Space Dandy 2 – 13 (Fin)

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The long-standing criticism of Space Dandy’s M.O. of hitting the reset button after every episode, thus limiting its momentum across the entire run, is fearlessly addressed (and IMO officially debunked) this week, as just about every major serial element is brought into play for one hell of a satisfying grand finale.

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First of all, the show finally, finally lets Dr. Gel get his hands on Dandy, ambushing him as he’s walking out of the courthouse (Dandy is definitely a victim of publicly-televised trials in this case.) Not wanting Dandy to die at the hands of Gogol, Honey and Scarlet join Meow and QT on a daring rescue mission.

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That’s not a bad rescue party at all. Meanwhile, Commander Johnny (now a full-time general) learns from the Jaicro expert witness just how dangerous Dandy would be in the hands of Gogol, and launches an all out assault on the Gogol homeworld. That means the Aloha Oe warps right into the middle of a stellar pandemonium.

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The battle is fantastic, and made all the better by the funky soundtrack. Then, in a stunning turn of events, Bea reveals himself as Jaicro spy, betrays Gel, then betrays Jaicro, taking Dandy’s pyonium—and the promise of universal domination—for himself.

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Bea has shown signs of competence and initiative in the past, but never villainy until now, but hey, he’s ready to be his own boss, and certainly cuts a villainous figure with his popped collar and smirk. His only mistake was not making sure Gel was dead, and that proves fatal.

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After a harrowing journey aboard Aloha Oe than surfing in Little Aloha girls, robot and cat reach Dandy and free him from his chains, only to have to see his back once more as he volunteers to take Gel’s ship and destroy the berzerk superweapon before it destroys the universe.

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That’s when things get baroque: Dandy is ejected naked from Little Aloha and seems to merge with the core of the weapon, destroying everything and everyone we know.

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He ends up in some kind of purgatory and is approached by who else but the narrator, who is essentially God. Since Dandy is the only other being able to traverse dimensions without losing his memories (as demonstrated in many episodes), God wants him to be his successor once the multiverse is reborn.

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But it’s a sore deal from Dandy’s perspective. Being infinite and eternal and beyond all matter is all well and good, but he wouldn’t be able to flirt with Scarlet at the alien registration office or hang out with Honey at Boobies. That renders God’s offer moot. Dandy refuses, the multiverse as it was collapses on itself.

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We emerge back at the first episode of the series, with Dandy discussing boobs with a disinterested QT. There’s no narration, as God is gone and wasn’t replaced, but otherwise everything seems to be back to normal yet again. Then the credits roll, accompanied by a great pan through of the entire Dandy universe, and one more new, fantastic piece of music.

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This finale wasn’t just a tying up of all the loose threads the show had generated, but a love letter to all of its fans who always wanted to see Gel bag Dandy, Scarlet and Honey team up, a big decisive battle between empries, and finally, Dandy turning down godhood. I for one loved it.

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Space Dandy 2 – 12

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Space Dandy has spoofed a great number of things, but never a courtroom drama until now. What I appreciated was just how polished and professional a courtroom drama it came up with, which still managed to include Dandy trademarks such as a plethora of strange-looking aliens, crazy plot twists, and a story that starts out about as simple as you can get but gradually expands into much more.

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The trial also served as a kind of unofficial retrospective of Dandy’s journey thus far. Despite the fact he, Meow and QT are friends, the “defendant’s affidavit” is a lot more harsh and impersonal about their relationships, while Scarlett is forced to admit from the witness chair that he’s never brought in a particularly rare alien. As the incident of the transdimensional batted ball gets more strange, we enter into the quantum and metaphysical qualities that often surround Dandy. That, and his love of Boobies.

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What made this episode so good was its dedication to telling a story in a calm and orderly fashion within the courtroom confines it established, not matter how crazy the particulars of the incident get (and they get plenty crazy). The prosecutor is big, flashy, and intimidating, yet respectful, while the defender puny and more reserved but just as tenacious in his desire to learn the truth of things. Dandy, notably, doesn’t say a word through the trial.

