Two characters from pevious episodes return with new phantom book problems. First Camilla, who acquires the Book of Equivalence to continually barter until she gets bored and gets Dalian a teddy she wanted. Second, Huey’s war buddy Armand is suffering from the effects of the Book of Relationship, actually two books in possession of two lovers, only his fiance believes he’s cheating on her. He isn’t, but her suspicions are enough to incur the wrath of the book.
This week had the feeling of another respite episode; Huey and Dalian are not that involved and the stakes and danger are quite low in both segments. While I don’t have a problem with Camilla and Armand returning, I do have a problem with how just about everyone in this episode, including these two, are complete morons, as a more-moe-than-usual Dalian remarks. The bookkepper gets things started by accidentally selling an extremely dangerous, potentially deadly book. Then Camilla uses it as an afternoon’s diversion. Huey and Dalian chase her across a dozen locations in which she makes exchanges. Can’t she just play croquet or something?
Then there’s Armand, who barges into Huey’s house, nearly kills Dalian and Camilla (who’s still there for some reason), and also seems to set the house on fire – yet we never see how it’s put out. Armand’s an idiot for getting mixed up in another book and not notifying his lieutenant the moment he came across it, while his fiancee Lianna is an idiot for thinking every time he looks at or talks to another woman, he’s a traitorous traitor who deserves death. I also had a problem with them actually letting her kill him (to fulfill ’till death do us part’) and so cavalierly bringing him back like it was nothing. These books are not toys!
Tokizane learns about the elder bairns when he sees Saya finish one off; he pledges to help her however he can. Saya’s father seems out of it, as Saya even find him unconscious at home (he’s last seen talking to Fumito). The dog visits Saya in the bath, urging her to remember who she made her promise to. Three days pass without an attack, but the day the school re-opens, Saya’s classroom is viciously attacked by a new elder bairn.
Things are just not going well for Saya’s Pledge to Protect. Many of her classmates are slaughtered like pigs in front of her, and the episode actually ends before we see her take her katana to it. To be fair, this is a particularly nasty customer, teeming with spiky legs the size of tree trunks and a massive maw. Now her two worlds are irreversibly mixed, and so far it’s like oil and water – they’re not getting along. Kudos to the writers for lulling us into such a bubbly false security in earlier episodes, only to meticulously, mercilessly tear it to shreds in the last few.
Part of me is starting to suspect that the kind young cafe owner, Fumito, could the person Saya made the promise to. It’s just a wild guess, but I can’t think of another reason for him to still be around having such strange scenes as the one with Saya’s dad. Like Saya, we’re still very much in the dark, and Saya’s too busy killing bairns to do any sleuthing, even if she were so inclined. For now, I have to wonder whether she’ll be able to slay the bairn in her classroom before it can kill anyone else.
Ringo’s measures grow more and more drastic as she attempts to fulfill her destiny as written in Momoka’s diary, attempting to rape Tabuki in his sleep twice. The second time, she has drugged him with cake and is stopped by Shoma, just as Yuri arrives. They escape, and Shoma learns Ringo’s true motivations. The diary takes a fall, and is snatched up by a passing motorcycle – likely the woman with the black penguin. Shoma is hit by a car after saving Ringo’s life.
Ringo just happens to see her father at the zoo gift shop his other family – definitely a potential blow to one’s mental balance – and she didn’t have much to begin with. She tells Shoma (and us) that she has to carry Tabuki’s baby at all costs – not for her, but as duty for her family. That’s why she’s going so far to bed him. All this attempted rape and duty to get pregnant juxtaposed with such silly romantic (and western) daydreams present quite the stark contrast.
The line between Ringo and Momoka is definitely beginning to blur, and her obsession has progressed from creepy to downright life-threatening (and totally morally wrong). She is responsible for Shoma getting hit by a car. I doubt this will snap her out of her percieved duty and it surely won’t convince her to enter a more normal, reciprocal relationship with Shoma (if he lives), but in any case, she’s lost half her diary – meaning she doesn’t know what her next step will be.
With Sou in the hospital, Narumi inherits the captain’s chair of the Hirasaka group. With this new power, he does what he’s done all along: con others for a good cause. Narumi has no business running a gang, but he does so anyway, by the seat of his pants. He even tells them that the fact they got Renji’s location right after Sou was injured spelled a trap. This wasn’t any proven theory; it was a hunch, plain and simple. But is was true; there would have been a nasty battle had he let them go. As Alice notes, this Narumi is truly a mysterious cat.
He has the Feketerigo concert proceed as scheduled, keeping in contact with both the NEET crew and his minions. Renji’s crew blends in with the crowd. Meanwhile, Narumi has set a trap of his own for Renji, who takes the bait as expected. This sets up a confrontation between Renji and Alice/Narumi, wherein Alice drops a bomb on him: Hison is still alive. His treasured shirt that Hison made was embroidered in the same way as Narumi’s Feketerigo shirt – and by the same person: Hison, or as she’s now known, Yoshiki. As a condition of being allowed to live (and being paid off), she had to give up her womanhood. Harsh.
