When Mizuki gets a break from serving at her class cafe, Rei asks if she wants to wander around with him, but Futaba hijacks the opportunity by tagging along so the three can scout the competition. That includes Kazuhiro’s class’ haunted house, which wigs Rei out to no end. They then help the drama club hand out flyers advertising the impending play.
When the play is about to start, Sekiya takes the outdoor stage and poaches their audience, breaking the rules in the process. Futaba turns the tables by appearing on the screen behind them as the web-famous Setsuna Kirito, who urges everyone to head to the gym for the performance, which they all dutifully do.
The crowds are charmed by the cross-dressing princesses, as expected, but when there’s a sudden blackout, instigated by Futaba, they must call upon the audience to light the stage with their phones and help defeat the witch. A fun time is had by all (except Sekiya, who is punished with wood-chopping duty) and the drama club wins the competition, meaning they won’t be shut down buy StuCo.
That night at the bonfire, Futaba confesses he’s a full-fledged otaku, and vows not to hide it anymore, though that costs him a dance with two girls who like him.
Rei asks Mizuki to join him in the folk dance, but again she’s distracted by another friend. Perhaps she’s hung out with these attractive weirdo boys so long, she’s oblivious to the fact that one of them wants to spend more time with her and only her. With only two episodes left and the hero club’s future still in doubt, it’s unlikely that will change.
This review has been updated to reflect news this anime will have a second season next year.
Things looked a little grim for the good guys last week, but everything ends up working out in the finale. A new, wind-element seraphim ally is introduced, as is a new Big Bad in the Lord of Calamity himself. Yet neither really makes much of an impact, being introduced so late in the game.
I mention “game” because the reality of the game this show is based on has always loomed in the background. I did not realize (due to not doing any research) that there will indeed be a second cour of the anime. But this first cour still felt more like an extended introduction of the world—a setting of the table—rather than any kind of satisfying narrative.
It’s taken the length of this series for me to admit that while many of the characters possess admirable traits, none of the elaborately-designed characters ever surpassed the generality of those traits. That wasn’t really much of a problem when I was simply enjoying the exploration of the vast world and the battles within it, but it does leave me feeling a little empty and under-invested when all’s said and done.
The Berseria detour, while a fun interlude, took up time that in hindsight would have been better spent developing the main Zestiria cast, or at least getting them together a little bit faster. Some shows pile on characters too fast; I’d argue Zestiria had the opposite problem, and the characters suffered as a result.
Even if Zestiria’s characters leave a bit of a bland aftertaste, and that it was content to show us a series of minor skirmishes and only hint at larger conflicts this season, I won’t forget the fun I had watching the last thirteen episodes (0-12), or the excitement and wonder the gradual unfolding of the world evoked, or the satisfaction of watching a technically impeccably well-crafted show. It never failed to look or sound great.
The post-credit previews were always a playful showcase of the characters’ chemistry that was rarely replicated in the actual show. If and when the next season of adventures arrives, I’ll be looking for less introductions (or re-introductions) and more Getting Down To Business. I also hope there’s a bit more to the vaunted Lord of Calamity than “Bwahaha, What Insolence.”
Usagi is a pleasant girl who lives in Urawa City in Saitama, Japan… which funded this anime’s creation as an advertisement for some reason.
As the seasons change, Usagi, a junior in high school wakes up, walks to a shrine, talks to an old woman, and then chats with friends before getting to school. That’s it.
Ignoring the budget-nature of the show, and the budget nature of micro-format shows in general, UnUc is brutally devoid of purpose. Nothing happens, no character is memorable and the posterized photos of Urawa City that make up the background aren’t pretty at all.
And that lack of pretty is bewildering, since the show exists to advertise a city. Come live here… because it’s kinda run down and drab looking? We have narrow streets and old people? What??
Lip-sync is off, animation is jerky, it’s technically animation and inoffensive but completely without merit. I normally say there’s nothing to lose in watching a 3:00 show but UnUc proves me wrong. I WANT THOSE 3 MINUTES BACK!