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Finally, it was just a gas to watch how the twisting trial wove all the individual well-spun threads of the case. A multitude of scenarios presents itself, but the story of the incident is constantly being revised as new information comes to light. Turns out a kid on a faraway planet went a little too far and batted a ball with such murderous intent that it transported the ball into the victim’s apartment and into his head.

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Despite the fact there was ample evidence and motive established to convict either Dandy or Rose (or both of them) of conspiring to kill Guy, all of that turned out to be totally peripheral to the true crime. This episode emphasizes the crucial importance of the presence of reasonable doubt. Ironically, it’s a tweeting juror who happens to be on the boy’s feed that flips the whole case upside down. Oh, and the victim wasn’t dead after all, so no harm, no foul.

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Dandy is free to go, and his buds, while mildly perturbed he described their roles in his life so callously, are glad he’s back…and then, outside the courthouse, there’s an alien army waiting for him. The episode closes with a “To Be Continued”, but I wouldn’t be surprised if the final episode of Dandy doesn’t bother picking up on this. I could just be one more reminder that the twists and turns in a story never stop, and it’s time for the next adventure.

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The super-serious end credits were pretty awesome too.

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Space Dandy 2 – 11

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That’s not a box…it’s a tesseract!

In its more bizarre yet creative outings, Space Dandy has a knack for imbuing abstract concepts with a recognizable specificity in order to tell an conventional story. Last week and this week were both conventional romances, told in completely different ways. Last week Scarlett hired Dandy to pretend to be her boyfriend, then fell for him for real. This week we see one of the “couple hundred or so pasts” Dandy’s had that he’d rather not re-live, in this case a transdimensional love triangle.

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Little bit of Aubrey Beardsley in this composition, oddly enough.

The cold open set us up to expect a standard tale of a fire going out in a relationship, but it’s good that we don’t see Catherine in this scene, because it would give away the fact that Catherine is a 4D being represented by a tesseract with a beating cartoon heart at its core, which would have killed the mood a bit, at least at first. In the normal 3D present, neither the cat or the robot get what Dandy ever saw, but Honey understands completely: love is love, and it takes all forms and, apparently, dimensions.

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The third member of the triangle is Paul (a simple name for a complex character), who has arrived in the third dimension within his 2D universe, which resembles a full level map from Nintendo Power, which turns anything it touches into 2D. It’s not Dandy who first encounters it, but Dr. Gel and Bea. The Gogol overlords treat it as an invasion, but Gel is a man of science before he’s a man of war, and relishes being transformed into 2D, because he gets to experience the unknown.

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It’s interesting then, that what is a total unknown for a venerable scientist is old news for Dandy. It’s just taken on faith that somehow, he entered into a romantic relationship with a 4D woman, without going into detail exactly how that works, because, after all, love is just as inscrutable between 3D lovers. Cathy’s 4D/2D fling with Paul is even more inexplicable, but it doesn’t matter; the dimensions may as well be different countries, and the lovers’ dimensional differences a matter of differences of perspective.

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Of course, the concept of a romance “just not working out” is a lot easier to quantify in this story: of course things “just wouldn’t work out” for beings of fundamentally different spacial dimensions! But we still see from the way Dandy treats Cathy that there’s still affection there, even if it’s more of the “just friends” kind. The fact they can still be friends and that Dandy would help Cathy out with Paul goes to show that while their past breakup was painful, it was more an act of evolution than destruction.

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Our heads thus firmly wrapped around the love story, the presentation and mechanics of the clashing dimensions is a lot of fun, as the 2D visuals are accompanied by suitably retro 8-bit sound effects. Several video games are loosely represented in the 2Dverse including Space Invaders, Civ, SimCity and Zelda, and the fact of the universe folding itself up like a newspaper, only to be punched through by the Aloha Oe’s giant scissors (an idea that came from Honey) is another crazy but clever way of the dimensions going at it. Gel and Bea’s eventual devolution into zero dimensions is also funny, if a bit chilling (though I’m sure Gel’s lovin’ every minute of it).