Sou shows up to exchange a few punches with Renji, but ultimately Renji’s rage and thirst for revenge dissolves once he learns the truth. The concert is a success, Renji ships off for Osaka, and with the Fourth still alive and kicking, Narumi returns to Alice’s side. Alice, for her part, is overplaying her hand vis-a-vis not liking having him around. For somebody as logical and empirical as she is, it’s a bit silly for her to constantly deny what’s plain to a dimwit. Good tea. Nice arc.
The hall is rented. The orchestra engaged. It’s now time to see if Sion and Nezumi can dance. This week is an overture to the big prison infiltration and Safu rescuing – if Safu is still alive by the time they get there. Men in medical masks keep talking about how excellent her “synch rate” is and how many elites died to get this result. She needs to get out of that tube, pronto.
Nezumi apparently thinks Safu can wait a bit longer…at least with their current level of information and preparedness. He leads Sion down a canyon and into a massive cathedralic cavern full of blue water like the kind Safu’s suspended in. It’s a colony for No. 6 exiles, led by a scientist who, along with Karan, helped build No. 6 (I didn’t catch his name). Like Sion, he survived being host to a parasite bee, and was rewarded with the same white hair and pink scars.
He proves to be a font of information, telling him the song Nezumi, Sion and Safu can hear is in fact the voice of Elyurias, a god-like being who watches over the world and only talks to those who listen. The song turns blue water amber (we don’t know why yet). He also reveal’s Nezumi’s past: he’s the last survivor of a tribe of “forest people” slaughtered by No. 6 with fire. His scars are from burns. He hands a Computer Chip Full ‘O’ Answers to Sion for later perusal and sends them on their way. Rikiga and Dogkeeper are waiting for them when they return home, ready to lay out a plan to save Safu.
It’s mostly back to just Daikichi and Rin this week, as the ep opens with a typical late summer morning. Rin has started summer vacation and her birthday is imminent. O-bon is also near, so Daikichi decides they’ll take the day to visit the grave of Souichi, his grandfather; her father (and yes, she’s starting to figure out that she’s his aunt).
Meanwhile, we see a lot more Masako, who looks like she hasn’t slept in a long time. When her not-quite boyfriend tries to comfort her, calling her a girl, she spazes out; when one is a mangaka, one cannot be anything else and expect to succeed, in her mind. That includes being a girl, or a girlfriend, or a mother. It probably applies to being a daughter or sister, but the series doesn’t show her family. In any case, she’s fun to watch, as she averts her gaze and fidgets.
However, she still visits Souichi’s grave on the same day, and Daikichi eventually makes his presence known, after some rather bizarre hiding behind lampposts. He’s a little perturbed by her (at least appearing to have) a boyfriend, but still tells her Rin is with him, and welcomes her to watch from afar. Also, Daikichi, I don’t care how bright and sharp Rin is, hold the girl’s hand when you’re walking by the road!
Yune and Claude stop by the Blanche residence, and Alice takes Yune by the hand and wisks her off. If it was ever in doubt, this episode confirmed that she sees Yune not so much as a human friend, but as a doll-like ideal of a childhood dream she had. It’s pretty odd that this girl made up a story about meeting a Japanese girl, then meeting her by chance years later. Is she an oracle?
In all seriousness though, while she and Yune chatter away about folk tales and rice balls, Claude is just standing around waiting, when he’s cornered by Camille. From a flashback and her general behavior around him, she had an unrequited love for him. The cold way they interact here confirms that they share some complex feelings, not all good. Camille resents her role as a family bargaining chip – she won’t be marrying for love – but she’s resigned to that life.
This was another great episode of Ao that kept the tension high and offered a lot of action and bonding. Izumo makes peace with Rin, but she and Bon nearly come to blows in a battle of egos, with Rin in the middle. Yukio punishes them with rocks, and the young group of Exwires has to work together to deal with a resurgent ghoul. One weak link and its game over for everyone.
Under duress, feuds are thankfully forgotten. Bon recites the Gospel of John in hopes of finding the ghoul’s fatal verse; protected by Shiemi, who seems to have mastered her little tree spirit, Ni, and can form huge barriers of roots. Even Izumo gets her surly fox spirits to listen to her and buys Bon and everyone else a little more time. I like how they were able to defeat their enemy, but only by a hair. It underscores how they’ll have to improve greatly both as individuals and as a team if they have any hope of being long-lived exorcists.
As for Rin, he tried to lure the ghoul away, but it split in two. Also underscored is just how much stronger Rin is than any other student, as he is able to easily dispatch his ghoul-half when he realizes no one is in sight and he can use his blue son-of-satan flames. It turns out the demon summoning teacher wanted to test Rin’s strength, and it would appear he passed. Rating: 3.5
The shit really starts to hit the fan this week, as the real world is beset by a pandemic of apathy and melancholy as Tokyo empties and decays at an alarming rate; far faster than I expected. After narrowly saving him from suicide, Yoga is distressed to hear that Ebara’s future has run out. The present is dying too. The guild’s previous measures proved ineffective. It’s a very unnerving course of events.
