Charlotte – 13 (Fin)

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As we open on the Charlotte finale, the situation is dire and the task ahead for Yuu—locate and steal the ability of every person in the world—seems impossible. But the show wisely infuses dark comedy into the mix, like Yuu fumbling with his English flash cards, and the task starts to get easier with every ability he steals, including mind-reading and the ability to speak any language early on.

Yuu becomes even more of superhero badass as he travels the world, getting in, plundering, and getting out. He even earns a nickname: “The One-Eyed Grim Reaper (Shinigami)”, which he’s a bit embarrassed about.

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But he’s not just stealing powers from criminals or people like he used to be who only use them for selfish purposes. He also has to steal from the likes of a Peruvian girl with healing powers, helping her village stay healthy. He pillages her power without hesitation, then realizes he can heal his eye, go back in time, and bring Kumagami back. But remembering how far he’s come, and the primary goal of his mission, he abandons such a move as mission creep.

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As he moves around the world gathering tens of thousands of abilities, he becomes stronger and better at it, but at a steep cost: his memories short and long term, along with his very sanity. The episode follows him in a similar manner to when Ayumi died and he started falling. This time his intentions are honorable, and he’s literally saving the world and thousands of young people from horrible fates, but the toll on his individuality and soul are no less severe.

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The one thing that seems to anchor him to the past he can’t see anymore are Nao’s flash cards. Even though he doesn’t remember who gave them to him or why he treasures them so much, a part of him always wakes up when he focuses on them. Nao isn’t watching over him this time, but by giving him those cards, she is the sole reason he doesn’t totally lose himself or, while in the Arizona desert at the end of his tether, doesn’t give up completely.

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While a single episode could never do the scale of his mission justice, and the speed with which Yuu reaches his final target, a girl in Beijing, the efficiency, excitement, humor, and breathlessness of his journey that takes place this week and only this week can’t be overstated.

He’s literally limping on a walking stick when a lowlife seeking a bounty and an easy life starts firing crossbow bolts into his back, but the very girl Yuu is after is able to save Yuu by stalling his attacker. Yuu suspects her ability is immense courage, but even after he steals it, she still requires convincing that it’s alright to leave him. After all, he’s not as weak as he looks.

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The minute his mission is finally accomplished, he’s picked up by Shun & Co. in a police helicopter and brought home. When he wakes up in the hospital, he’s told he’ll survive his injuries. He’s told this by a pretty silver-haired girl with blue eyes sitting by his bed. Someone who, to him, in that moment, is a total stranger.

Nao introduces herself as his lover, and goes over their history together, right up until his promise to come home. Because he was successful, Nao holds up her end of the bargain, and while she’s truly hurt he doesn’t remember her, she’s just happy he came back in one piece and of otherwise sound mind, something that was by no means certain after the stress of absorbing so many powers.

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The show doesn’t make it clear whether Yuu’s memories are gone for good, or whether they’ll return once his body and mind get enough rest. Not plundering any more powers will certainly be good. But regardless, Yuu lets himself fit right back into the family he left behind, and Nao keeps her camcorder going. If his old memories won’t come back, then he’ll just have to make new ones with Ayumi, Yusa, Takajou, and Ayumi.

And there you have it! All in all, a very solid ending, if not quite Charlotte’s absolute best. All I asked was that Yuu and/or Nao survive the series, and they do, and the ambiguity of Yuu’s memory loss and the fact he’s happy to be back and start having fun again lends the right amount of hope that things are going to be just fine. Not a perfect ending, but a happy and satisfying one. And another faith-reinforcing triumph by Maeda Jun and P.A. Works.

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Charlotte – 12

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The harrowing events of last week, which resulted in the rescue of Nao and the capture of anti-wielder actors, along with Pooh’s heroic sacrifice, eventually bring Yuu around to Shun’s big-picture way of thinking. It’s not enough to keep those he loves safe; in order to ensure their safety, he has to save everyone.

But at first, this week, he’s unsure of how to do that. In the beginning, all he can do is heal from the injuries he sustained, accept he’ll probably never see out of his right eye (or time leap), and allow himself to be spoon fed delicious meals provided by Takajou (school beef tongue curry), Yusa (cream stew) and Ayumi (omelette rice that has never tasted so good).

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I enjoyed the rhythm of the very people he cares about and wants to help the most visiting his room one after the other, helping him build up his strength with food they made with love. And having almost died, he makes sure to tell Misa to see her parents before Yusa loses her ability and she passes on for good.

Yusa rather ingeniously uses her job on a TV show to visit her parents, and Misa has a cathartic moment in which she actually possesses Yusa on camera to describe the love she tastes in her parents’ otherwise run-of-the-mill soba set. Combined with Yuu’s newfound love of Ayumi’s cooking, there’s some lovely blood family beats to be had this week.

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Despite being back on his feet, the one person Yuu can’t get himself to see is Nao, but as her injuries weren’t as bad as is (and let’s face it, she’s a tough one to boot), she’s discharged before him, and ends up visiting him. He asks her what he should do, and she says it’s technically possible, if extraordinarily difficult and dangeous, for him to simply end the entire crisis by plundering the abilities of every wielder in the world.

