Steins;Gate 0 – 14 – The Voice of God Can Be a Real Pain in the Ass Sometimes

Steins;Gate 0 comes out of its one-week break between Spring and Summer with authority, delivering a tantalizing blend of drama, tension, and purpose. Roughly half a year has passed since a brainwashed Kagari was taken by forces unknown, which means we’re already at a point where the likes of Rintarou and Mayuri have reached the “acceptance” phase of loss. There was a time when he’d search endlessly and fruitlessly, but absent clues or recourse…life goes on.

In Rintarou’s case, “life going on” means continuing not to pursue any kind of objectives relating to time travel, which means Suzuha and Daru are on their own. While Daru has made some progress, he’s still far from restoring the Phone Microwave, which prompts Suzu to reach out to Maho (back in America) for her assistance and scientific know-how.

The only problem is, a sleep-deprived Maho continues to suffer from her Salieri complex: even if she has the ability to repeat what “Mozart” accomplished in another world line, she lacks the confidence to implement it. She doesn’t agree to assist Suzu because she’s afraid she’ll fail; she’ll let everyone down where Kurisu wouldn’t.

Word comes that Fubuki is in the hospital again; Suzu makes her dad Daru use it as another opportunity to interact with her mother (worried she may never be born in the future). Thankfully, it’s a false alarm; the doctors simply wanted to run more tests on Fubuki…though I wonder whether this is some kind of foreshadowing for further ill effects of time travel.

While at the hospital, Rintarou meets Dr. Leskinen, who doesn’t hesitate to take several pictures of their encounter for the benefit of Maho. Daru learns for the first time that Rintarou may be bound for America to study and eventually join Leskinen’s research group, but Leskinen made sure not to set a concrete date for Rintarou to do so.

Suzuha finds Kagari’s metal opa in the hallway outside the lab, which is strange, because there’s no way she nor anyone else wouldn’t have noticed it for half a year; it must have been left there on purpose. Sure enough, Suzu pretends to be in the shower when an uninvited guest helps herself inside the lab.

Suzu, unquestionably the most militarily capable of Rintarou’s circle of friends (not counting Tennouji) gets the jump on the helmeted intruder in black, and when she forces her to take off her helmet, it’s revealed to be Kagari, or rather a fully-brainwashed Kagari in “Bureau Mode.” She’s come for her Opa, and when Suzu doesn’t produce it, Kagari goes mad and attacks.

Kagari isn’t too much of a challenge to Suzu, until Daru shows up and Kagari slashes Suzu across the abdomen. Kagari snatches up the Opa and flees, and Suzu isn’t able to catch up to her. But as she fled, Daru noticed Kagari was crying. Their Kagari is still in there, somewhere, and she needs their help. But if what Suzu suspects is true, they can’t help her without a time machine.

Suzu also notes that Kagari mentioned she “heard the voice of God” both in the present and twelve years ago when she held her up with a gun. She goes on to believe Kagari, like so many of her “Valkyrie comrades”, is the victim of the “Bureau’s Professor,” who thankfully doesn’t look much like Leskinen (from what little we see of him).

Suzu and Daru beseech Maho via “Skipe” one more time to assist them in building a time leap machine; Maho can tell they’re more desperate than before, yet still doubts herself. But after looking at Amakurisu, something clicks in her head, and she starts packing for Japan.

Rather than searching Kurisu’s work for all the answers, Maho intends to go down the same path and reach the answers herself. After all, no one acknowledged and valued Mozart’s talent more than Salieri. If anyone can do what Kurisu did when it comes to time travel technology, it’s Maho. I’m glad she finally realizes that.

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Steins;Gate 0 – 13 – Dark is Dangerous

The near-miss with the car brought back Kagari’s memories, but only some of them. She’s still missing a 12-year gap between 10 and 22. As a result, Kagari acts a lot more like a child than she used to, and treats a somewhat bemused Mayuri (who is mostly going with the flow) like her beloved “mommy.”

Watching a 22-year-old woman act so spoiled around her parents irks Suzuha, to the point they have a yelling match in the TV repair shop. Both sides regret the fight and plan to apologize, but Suzu learns something crucial from it: her and Kagari’s memories of how they became separated are very different.

