The final episode of Wave begins with a high school-aged Mizuho conferring with Kureno about her future. Specifically, she only dreams of becoming an assistant director for a radio station, as she’s more “behind the scenes” in nature. Kureno warns her that most stations won’t give someone with such small (if realistic) goals the time of day.
From there we go back to the present, and to another radio station entirely, where—bombshell—Makie turns out to be “Joker Skonsky”, making her first in-studio appearance. It’s something she keeps to herself, even when Nakamura finds her celebrating by herself with a couple drinks. And why not? After having her life controlled by her bro for so long, she absolutely deserves to go out there and do things by herself and for herself.
Nakamura doesn’t pry, he just tells her he’ll be opening his own restaurant soon, and if she ever needs a paying job, she’ll have one there. It’s a very sweet exchange that never feels the need to get too romantic or dramatic. What it feels like is two good friends on the same wavelength.
Later that night, Minare’s latest Wave broadcast begins with her reading listener submissions from the website and Twitter, responding to them, and eventually picking a winner. It’s actually a pretty standard bit for a show, but since it’s the first time her normally abnormal show is doing it, it has potential to be fresh.
Minare only makes it two minutes in until a 6.8 earthquake rocks the entire island of Hokkaido, knocking out power everywhere. Naturally the station has backup power, so Matou directs Minare to change gears and offer emergency information. At first I thought the shaking was dramatic license, but then suddenly it dawned on me that “oh shit it’s an earthquake!”
In other words, I had the exact same reaction as the first time I experienced an earthquake for real. It’s so strange and disorienting on a primal level, I can’t imagine having to not only keep a radio broadcast going but staying on message and not messing up.
Indeed, you can tell Minare is a bit off initially. Even though she’s pretty dang good at improvisation, she literally never saw herself as a news-reader, which is essentially what she becomes until people start sending messages about their current state.
Matou shows her a note to stop acting like an amateur, and she snaps out of it, returning to her “normal” energetic radio voice as she reads and reacts to the messages.
There’s a sense of community and solidarity continuing the show helps to cultivate even in times when the power’s out and no one knows when it will be back. People need to be comforted, and Minare’s in a unique position to comfort them simply by keeping things as breezy and mundane as possible. It surely means a lot to those who reached out to be personally reassured on the radio!
Meanwhile, the first thing Makie thinks of when the lights go out is “how can we help others?” The answer is heading to Voyager and cooking up some hot food for those who will need it. She and Nakamura get approval from the boss (who was out with Makie’s brother and wants the Gagarin curry out of his freezer anyway) and get to work. Nakamura and Makie really do make a great team.
Before she knows it, Minare’s typically 20-minute program is extended to 90 minutes, finally ending at 5:00AM when Madoka arrives to relieve her and provide relief with her celebrity voice. She even puts on a classic song about looking up at the stars, because what else are you gonna do when the lights are out in the city?
Minare heads to the nap room feeling great about her future in radio, but when Makie and Nakahara flag her down to give her a ride to Voyager to help out, she realizes she can (and should) keep room for a day and night job to make ends meet.
So ends Wave, an anime that marched to the beat of its own drum with its unique and assertive voice and thoroughly fascinating heroine. However accurate it is to real-world radio industry, it certainly felt (and sounded) more than sufficiently convincing for someone like me who doesn’t know a lot about it going in.
It was a strong and surprisingly cozy ending, demonstrating that whatever content you bring to the broadcast table, what’s most important is keeping the signal going, speaking clearly, and connecting with your listeners, making them feel heard and making sure they know you know they’re listening. Whether it’s a Terry Gross interview or the Shipping Forecast, there’s really nothing quite like radio.