Denpa Onna to Seishun Otoko 10

Makoto meets his second “alien” since arriving in town. Her name is Yashiro, and he has a sneaking suspicion she’s a local runaway girl he’s heard about. And naturally, Meme invites her in. When her astronaut’s helmet finally comes off, she’s revealed to possess the same otherworldly beauty as cousin Erio, only with glowing white hair rather than blue. Erio’s beauty, btw, is what engenders so much envy and resentment among other girls in the town, according to Hanazawa-san.

Yashiro is more forward with Makoto, and readily insults him, due to the “half-assed” way he and Erio live their life. I’d beg to differ, especially since Makoto pops his phone-call-with-Ryuushi cherry this week as well. He even learns that Nakajima, the guy he played ball with last week, is a guy she turned down, and she heavily hints that if it was Makoto who confessed, her response would have been very different. She also invites him to join her at the town festival. Despite the fact they didn’t meet in person this week, things are moving along very nicely in the girlfriend arena.

But this Yashiro kid has the same bewitching power that Erio has; perhaps more concentrated. And even I can’t explain how she made so much water fall on Makoto when he was fifteen feet away behind a fence, except to concede that perhaps she is in fact an esper as well as an alien. It was certainly the most “supernatural” phenomenon to occur so far, if you don’t count the fact the rather plain Makoto is attracting so many ladies. Finally, was it just me, or did this episode contain an unusual amount of cutsiness? Rating: 3.5

Denpa Onna no Seishun Otoko 5

Underneath a glass-top coffee table while Meme sits on it wrapped in a futon; the inside of Ryuushi’s orange drink box; a forty year-old in twin tails offering her daughter, then herself to her nephew; a ‘cycloptic’ granny — Denpa Onna to Seishun Otoko is full of unique angles and images. It’s the same ‘easily-distracted’ camera Akiyuki Shinbo has made a part of his visual style. It especially fits a series in which Mako is trying to bring his cousin back down to earth: back to reality. Because reality can be as, if not more, amazing than fantasies in one’s head.

It’s working, as Erio wants a part-time job. Gravity is pulling her back to society even more than Mako initially thinks: while he finds it odd she’d rather work than return to school. Meme later tells him, Erio is worried about the financial burden returning to school would be, hence working and saving up first. Getting shot down in her first interview – due to her infamous reputation around town, no less – crushes her, but its only temporary, as Meme points them to a candy shop where the old lady needs a hand. Meme does this while watching the end Mimi wo Sumaseba! SHIZUKU! I LOVE YOU!!

Of course, this may be a case of one step forward and two steps back, as the granny candy shop owner turns out to be an alien enthusiast who is obsessed with the possibility she could become a victim of cattle mutilation. The look in Erio’s eyes as this is revealed is troubling. After two seasons of a fairly static Nino in Arakawa, is it wrong for me to want Erio to not continue to regress into childlike eccentricity, and to continue striving to become normal? Rating: 3.5

Denpa Onna to Seishun Otoko 4

Mako is definitely overthinking things with his obsessive calculations of adolescence. The points system he’s devised (or simply inferred from his experiences) makes sense, but when someone is constantly analyzing rating their experiences, one cannot truly enjoy them. Sure, his cousin is strange, and his aunt is an embarassing tease. But at least two girls in his class are interested in him, and will probably clash for his favor in the future, if how they interact while visiting him in the hospital is any indication.

Ryuushi and Maekawa are both quite strange too, but Mako can enjoy their weirdness because he isn’t related to them. His post-accident convalescence is a good opportunity for the characters to simply chat with one another. But back to that overanlyzing – perhaps it changes experiences, but I shouldn’t say it detracts from them. After all, we here at RABUJOI tend to analyze and rate an episode right after watching it. To our knowledge, our enjoyment of those episodes isn’t compromised by our almost compulsive desire to assign statistics to them and compare them to other works. End digression.

Most importantly, it seems like Erio is going to be okay. Mako certainly ripped the bandage off, but it did more good than harm. It seems like Erio will accept the fact she’s an ordinary earthling, just as Mako wonders whether aliens do exist, and they may have helped speed up the bike so they’d fly rather than fall straight down to more serious injury or worse. Maybe Ryuushi and Maekawa are aliens; they just aren’t going out of their way to announce it like Erio did. Or maybe they’re just eccentric kids. Rating: 3.5

Denpa Onna to Seishun Otoko 3

Makoto goes on a date with the almost sickly-cute Ryuushi and really enjoys himself (although dude…you can’t handle fizzy drinks? wtf…), but he finds himself distracted by thoughts of Erio. What is her deal? Meme tells him (in a rather awkward bedroom scene) not to pry, just leave Erio be, like she does – she just wants to be left alone. While that may be true – Erio is in a futon most of the time – Mako simply can’t let her be. He wants to snap her out of it.

To crush her delusions, he decides to go on a bicycle ride with her in the same bike she rode off a bridge, essentially repeating the incident that caused her present trauma and memory loss. He makes her promise to renounce her claim of being alien if she can’t make them fly in the bike. Not surprisingly, they fail to fly, though they fall spectacularly into the sea and the bike is lost. This seems to awaken Erio a bit; her manner of speaking is much more normal, and she concedes defeat. Mako and Erio re-introduce themselves, as Mako believes this is the true beginnning of their friendship. Even though he didn’t mean to take the game of chicken so far (physics had other ideas), he seems quite happy with the result.

This series is really good with close-ups, particularly those of the female characters of the show. But I noticed some really crappy animation mixed in, as well as lots of poorly proportioned limbs, still shots and other instances were corners were clearly cut, which is a shame, especially when Puella Magi Madoka Magica looked consistently superb throughout. Also, the opening theme is easily the worst I’ve ever heard, and the ending isn’t much better (Etsuko Yakushimaru’s songs all sound the same to be now). Depsite these shortcomings, I’m confident the story and characters will continue to do the heavy lifting here. Rating: 3.5