She almost seems to be shrugging it off as she proposes it, but Yuu agrees that’s exactly what he’ll do: travel the world, find every wielder, steal their abilities, and trusts he won’t turn into a world-ending monster. When Nao asks why, Yuu is upfront: it’s his turn to save her, because he loves her. The reaction of a Nao who didn’t actually save him in this timeline is dubiousness and confusion, which frustrates Yuu unti they’re literally growling at each other, seemingly proving to Nao they have the worst chemistry possible.

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But Nao’s rather aggressive inability to instantly accept Yuu’s confession doesn’t sway him; he still loves her, and he’ll still save everyone, including her, in order to repay the debt of her alternate self. She rather perceptively points out that other Nao may have just been taking responsibility, as she brought Yuu into all this to begin with, but she can’t deny Yuu has become someone dear to him that she knows she can believe in.

So she makes a deal they pinkie-swear on: they’ll settle down as lovers. Yuu warns her she may be putting too much faith in the one-time “cheating fiend”, but to Nao that’s the point of the deal: if he can pull off this final mission, she’s convinced she’d be in a position to fall for him. Before they part, Nao has Yuu plunder her power first, thus officially setting him on his path.

Once it happens, Nao looks lighter, relieved, and grateful. I want to believe these two didn’t just exchange death flags by mapping out their ideal future together. That is, I’m hoping Maeda Jun doesn’t rip my heart out again; I’m tired of putting it back in my chest!

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Having already started his mission, Yuu visits his brother on the hospital roof, who is still mourning Pooh and fills him in. He gets the blessing of Shun, who tells him to go overseas while he and the Syndicate handle Japan. Yuu also takes Takajou and Yusa’s powers, which in the latter means the end of Misa, who writes a tearjerking farewell letter to her sister thanking her for letting her borrow her now and then.

Finally, while packing to leave on a trip to do something he must do because only he can, Nao pops by to wish him Godspeed, and they exchange tokens of their commitment to meeting again. Nao gives him English conversation notes, and Yuu gives her the media player she gave to him. Hopefully this isn’t ZHIEND for these two, because they’ve emerged as one of the better romantic pairings of the year, in one of the finest shows.

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Charlotte – 11

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If it hadn’t already, with this, its third 10-rated episode, Charlotte has established itself as not only one of the year’s best shows, but one of P.A.Works’ and writer/composer Maeda Jun’s best, as well. Even though I knew full well last week’s rescue of Ayumi was essentially a cakewalk that returned us more or less to the status quo, and that there would be hell to pay this week, I wasn’t fully prepared for just how much hell would go down.

Things start out tentatively, however, with Yuu returning to the syndicate headquarters with Ayumi, who meets her big brother for the first time since her memories were erased. It’s wonderful that Ayumi is breathing and free of Collapse, but to learn her memories of Shun are gone forever is the first of many harsh blows to the cast this week.

And hey, we finally learn why the show is called Charlotte, and more importantly, why there’s an outbreak of kids with abilities: it’s the name of a comet that spreads particles across the earth, activating dormant parts of the human brain. It last happened 400 years ago, and there was a witchhunt. When the comet passed again 12 years ago, more kids were bestowed with “magic powers”, and the witchhunts started back up.

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Shunsuke shelters a research team working on a vaccine for the “disease” that always leads to such horrible massacres throughout histroy, though he admits there’s little to be done for those who already possess powers except to protect them and wait it out until they age enough to lose them. With his Plunder ability Yuu is the most powerful, most valuable, and hence most at-risk ability wielder in the world, so Shun is committed to protecting him.

However, Shun reveals that for all his planning and good intentions, all it took for his syndicate to be unraveled and all of his friends and family to be put squarely in harm’s way, and for the entire vaccination plan to be put into jeopardy, is the syndicate’s hired driver, Furuki.

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Because Furuki has a family, and when that family is abducted and held hostage, Furuki has no choice but to betray Kumagami, who is also captured by a group of foreigners.

These foreigners don’t use the kid gloves on Kumagami, pummeling him, administering truth serum so he spills the beans about every “psychic” he knows and has been in contact with, and ripping out all his teeth and nails. From there, the enemy storms Hoshinoumi’s dorms and Nao is also captured, though she puts up a valiant fight.

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Yes, this is all Furuki’s fault for working with the syndicate when he has something as important as a family to be manipulated with by the enemy, but the responsibility lies with Shunsuke for hiring him, and he knows it. He messed up bad, and Kumagami and Nao won’t be the only ones to suffer for it.

Being more or less powerless himself, Shunsuke has no choice but to give in to the enemy’s demands to send Yuu to them, alone. Yuu is the only one who can stand against them, and his only hope is to steal the enemy’s abilities in order to rescue Kumagami and Nao.

Suddenly having all this shit shoveled on his plate almost causes Yuu to blow from his Collapse ability before the operation even starts, but Shunsuke manages to calm him down, and in any case Yuu feels he must save Nao, the girl who wouldn’t give up on him even when he gave up on himself.

