Like every far-flung, wacky Zvezda adventure Jimon Asuta has ended up on, this latest one has a very modest, innocent start: he cooks Roboko’s typically raw udo. That becomes a much bigger deal than he thought because A.), Roboko only eats raw udo; B.), raw udo is Roboko’s sole energy source, and C.), that was the last of the udo in the kitchen. When he heads down to the basement (50m underground) he finds a huge growth of udo (looking very similar to the core of Laputa, by the way) and learns that the entire Zvezda HQ runs on the stuff. But something’s no right: the udo starts to die, and all the lights go out. Adventure time!
It’s the ease and deftness with which Zvezda snowballs little incidents that makes it such a fun show to watch; like Space Dandy, it keeps you on your toes, not knowing quite what’s going to be on the menu from week to week. This also makes sense, as Zvezda is commanded by a little girl who can be fickle, impulsive, and just downright random, and also needs afternoon naps. This week the mission to find the original udo is undertaken by Asuta, Kate, and Natasha, about whom we learn a lot more. Last week we got Gorou and Yasu’s story, but Natasha’s story gets a lot more texture and depth, as the trio descends further into the “Super Ancient Udogawa Civilization.”
What also gets a lot of texture and depth is the vast, crazy underground setting itself; from Natasha’s little 8-bit locator device to the montage of RPG-like battles and events to the alien look of the place, it’s definitely a pleasing change of scenery full of neat little details. There’s a great sense of occasion and grandeur to the journey, which for Natasha becomes a journey to her past, which she must confront in order to complete the mission. While her childhood story starts out relatively normal—she reclusive child who spent her waking hours building robots—it takes a bizarrely intriguing (and very apropos for Natasha) twist.
The foray into the past starts with a dream that Natasha has while sleepwalking into Asuta’s bed. Natasha isn’t quite clear about it, but she either ran away from home, like Asuta, when her parents insisted she stop inventing, or they weren’t her parents at all and took her to the “land of the faeries”—Ancient Udogawa. In any case, she was alone and lost—and then she wasn’t—when she met Roboko and then Kate, to whom she swore fealty. It’s fitting then that Roboko saves her again from the dark, shadowy echoes of her past, giving Kate and Asuta time to pollinate the Udo. Any charges of a deus ex machina are negated by this simple fact: Roboko could eat cooked Udo all along; she just hadn’t gathered the courage to try it.
Rating: 8 (Great)