Last week Franklin mentioned the formula Re-Kan has gotten down: “Funny, Funny, touching, funny resolve!” This week it switches that formula up, to include a lot more touching with its funny in the form of some seriously moving drama. After the cold open I was convinced it would just be an episode about how un-used to cell phones Hibiki is, but I would end up being…dead wrong.
Harumi may be being a tsundere about it, but she wants to be friends with Hibiki, despite her apparent connection with the dead, which creeps her out. Hibiki’s a good person, so when she hears Harumi is determined to get Yuuki, her terror of a younger cousin to eat the fried eggs she prepares, Hibiki offers to help out, sensing an in; she wants to be friends with Harumi, too, after all.
Hibiki’s eggs are fantastic, but Yuuki still rejects them, deeming them “gross” and “wrong.” We’re thinking, ‘well, Yuuki’s just a petty little shit and an ingrate, isn’t he?’ Then we learn his dad was killed in an accident, and his very pregnant mom is in hospital, which is why Harumi is taking care of him. Just like that, the kid is sympathetic. This makes Hibiki want to help Harumi even more, but Harumi snaps at her, saying “it has nothing to do with her.”
When Harumi talks to Kana at school, she assumes Hibiki learned how to make eggs from her mom, but Kana tells her Hibiki’s mother died when she was very young. Harumi knows she was wrong to snap at Hibiki, but now she knows why Hibiki was so intent on helping with Yuuki.
Harumi visits Yuuki’s mom, who can see the exhaustion in Harumi’s face as she lies about Yuuki being no big deal. When Harumi brings up the eggs, his mom tells her there was a way his dad used to make them for her, which is why no matter who makes Yuuki eggs right now, he’s going to reject them as wrong because they’re not like his dad’s.
So where does Hibiki factor in, besides sharing Yuuki’s situation of losing a parent early in life? Glad you asked! As Hibiki is outside Harumi’s house, ready to help despite being yelled at, she gets a call on her brand-new cell phone, which she handles extra-carefully and daintily as if it were honed from delicate crystal. It’s Harumi, calling to apologize and ask for Hibiki’s help with the eggs again. Harumi is extra-impressed Hibiki didn’t stop caring about her and Yuuki just because Harumi told her off. It’s as if she knew Harumi didn’t mean it…because she didn’t!
Hibiki proves especially useful to Harumi here because she’s able to commune with the ghost of Harumi’s Nana, who taught Yuuki’s dad how to make the eggs the way Yuuki likes so much. Hibiki interprets the instructions to Harumi, but leaves Harumi to do the actual cooking: her Nana wants her to learn after all, something she never wanted to do when Nana was alive because she thought it was too girly.
The moment of truth: when Yuuki tucked in to the new, Nana-approved eggs, I knew some tears were going to come…from Harumi, from Hibiki, definitely from Yuuki when he tastes a taste he hadn’t tasted since his dad died—and from myself!
Yuuki actually ends up bawling his eyes out in a moment of catharsis, and Harumi lets him cry it out, which was the favor his mother asked of her, knowing it had to happen sometime, but Yuuki was holding it in, trying to be strong in preparation for being a big brother.
Even Yuuki’s mom tears up and has to turn away while asking Haurmi that favor; she is, after all, someone who very recently lost her husband and the father of her children, one who will never see his face. Despite her tears, she comes off as tremendously strong and brave for her family.
Despite all the tear-jerking moments, this episode never felt sappy or maudlin, because it stayed true to its characters, tapped into their unexpected stores of emotion, and presented the drama simply and elegantly.
It even managed to stick a few jokes in the mix (While the perv-cat’s shtick is starting to wear thin, his voice actor Kujira sells the hell out of every line).
Hibiki and Harumi also emerge from this episode closer friends than ever, even calling each other by their given names. Re-Kan doesn’t just excel at comedy, but drama as well. It’s one of the better pure storytellers this Spring, and when it wants to, never fails to get you right here (points at heart).