Yoga wants to pay to have Ebara’s future restored. He pleads with Masakaki to no avail; the bank just doesn’t work that way, and it’s above his pay grade. If the district runs out of money, it means all possibility in the future has been consumed, hence making the present or now not only irrelevant, but impossible. Mikuni and the guild attempt desperate measures, and a mention is repeatedly made to [C], whatever it is.
While in a Midas taxi, Yoga has a most unusual (and distinctively animated) dream about the birth of Mashyu, which could mean any number of things. Are assets like Mashyu and Q remnants of a Entre’s future that never was? The episode ends on a cliffhanger, as the counter runs down to zero and creepy, awful things start happening. Yoga seems powerless at this point, and all he can do is wait and see if the guild can salvage things. Rating: 4
Thanks to Shiro, who seems to be back to normal (for now, of course), Ganta, Nagi and Koshio are saved when she drops in and destroys Genkaku’s guitar gun. We then see that Scar Chain is actually quite a large group of resistance fighters. We also learn that the crazyass priest is a former inmate and now part of Tamaki’s corps of anti-deadmen enforcers, or “undertakers”, who can counter branches of sin. So if there’s a war in Wonderland, Makina’s guards aren’t the only thing standing between Scar Chain and their freedom.
And there will be a war. It’s inspection week, which means all of Wonderland’s sadistic games are shut down and the prison is made to look normal and sqeaky-clean. Nagi doesn’t want revenge or to escape as much as he wants the prison’s secrets exposed to the world, where presumably the public will call for its termination. It won’t be easy though, with Tamaki and the undertakers on the prowl. It would seem, however, that Captain Makina shares this goal, if for different reasons. She doesn’t seem aware of Scar Chain’s plan, but I wonder if she’d let them proceed just because she’s sick of Tamaki.
Which brings us to Rokuro, a Scar Chain member who seems to be a double agent. He is in league with the undertakers, and I have no reason to believe he won’t betray his comrades – and Ganta, for whom he has no love – right when victory is in grasp. That’s just how this show has gone down so far. Even if Rokuro turns out to be good, Ganta still doesn’t know Shiro’s true deal. Lot on his plate, this kid. Rating: 3.5
This week contained the same events as the previous one, but this time completely from Meme’s perspective. as a newly-initiated member of the 40-year-old club, she decides to aid in “Yamamoto’s” bottle rocket campaign, turning it into a counterattack against aliens. This is to appease her grandmother the candy store owner, who’s certain she’ll meet the same fate as all that cattle that got mutilated by aliens.
Meme is hard to take seriously as an adult due to the childish manner in which she looks, talks, and acts. Truthfully, hearing her saccharine, sometimes downright shrill voice talk so much this week was a bit of an ordeal. But she’s still an interesting character, and the fact that she lives her life how she wants to is admirable: despite having her second love, Erio with her first love, Elliot, she never married, and never plans to.
Whenever the same story is told twice, there are pitfalls; the second telling can get boring. While it lagged at times, the fresh perspective of Meme and the flashbacks of her life in the town when Elliot was still around break up that repetition. That said, this series works best with its core taking center stage: Makoto, Erio, and Ryuushi. But the occasional reminiscing slice-of-life episode isn’t unwelcome. Rating: 3
Since there are only three official “conquests” shown in the opening sequence, I knew this second season would go one of two routes: longer arcs, or buffer episodes. I watch this series to see Keima scheme and conquer women’s hearts using his knowledge of dating sims. So any time an episode fails to deliver that, I fear I’ll be disappointed.
Mind you, this could have been worse; Elcie is actually quite a bit more tolerable browsing through a game store than she is cooking or baking, which was the low point of last season. And Haqua is similarly tolerable with her not-so-modest modesty and strained excuse to show back up (shouldn’t she have given a report weeks ago?) So tolerable, but just. Mostly, it just made me wish there were more than three girls to conquer this season. Rating: 2.5
Sket-dan deals with Momoka in the first half and a new client, a teacher, in the second. After their puppet show, Momoka has been scouted, so she comes to the Sket-dan for advice on how to prepare for her seiyu audition. Switch, the club’s resident anime expert, sets up a TV and plays numerous genre-bending anime with bizarre yet strangely believable premises that don’t appeal at all to their original intended audience. Himeko and Bossun are totally lost, but Momoka is committed to doing a good job. After her initial go at the mic, her producer comes in and gropes her, unleashing the punk Momoka within, and an evil aura that has the other producers swooning. So mission accomplished!
The second half gets a bit too hyper at times, but that unrelenting energy is what makes Sket Dance so fun, and I love made-up sports like Quidditch or, in this case, “Genesis”. Its rule may sound fuzzy, arbitrary, and ridiculous, but how is that different from say, cricket, with its esoteric structure and vocabulary? I myself know the rules to most sports, but like probably many others, Cricket will probably always remain a mystery to me. Such is Genesis; although for what it’s worth, the game looks quite fun and challenging: flippers on, morning stars in hand, and a volleyball to volley. Now I want to give it a try! Rating: 3