After conferring with Tennouji, Rintarou begins to suspect Kagari’s strange memory gap is the result of foul play: brainwashing and mind control, just as Kiryuu discovers…something less than 5km from where Kagari collapsed. It’s a clue, but it requires they take a long drive.

Mayuri decides to celebrate the restoration of at least some of Kagari’s memories by throwing one of her patented parties, which she tries to make a surprise, but with her early memories restored Kagari knows when her Mommy is trying to keep a surprise party secret.

All the while, this ominous van drives around Akiba playing seemingly innocuous Mozart, and it’s clear the van is Bad News, whether it’s a van for kidnapping or simply for triggering Shiina Kagari. That perilous van hangs there, like Damocles’ Sword, over the remainder of the episode, as Mayuri & Co. prepare the party.

If the argument got the ball rolling on a theory about mind control, Kagari’s desire to properly apologize to Suzuha is the unfortunate side-effect. Kagari’s trip to the sweet shop isolates her from everyone else, who in hindsight are wayyy to loosy-goosy with her security at this point.

Indeed, in his desire for more clear answers about what’s going on, Rintarou is far, far away; in no position to keep her safe.

She hears the Mozart from the van (which is either planted there by “Them” to play specifically for her, or sheer coincidence) and more memories flow into her head: memories of being left with “doctors” by Mayuri, ostensibly to cure her PTSD, but the visits really comprise a kind of human experiment called the “Amadeus System”, of which Kagari is Sample #K6205.

The shock of this influx of memory sends Kagari into a trancelike state, and she drops the cake for Suzuha and her cell phone and wanders off who-knows-where, believing she’s hearing “the voice of God.” More likely, it’s the voice of those who did this to her to begin with.

Combined with Rintarou and Kiryuu discovering the facility, where Kagari was held in a cell for who knows how long, scrawling “Mommy” on the walls, Kagari’s vanishing from everyone’s sight (again) forms one hell of a thrilling cliffhanger for the second half of Steins;Gate 0.

While we may now know mostly what’s been done to Kagari, it remains to be seen who did it, why, and most important, how Kagari is linked to Maho and Leskinen’s Amadeus System. Was Kagari even a war orphan from the future? Will there really be enough cups and plates? We shall see…

Steins;Gate 0 – 12 – Paradox Song

There’s this song. It’s a song Mayuri sang to a young Kagari in the future, just when she finally became her legal mother. When the Kagari of the present hears the Mayuri of the present singing it, she loses consciousness. It’s not that Mayuri’s singing is just that bad—it’s quite lovely—but rather that Kagari’s brain is suddenly getting hit by some pretty profound aural stimuli.

But when Kagari makes the connection between the song and her fainting spell, the question becomes where did Mayuri learn the song? That takes us on a rather wild ride: She heard it from Suzuha, who heard it from Yuki, who heard it from a woman in her baking class who turns out to be…Rintarou’s mother. Yet Rintarou himself, apparently the source, can’t remember singing it. To quote Alice, “curiouser and curiouser.”

Rintarou’s mom said he used to sing it to Mayuri to cheer her up when she was in her “reaching up at the sky at a cemetery” part of her life. They visit Mayuri’s grandma’s grave to try to spark Rintarou’s memory, but get caught in the rain.

While seeking shelter by a shop window, Kagari hears “The Magic Flute” (K620) playing on the radio and goes into a kind of trance, remembering when she once walked along that same street in her bare feet and pajamas. She’s almost hit by a truck (of course), but Rintarou makes a diving save.

While she’s out this time, something happens. Kagari runs to her mother’s arms; a blurry figure that she discovers is Shiina Mayuri. Waking up in a hospital room, she sees Mayuri by her bedside and immediately recognizes her as her one and only mommy.

Mayuri protests that she’s not a mommy, but, well, she just is. Or rather, she will be…just as Suzu is Daru’s daughter. Rintarou nods assent, and Mayuri goes with it, providing Kagari with the affection she needs. The plain credits roll as a very lovely rendition of the song is sung, at it seems things will end on a pleasant note.

