I’m a bit late getting to this series, but it was worth the wait. Hyouge Mono is perhaps the odd-man-out out as all the rest of my Spring watchlist takes place in the present or future. This is the friggin’ sixteenth century we’re dealing with, and I have to say it’s awesome. The extreme formality, the excessive exposition, the life-and-death staring contests, they’re all brilliant. I saw some excellent Noh theatre last month and this recalled that old-fashioned but gorgeous manner of speaking.
What is so curious is how modern the show feels, despite hardly ever betraying its proper time. True, the enormous ship might have been anachronistic, as probably were the guns (my knowledge of Japanese history is sketchy at best), but I’m talking more about the smooth jazz opening and bossa nova ending, as well as the Final Fantasy-esque score that complemented the spectacle nicely. Probably my favorite qualities of this series so far is the kaleidoscope of funny facial expressions and those long, tense silences.
Our protagonist Sasuke is quite the character – imminently watchable. He’s also a bit of a tea otaku – he goes to pieces at the sight of some well-regarded piece of the Tea trade – much like Oreimo’s Kirino would over some eroge. In this episode, it was an admittedly-splendid teakettle. I also like how his Lord is always challenging his devotion and mettle – partially for his own amusement, but also because Sasuke is constantly striving to straddle the role of a warrior with what is perhaps his true self – a hopeless aesthete. I look forward to seeing him wrestle that duality in future. Rating: 4