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Finally, while Meow and QT often just served as the skeptic and reporter this week, Honey got some nice screen time. Cathy likes how Dandy is now hanging around someone as positive and “spunky” as Honey, while Honey shows off a bit of her self-interest by accompanying the others out of the perceived possibility of scoring with Paul, who is a 2D prince. In the end though, love can’t always overcome looks, as Honey considers Paul’s simple crowned blue rectangle form a deal-breaker.

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Space Dandy 2 – 10

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Yet again, Space Dandy demonstrates that it can handle a conventional human love story as deftly as the most tripped-out existential alien fantasy adventure. Of course, even the alien tales are based on elements of the human condition, but sometimes it’s nice for Dandy to have another actual human to relate to in a universe full of non-humans.

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The only two recurring human characters are Honey, with whom Dandy has a more playful, less personal relationship, while Scarlett has been teased before as a more serious, mature potential mate for the Dandy, and despite the fact she looks down on him, it’s clear she’s simply doesn’t have that many other choices out there. Space is so big, the saying “Not even if you were the only man in the galaxy” is a claim that can be legitimately tested.

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That’s exactly what happens when Scarlett asks Dandy to enter into a contract whereby he pretends to be her boyfriend, a plot line normally reserved for high school romantic comedies, but which can be an endless font of said comedy in the right hands, and Space Dandy’s are almost always the right hands. But because this is also a sci-fi show, Dandy can also blend elements of that genre; specifically, Gundam.

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In a bit of a masterstroke, Scarlett’s ex Dolph is a Gundam pilot who utilizes its capabilities to stalk her incessantly. It’s a hilarious look at the possible downsides of putting emotionally weak or stunted young men in such powerful machines. The close-up of the mecha’s red-glowing eyes being repurposed from igniting fighting spirit a to creepy obsessiveness.

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Going to Planet Trendy, which has any possible date setting trendy young couples crave, allows for lots of different environments in which Dandy and Scarlett carry out their week of fake romance in hopes Dolph will get the picture and go away. He doesn’t, but sticking him in the corner of every idyllic romantic setting makes for great visual gags.

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Also deliciously ironic: while Scarlett is behind the desk of the Alien Registration office, Dandy only ever has failure to show her, but while on their dates, he keeps ending up “hunting” (i.e., being chased by) legit rare aliens. It’s almost as if Scarlett is his unwitting muse. This sudden rise in fortune for Dandy mostly irks Scarlett because he’s doing this stuff on their dates, when he’s supposed to be looking after her.

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This episode is packed with so many great moments, like Dandy and Scarlett parting ways at the end of the day, only to come running at the sound of her scream. Turns out it’s only a spider, but that spider is horrifying, and in the act of neutralizing it, Dandy destroys her entire house, after which the two can only laugh about it. It’s nice to see Scarlett’s hair down, armor off, and cheeks flushed.

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Eventually, Dolph can’t take it anymore, alights from his Gundam, punches Dandy out, and gets way too close to Scarlett. Dandy realizes that the only way to get rid of him for good is to kiss her, and that sends Dolph into a fury worthy of a climactic Gundam episode, only he’s arrested, jailed, and has a restraining order filed against him. With Dolph off her back, all that’s left is to end her arrangement with Dandy, a day early, too…but their parting is melancholy, and both end up back at home feeling miserable that it’s over.

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The icing on the cake of this episode is one last gorgeously staged romantic interlude, where the two meet at the bar like they were scheduled to, only Dandy is just a minute or so too late, and so the storybook happy ending doesn’t happen. Things go back to normal with Scarlett at the office and Dandy showing up with crap, but they exchange looks that indicate that things are at least a little different.