Of course, this is the twist-loving White Fox we’re talking about, so after the credits we find ourselves on a train platform where that same barefoot pajama’d Kagari is singing the song, and a teenaged boy overhears it—a teenaged boy with the same color hair and eyes as Rintarou.

I’ll admit, I was a little confused by this scene, but maybe that was the point. Here is Kagari, who will presumably be adopted by Mayuri in the future, in Rintarou’s past, singing the song he’ll sing to Mayuri to cheer her up. Seems an awful lot like a causal loop to me.

That would be fine, except there’s a creepy white van parked near the platform, confirming that “Runaway K-6205” has been found. Are we watching past events here, or is Kagari in danger no matter where or when she is? Will the next episode continue in this world line, with “Macho Psychologist” Rintarou helping Kagari out? I honestly have no idea, but I can’t wait to find out.

Steins;Gate 0 – 11 – WWIII Averted…For Now

The shadowy guy whom Maho hired to analyze Makise’s laptop turns out to be…Daru, working out of the back room of a cosplay store. He still needs three days to complete his work, but after telling her the whole story about the time machine and the horrors the secrets within the computer may unleash, Rintarou manages to convince Maho to destroy it.

Before they can, the “wrong hands” in which it would be so dangerous arrive in force. Daru has an escape route worked out, but they’re still cornered in a dark alley and Maho is nabbed and has a knife placed against her throat. That they were able to find Daru’s hideout so soon, or were watching listening for just the right time to move in, is disconcerting, to say the least.

However, they must not have been listening in, because after some negotiations they’re willing to let Maho, and Daru walk away unharmed in exchange for the laptop. Rintarou briefly switches places with Maho as their hostage, but then another masked group arrives and opens fire, making sure the laptop is destroyed.

It’s doubtless a harrowing ordeal for Maho; she may have been held up along with the others at the lab, but no shots were fired. Here, had Rintarou not pushed her flat to the ground, she might’ve died. Back at the lab, she’s so out of it she doesn’t notice she’s clutching one remaining shard from the laptop in her hand so tightly it’s drawing blood.

Rintarou takes Maho to Feyris’ to clean up, but the trauma from the shootout has a more pronounced effect than she thought, and after all that tension, every muscle in her body goes limp, making her practically a helpless doll. And just as Rintarou once walked in on Kurisu, he ends up facing Maho just as her towel falls off. The universe is keen to make him suffer, but also to make him accidentally see his love interests in the nude.

That night, Maho asks Rintarou to stay by her bedside a little longer, and he happily obliges. Returning to her Mozart-Salieri narrative, after hearing from Rintarou about the possibility she might “disgrace the dead” by unlocking Kurisu’s laptop’s secrets, Maho admits to herself that it wasn’t just a matter of honoring her friend’s legacy, but trying to subconsciously exorcise the frustration she felt.

Not just frustration over not being able to achieve the things Kurisu did, mind you, but frustration over the mere fact she’s so concerned about her as a rival; Mozart, she says, never wasted a moment concerned with Salieri; he only made great music (and drank and gambled…it’s all in the movie).

Rintarou disputes the similarities between the two pairs of gifted people from vastly different times. He’s convinced that Maho loved Kurisu and would never disgrace her. It’s why she agreed to break the laptop, it’s why she shed tears and apologized, and it’s why she clutched the fragment so tightly.

It’s such a quiet, tender scene filled with mutual respect and affection, with Mamoru Miyano wonderfully modulating Rintarou’s voice to a caring hush, matching the vulnerability of Yahagi Sayuri’s Maho. Very nice work here.

After Rintarou and Maho’s lovely night together, she and Leskinen head back to America, but not before inviting him to Viktor Chrondria University whenever he can make it. So it’s not goodbye, merely see ya later for the couple. That probably makes both Leskinen and Amakurisu happy; Ama also fully intends to see and hear from Rintarou again, expressing Kurisu’s tsundere mode.

Rintarou is also able to convince Suzuha that they’ve avoided a potentially WWIII-starting clash between America and Russia (the two powers he suspected he and Maho were caught between), though Suzu remains skeptical that they’ve eliminated the only cause of the war, only one of them. And she’s most likely right.

