she’s voiced by Kanazawa Hana, provides a perfect balance of cheek, angst, and vulnerability. We imagine anyone would be eager to play such a beautifully-fleshed out, believable character even for one episode (though who knows, she may be back), who just happens to have stingers that can transfer peoples’ consciousness to plushies—a power that’s always used cleverly. More than anything, this episode redeems Dandy as someone with a heart of gold, which is beautifully revealed as his emotional stake in Adelie grows along with ours.

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After checking into a motel, Dandy announces he’s going out for a night of Boobies (which we know to be his church), leaving Adélie to stew alone. Our hearts literally soared when it turned out he was feverishly investigating the whereabouts of her grandfather, her only living relative. The reunion at the station goes delightfully un-smoothly when Adélie bristles at their apparent parting; accusing Dandy of abandoning her because she’s inconvenient; being no different from the other adults. Dandy’s daring rescue of her from the scorned alien hunters—while stuck in a stuffed penguin—was truly inspired. In the end, they do have to part ways, but not after changing one another’s preconceptions. Dandy met a decent kid and got a taste of fatherhood. Adelie met a decent adult and got a taste of daughter-hood. Hell, for all we know, Dandy IS her real father…


Rating: 10 (Masterpiece)

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