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Space Dandy 2 – 09

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This week’s episode, centered on an intergalactic dance contest, doesn’t come close to the greatness of last week’s mind-bending adventure, and it was never going to. Granted, I watched this episode in English, which makes the dialogue sound more forced to my ears, regardless of the language it just didn’t have as strong a story, and seemed more annoyingly self-referential than usual.

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As usual, things start out small, with QT learning about said contest, with a first prize with far too many zeroes in it to be considered legit. Dandy likes to dance, so he doesn’t need much convincing, so off they go to “Planet Grease” (groan), which seems to have fallen on hard times. The only store that looks open in the central ghost metropolis is a record store, where Dandy buys Chekhov’s LP.

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Then they find the Planet Chief, who laments that there’s been no contest for centuries,ever since the crucial “Danceinians” went AWOL, and his own ma has been in a coma since that time. The Chief gets a look at Dandy’s ass and convinces him to pretend to be a Dancinian to draw a crowd for a new contest, which they’ll fix so Dandy wins, precluding the need to pay out the prize they don’t have.

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The ruse only attracts a half-dozen strange alien dancers of all shapes, sizes, colors and styles. It also attracts “Tom Travolta” (groan), a gold-plated, afro-adorned alien with a ring-shaped ship not unlike those of the Danceinians of yore. He steals Dandy’s thunder, and Dandy decides to play Chekhov’s LP (ingeniously using QT’s wheel and Meow’s claw as a turntable). The very un-disco like orchestral music has the affect of accelerating time to a ridiculous degree, until Dandy & Co. are dancing bags of withering bones.

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The lichens (first explained early on by the narrator) then start to dance and grow themselves into giant glowing rings: turns out the Dancinians weren’t aliens at all, but a natural biological function of the planet. When their energy merges with Dandy and Tom’s dance-off basically obliterates the planet (and Dr. Gel and Bea in orbit); the episode isn’t really interested in explaining it further than it’s another example of the ever-turning wheel of birth, life, death, and rebirth. But hey, Dandy at least managed to wake an old lady up and bring a smile to her face; in that regard, revering to amoebae isn’t that big of a deal.

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Space Dandy 2 – 08

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Every once in a while a rare and truly special episode comes along that wraps you up in it like a warm, thick blanket on a cold winter’s night. It’s not the kind of episode an anime, even Space Dandy, can or should do every week, as it would then cease to be rare and special. But when it does come around, it’s a wonderful thing.

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This episode is oozing with highly refined whimsical trippy goodness right from the start, as the camera pulls back from the Aloha Oe’s pinup to show her crashed on a planet with plants growing out of her, followed by a kind of Norse funeral, with a long-haired Dandy as the honored dead. The show often makes fun of blowing up its world and characters only to hit the reset button, but there’s a much more serious tone here.

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Then Dandy wakes up in his viking boat, which crumbles away to dust, and starts wandering a utterly alien and yet immediately comforting world of lush, gorgeous imagery and a similarly lush, immersive soundtrack to match. There are enough visual and musical cues to make this identifiable as a Dandy episode, and Dandy remains the same old Dandy, but there’s a heightened dreaminess to everything around him. Compared with his usual alien milieu, it all feels a lot more human here.

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Everything has this lovely, fantastical, trippy “off” quality to it (reminding me of everything from Ghibli and Bosch and Pink Floyd to Schim Schimmel and Alice in Wonderland), but as I said, not in a threatening way. As it turns out, this is Planet Limbo, a world without sadness, which also means a world without joy, as you can’t have one without having experienced the other. Any world that lacks one or the other is not a world Dandy, or any human can live in happily.

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None of the colorful characters Dandy meets cast reflections in the water, meaning they’re ghosts who are caught between the worlds of the living and dead, and are neither as long as they’re there. Dandy’s not done living yet, so he elects to board one of the awesome trams strung along the sky piloted by a strange white girl, a girl who has a brief monologue in the beginning of the episode but otherwise wordlessly watches Dandy from afar.