One of the last scenes is of Maho’s colleague Judy Reyes aboard a flight, hiding…something in her lap. Was she one of the masked people in black? Could it be salvageable remnants of the laptop? Whatever it is, it’s clear Rintarou’s work is far from done. Meanwhile Mayushii seems to harbor some conflicting feelings about Okarin leaving for America to join Leskinen, Maho, and the digital Kurisu.

Steins;Gate 0 – 10 – Kurisu’s Salieri

Amadeus is a fantastic movie with a good old-fashioned fatal flaw in its co-protagonist: caring too much. Salieri could hear God through Mozart’s music but not in his own, and it drove the guy mad, especially since he worked and prayed so hard, while everything seemed to come all to easily and naturally to Mozart (or at least it seemed that way to him).

I like how Steins;Gate 0 references that film, and the historical figures behind it, as a kind of loose parallel for Kurisu and Hiyajou Maho. Maho doesn’t claim to have anywhere near the obsession Salieri had, but can’t deny she’s always measured her life and accomplishments against her departed kohai.

She’s also a grinder, which explains how terrible a mess she makes at Feyris’ place (though she has a bodyguard in Kiryu contributing to the mess). When Mayushii is invited over, she brings “Sergeant Clean” Nae with her along with Daru to whip the place into shape.

Maho is asked to leave the apartment so they can clean more efficiency, and that’s when she’s able to present the newly-rebooted Amakurisu to Rintarou, who for his part is ready to “move forward” and regard her as a distinct AI and not Kurisu Reborn.

After that, Feyris hosts a sleepover with Maho and Kiryuu, and Maho learns Kiryuu is writing a novel, and also believes she’s “not special in any way” and imminently replaceable. Maho tells her none of that is true; that she shouldn’t belittle herself so easily; or compare herself to others and go through life feeling inferior and…oops, that’s exactly what she’s done with Kurisu. She backs off.

That night, Maho seems to resolve herself to moving forward, just as Rintarou said he wanted to do. They go on a date by any other name to Akiba, where she geeks out both on obscure computer parts (the district’s original function) and racing games (part of its newer identity). Rintarou even wins her an @channel plushie.

The fun day takes a turn for the solemn when Maho says it’s her intention to visit the Radio Building where Kurisu died, perhaps to find some kind of closure. Rintarou accompanies her, and when Maho laments that humans can move around the axes of space, they’re prisoners of time. If only we could move through time’s axes as well, she wonders, but Rintarou, speaking from experience, tells her they still wouldn’t be able to change anything.

Maho is no dummy, and can tell there are a lot of things about Rintarou and his relationship with Kurisu he’s not telling her. Even so, she can sense he’s somehow working to protect her (and Mayushii) and seeing him struggling alone makes her want to support him in some way. To that end, she informs him she has “Kurisu’s legacy”—her notebook, likely containing all of her time machine research. She doesn’t know the login password, so she hasn’t been able to access it yet, but has reached out to a “trusted” party to analyze it.

This news makes Rintarou turn white as a sheet and adopt his “extremely freaked out” face. He calls that notebook a Pandora’s Box that should never be opened, and could well lead to World War III. Considering her lab was ransacked and she was present for an attack by people they still haven’t identified, Rintarou’s words don’t seem to sound like the ravings of a madman to Maho. They shouldn’t—he knows what he’s talking about.

Steins;Gate 0 – 09 – Peaceful for All Eternity?

After the powerhouse of Steins;Gate 0’s episode 8, episode 9 had some big shoes to fill. Would Okabe find himself back in the Beta world line where he had been, in which Kurisu was dead but Mayuri was alive? If so, what if anything would have changed as a result of his visit? What fresh emotional torment would be in store for our most Promethean Mad Scientist?

When Okabe wakes up in the hospital, the show milks the suspense, as there’s no one in his room or in the hallway at first. Just hearing Mayuri’s voice and seeing her there with Daru and Maho warmed my weary heart. He asks them if they know the name Makise Kurisu; Mayuri says she does; she’s the girl in Amadeus.

