Fate / Zero – 09

“Go fírinneach, mo chroí, ní féidir liom diabhal a thabhairt.”

I’m far more familiar with Gilgamesh, Alexander, and King Arthur than, say, Diarmuid Ua Duibhne. Heck, I can barely pronounce it. So it’s good to see a few glimpses of his life before he became a heroic spirit, in which his king’s daughter Grainne was betrothed to a the leader of his order, Fionn, but fell for him due to his love spot. Suffice it to say it didn’t work out so swell. Interestingly enough, the one dreaming of Lancer’s life is Kayneth.

“Oh BTW I DIDN’T sign the prenup.”

Kayneth…is in a bad way. His beloved fiancee Sola-Ui informs him that he’ll never use magic again, which means his time as Master of Lancer has ended. She wants to take over the “burden” of commanding Lancer so she can win the Holy Grail War for Kayneth and use it to grant the miracle of restoring him to the way he was.

Sola is threatening enough looming over the restrained Kayneth in a dark, dank, and not particularly sterile-looking makeshift hospital room. But when Kayneth bristles at her proposal, soon she’s breaking one of his fingers and threatening to amputate his command seal-bearing hand. Yikes.

“I won’t be passed around like a bottle of…Jameson?”

Dare I say, I kinda don’t hate this Sola-Ui? You’ve gotta respect her raw ambition. She was perhaps initially content to let Kayneth command Lancer while she simply provided the mana for his physical form. Now she wants Lancer…all of him. But she has to appeal to his indomitable sense of honor, and get him to overcome, or at least ignore, the regret he feels for how things went down in his life.

She does this by swearing to him that she is only seeking Lancer’s services, and the Holy Grail, for Kayneth’s sake. He grudgingly agrees, but something tells me he’s not entirely convinced she can be trusted. All I know is, Kayneth continues to have just the worst luck. I mean, sure, he’s an arrogant dick, and Sola-Ui is, shall we say, ethically flexible…but when people like Uryuu and Caster are skulking around, it tends to put things in perspective.

“Look, Kiritsugu loves ILYA very much. The rest of the kids in the world? Ehh…”

Kiritsugu is trying to win the War as quickly and efficiently as possible. That apparently means not wasting any time talking to his Servant or being anywhere near her, and it certainly means not stopping to save a few, or even a few dozen, children’s lives. The game is already stacked against him and he knows it.

No matter how much Saber may talk about the sacred rules of the Holy Grail War which are being stamped on, she’s not dealing with a knight. It’s not his job to serve any lord or abide by a code of chivalry, it’s to win and save the world…all of the world. And at the end of the day, Iri feels the same way. Even so, I could never imagine a Servant-Master relationship as dysfunctional as this one, to the point I worry it might come back to bite both in the future.

I must say I wasn’t expecting Rider to get his pants so soon, but this show is full of surprises. Rider also gets along smoothly and splendidly with Waver’s hypnotized fake grandparents. Even better, Waver impresses Rider by flexing his alchemical muscles in locating Caster’s lair, a neat little glimpse of the more science-y side of magic Waver is clearly more comfortable with.

Unfortunately, there is nothing comfortable or pleasant in the slightest about Waver and Rider’s trip to Caster’s underground base. Rider quickly ratchets down his jolliness at the first sight of the piles of maimed and bloody child corpses, and his warnings for Waver not to look go unheeded, resulting in Waver losing his lunch and probably a good deal of faith in humanity along with it.

“Tá mé ag suí i rud éigin fliuch.”

Waver and Rider also meet some of Kirei’s Assassins, something that was apparently not planned, because Kirei is very upset about Assassin not only being exposed as being still around (if not in the game) and having numerous separate forms.

Upon reporting this, Tokiomi tells Kirei to continue to stay calm, keep a low profile, and keep his Assassins’ eyes on Waver and Rider; no good can come of letting his emotions get the best of him. But I saw the beast that was unleashed when Iri and Maiya challenged him. This guy looks like a volcano waiting to burst, and Archer’s words about Tokiomi being a bore are still ringing in his head.

Everyone who fixed this War so the Toosakas would win are operating under the assumption that Kotomine Kirei can be trusted to play his part without any problems. But what if there was a problem with him? I’ll tell you what: it would make for more great drama. No one should have it easy in this war.

3-gatsu no Lion – 18

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Nikaidou and Shigeta are always fighting over the proper move to make, on diametrically opposite sides like Vader and Obi-wan. Neither ever seems to back down, resulting in escalation that has to be refereed by Shimada.

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The boys’ pulpy, comic-booky visualizations contrast sharply with the match Rei gets into with Shimada. Their visuals are more refined and rooted in classical art. It’s not just a matter of how the two pairs approach the shogi workshop.

Shimada’s elegant blue waves crashing against Rei’s hazy red base until he and it are consumed by the torrent. The exhaustion Rei feels afterwards in his overlfowing tub, are a means of expressing what it’s like for an A-rank player to come at your with everything he’s got.

Shimada isn’t just trying to beat Rei, but to learn something new from him, something that might not have occurred to him. Anything will do; after all, he’s one loss away from a do-or-die match with the reigning champion.

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Back at school, Rei examines his report card, which indicates he just squeaked by and will be advancing to the next grade. When he looks at the last school year, Rei laments how little he accomplished.

Hayashida-sensei lets him know what an ordinary 17-year-old typically accomplishes (not much) and how little he accomplished at that age, and puts things in perspective. Rei is not a kid who seeks praise directly, so as usual he finds all this praise uncomfortable.

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In another nice crossover of worlds, Hina comes by with Momo in tow to collect their empty food boxes. Both girls are very on-edge, but after downing a stiff drink composed of cold milk, Hina asks what she came to ask—who that beautiful, bad-tempered girl was—and gets an answer that satisfies both her and Mom.

Kyouko isn’t, in fact, a witch, she’s just his big sister. Siblings fight all the time, but they’re still close. The girls comprehend this from their own experiences with each other and Akari. It’s a nice air-clearing scene that brings warmth to Rei’s apartment, and lil’ kid expert Kuno Misaki and superstar Kana-chan kick ass as usual.

 

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I’ll just leave this here because it gave me a chuckle. It’s been a minute since I’ve seen Castle in the Sky…

Of course, when that’s what Hina tells Akari back home, the older sister wonders if it’s not actually worse than if Kyouko were Rei’s girlfriend. After all, from what she saw, Rei and Kyouko weren’t very close, despite ten years of living together.

Akari suspects that distance was the reason Rei yearned to leave that home, though to be fair to Rei and Kyouko, Akari doesn’t know the intricacies of their relationship, or the fact that every time they see one another they struggle to resolve what exactly they are, while simultaneously never doubting for a second that they’re…something.

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