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Whereas Ayumi’s rescue went like clockwork, here the clock is blown to bits and then the bits are set on fire. Murphy’s Law rules, as infiltrating his two foes reveals they neither have powers nor weapons on their person. While the muscleman is not present, a spry little green-eyed ability wielder ambushes Yuu and gouges out one of his eyes, making it impossible for him to make an emergency time leap (and possibly wrecking his plunder ability too).

I’m curious who this Ayumi-sized girl is and why she’s fighting on the wrong side, but I imagine her masters either have some kind of leverage on her like they did Furuki, or she was raised by the masters to hate others with abilities…or perhaps a wielder betrayed her and she’s sworn to make them pay.

Whatever her motives, she’s only one of the enemy’s tools here. Climbing on Yuu can stabbing him in the shoulder,  she causes Collapse to activate in him, bringing the whole warehouse down.

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Shunsuke and his friends rush to the scene to survey the sheer breadth of Yuu’s failure, which was again bourne from Shunsuke’s poor judgement in hiring Furuki. Yuu was able to save himself with telekinesis, but Kumagami wasn’t so lucky: he was run through with several pieces of metal and rebar, using his body as a shield to save Nao.

Now, not only is the syndicate’s ability to identify new ability users and a close friend since the beginning of the resistance dead, their trump card Yuu may be totally neutralized. The only bright side is that they’re able to capture the unconscious foreigners, but I’m sure they have friends too, and right now no user or former user in or out of the syndicate is safe, including the just-rescued Ayumi.

Earlier in the episode, Yuu remarks that the witchhunts happening overseas “have nothing to do with them,” but Shunsuke rebutted that “this story can’t possibly be that easy.” It seemed that way last week, but now there are no delusions. It’s not easy, and this looks to be only the beginning of the hardship. Is there light at the end of the tunnel?

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Charlotte – 10

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After all the shock and intrigue of last week’s masterpiece, this week started off a bit slow and rigid, with Shunsuke telling Yuu and Nao the story of what happened after his time leap.

He returned to a time a couple of years before the three of them are captured, tracks down his trusty friends Kumagami (or “Pooh”), Shichino, Medoki, Maedomori, and helps them expand a syndicate of ability wielders. However, something always ends up going wrong, everyone is captured or killed, and Shun has to time leap and start all over.

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The re-re-re-built syndicate starts to become more wealthy and secure thanks to gambling winnings, but Shun learns that he loses a bit of his vision every time he leaps, and when he goes blind, he won’t be able to leap at all.

So he makes his last leap count, by working to set up a school to educate and protect ability wielders until they lose those abilities, including his brother and sister. To further protect them while working behind the scenes, his friends help him erase all memory of him from Yuu and Ayumi.

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That brings us back to the present, where Shun announces the next mission is to save Ayumi. He may not be able to time leap anymore, but if Yuu uses his true power, “Loot” (or “Plunder”) to steal Shun’s power, than he can time leap and save Ayumi. And that’s exactly what he does.

Being back in a time when his sister is alive—something he took for granted the last time around—is ample motivation to save her this time, and he moves forward with confidence and a solid plan to save her not only from “Collapse”, but from Konishi the knife-wielder as well.

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Yuu also finds an understanding ally in the Nao of the past, who has been through a lot less things with Yuu at this point. Still, she believes his story about time leaping without complaint, and also accepts his thanks for her saving him when Ayumi died before. It doesn’t matter that she won’t actually have to save him from himself in this timeline if he saves Ayumi, because the fact she did in the previous one is the only reason he’s still alive, free, and there, in a position to save her. Yuu understands this, and makes sure Nao knows how grateful he is.

As for the Ayumi-saving caper itself, he steals her Collapse ability without a hitch, while he, Nao, Yusarin and Joujirou all go undercover at Ayumi’s school for a coordinated attack. Yusa and Jou are immediately indisposed and taken out of the equation due to their respective fame and suspiciousness, but then again, they both serve as good diversions for the bulk of the students, giving Yuu and Nao room to work.

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And work the plan does: Konishi stalks Ayumi once more with her click-click-clicky knife, but Yuu is there to stand between the two. He breaks all the windows behind Konishi, and an invisible Nao kicks the knife away and snips away Konishi’s bangs. Konishi retreats, her warning received loud and clear.

With Ayumi safe and by Yuu’s side, he encounters Pooh and Medoki on the streets, who offer to take him to his brother. I was certain there would be some kind of mistake, Steins;Gate-style, that would prevent Yuu from saving Ayumi once more, but everything went off without a hitch.

It was almost too easy and quick a resolution, but it was still a very satisfying episode that covered a lot of ground and still found time for little moments of comedy. Now, with Ayumi apparently safe, there’s still plenty of time for Yuu, Shun, and the resistance to accomplish even more for the cause.

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Charlotte – 09

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Judging from the amount of time he spends figuring out what to wear, Yuu is not only looking forward to his concert date with Nao, but also seems to be developing some feelings for her. When they meet, he encounters a much more pleasant and bubbly and less surly Nao who is genuinely excited to see ZHIEND live (and collect their very practical smartphone case!)