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This girl is Limbo, the avatar of the planet itself, the only living thing left on a world whose civilization destroyed itself long ago. Now that another living thing, Dandy, is there, she has fallen in love. But loving him, she is willing to let him return to the living world he treasures, even sacrificing the planet’s remaining energy to send him back. As it turns out, Dandy hit his head on a lever in the Oe during a choppy ride through a dark nebula.

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When QT and Meow see him passed out over the lever, they assume he’s sleeping and leave him be, and he returns to Limbo on the same Tram he left on. It’s a very sudden and bizarre but strangely sweet twist, because it means Limbo will be reunited with her love, suggesting that maybe, with at least some life among all the dead, there can be joy in limbo after all.

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It seems unfair to call this just another anime episode. This was a 24-minute psychedelic cinematic masterpiece: an offbeat exploration of life, death, and in-between; soaring vistas; a wealth of memorable images; a simple little love story for good measure; and an absorbing, truly inspired and score that complements the visuals and themes perfectly (if you enjoy DSotM, you’ll dig this music too). The only downside to this episode I can see is that its greatness will cast a long shadow over the show’s five remaining outings.

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Space Dandy 2 – 07

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I knew a rock-and-roll themed Space Dandy was inevitable. Dandy possesses all the qualities necessary to be a rock star…other than success. What we didn’t see coming was that this kind of story would involve the peripheral ongoing conflict between the Gogol and Jaicro Empires, let alone be the thing that prevents a hellish interstellar war between the two.

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But that’s simply Space Dandy’s knack for making clever connections between big and small happenings in the show. The flapping of a butterfly’s wings—or in this case, the flapping of Johnny D and Dandy’s gums—ends up saving the universe. Of course, the fact that Johnny D’s day job is Commander-in-Chief of the Jaicro Empire, and that he’d give it all up to be a gen-u-wine rock star, also played a role.

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While Dandy is looking for fame and fortune in the usual way, Johnny D already has both in his other life, but it’s not enough. Dandy humming in the men’s room, of all things leads to the two starting a band. But both Dandy’s laziness and Johnny’s already-established status lead to the two doing everything a band does…other than making actual music.

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As a parody of the rock star lifestyle influenced by other rock star lifestyles, this is pretty effective. It’s pretty funny watching the two argue with each other about all the minutiae that doesn’t actually matter until a band is established. But if you’re already an intergalactic generalissimo, or already have the lovely Honey sprawled out on your table, delusions of grandeur are inevitable.

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Lucky for Dandy and Johnny, while they debate sticker-vs.-pennant (pennant?), Meow and QT actually practice their instruments and are ready to go when it’s time to actually rock and roll. Johnny spends untold days atop a playground slide waiting for a masterpiece to “descend upon him”, and the sounds of the city eventually put a catchy Police-style riff in his head.

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Their first gig is typically pathetic first gig, and it’s pretty comical how their song is only that one-measure riff repeated ad nauseum; but “Dropkix” end up get a reputation for boisterous gigs which end with some kind of fight or explosion or both. This catches the attention of a music industry bigwig, who books them for SPACE BUDOKAN.

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Everything is better with “SPACE” attached, and their first big concert doesn’t disappoint. At first, Johnny D flakes out because his Empire’s big assault is the same day as the concert, and he puts duty before dreams. But then he arrives at the last minute, climbing out of a lion’s head embedded in his giant space mecha looming over the stadium. What an entrance!

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They finally start playing music, and the song is not bad and quite catchy, if simple in lyrics. The two start competing again, leading to a mixture of flames and water and lightning that destroy the venue and Johnny’s mecha. But while it was their first and last big show, it did avert a war, so while Dandy will be back to alien-hunting next week, the universe came out on top.

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Space Dandy 2 – 06

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This week on Space Dandy, love is in the air…sometimes. A co-worked convinces Scarlet to look after her love life better by attending a Space Mixer, but Scarlet is quickly disillusioned and gets too drunk, which leads to her finding seemingly the perfect man: Gentle Nobra, who invites her aboard his giant purple cloud-mansion ship.

