In the Kingdom of Darkness, an unnamed young lad (Kaji Yuki) flees from his village with younger children when monsters attack. Neither the villagers nor the children survive, leaving the lad alone. Not knowing what else to do, he digs a huge hole for the dead, but also for himself, because he comes to like how the sun pours in, coating everything in the hole equally.
He encounters an old but stout knight named Skears, who urges the kid to come out of the hole and direct his energies elsewhere. He manages to inspire the kid into having a little duel with him, and he shows a bit of skill. That’s apparently enough for Skears, who by the way is dying, to name the kid his successor as well as the next Prince and future King of Darkness, a title Skears himself failed to gain.
Meanwhile, high above the clouds in the Kingdom of Light, Queen Iris (Horie Yui) leads an attack on an encroaching darkness that is expanding in both size and density, making each battle tougher. Shironeko Project takes pains to accentuate the stark contrast between the kingdoms of darkness in light.
Obviously, there’s more light, but more saturation, richer hues, and an ethereal vividness. It’s as squeaky clean and gleaming up here as it is muddy and brooding down there. And just as important as the visuals are the sounds, and Iwasaki Taku’s lavish orchestral score is excellent, featuring distinct leitmotifs for the two kingdoms: more orchestral and soaring in the sky; more grungy and metal down below.
The Lad makes it to the capital where he’ll become stronger and challenge the current King, but he’ll need allies. He gains his first in Valas, a knight friendly with Skears (and possibly his former student). Valas presumes the kid is a thief, but after flashing some skill and more importantly Skears’ words, Valas changes his tune, pledges his loyalty to the kid’s claim, and takes him to Skears’ mansion.
This all happens rather fast, but as the Bard said, “brevity is the soul of wit.” If you’re using my viewing time wisely and efficiently I’m rarely going to be mad, as long as you don’t run out of story or worse, the speed hurts my ability to get engaged with the material. Neither is the case here…at least not yet.
Back in the Lightdom, we get to know Queen Iris’ top officers, like the knight Faios and mage Sima. They know their queen is more concerned with maintaining balance than achieving a total victory. Interestingly, Sima was once a candidate for Queen but lost to her best friend. Refreshingly, she seems to hold no hard feelings, and wants only to serve her queen as best she can.
Iris’ commitment to minimizing fighting and death is noble, but the expanding darkness is forcing her hand, and a report comes that the Western capital is under attack, she must immediately head back into battle. Even so, she sees this latest incursion as a sign it’s time for the King of Darkness to be replaced. She’s confident his successor will work with her to maintain the balance.
I first approached SPZC with skepticism—with so many fantasy anime out there (isekai or no) any newcomer would have to make quite the impression. I wasn’t encouraged by the breakneck speed and simplicity of the early scene of the kid and Skears, but once I saw both sides of this dark-light coin, and heard more of that sweet, sweet Iwasaki sound, this gradually grew into something I’d tentatively recommend.
I’m also a sucker for star-crossed love stories in the midst of warring nations, and a big fan of both Horie and Kaji, so the inevitable meeting of Prince and Iris is a built-in reason to keep watching. SPZC is telling a very old story with very basic elements, but telling it reasonably well. We’ll see if it can elevate that material.