So he’s back in Beta. Strangely, in this world line both he and Mayuri’s cosplay friend Nakase lost consciousness at the exact same time. Nakase had a dream where Mayuri was gone and she was working with Feyris in the cafe. I guess she traveled to the Alpha along with Okabe…either that, or they’re soulmates (as Kurushima muses).

Amadeus is safe from “takeover” for the time being, but that could change without warning. Okabe still needs to find out what happened, and vows to protect this Beta line that has and alive-and-well Mayuri in it alive and well.

That means putting the apparently non-evil Moeka busy with sleuthing (her nearly wordless visit to the lab and text convo with Okabe was vintage Moeka), as well as leaving Maho in the safety of Feyris’ well-protected home.

Okabe is about to get to work trying to discover who raided the lab and what they wanted (besides Kagari) when he gets a text from Suzuha saying she needs to talk. I somehow knew it wasn’t going to be a friendly chat, and when Suzuha pulls a gun on Okabe, I’m proven right.

Suzu is in a desperate state, especially when Okabe confirms that there was a world line change, even if brief and temporary. The earthquakes (and possibly the fevers and collapses that have been going around) are most likely the result of Russia and America’s “time machine race”, which will lead to WWIII.

Suzuha can’t allow that to happen, and is ready to force Okabe to get in the time machine with her so they can travel back to July 28th, when he first learned he could send D-mail.

Okabe tells her the torment and the nightmare that awaited him once he started trying to toy with the past to affect the future, and warns her that forcing him to do it all over again does not guarantee anything; if anything, it could result in a future somehow worse than the one she knows and is so afraid of repeating.

Ultimately, Daru comes in to talk Suzuha down. I can’t blame her for acting as she did, as she considers herself one of the last people standing in the path of WWII occurring. But perhaps she’s over-inflating her role: as Okabe says, there’s only so much they as humans can do to influence things. The universe is most likely going to have its way, no matter what they do.

After the rooftop standoff, Okabe goes back to Tennouji for more clues and insight on who was behind the lab raid. “DURPA” and “Stratfor” are names he researches, and a Makise Kurisu in his head helps him out. For instance, no group could steal future time machine tech to build their own time machine without causing a massive paradox.

Meanwhile, Suzuha and Daru settle in for a night guarding the Time Machine, with Daru assuring his daughter that one day Okabe will be reborn as the delusional chuuni Hououin Kyouma, take command, and lead them all to the ideal future. It exhibits great deal of confidence in his friend.

Having calmed down some, Suzu brings up their critical fuel situation, which will only allow them one or two jumps of half a year. It could even result in them getting caught between world lines for all eternity, though she wonders if that would really be the worst thing if it means things could be as (relatively) peaceful as they presently are; an eternal calm, and never any storm.

Okabe checks in on Maho at Feyris’ and discovers how messy Maho can be when she’s hard at work researching. Okabe posits that the groups trying to acquire time travel are after Kurisu’s theory, which may well be contained in the memories used by Amadeus.

Maho refutes that, but also stares at a login screen with Kurisu’s name. What secrets lie beyond that security wall…and is that wall any match for the powers that desire her secrets?

Steins;Gate 0 – 08 – Only a Dream

I got your picture hangin’ on the wall
It can’t see or come to me when I call your name
I realize it’s just a picture in a frame

The much-awaited Steins;Gate sequel started out somewhat languid and listless, owing no doubt in part to the vast grey pall of grief that hung over Okabe living in the Beta World Line. Then we got a new twist on the first season’s ambush and all of a sudden it looked like the old show’s energy was starting to return. Like all good things, it just took time.

Then Steins;Gate 0 went and stuck an electrode in our hippocampus all over again this week, giving us a tantalizing look at the Alpha World Line in which Kurisu lived, only for Okabe’s joy at that being essentially canceled out by his grief over the loss of Mayuri, and his guilt over his role in that loss.

I read your letters when you’re not near
But they don’t move me
And they don’t groove me like when I hear
Your sweet voice whispering in my ear

More than that, though, it’s just so good to see and hear Makise Kurisu in non-AI facsimile form. Ironically along with Hanazawa Kana, Imai Asami is one of my very favorite voice talents, and lends a depth, warmth, and subtlety to her performance as Kurisu that simply makes her feel more human. Miyano Mamoru also does fine work beside her.