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Gentle is a Cloudian, who just so happens to be the alien Dandy & Co. have been searching for in vain for over six months. Dandy is starved half-to-death and has love on his mind, but once he gets some food in him at the all-you-can-eat-buffet, he returns to normal. That buffet happens to be the same mixer where Scarlet is.

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Believing Scarlet was abducted by the Cloudian, Dandy hauls ass to intercept the cloud ship, passing through it like the cloud in Castle in the Sky, but finds that Scarlet is fine where she is and resents Dandy’s mere presence. Then Gentle gets a distress call from Honey, who was abducted by Dr. Gel to get intel on Dandy.

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Dr. Gel underestimates Honey, who is able to escape from his clutches, and an angered Gentle crushes his ship with his. We later learn that Honey is Gentle’s half-Cloudian half-sister, for what it’s worth. Gentle loses his cloud, making him useless as Dandy’s bounty, but he vows to make a new one.

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Gentle reminded us of Tuxedo Mask from Preston’s Sailor Moon program, while a few of Scarlet’s reactions to him reminded me of Usagi from the same show. There was also a persistent, reverbed laugh track accompanying the cross-banter, lending the episode a distinct sitcom-y feel.

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Perhaps this was just a send-up of how ridiculous and nonsensical romance anime can get, especially when fantasy elements are included. It was also one more opportunity to demonstrate Dr. Gel’s incompetence. It’s nutty, and a little unfocused, but all-in-all not a bad ride.

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Space Dandy 2 – 05

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After a middling high school musical episode, Dandy bounces back with a particularly spiffy alien twist on the classic “Big Fish” adventure. It starts as an ordinary fishing trip, with QT lording his expertise over everyone, until Meow suggests they fish for something that will make them money. To whit: the legendary Munagi of the planet Kayu.

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A bit of defining: we learned after watching that Munagi means “ridgepole” while Kayu means “porridge.” And Kayu indeed is a world with an exceedingly thick, goopy, viscous ocean. The world is also suitably alien and bizarre-looking, looking influenced by some canny combination of Dali, Seuss, Dunning, and Hokusai.

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When the Aloha Oe is stuck in space kelp(!), Dandy teleports to Kayu and meets the small, adorable Erssime, who lives with her grandfather(?) L’Delise, a seasoned fisherman. These two happen to be the only ones who, like Dandy, believe in the Munagi, but L’Delise wants nothing to do with Dandy and snorts at his feeble attempts to catch it.

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We’re treated to another lovely Dandy montage of Dandy and Erssime fishing in various strange landscapes. Eventually some other locals laugh at Dandy for believing the ramblings of a little kid and a weird old man. The legend doesn’t even make sense: the Munagi is said to come on a blue moon, but Kayu has no moon.

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But then, one stormy night, a blue moon does appear; in actuality it’s the blue Rubini Comet, which last passed by Kayu 3600 years ago, matching the timing of the Munagi legend. L’Delise and Dandy put their differences aside and, with the help of Erssime, Meow, QT, and a gaggle of convinced locals, get a good grip on the emerging Munagi.

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Ultimately, the King Munagi and all of its smaller subjects are far to collossal to be caught, and in any case they’ve risen to the surface in order to hitch a ride on the very comet that deposited them at Kayu nearly four milennia ago. They lost the Munagi, but everyone is safe, and the collective experience brought everyone closer together.

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Dandy, Meow, and QT end up in the same place they were in the beginning: fishing, with Meow suggesting they catch something profitable. After all, there are plenty of fish (-populated planets) in the sea (of stars). Unlike the high school ep, this one took it well-tread story—the Big Fish Tale—and put a truly creative, whimsical spin on it.