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As the concert progresses, Yuu’s mind-splinter like nagging feeling of deja vu keeps building until it finally explodes when Sala starts singing a song caled “Trigger”, which just happens to be the trigger that sends Yuu…somewhere, somewhen else. Here, he and and a very alive Ayumi are patients/inmates at the very kind of government facility Nao always warned about, where ability users are rounded up and monitored, while those more powerful (and thus dangerous) are restrained, dissected, and/or disposed of.

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Is this a flashback, or an alternate reality? The show doesn’t say for sure, nor does it need to. Suffice it to say this is an awesome new direction for a show featuring characters with all sorts of crazy powers, so the ability to travel through time (Yuu’s “big brother” Shunsuke’s ability) isn’t that far out there.

The episode fully commits to this new, harsh, dystopian setting with abandon, along with the efforts by other users to free Shun with Yuu’s true power, “plunder”, or the ability to steal other abilities. That power makes him uniquely suited when the time comes to race through the corridors of the facility to release Shun. In the process, many of his associates fall to the security forces. The time between 13:55 and 17:30 is a thrilling masterpiece in and of itself.

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Everything seems to be worth it though, as Shun is released, his eyes uncovered, and…well, something happens. Yuu wakes up in the hospital with Nao by his side, as if it was all a dream, but the timing of Shun using his powers suggests it’s because of Shun that Yuu is here, and was here in this world living peacefully with Ayumi.

Nao is confused by Yuu’s thinking out loud, until a dry Kumagami (who was in the facility with Yuu and Ayumi) enters the room, offering to take Yuu and Nao somewhere where they’ll learn everything they’ve missed out on so far, including reuniting with Shunsuke, who Yuu learns was the one who set Nao on her path of finding and protecting users, thus helping the overall cause. Kumagami also says he can help Yuu rescue Ayumi, as if she wasn’t dead (and indeed, we never saw a body.)

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From post-rock concert to dystopian government facility to comfy hospital room, Yuu then finds himself following Kumagami with Nao to another top-secret underground facility, though in this case, it’s the well-funded but time-deficient headquarters and last stronghold of the “resistance” of ability users against the government, an organization led by Shunsuke, who is now blind.

This is little more than a reveal, with Shuu exchanging pleasantries and preparing to tell Yuu and Nao Everything, but this episode had done more than enough already, completely changing the complexion and expanding the scope, stakes, and very reality of the show. This is no longer just about a school club that rescues kids one at a time. This is about saving them all, including Ayumi. I’m always suspicious of un-killing characters, but in this case I’m very intrigued to see how they do it.

10_magRABUJOI World Heritage List

Charlotte – 08

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Charlotte follows its best episode (and one of the best episodes of the Summer) with another powerful outing, though not quite packing the same punch. It has Yuu returning to school and to the routines he had abandoned after Ayumi’s death. It’s all here, from Joujirou’s fanboying and bleeding, Yusarin’s spells and music videos, Tomori’s standoffishness and drop-kicking.

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But just when Yuu (and I) think the wet guy is going to show up with the next ability user, Tomori says he’s not coming. Instead, she has a second ticket to a ZHIEND show tomorrow, and wants one of them to go with her. Citing their honest ignorance of and disinterest in post-rock (look it up on Wikipedia), the process of elimination makes Yuu Nao’s “date,” and when she says it’s nice to have a breather now and then, he agrees and accepts.

Later that day while walking home, he bumps into a fuchsia-haired blind woman who mixes English in with her bizarre accent and is on a quest for “modern-yaki.”

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Yuu takes her to a okonomiyaki joint for some hiroshima-yaki instead, and learns that she’s none other than Sala Shane, the lead vocalist for ZHIEND. Not only that, Sala is a remarkably down-to-earth person who picks up instantly on Yuu’s still-raw wounds of grief, and decides to spend the whole day with him.

Yuu calls Nao to join them, but she seems utterly disinterested, which I took to mean she might have somehow arranged this, because the fact of the matter is Yuu benefits from hanging out with Sala, even as he still reflexively pulls out his phone to tell Ayumi he won’t be home for dinner.

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Sala once had the use of her eyes, and was once far bigger and more popular than she is now with her “dull” little post-rock band. But when things got out of hand with the fame and the money and the way the people around her changed, she gave it all up, making a deal with God to take her sight in exchange for a smaller, more peaceful life.

I couldn’t help but notice the similarity of her sitting in a dark, trash-filled house with nothing but the light of the TV to similar sights of Yuu in the same position. She remarks that the day may come when he too has to make a deal with God, and tells him to “handle it well” when it does.

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We learn where Yuu is taking Sala when we see the rest of his phone call with Nao, in which he tells her he’s bringing Sala to her brother’s hospital, betting she might be able to help bring part of him back from the fog. Where Nao almost seemed annoyed earlier in the call that she’d jump at the chance to see her heroine (in stark contrast to Joujirou, who worships the dirt beneath Yusa’s feet), here she expresses gratitude as the sun sets before her.

