Zombieland Saga: Revenge – 07 – We’ve Got a Live One

This week’s opening minutes are very familiar, because they unfold very similarly to the very first episode of ZLS, when a super-chipper Minamoto Sakura’s life was unfairly snatched away by a passing car.

In the case of Yuzuriha Maimai (Hanazawa Kana!), she trips and falls on the way to the bathhouse, smashing her glasses. Undeterred, she accidentally walks into the men’s bath, then slips on a bar of soap that happened to slip out of a bathing Koutarou’s hands.

Cue the death metal and multiple camera angles that, in its first ever episode, made clear that this wasn’t going to be quite like other idol series.

We quickly cut to the briefing basement, where Koutarou, Maimai’s wrapped corpse behind him, announces they have a new member! There’s no doubt that among the many thoughts going through the girls’ heads is Did Koutarou finally go too far and murder someone??

Fortunately, the “corpse” comes to—apparently, Maimai is too dumb to die (either that, or the blow to the back of her head wasn’t as bad as it looked). In any case, Maimai’s series of errors led to Koutarou panicking and not confirming she was actually dead before exposing the rest of Franchouchou to a living person.

Fortunately, Maimai is a good girl, and also a huge fan of Franchouchou and Number One in particular. She has no intention of telling anyone their secret, but since she’s there anyway, she asks if she could join the group anyway! Koutarou, thanking his lucky stars he didn’t accidentally kidnap someone brighter, agrees, and Maimai is christened Number Seven.

While Maimai knows all the words to their songs and all the moves to their dances, her brain and body rarely operate in concert. As a result, her training does not go smoothly at first, but Ai, consummate professional that she is, never loses her patience, and Maimai eventually starts to improve.

When her school’s cultural festival committee is deadlocked on what the big act should be, she says she can get the Franchouchou. The girls are excited to perform there, particularly since they either didn’t spend much time in high school or, in Lily’s case, never made it there. It’s also slightly implied that Koutarou seduces the principal to get approval.

The girls stop by for a pre-festival tour of the festival, and when Maimai tells Sakura how she thought Saga was “done for” until she heard Franchouchou, Sakura can’t help but remember how negative her outlook was until she first heard Ai and Iron Frill. Maimai is shocked to learn of the group’s intention to have a “revenge” show at EFS, but Sakura tells her that’s what Franchouchou is: they never give up.

The big day arrives, and wouldn’t you know it, Maimai doesn’t screw up once! Instead, she totally surprises her friends and classmates by appearing on stage and performing with Franchouchou, announcing after their first song that she’s the newest member…only to then immediately announce she’ll be “graduating” from the group as soon as she leaves the stage.

Her reasoning is solid: while she initially thought she was “one of” them, and they welcomed her with open, caring, and encouraging arms, the bottom line is that other seven have no choice but to do what they do, because they’re zombies. Maimai reckons she needs to live out her life in Saga first in this new Reiwa era, inspired by their dedication to continue rising up and living life to the fullest despite being dead.

After giving a giddy Saki a parting gift of a 20th-anniversary color Tamagotchi, Maimai parts ways with Franchouchou. Part of me is sad Hana-Kana’s time with the group was so brief, but I absolutely understand, respect, and even admire Maimai’s choice.

And while she’ll absolutely never spill the beans about Franchouchou’s true undead nature, reporter Ookuba Shinta has now matched all seven members except Yuugiri to their living counterparts.

Whether he’ll put this scoop on the front page immediately, or go to Franchouchou first for further explanation, I don’t know the guy well enough to say for sure. All I know is, the preview for next week confirms that Yuugiri, the only member on which he has no info, will finally get her own focus episode, which looks to be a period piece. It’s about time!

Rating: 4/5 Stars

Read Irina and Crow’s discussion of this episode here!

Kemono Jihen – 09 – Kabane the Casanova

After she was born and learned to control her golden webbing, Aya had been treated like a tool, and when she was insolent she’d be beaten “like banging on a piece of malfunctioning equipment”. Still, she knew Akio needed her so she was able to live in relative comfort with dresses and books. When Aya learned she had a brother, she imagined him to be like the Prince Charming in her book, taking her and their mother away to live happily ever after.

While a happy ending was deferred, it is still possible. Aya learns this when Shiki welcomes her into the hospital room where their mother is resting. Aya may think she’s a bad seed that should be “done away with” like the other kemono Akio created, but thinks Shiki won’t kill her simply because she looks like a little girl and speaks. But that’s not the reason.

