C&T rebounds nicely this week, thanks in part to a new, more proportionate opportunity for the girls: this time, instead of playing in front of 100,000 people, they join the 200,000 who want to be contestants on the popular Mars Brightest talent competition, a sure way to jump-start their careers.
This week also marks the first real connection between C&T and Angela’s storylines, as Tao has Angela entered as a “special guest” contestant on MB, putting her in competition with the other two protagonists. This could mean the three could be in the same room together, or maybe even talk to each other!
The main issue is Tuesday, or rather Tuesday’s status as a runaway, which she doesn’t realize until they’re already in line for the auditions (which are about as weird and woolly as one would expect from such a large pool of potentials). If her family catches her on camera, she’ll be made, and they’ll come for her. Mind you, Tues doesn’t know her bro already found her, but chose to leave her alone.
This brings us to the best part of this episode, and why it was so much better than last week’s: We don’t actually hear Carole & Tuesday sing anything. This might sound counterintuitive, but the worst element of this show about a musical duo getting their start is their music—their first guerrilla performance at the music hall being the sole exception.
Mind you, just because the songs stink doesn’t mean all the music of C&T is bad. On the contrary, the incidental score is above average, and we get a particularly nice melancholy synth suite that plays along as we watch Angela decline to move back in with her Mama (who was her Papa before gender reassignment).
Instead, Angie chooses to live alone in her sparse, modern place where she can breathe, away both from Mama and all the trappings of her past that threatened to “suffocate” her. Her annoying AI only gets four “ANGELA!s” in before she shuts him up. Somebody needs friends, and I can think of no one better suited than Carole & Tuesday, even if they’re artistic and professional rivals.
As if hearing me say “your songs are bad and you should feel bad,” after auditions Tuesday slides into a slump, brought on in part by learning more of Carole’s story as an Earth refugee and orphan who had to survive on her own.
Tuesday’s family may be loaded (with cash) but she’s also loaded—with all the problems being the daughter of an important politician and little sister of a Harvard elite. She admits she’s a little jealous of Carole’s lifelong independence and self-sufficiency.
In light of her new friend, who has helped her in this new world, Tuesday resolves to hold her head up and stop cowering in front of the cameras. If her mom finds her, so what! She’s going for it, side-by-side with Carole.
After learning that Gus spent all their modest Cydonia earnings (980 Woolong) on gambling (not a good look Gus!), he, or rather Roddy, give them the good news: They’re among the eight contestants for Mars’ Brightest! As we saw, a good portion of the competition were horrendous, but considering there were 200,000 of them to contend with, this feels a bit neat, tidy, and easily done.
But it’s not like they weren’t going to get in, because this means they’ll be facing off against Angela and Tao. Even if I’m not particularly looking forward to hearing what new syrupy-sweet drivel they’ll sing next, I think I can tolerate it for the sake of watching those four characters, who have been kept apart thus far, finally collide.