The highlight of the episode is Sala’s stirring solo a capella performance to an audience of Yuu and Kazuki. Sala is old enough that she would no longer have a power, and yet there she is, soothing the soul of a fellow adult, as someone who still has their power listens intently.

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Kazuki does come back; Yuu wins his bet, at least for now. Nao rushes to her brother’s side, then calls Yuu back to thank him from the bottom of her heart. Yuu doesn’t need Sala’s other heightened senses to detect Nao’s sincerity.

As for Yuu, he takes what Sala said to heart about him knowing good people, which have changed him without him knowing it. Last week, Nao straight-up saved him from falling off a cliff of despair. This week, without even thinking about it, Yuu repaid Nao’s kindness by helping her brother. Thanks to his experiences in these first days back in the post-Ayumi world, Yuu can see the light, and himself, and is happy with what he sees.

But he still gets nostalgic when he hears ZHIEND. Will he reach another breakthrough at the concert with Nao?

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Charlotte – 07

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Charlotte doesn’t hold any doors open, nor does it waste any time or pull any punches: Yuu survives the injuries incurred by the debris, but Ayumi is gone. And it’s only in that moment and in the days to come that Yuu realizes how much he took her presence, and her cooking, for granted. He thought he was taking care of her, but it wasn’t a one-way street, and Ayumi’s death leaves a yawning chasm in Yuu’s heart, a stinging sense of loss and helplessness that pervades this powerful but heartbreaking episode.

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Having failed to protect or “repay” his sister, Yuu surenders and shuts down. He tries to fill the hole with cup ramen and television, and either ignores or lashes out at anyone who tries to wrest him from his self-imposed punishment, from Misa and Jou to even Yumi, whom he once worshiped. Liking and pursuing her must feel like a sad joke compared to the situation he’s in now.

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Then sketchy men in black show up, and Yuu starts to think (perhaps not wrongly) the government is about to capture him. So he gets away, where he thinks the soaked kid can’t find him, and his “home” grows even smaller as he squats in an anime cafe eating pizza and mochi balls while continuing to escape from life by playing violent video games that he probably used to not care about in the least.

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When some roughs are using that video game too long Yuu takes the bait and starts playing games with them. One gang after another, no matter how strong or numerous or feared, falls before his body-swapping ability. He creates chaos among the group, and it’s in that chaos in which he’s able to work most effectively to defeat them. He’s using his skills not to help people, but to entertain himself.

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He learns “real life”, with real bodies and real blood, is more fun than the games. The hole he’s filled becomes infected and festers. He’s becoming a villain before our eyes, and the path he’s walking looks more and more like a one-way street. When he finds some drugs on one of his victims, he’s about to take things to the next level when Nao kicks them out of his hand, appearing out of nowhere. Where is Nao in all of this, I asked myself throughout Yuu’s self-destruction kick. Was she so guilty about how she handled the Ayumi case, or so upset about what became of Yuu, that she couldn’t face him?

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No, she was right there, by his side…the whole time. Last week’s cliffhanger kept open the possibility that supernatural powers would have some role to play in the story’s resolution, but magic couldn’t save Ayumi from her own power, nor could it save Yuu from drowning in grief and despair. But with her power, Nao could stay by his side, invisible only to him, with no time limit, and wait for him to get better. When it’s clear he won’t, she makes herself visible to him, in order to make him get better.

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And why? Not just because she feels partially responsible for Ayumi’s death, but because Yuu is, at the end of the day, someone she cares about, and if she can help it, she’s not going to let him destroy himself. So she makes a deal with him: if he has one bite of the food she makes for him, he’ll never see or hear form her again. At Joujirou’s house, she painstakingly recreates the same super-sweet omelette rice Ayumi always made for him. And he can’t have just one bite. He eats every bite, and agrees to come home.

It’s not words or actions that pull him out of deep waters of despair that are all to easy to slide into following the shock of a loss. It’s food; it’s a smell and a taste, and all of the better times and happy memories tied to them. It’s a reminder that he is still alive, and there are better ways to live, and better ways to fill the holes in your heart.

Brilliant portrait of a broken Yuu, and a equally brilliant scheme to save him by Nao. I’m still drying my eyes from the heavy emotions this episode so eloquently expressed.

10_magRABUJOI World Heritage List

Charlotte – 06

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Ah, now that’s more like it. Just when I was hankering for Charlotte to mix up its ability user-of-the-week formula that was growing repetitive, it does just that in its midpoint episode. Things are different this week, as the ability user has a potentially extremely dangerous ability (called “Collapse” by Kumagami), and may not be a stranger, but Yuu’s own adorable little sister Ayumi, who had just suspiciously taken ill last week.

Yet with all the weight of these new adjustments to the formula, the show still finds apropraite moments of comedy, like the best way to exclude Joujirou from their trip to see Ayumi. Yuu is about to swap bodies with him so he can make him jump out the window, but Nao beats him to it by simply dropkicking him out the window. It isn’t the first time Yuu and Nao are of one mind on an issue, and it won’t be the last.

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A little more random peripheral comedy is found on their trip to the store prior to visiting Ayumi, in which Yuu’s practical purchases are augmented by Nao’s procurement of stewed mushrooms (apparently an excellent topping for porridge…Zane?) and most amusingly, a $20 tin of cookies Yuu has never seen removed from its dusty shelf, let alone purchased.