Shiki does not detest Aya, he’s grateful to her for being with their mother and keeping her alive, even though she was all on her own while her big brother had run away and was living in comfort. When she hears Shiki and Aya talking together over her, she wakes up and opens her eyes, and the Tademarus are a family united for the first time. It’s perhaps the sweetest and most moving scene in the entire show, and it was the perfect payoff to the emotional stakes built up the last couple weeks.

Of course, Kumi now being alive and awake means Shiki has some things to think about, and is away for a week, causing Akira to frets and Kabane to bear an all-too-forced smile when asked how he feels about it. Shiki may have his family back and will need to help support them, he promises Kabane he won’t leave the agency before he helps Kabane find his family.

Unbeknownst to Shiki, Aya followed him to the agency and we see that her own style is quite a bit more…modern and mature (read: jailbait) than the frilly dresses Akio gave her. Her precociousness extends beyond wardrobe, however: she’s already planning to work with Granny at her clinic, with plans to start her own “kemonopathy” clinic using her healing webbing.

When Shiki begs Kabane to talk his sister out of this, as she’s only eight, he simply responds “If she has a power shouldn’t she use it?” It’s that cold, certain, honorable logic that draws Aya to Kabane’s side, and she declares him her boyfriend. Then Kon shows up, armed with the absolute worst timing—she had a week to see Kabane alone!

Just like that, Kabane has not one but two would-be lovers, who immediately exchange lightning glares. Inugami interrupts the spat to announce that they do have actual business to attend to: there have been reports of an invisible kemono ripping pieces of women’s faces off in stylish Harajuku.

The three who will go investigate are Kabane, Aya, and Kon, the latter relaxing her no-working-with-tanuki policy by declaring herself a mere “observer”. Really, she wants to closely observe Aya to ensure nothing happens, but it’s also never a bad idea to bring some kitsune muscle as backup.

After Kon’s failed attempt to impress Kabane by trying to order a cop around (Inari’s power doesn’t extend to her anymore), Aya ends up being the kemono’s next victim on accident when she pulls on her hair. Taking the form of a black smoke cloud filled with floating pieces of women’s faces she collected, the kemono’s story is pretty simple: she fell in love with a man who works in the area and wanted to look more human so he’d notice her.


When Kabane says love is about giving, not taking, the kemono is unconvinced, because Kabane has a girl on his arm. Instead she appeals to Kon, who looks like she’s in pain like her. She’s not wrong; ever since watching Kabane and Aya together she’s felt all “mushy” in the chest.  Being with Kabane has always been fun until now, and Kon blames Aya for making it not fun anymore.

Taking on her kitsune form, she tries to eat Aya, but only ends up biting Kabane’s arm. Then she runs off in tears. Aya uses her webbing to create a human body for the kemono, and referred her victims to the clinic where she’ll be able to heal him. Back at the agency, Akira is threatened by Aya’s frightening competence, while Aya thanks Kabane for protecting her with a smooch on the cheek.

Kabane may not quite understand love, romance, or jealousy, but he knows he and Kon didn’t leave things in a good place, so he rushes to the park where she lives and shakes her out of the tree (the gag about her never landing on her feet never gets old). Sure enough, Kon’s face is a mess of big soppy tears. She thinks Kabane must hate her for trying to eat the “bug-smelling girl.”

To Kon’s surprise, when Kabane takes her cheek in his hand, all the chest-mushiness goes away instantly. She sees that Aya wants to be Kabane’s “number one” because in Aya she sees herself having worked tirelessly to become Inari’s number one. Well, Kon wants to be Kabane’s number one, and asks what she should do to do that?

The obvious answer is to kiss Kabane, but not only does Kon not know that, but even if she did kiss him neither of them might understand what it means. They’re basically the most adorkably hopeless couple ever and I will never stop shipping them. I won’t deny Aya is both cute and capable, but she’s also way way way too young for Kabane. Also, Kon was first!

We get a nice scene of closure where Inugami helps Kumi arrange a memorial for all of her children who were killed. She ask him to keep it secret from Shiki and Aya, but in truth I think they’d understand her need to honor all of the life she created, as they’re in that group too.

