Last week’s cliffhanger is promptly resolved, as Vanitas ends up on top of Noé, but just can’t quite kill him. His blade remains an inch from Noé’s throat, which may as well be a mile, for it is a distance Vanitas simply cannot move, despite having just hypnotized himself to kill all vampires.
Because Noé won’t drink Vanitas’ blood and Vanitas won’t kill Noé, Misha decides to use his book to zombify more random Parisians, but things go pear-shaped when the book seemingly overloads and starts to devour Misha himself. He’s like the kid who stole his dad’s car, and ends up putting it in a ditch.
The clear unsung hero of this whole ordeal is Dominique, whose strongest side is able to overcome Misha’s control over her weakest side. The one thing she’d never do is hurt Noé, which means she can’t let herself die, since that would hurt him deeply. With color returned to her life, Domi flashes her gorgeous ice magic powers and neutralizes the zombified people and is even able to briefly restrain Misha.
Vanitas draws nearer when Misha calls for his big brother, but it’s just a trick to lower Vanitas’ guard. Fortunately, Noé is faster than Misha, blocking his killing strike, breaking his prosthetic blade and slashing his face, sending the boy into a tantrum. That’s when daddy comes…or rather granddaddy.
Of course, this gramps isn’t Misha or Vanitas’ gramps, but Domi and Louis’—the former Marquid de Sade, AKA The Shapeless One, AKA the Comte de Saint Germain (who is, of course, a real dude from history…and also, judging from the eyes, might be Murr?!). He’s the one who saved Misha’s life and gave him both a metal arm and the idea he could bring his father back. He’s apparently not done with him, as he takes Misha away through a tear in reality.
After that, the opening theme plays as an insert, and Noé awakens in bed to a cheerful Amelia informing him everybody’s safe and sound, and Vanitas is, of course, perched up on the roof. Noé goes up to meet him, and the two are soon joined by Misha and his metal dog. Vanitas says he, not Misha, was responsible for Luna’s death, and it was a mercy killing, for Luna was about to go completely out of control.
When Misha reaches a hand out to once again ask Vanitas to join him in trying to bring Luna back, Vanitas declines. He doesn’t care if using the books is slowly changing them into “something not human”; if he’s going to be killed, he chooses Noé to be the one to do it.
Misha makes sure to tell the two that Domi didn’t kill anyone—Domi is kind, and Misha likes kind people and thus doesn’t want her unjustly punished for her actions at the fair. Then he bounds off on his metal dog, leaving Vanitas, Noé, and the morning sun peaking through the Parisian clouds.
Vanitas is eager to investigate what Saint Germain is up to, but other than that it’s business as usual, with him continuing to serve as a doctor curing vampires of their curses. But while he’d performed these duties for years without anyone by his side (save those dhampirs from whom he’s kept a certain distance), now he has Noé, Jeanne, Domi, and others willing to help him help others…and keep him alive.
While it didn’t hit quite as hard for me as the conclusion of the previous Chloé d’Apchier arc, this was still a strong finale that helped Vanitas take a step out of his dark past and into a more hopeful future, while galvanizing his bonds with those who wish to share in that future. And there seems to be plenty of potential story material for a third season if Bones so desires.