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Space Dandy 2 – 04

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There are Space Dandy episodes I can run out onto the parquet dance floor and bust various moves with, and then there are those where I’m just kind of chilling in the periphery of the venue, sitting on a folding chair, sipping some punch, and tapping my foot, half to the beat, half impatiently. This was one of those latter episodes.

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Dandy has done a lot of different stuff, but hadn’t tackled the “high school musical” genre yet. But it just didn’t feel like its heart was in it in the same way it is for all of its trippy, metaphysical, and high concept episodes. As Dandy remarks upon first meeting his future prom date, much of the episode had a “well-honed plainness” to it. Much of the ground it covers has already been covered in better ways.

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A good musical, high school or no, has to have good songs, but most of the songs here were seriously lacking. The lyrics were dull, simplistic, and repetitive, and the pacing of the song and dance numbers dragged on way too long: the Queen Bee describing the school’s caste pyramid took up way too much time, and even if the awkward pacing was intentional, it just felt like stalling.

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That said, it was still a fun episode with some good bits: Dandy getting shot down by increasingly alien girls, and the 80’s-style pre-prom training montage, and the fact the girl was the rare alien Dandy enrolled to the school to find in the first place, but he, QT and Meow simply forgot about by the end. With Dandy, if you don’t like one episode, just move on to the next.

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Space Dandy 2 – 03

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“Oh shut up. If we have this, we could do this and that, and then that’ll happen, and we’ll be able to eat as much as we want.”

This is Dandy’s defense this after Meow scolds him for buying a sketchy teleporting flashlight instead of food because the lady who sold it to him was hot. It also serves as a tidy and prescient synopsis for their adventures to come, which are many in number and absolutely insane in nature. Seriously, there hasn’t been a Dandy this free-wheelingly, awesomely nutty in quite a while, and yet it all holds together quite nicely when you remember Dandy’s above line.

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Essentially, the episode is a treatise on the merits of another one of Dandy’s lines, and the title of the episode itself: “Good things come to those who wait [baby].” That applies as much to us the audience as it does Dandy, Meow, and QT, as the episode is deliberately roundabout and baroque in its storytelling, and initially quite head-scratching and surreal. For a few minutes there, we had no idea what was going on. Like Dandy’s head, we were just…watching a fish set up an umbrella and beach towel.

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From the first scene at the space mall that accentuated the crippling amount of choice was available to Dandy and Meow to the “fistronaut’s” futuristic underground city, this was also one of the more detail and vista-packed episodes of Dandy in a while, though all of its episodes are pretty intricate. The episode also had fun with physics, astronomy, and relativity, and dished out some very painterly, lyrical animation for the boat trip up the water column from Planet Pushy Boyfriend to Planet Girlfriend. Even those random names describe the planets pretty well in their way.

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There are a lot of familiar Dandyisms on display here: from Meow’s hunger leading to crazy adventures, to Dandy snatching perceptiveness out of the jaws of ignorance, to Dr. Gel almost capturing Dandy, to a hastily-told but intricate look into the worlds orbiting one of the countless stars in space. Dandy and Meow also witness a couple more ends: both the end of the short-sighted civilization of arrogant, mean-spirited, clothed fish, to the fishtronaut himself, who turns into grilled fish that is the food Dandy promised the flashlight would ultimately provide.

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Also like many other Dandy episodes, this one has high re-watch value, though there’s nothing like being blissfully in the dark and wondering precisely how (or if) the show is going to divine a coherent resolution from all the colorful chaos. And no show airing now is quite as good at bending my minds and making me hungry at the same time. If you’ll excuse me, I’m going to attempt to locate some grilled fish. The more interesting the life they’ve lived, the tastier they are.

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Space Dandy 2 – 02

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As anyone who watches knows by now, this weeks episode of Space Dandy was always going to be absolutely nothing like the last one. Rather than explore the chaotic possibilities of Dandys from far-flung parallel universes interacting, this week’s Dandy exhibits its whimsical, free-wheeling way with cause-and-effect…or effect-and-cause, if you will.