It doesn’t take long at all for someone of Kurisu’s towering intellect to deduce that the Okabe before her is not the Okabe of her World Line. Almost in anticipation of such an Okabe arriving and not knowing whether to go or stay, she reconstructed the Phone Microwave, adding (Revised) to its name to indicate she may well have improved upon the original.

I play the game, a fantasy
I pretend I’m not in reality
I need the shelter of your arms to comfort me

It isn’t that Kurisu doesn’t have conflicting feelings about urging Okabe to go back where he belongs; her cold-shouldering belies a genuine affection for the big lug, and every one of their interactions in this World Line is informed by the unspoken love they feel for each other. Amadeus, as Okabe says, truly has nothing on the real thing.

Yet Kurisu doesn’t let emotions deter her. In fact, she’s willing to use emotions to help Okabe see the light—literally, as it turns out—when they take a train to the cemetery where Mayuri is buried.

Kurisu tells Okabe how much time the Okabe of that Line spent there, as if waiting to be taken to heaven. Okabe raises his hand to the sky, much like Mayuri used to do, and Kurisu hopes it means Okabe will wake up from this “dream” and return to his reality.

I got some memories to look back on
And though they help me when you phone
I’m well aware nothing can take the place of your being there

Kurisu gets everything ready, including a D-mail Okabe is to send to herself saying “Don’t come in.” Okabe sees this as sentencing the woman he loves to death all over again, but she urges him to “Do it, even if you can’t…That’s what I want.” Whether she’s putting Mayuri’s life ahead of her own, or simply trying to restore balance to the universe, Kurisu will let Okabe go through with it.

Before he does, she sees the face he’s making, and gives him a parting kiss before hitting “send” herself. From there, we’re transported to the time Okabe “killed” her the first time, but from her POV; running through the streets, about to come in just in time to stop him when she’s delayed just a few seconds from that D-mail: “Don’t come in.” 

She ignores it and rushes in to confess her love…but it’s too late, and now we’re transported to another world line with a divergence number we haven’t seen before:  1.097302…oh-so-close to the 1.048596 of the Steins Gate. Where-or-whenever it ends up being, one thing’s for sure: that infectious Steins;Gate energy is back.

Steins;Gate 0 – 07 – Mr. Braun (and Wikipedia) to the Rescue

The standoff with what is apparently the “Rounders” of SERN mercifully ends without any tragic deaths, thanks to the sudden arrival of Tennouji, who makes quick work of the masked bandits, while Suzu frees their quarry Kagari from their clutches.

Their leader in black has a female figure, but Okabe almost immediately doubts it was Kiryuu Moeka again because the Akiba boss from the other world line was Braun; it would  make no sense for him to hinder the Rounders here. Something else is clearly up.

The first priority is ensuring Kagari’s safety going forward now that they know she’s particularly susceptible to capture. She continues to stay at Ruka’s place, which Daru fortifies with motion sensors while Suzuha keeps a sleepless watch.

Ruka can tell something’s up, and wants Suzuha to explain why she uses the family-based honorifics she uses…but Suzuha isn’t talking. She (rightly) believes Okabe wants to keep Ruka from learning anything about other worlds, so that he can stay in the one he’s in.

The next day Okabe visits Tennouji at the shop to explain the disturbance he had to break up (not the kind of landlord duties he likes undertaking, even if he’s more than capable). Okabe first confirms that Tennouji is indeed Ferdinand Braun, affiliated with the Rounders.

Braun concedes that Okabe is disturbingly accurate about things he has no business knowing, and in the absence of more credible explanations is willing to at least hear him out about time travel and world lines. He agrees to keep Kagari under his protection, hiring her and Suzuha as part-timers, but insists Okabe get to work discovering the identity and goals of Kagari’s would-be captors.

One clue is the alphanumeric code uttered by two of the Rounders: K6205, whom Mayushii’s friend Kaede is able to identify as possibly a Köchel number; those used to catalog the works of Mozart. Specifically, K. 620, his opera The Magic Flute, which is packed with Masonic elements.

