My Hero Academia – 04

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When the mock battle begins, an overwhelmed Izuku falls far behind immediately, covering ground already covered by other potential heroes, and getting even more discouraged when they hear them pop off their point totals. The one time he comes across a functioning one-point villain, another examinee takes it out and thanks him for being a diversion.

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But then the “true test” begins when the zero-point obstacle appears: a colossal robot that everyone starts to run away from except Izuku. He stays put, eyes full of tears, with almost no time left to score any points, and spots the nice girl who stopped him from falling, trapped under wreckage directly in the advancing zero-point’s path.

Izuku runs towards the danger and puts his life and limbs on the line to stop the juggernaut—and he does, when his All Might powers finally surface and he delivers a SMASH punch that not only cripples it, but three of his four limbs as well. Watching them flop about in the wind, I knew something wasn’t right.

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Izuku’s saved form falling to his death by the girl, who uses her antigrav abilities again to save him, but she can’t save him from the fact he has zero vilain points in the mock battle, which means failure…IF villain points were the only points being awarded. They are not.

Izuku ended up scoring sixty “rescue points”, because after all, being a hero is about more than just defeating villains. Izuku demonstrated the heroic instinct of self-sacrifice, and also inspired others to act in kind. In fact, the girl, one Uraraka Ochako, tried to transfer some of her points to Izuku for saving her, but such a transfer wasn’t necessary because Izuku already had more than enough points to pass.

So it wasn’t just a test of speed and strength, but of all the intangible qualities that make a hero a hero. The other things will come in time for Izuku (I like his symbol of a glass just barely containing its contents due to surface tension crackin under the stress). Izuku’s body may have bent, but it did not break. And now he has a genuine friend-int-the-making in Ochako.

His hero academia is off to an auspicious start, and as tough practical exam episodes go, this one felt nimble, quick, and satisfying, especially at the end when Izuku’s mom reacts to his grin of elation with the same soppy tears we usually see on his face, showing us where he got that tendency from.

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Subete ga F ni Naru: The Perfect Insider – 01 (First Impressions)

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Where Do We Come From? What Are We? Where Are We Going? is the title of a painting by Paul Gaugain, painted in Tahiti.  He considered the work his magnum opus, and he intended, tried, and failed to take his own life upon its completion. The title is an inscription in the top left corner of the piece, and may have been painted only after the attempted suicide. The three questions paraphrase those asked in a lesson by his liturgy teacher in school, which clearly stuck with the painter.

Those same three basic questions are asked several times in Subete ga F ni Naru: The Perfect Insider, an intriguing mystery show full of precise compositions, dramatic lighting, subtle facial expressions, complicated emotions, philosophical discussion, a striking opening image of a girl sitting beside a beached and decaying shipwreck, and a cute college student who drives an slick new Alfa Romeo 4C to work at the office of her professor, whom she is pretty obviously in love with.

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The cute college student with the bob is Nishinosono Moe. The object of her attentions and affection is Saikawa Souhei. We first see “Where They Were” separately: Saikawa in some kind of awful meeting, Moe getting up and driving to work. Then we see “Where They Are”: simply coexisting in the office; Saikawa reading something on his computer and smoking while Moe makes coffee and waters the plants. Then we go back to “Where Moe Was”, when she “meets” the enigmatic Professor Magata Shiki.

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I say “meet” because Magata communicates through a video feed. But Moe’s encounter with her establishes Moe as academically and philosophically sharp. She’s in over her head with someone of Magata’s towering academic stature, but she comes in confident and with a plan of action, and Magata notices.

Back in the present, Saikawa goes off somewhere, and a lady named Gido arrives whom Moe is pretty sure is her romantic competition, and her mood changes considerably as a result when Saikawa returns. She tries to hash it out with him, but is interrupted by another student, Kunieda.

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When Saikawa goes out to lunch, he invites Moe, who reveals she spoke to Magata, something Saikawa hasn’t done, despite his esteem for the famous professor. Magata also happens to be infamous, due to the allegations she murdered both of her parents (she tells Moe what she told authorities: “A doll did it,” but then she does look very doll-like).

Once again Moe’s alone time with Saikawa is disrupted by interlopers (students Hamanaka and Kushieda). But Moe exploits their presence to plan a trip to the very island where Magata self-exiled herself and now studies at her lab in seclusion. And so now we know “Where They’re Going.”

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Once there, they’re sure to learn more about Magata, who asked the big existential questions—and asked some of her own—when she was only five. Normally, that’d be an indication Magata now has a brain the size of a planet, were it not for Saikawa’s continuing assertion throughout the episode that everyone is born a genius, and grows progressively stupider as they age and learn to interact with others.

Magata, who is a hermit, may have avoided some of that society-driven degradation, and hence Saikawa considers everything he’s accomplished (and he’s a top young mind himself) to only be a drop in the ocean of Magata’s greatness. In other words, the perfect rival for Saikawa’s intellect, as well as Moe’s rival for Saikawa’s attention.

A quiet, mature, contemplative show about very smart adults, morality, mortality, intrigue, and a weird love triangle?—I like where Subete ga F ni Naru is. Will I like where it’s going?

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