In the past, a young Myoue watches his house burning, lamenting his parents, and commits seppuku, but Myoue Shounin find him and brings him home as his son, later passing the care of the temple to him. In the present, Myoue waits by the station for his parents to arrive; Kurama compares him to Hachiko. A frustrated Myoue lashes out at Koto, but after spending a night alone, finds her at the station. They take a scooter trip to the fields outside the city, where Myoue tells Koto the rabbit she’s looking for is probably his (adoptive) mom, and asks Koto to kill him when they find her.
The Kyousougiga OVAs that ran last year were only brief tastes of what was to come, but they were enticing ones. Even a year and several dozen series since we last watched the fourth, the gorgeous environs at the end of Myoue and Koto’s scooter ride remain clear in our minds. This week represents the last of the material the OVAs previewed, in which we delve into Myoue’s story, which proves more complex than either of his non-human siblings. In fact, after keeping him on the margins for the previous four episodes, this episode establishes him as the unequivocal heart of the entire show. Everything revolves around him, and he’s the product of his father saving him from that fire. It’s not crystal clear whether Myoue Shounin saved ‘Lil Myoue’s life back then, or if he somehow resurrected him (that was a lot of blood), but we know Myoue would surely have died without Shounin, hence no show.
Myoue got a new life, new parents, a new family, and a new home; the parents left, and he’s lived in Mirror Kyoto for a very very long time ever since, waiting for them to return. We see Myoue’s increasing fatigue with his unending life, and when Koto arrives with the “beginning and end” his father promised before leaving, he apparently believe’s Koto’s presence to be the beginning of his end. They’ll find the rabbit – his mother – and then he’ll be released of his immortal burden, having lived a full and wonderful life—unlike that suicidal boy surrounded by flame. Up to this point the world was so wondrous and fun and peaceful that it never occurred to us Myoue would be ready to move on to…whatever’s next, but there it is. The episode closes before we can see Koto’s reaction to his asking her to kill him, but we wouldn’t be surprised if she wasn’t okay with it.
Rating: 9 (Superior)
Next Week: A live-action tour of the temple that inspired the series. So lifelike!
During a “station opening”, when the denizens of the Mirrored City throw all their unwanted items into the sky, a demon thief steals Yase Douji’s treasured teacup and throws it into the stream of detritus. Koto, A and Un join her retinue, but when they can’t find it, Koto convinces Kurama to provide a replacement. Yase loses her temper and grows into an enormous monster, but Koto subdues her with her hammer, from the handle of which hangs a stuffed rabbit Yase’s mother made her, which Kurama threw out years ago.
When we lose someone important to us, it’s natural to want to treasure an item or two as a symbol of that person. Yase, as is her wont as a demon, takes this practice to the extreme, having a massive custom storage facility built under her gaudy mansion to preserve virtually every object, big or small, that reminds her of her beloved mother. She lives in constant fear of tossing or losing anything, her teacup in particular, believing she’d also lose the memories those items evoke.
Kurama has a different take, and has no qualms about tossing out things that aren’t practically necessary. He believes throwing away the very items that mean the most to her can play a role in their mother’s return. Yase didn’t agree when he forcefully threw out the stuffed rabbit her mom made from the tatters of her yukata, and she still doesn’t agree in the present, at least until Koto arrives and quells her tantrum with a hammer sporting that very rabbit, another clue connecting Koto and Lady Koto.
Rating: 8 (Great)
This segment is told from the perspective of the monk Myoue of Taganoo. His master bestowed the title of high priest upon him, and told him to watch over things until he came back at a time he did not specify. Myoue has waited ever since, in a manner similar to that of Hachiko, a real-life dog so faithful, it kept coming to the station to meet its owner long after that owner died (and whose statue stands outside Shibuya Station). He wonders if his master in fact returned in the form of Koto, so he takes care of her while waiting for confirmation of some kind, which comes when Koto echoes words his master left him with about returning with “a beginning and an end”; Koto’s twin “brothers” are named A and Un (beginning and end).
This was a far quieter, more wistful episode than the last two, which were more manic and action-packed. It’s basically a day in the life of Myoue, a monk who spends his days waiting for something he knows not what; something that may have already come in Koto; he’s just not sure. Pride, honor, and a sense of duty and loyalty drive his actions, qualities he resents at times but cannot fight off, so he waits. Like the previous episodes, we only get a small slice of the whole picture here, with much left unspecified and unexplained, but so far the series has excelled at building an achingly gorgeous, wondrous, fun world, with no fewer mysteries than our own; just different ones.
Rating: 8 (Great)
One of Douji Yase’s animal-like youkai records video of a special day in the world on the other side of the looking glass: a day when unwanted or unneeded…stuff is relased into the air, where it drifts away towards a train station which will take it further away still. One of these objects is a stuffed animal a mother wants her daughter to let go, but she won’t, and floats off with it. Koto, A and Un fly up to grab her, and it isn’t long before Shouko and her suited legion also assist; finally Shouko shoots the plushie, and the girl and Koto fall back down to earth. Also among the objects that shouldn’t have flown away: Douji Yase’s favorite teacup.
This really captured the grandeur and whimsy of the strange world Koto is now at home in (the awesome soundtrack really helps sell it). There’s a very fable-like vibe to it, and it’s also very much the opposite of how the real world operates. Our waste falls to the earth, both due to gravity and due to the nature of municipal sanitation and decomposition. We as a modern society toss out a lot that may still be useful to others, but is wasted anyway, due to convenience. Still, it would be great if, once a year, all the unnecessary clutter that had accumulated that year could be released into the sky, to find its own way…somewhere else.
Rating: 9 (Superior)