Yuu enters before Nao and Yusa, and finds a group of Ayumi’s classmates already there: the cornflower blue-haired and well-spoken class rep Nomura; the boy Ayumi rejected, Oikawa, and the gloomy, taciturn Konishi, who gives Yuu the evil eye on her way out. That look set off warning bells that she, not Ayumi, could be the Collapse user.

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While Ayumi’s nose predictably becomes a nose fountain even upon her first glance of a heavily-disguised Yusarin, far more heartening was her attitude towards Yuu and Nao. The two are constantly fervently denying her suspicions they’re dating, or her assertions they make a good couple, even as they proceed to work well as a couple. Methinks they doth protest too much, and out of the mouth of babes (well, middle schoolers) comes the truth that they really are gelling nicely.

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Yuu even heeds Nao’s suggestion Ayumi stay home an extra day even if she’s feeling better. But Ayumi is sick of being cooped up, and sneaks out of the condo complex and into school. There, she interacts with all the classmates who visited her, only now Oikawa is exerting more pressure for her to go out with him (What a creep!), forcing Nomura to swoop in and hold him back (Good for her!), and finally Konishi coming at her with a clicking utility knife (Yikes!)

Before she brandished that knife, I was still considering the possibility Konishi would use Collapse against Ayumi for stealing Oikawa from her. But once it appeared, it looked more likely that Collapse was Ayumi’s power after all, to use as a last-ditch defensive measure.

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Once Yuu and the others learn Ayumi is at school, they rush there with speed. I found it notable that Joujirou’s ability was not utilized, though perhaps they felt adding more chaos to an already chaotic situation wasn’t the best course. (Yuu and Joujirou were also delayed by pasta, of all things!)

The result of that choice is that they’re too late, and Ayumi’s ability involuntarily manifests before Konishi cuts her. Everything beneath her—concrete, steel, glass, everything—crumbles to bits. She’s saved from Konishi, but falls victim to her own ability by being apparently crushed beneath the debris it created.

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In a sudden state of panic and intensity we had yet to see in Yuu, he clambers to the debris pile that was once a corner of the middle school and starts desperately digging for his sister. In the process, an orange-haired girl who earlier flashed an ID to school security laments she too was too late (I gather she’s part of a team other than Nao’s charged with stopping ability users).

Then a concrete pillar falls on Yuu, and the scene cuts to black and the credits roll to a gorgeous, ethereal new ending theme that sounds like a lament, and an end to everything that’s come before. After those credits, we encounter Kumagami standing in the rain over debris stained with blood. This raises far more questions than it answers, to my considerable intrigue.

9_mag

Charlotte – 05

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This week’s Charlotte begins with a rather unpleasant scene of Nao being dragged out of class and beaten behind the school by a mob of other girls. Yuu follows but doesn’t interfere, but what’s unclear is whether Nao is disappointed or glad about it. He presumes it’s what she gets for messing with people with her invisibility. He knows what it’s like to bear misdeeds; he’s perpetrated plenty of his own with his body-swapping.

And yet, while Yuu doesn’t play the role of the shining knight swooping in to save Nao from her tormentors, with or without his ability, Yusa and Joujirou both agree they’re “not an unpleasant couple to be around” due to their natural chemistry and spouse-like interactions. If they didn’t care about each other one way or another, they wouldn’t fight; that kinda thing.

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Nao believes the Council’s next target is up in the mountains near the city practicing his flying ability (the downside to the power is never mentioned). The best way she believes to do that is to set up camp and stake the place out indefinitely until they either spot him or he comes to them.

In the process of camping the group participates in typical group-bonding activites that take place during camping, like starting a fire, roasting corn, meat, and vegetables, playing video games, and stargazing. The latter is something only Nao and Yuu do, with the latter finding her alone listening to a group called ZHIEND, whose lead vocalist and composer is blind.

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In another indication Yuu and Nao are a somewhat fated couple, he gets the same feeling from the quiet music as she does: that of being in a vast, gorgeous, lonely open space. She even gifts him her music player, excited as she is to find a fellow fan. The music makes Yuu remember the face of girl who looks a lot like a younger Ayumi but who he doesn’t know, but he’s woken from the dream when it’s his turn to keep watch.

On the second night of the camping stakeout, Yuu and Jou bathe in the river, where Jou tells Yuu it’s best if he set romantic plans aside until two years from now, when they’ll lose their abilities. It makes me wonder if this show will let us see that future and how it changes these classmates and colleagues who are gradually becoming friends.

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It really is a journey-not-destination kind of episode, as the flying kid mission is wrapped up extremely easily. Yuu swaps bodies with him and ends up several thousand feet above the ground (an awesome sight, to be sure), and when he comes down softly but slightly banged up, less than a minute of convincing from Nao persuades the guy to stop using his ability.