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A seemingly innocuous argument between Dandy and Meow (on how some song went) leads to Dandy saying goodbye to his two long-time crewmates forever…before Honey can even serve him pancakes. He boards the Little Aloha and flies off to answer an invitation from a fan he believes to be a shapely rare alien girl. Of course, this is only a gross misunderstanding on Dandy’s part; something he’s so good at, QT finds and then enters him into a Misunderstanding Grand Prix, which he promptly wins in absentia.

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Much to Dandy’s dismay, the rare alien turns out not to be a hot alien chick, but “Ukeleleman” a somewhat frightening marionette-type golem with a very calm, dull voice; someone who collects smiles and wants Dandy’s for his own. While hardly the strangest Strange Alien-of-the-Week the show’s dreamed up, he’s definitely very random and more than a little offputting; not necessarily evil, but dangerously single-minded.

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In fact, Meow and QT had already met him and fallen victim to his “hypno-petrification” tune, after locating where Dandy crash-landed, then transporting from one highly hazardous area to another until coming across Ukeleleman. The sight of his friends reduced to garden statuary keeps Dandy from giving him the smile he wants, and Dandy eventually runs off with them. His plan is to throw them into the Strange Phenomenon-of-the-Week: the River of Time that rings the planet.

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First referred to by Dr. Gel as a means of capturing Dandy once and for all, the River is much like any other in that it’s made of a water-like substance, only the water represents time, its source the past, and its mouth the future. It’s also subject to the Pororoca phenomenon, meaning at times it flows backwards, returning the past to the present.

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On a show Space Dandy that hits the reset button every week, a device such as the River of Time might seem redundant. Despite that, and despite the fact the actual practical mechanics of the river are a bit loosy-goosy, the execution is entertaining, showing us ducks turning into ducklings and then eggs, or a Space Battleship turning into a Galleon, as the waves crash. Dandy also gets to break out his surfboard.

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That battleship crushes Dr. Gel’s dropship, and his latest attempt to capture Dandy along with it. The final showdown between Dandy and Ukeleleman is muted and lacking in emotional investment—frankly, we’re glad to see the weird-looking bastard go up in flames. But it’s in death that he finally achieves the smile he’d worked his whole life to achieve. And when his ukelele drops into Dandy’s hands, Dandy is able to properly remember how that song went.

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Space Dandy 2 – 01

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Space Dandy is back, baby! But as Dandy himself laments in the middle of this particularly chaotic episode, they “came back too much.” After trying to pass a cow off as an alien, Scarlett gives them a stern life counseling session, suggesting they may not be cut out for alien hunting, being the worst such hunters she’s ever seen.

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As they ponder a future in space trucking, Dandy pulls at a stray hair on his head, it gets longer and longer until it envelops him, Meow and QT and zaps them into another dimension, where there is another set of Dandy, Meow, and QT (and Honey), only this set is much better at their jobs. They notice another stray hair, tug at it, and the process repeats.

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They’re not stray hairs, but cosmic strings, and continually tugging at them zaps the crew from one alternate universe to another, in all of which some form of Dandy & Crew exist. Those forms get more and more bizarre until we end up with a scary Meow who simply stands around grinning and holding a helmet he never wears, QT as an old codger who thinks he’s a robot, and a gloomy Dandy who just wants to die, having clearly been around the other two for far too long.

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With all the alternate Dandy crews springing up in one universe, not only does the Aloha Oe get overstuffed with people, but the universe itself starts to become full of contradictory information, to the point where even the normally unflappable narrator begins bickering with other narrators over what exactly is going on in the episode. If this goes on it can’t end well.

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So the Dandys and their crews come together and decide to light the cosmic strings like fuses. When that happens, a big explosion occurs and the universe is seemingly back to normal, until it’s dropped on us that Gloomy Dandy and his two insufferably strange companions are the new cast moving forward. The show is just joking, but in the end, Scarlett was wrong about the Dandy, Meow, and QT she knew being the worst. There’s always worse.

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