Kon is realigning her primary allegiance from Inari to Kabane, but Aya once again beats her to Kabane’s arm at the agency. The two stare each other down once more, with Aya even telling Shiki he shouldn’t mind if she and Kabane married, since that would make them brothers. Akira, the Best Boy, finally steps in to break it down for Kabane: he can only have one lover, so he has to choose.

For Kabane, “lover” simply sounds like “one you love”, which he extends out to the terms “boyfriend” and “girlfriend”. As such, the one he chooses is Inugami, again failing to grasp the difference in kinds of love, and also shocking both Aya and Kon with his apparent confession to “preferring older men”. Inugami, meanwhile, obviously wants no part in a Kabane love polygon!

Kemono Jihen – 08 – A Sister Richer

Right in the middle of Shiki considering killing his Uncle Akio with neither Inugami nor Nobimaru not standing in his way, a filthy Akira emerges from the woods having pissed himself with fear. Then a whole mess of Akio’s kemono creations arrive, surrounding the area. Akio informs Shiki that while none of them can produce the golden webbing, they’re still smart and can even speak—in Kumi’s voice.

When the monsters start to rush everyone, Inugami steps in, but his arm is poisoned, keeping him from producing a gun. Hearing his mother’s voice tell him she loves him through all the monsters paralyzes Shiki. Kabane’s lights up as he draws close to Shiki and asks once more “How can I help?” Inugami has Akira freeze his arm, but they’re saved from the charging kemono by the little girl Aya, whom they listen to.

When we cut back to Kabane, he’s already demolished all of the dozens of kemono protecting Akio, leaving Shiki free to kill him, or otherwise ask Kabane to kill him. Kabane is simply “happy to help”, as there’s apparently zero psychological cost to the carnage he causes.

The thing is, Shiki no longer wants his uncle to die. He wants him to live with the torment of all the things he meant to leave behind erased, and dying many years from now a forgotten man with no legacy. Aya doesn’t want Akio killed either, and not for sentimental reasons: he knows the location of a certain cocoon.

A bitter Akio refuses to tell her, but fortunately for her Inugami & Co. are detectives. Aya has no leads, but with one call to Mihai, they get a location: the same secluded spring in a patch of skunk cabbage where Aya had Inugami heal his arm. Aya prepares to plunge in, but Shiki goes in her place; she’s just a little girl after all.

At the bottom of the spring, Shiki finds something he’d never expected: his mother, still alive, encased in the cocoon. A bodyguard kemono attacks him but he defeats it and surfaces with his mom. Aya reveals that she herself is the golden webbing, and created the cocoon to keep their mother alive.

When Akio tries to rant more about “nearing mass production”, Shiki knocks him out with a slug to the face. Aya and the still-unconscious Kumi pile in the car with Shiki, Inugami, Kabane and Akira and they head back to Tokyo. Kabane noticed Nobimaru slipped away at some point, but Nobi doubles back give Akio at taste of his kitsune flames.

With his mom alive and suddenly possessed of a little sister in Aya, Shiki’s had a considerable turnaround in his fortunes. But Kumi still won’t wake up, so Inugami takes her to a clinic in Tokyo run by a diminutive ohana-basan—who doesn’t seem to mind the after-hours visit when she learns it’s Inugami.

If Kumi woke up fully restored, she could presumably pick up where she left off before falling into Akio’s foul enterprising web. That could mean Shiki and Aya would go live with her, either in their hometown or Tokyo. If the latter, Shiki could still work at the agency and hang out with Kabane and Akira. But this is all academic. First Kumi must be revived.

Rating: 4/5 Stars

Kokkoku – 07

Shouko’s brother Yosuke is alive after all, if profoundly malnourished. Shouko is overjoyed, and watching her embrace her long-dormant kin leads Juri to embrace Makoto just as tightly when he’s released. Mr. Eyelash Spots, AKA Sako, wants to join the Yukawas as an ally, if they’ll have him. I guess he’s had his fill of all this Stasis shit. He’s not alone.

For once, “Great Lord” Sugawa and the Yukawas have something in common: they want to seal the Stasis spell. However, Sugawa, who had the sacred manuscripts of the Genuine Love Society researched, determining that they were all written by the same person over 500 years, wants to follow the founder’s path and live a much longer time.

While Sugawa discusses his plans to let the outsider Shiomi succeed him as Great Lord, one of his disciples—a true believer—is eavesdropping, and is so often the case with these kind of organizations, a leader like Sugawa must always beware of those so committed they’ll put the Cause before its leader.