Back home, there isn’t much pizza sauce left, and so Yuu gets his first tolerable meal frmo Ayumi in a long time. He also manages to convince her not to put it in everything, finally. But then Ayu starts coughing, and her temperature is 37.8, prompting Yuu to get her under a futon. Hopefully Ayumi doesn’t get sicker as a prelude to the awakening of her own power; but I’ll admit that’s not outside the realm of possibility.

7_mag

Charlotte – 04

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I don’t dislike baseball, and while I probably wouldn’t watch an anime exclusively devoted to it, I do enjoy the occasional baseball episode (it was one of my favorite DS9 episodes, simply because it’s so fun and feel-good).

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This week’s Charlotte was one of those, and it turned out a lot like “Take Me Out to the Holosuite”, which featured a ragtag team of Sisko’s crew (many of whom never played baseball) against a superior team—or in the case of Charlotte, a team with an ace who uses telekinesis to pitch perfect games.

They’re not just playing for pride, either: Nao gets the pitcher to agree never to use his power again if they lose; warning him that to do so would invite unwanted attention and ultimately capture by evil scientists. She also points out that he’ll lose the power, and thus any change of getting to the Bigs, once he grows up, but he seems undeterred.

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The game that unfolds is a bit of a circus, what with new Hoshinoumi transfer student Yusarin transforming into Mika, who has above-average athleticism baseball “game sense”, but is limited by Yusa’s weaker, slower body. Joujirou is predictably an asset in getting to first in record speed, but Nao has to record his at-bat with a high-speed camera to prove to the ump via instant replay that he was indeed safe. And, of course, Yuu switches bodies with an opposing batter while manning first base, with his repeated fainting confusing the ump to no end.

Finally, Nao calls upon Yuu in the most important at-bat; one in which a base hit will give them the win. Unlike his usual M.O. of sneaking around and swapping bodies, Yuu must face something head-on. He goes down 0-2 quickly, but realizing the gravity of his position, he valiantly fouls off pitches until the pitcher tries a new angle that results in a passed ball, scoring the two runs they need to win the game and the bet.

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This week’s challenge for the Student Council turns out to be a little more interesting than the one-dimensional producer targeting Yusarin, because the pitcher wasn’t cheating for personal gain; he wanted to take his team as far as he could because he wanted his friend, the catcher, who has excellent natural ability without the use of powers, to be noticed by scouts. Nao respects the guy’s selfless motives, but tells him there are other ways to do that; ways that won’t get him locked up and experimented on.

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Perhaps Yuu also learned the benefits of facing problems head on, which would serve him well in the unending battle to get his sister to stop putting pizza sauce in his meals. This is getting pretty ridiculous: I know he doesn’t want to hurt her feelings, but if he really doesn’t want pizza sauce in everything, he needs to confront her directly and tell her to please stop. I’m sure he could figure out a way to do it tactfully. Or better yet, have Yusa tell her for him! But not Mika. She’d probably spit in the food. ;)

8_mag

Charlotte – 03

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After another incident of Joujirou injuring himself while procuring lunch (the show already spent that nickel last week!), the StuCo gets a new lead: someone who can not only channel the dead, but also has the power of pyrokinesis. It turns out to be the idol we saw Ayumi watching, whom Jou is also enamored of: Nishimori Yusa (voiced by Uchida Maaya). With some more Yuu and Takajou teamwork (in which Nao gets cold-cocked and Yuu takes the brunt of Jou’s attack) they manage to find one of Yusa’s protectors, who take them to her.

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When Yusa goes into channeling mode she’s unaware of what’s happening, and the girl she channels is her late older sister, Misa, who was once an delinquent with Yusa’s present bodyguards. It’s Misa, not Yusa, who is able to control flame. But Yusa is in trouble: she accidentally ended up with an incriminating smartphone, and a producer is looking to wipe her off the map to protect its secrets.

Nao devises a plan whereby Misa takes over Yusa and acts tough like she’s killing all of the producer’s henchmen left and right, but all she does is lightly singe her two buddies in flame-resistant suits, while Jou, Yuu, and an invisible Nao make it seem like she also has The Force. The producer is scared off, almost too easily, but at the same time, after that demonstration, I’d be pretty freaked out too!

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After that, Nao insists Yusa transfer to Hoshinoumi; it’s only a matter of time before her powers manifest in public and she’s taken away by scientists and used up like just another human “battery.” Misa agrees it’s what’s best for her little sister, even if it means one day she’ll no longer be able to possess her. One of her buddies also takes the time to confess his feelings for her; feelings he wasn’t able to confess when she was alive. And of course, back home, Ayumi is over the moon that her brother is now classmates with “Yusarin.”

This was an alright introduction of the fifth member of the main cast as displayed on the official promo art, and Uchida Maaya does a good job differentiating between the cutesy Yusa and the tough-as-nails Misa. But to be honest, there wasn’t much in the way of danger this week; everything just kinda worked out perfectly. for all involved Also, after just finishing the lovely Yamada/7 Witches, yet another instance of two people in one body feels a bit passe.

7_mag

Charlotte – 02

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Yuu’s first day at Hoshinoumi Academy is fairly eventful, as Joujirou demonstrates the incredibly destructive and unnecessary way he buys lunch. But while his demonstration and its resulting wounds is played for laughs (and it is pretty funny on its face), the show delves into darker territory with regard to the effects special abilities have on the people who possess them.