There are only four true believers left, plus one hired muscle, Shiomi, and Sugawa. They are all who remain to oppose the Yukawas. Once Juri changes into some new duds (which she’s also now wearing in the OP) the plan is laid out: she’ll expel the seven remaining opponents, leave Stasis and seal the spell.

Takafumi is the one member of the Yukawas who doesn’t want the spell sealed, and thinks the others are fools for wanting to do so. But the Master Stone ends up in the hands of the disciple who believes Sugawa betrayed them, and the handover is tense.

Sugawa tries to smooth things over by saying Shiomi will only be a temporary arrangement, but his disciple knows what he heard and has already made his choice and draws his blade. Sugawa then gives his “last sermon”, asking what it’s like to be completely controlled by a specter.

I imagine he’s going to be able to proceed even if his disciples try to interfere. It will fall to the Yukawas to stop him and reclaim their lives.

Owari no Seraph – 12 (Fin)

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The final Seraph of the End episode until October was quiet, contemplative, and suffused with unease and a kind of restlessness that’s understandable considering what everyone just went through and how still things stand now.

The only battle being fought is Yu’s slow but apparently certain recovery. It’s a battle we don’t see, because most of the episode is from Shinoa’s point of view. She’s an uneasy, impatient, somewhat outraged Shinoa who wants to know what the hell was in the pills Guren gave her to give Yu.

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When she uses her family name to get into a top-secret installation where the army is experimenting on vampires and wants to have words with Guren on the matter of Yu’s little transformation, Guren has no words of comfort for her, except that if she thinks she’s fallen for Yu, all she can do is stay by his side and wait for him to wake up.

Since Yu’s well-being is more important to her than whatever devious mad-scientist shit Guren is up to, she does as Guren recommends, pleading with the comatose Yu to please wake up soon.

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Unfortunately for Shinoa, it’s Yoichi’s turn to sit by Yu’s bed when he finally does wake up, though Yoichi has the good sense to let Shinoa have some time to herself with him before calling the others in. The camera slowly pans from Yu, crying over having seen Mika alive and well, to Shinoa lurking in the doorway, snapping into smartass mode, hiding the worry she wore on her face while he was out and teasing him for crying, even though she’d do the same thing in his case.

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Being a Hiiragi whose sergeant rank is lower than it could be if she played the game, and the fact she got into Guren’s lab, we know Shinoa knows more than any of the others the dark directions their duty could take them, and in the brief flashback as Shiho carries Yu away, there’s a hint of guilt in her face, as if she’s facilitated Yu’s transition into something way bigger and nastier than he’s aware of.

Yet none of that matters when Yu places his hand on Shinoa’s shoulder, voicing concern for her bitten, bandaged neck. She doesn’t want to be in love with her underling, but as she learns more about the person Yu is, that’s increasingly the case, as her blushing betrays.

Even better, Yu makes himself to be someone worthy of being fallen for, as once everyone is assembled in his hospital room, he takes the time to earnestly thank everyone from the bottom of his heart, and express how blessed he feels to have such good friends. Mitsu and Shiho are taken aback by this change in him, but Yoichi and Shinoa less so, as they know him better and have seen hints of this side before.

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Yu isn’t just happy because he’s okay and his friends are okay; he’s also elated that Mika is alive, an attitude I’m frankly glad for. There’s no angst in the way things are. Friend or foe, Mika is alive, and that’s enough for him, for now. It’s the first time in a while that something has been enough for him, and while he yearns to see Mika again (and Mika him), his provisional inner peace is clear to see. He’s realized his live isn’t that bad, and is worth preserving, both for his friends’ sake and Mika’s.

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I was totally on board with the peaceful end to this first rousing cour of Owari, especially all the scenes of people on both sides just kicking back and enjoying their hard-earned break from death and destruction. But judging from the final scene, that peace will be short-lived. Lord Ferid is apparently exchanging research with, and I’m just guessing here, Guren, both motivated perhaps by their mutual disgruntlement with the higher-born higher-ups.

Just as it wasn’t 100% clear it was Guren on that rooftop (we never see him), I’m not sure if Ferid is working against the vamps, Guren is working against the humans, or both of them are just working towards their own goals. But whatever it is, Ferid believes it’s going almost too smoothly, and it definitely stirs up intrigue for the second cour this Fall, in which everyone continues to be sinners, doing sinner shit.

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