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But first, Nao and Joujirou show Yuu how they operate, using the location pinpointing and power identification skills of a “comrade” to locate ability users who, like Yuu, are up to no good. In this case, it’s the archery captain, who uses his “thoughtography” ability to produce images of girls in their underwear which he then sells…to help support his struggling family.

Nao and Joujirou put Yuu to work immediately, using his body-swapping ability to get the name of the culprit and foil his attempt to blackmail Nao (who is nonetheless flattered that the culprit thinks she’s attractive). It’s clear Yuu is a good fit, and that he’s now on the straight and narrow stopping people from going too far with their powers or using them for nefarious purposes.

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The StuCo he’s now in less about punishing the ability users and more about protecting them from themselves. Those who get discovered are often taken away by the powers that be to have their brains poked and prodded. Nao knows this because her own brother, the first youth who had a power awaken in them, underwent just that kind of intrusive experimentation, leaving him a husk of the person he once was.

The importance, and indeed nobility of The StuCo’s cause is underlined greatly when Nao brings Yuu to see her brother. At this point, Nao is used to him not reacting to anything, despite his hospital being in the most gorgeous, P.A.Works-y environment possible. She even buys lunch and eats it on the train like they’re on some workaday errand, not visiting her profoundly wounded brother.

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Her casual attitude may be Nao attempting to live as normal and happy a life as she can in her brother’s stead, because she managed to escape the same fate. But however you interpret it, it’s a brother-sister dynamic Yuu doesn’t repeated with him and his beloved Ayumi. While initially resistant to all the crazy crap going on at Hoshinoumi with Nao and Joujirou, perhaps Yuu will continue to be more smart with his powers and get with the program.

After all, as Nao says, any of them could be captured tomorrow and their lives and the lives of those they love irreparably ruined. For all its goofy or laughable moments, Charlotte doesn’t fail to bring the gravity either. That combo makes sense: for those with lives almost always on the brink and an ongoing mission that may not end until they lose their powers at adolescence, one must have fun, goof off, buy beef tongue and destroy a cafeteria now and then to maintain their sanity.

8_mag

Charlotte – 01 (First Impressions)

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What is it? Otosaka Yuu abuses his power to possess another person (for just five seconds at a time), which has twisted him into a kind of Yagami Light Lite, with troubling megalomaniacal and sociopathic tendencies and poor moral fiber. He cheats at both tests and in love, until he’s caught by a camcorder-wielding silverhair named Tomori Nao.

Nao, who can become invisible (but only to one person at a time) insists Yuu join her and her colleague Takajou (who can teleport, but never knows where he’ll stop) at Hoshinoumi Academy, a school specially suited to people with special powers like them. Facing expulsion at his present school and getting dumped by its idol Yumi, and faced with the enthusiasm of his little sister Ayumi, Yuu grudingly agrees to the transfer.

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Why should you watch? P.A. Works’ last effort that I watched, Glasslip, was a huge disappointment. Charlotte is much livlier, funnier, and flat-out better right out of the gate. Unlike a kid just dealing with teenage angst or longing, Yuu is a pretty confident dude, but also unprincipled, and selfish, literally causing traffic accidents to get a date with a girl. He’s the kind of swine you love to hate, like Light or Kanie from Amaburi. Yet I can’t help but root for him as I hope his new colleagues will work to reform his character somewhat.

The episode efficiently lays out the possibilities and limitations of his power, and the fact that if he could possess people as long as he wanted without them knowing, then he might be able to act so high and mighty and godlike. But he doesn’t. His power is half-baked, and so are those of his colleagues, so things can never quite get that out of control.

However, when they get a little out of control, such as when Takajou races around the city like a bull in a china shop chasing Yuu, or Yuu makes someone do something that causes a chaotic chain reaction, it’s great fun to watch. It’s also a just episode, in which Yuu gets all the misfortune coming to him…but doesn’t overdo it.

We see all the sides of him, like the side that sees Ayu as his only family and loves her so much he won’t tell her his omelette is too sweet.

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Why shouldn’t you watch? Like all previous P.A. Works, this show is gorgeous, and it got off to a great start, but if you still feel burned by Glasslip, I won’t begrudge you passing on another high school drama…is what I would say, only the drama so far is pretty pretty understated; in its place is just comeuppance and a healthy helping of comedy. If we’re just talking about Charlotte in a vacuum, its flaws are few.

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The Verdict: Charlotte gave us colorful, dynamic, flawed characters with clashing personalities, punchy dialogue, justice, and the usual P.A. Works dreamily beautiful yet everyday setting. It lured us in and held our attention throughout. Its superpowers are in-your-face and impactful without dominating the proceedings.

It also smartly set up the introduction of the fourth main character as the next target of the other three: the J-pop idol Nishimuri Yusa must be using her power in some underhanded way in order to achieve fame. I’m looking forward to the reveal of that power and watching Yuu clash with Yusa. This is a definite keeper.

9_mag

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