Scene 5 of Act 2 involves a man being ordered to marry an elderly woman or he’ll be imprisoned forever. When he does, she’s transformed into a young and beautiful young woman, only for priests to hold him back, warning that he’s not yet worthy of her.

I learned all of this on Wikipedia, as Daru and the others’ primary source of research (always a good place to start, anyways). But one can’t think of the Mozart connection without also thinking about his middle name: Amadeus; ‘loved by God’.

Amadeus is still offline and when Okabe calls Hiyajou, she expresses her fear the server has been taken over. But moments after Hiyajou hangs up Okabe gets a call from Amadeus. It’s highly distorted and garbled, but Amakurisu pleads for help clearly enough.

That’s when Okabe enters Reading Steiner, the Divergence Meter’s Nixie Tube numbers flutter furiously. He ends up alone in the lab, the TV no longer shot through, and the Amadeus app gone from his phone’s home screen. It’s a World Line Change, people, and what do you know, Kurisu is alive in this one.

Just like the first Steins;Gate series, S;G 0 started off slow, but there was always the possibility, even probability that one big event after another was bound to go down soon. Now we’re there, with Okabe, in a totally different world than the one in which started, with no knowledge of how he got there, whether he’s been there before, or if he’ll ever get back.

Not to mention the fact that without even trying he’s been reunited with the only woman he’s ever loved. Depending on how things go, he may not even want to leave…but where Steins;Gate is concerned, getting something you want almost always means losing something you need.

Steins;Gate 0 – 06 – New Year, Same Old Problems

“Kana” is definitely Shiina Kagari—even if the Oopa were a copy, there are certain things (the sound of her name, words from her future adoptvie mother) that give her an odd sense of nostalgia. And Suzu would recognize the girl who pulled a gun on her a mile away.

Okabe contacts Kiryuu to tell her Kagari has been found, but to request she continue investigating the group that was after her. After Kiryuu hangs up, we get our first sense that something is going to come to a head this week.

Little did I know when watching her teasing Maho that Judy Reyes of all people could also be involved.

It’s New Years, so the whole gang goes to the shrine, both to pray and give offerings and see Mayushii, Rukako, and Feyris in shrine maiden garb.

Everyone has lots of fun, but Judy shows up with Leskinen to say a quick ‘Hi’, while turning to leave she spots Kagari and gives her one hell of a sidelong glance.

There are more foreboding doings as Tennouji acts particularly shifty and a man in black lurks behind a wall, all while Mayushii & Co. bring the party to the lab and continue enjoying themselves.

Maho is among those having a good time, but gets a sudden video call from Amadeus, and answers the phone without leaving the room. Before long she’s surrounded by everyone curious about who her caller is, and Maho has no choice but to reveal the AI with Kurisu’s memories to them.

She apologizes to Okabe as the others talk with Amakurisu, but Okabe isn’t mad; he knows he has to start thinking of Kurisu, Amadeus, and Kagari as three distinct individual entities. He also needs to keep protecting the world Kurisu sacrificed herself to protect, no matter how much it might hurt or how easy it is to look back.

Unfortunately, Okabe is caught quite off guard when an armed gang once again infiltrates the lab and points their guns at Mayushii, Kagari, and the other guests. Suzuha is also caught off-guard, so it’s not like Okabe was alone in being lulled into a false sense of security. They weren’t direct witnesses to all of the strange things going on on the periphery of this episode like we did, after all.

When Kiryuu’s SERN assault team raided the lab back in the first season’s twelfth episode, it marked the official end of “fun and games.” That moment arrives six episodes earlier in S;G 0, and it also has the burden of trying to top that devastating, show-defining moment. Suffice it to say the ending of this episode wasn’t nearly as shocking, for the simple reason that we’ve seen it before.

History would seem to be repeating itself, and his loved ones apparently aren’t safe even here, in this Kurisu-less World Line. Then again, Mayushii wasn’t shot…yet. Perhaps, like Kagari and Kurisu, events only resemble what happened before, but may in reality be something completely different. But whatever that ends up being, it probably won’t be pleasant.

Steins;Gate 0 – 05 – Time Goes On

Needless to say, the sudden appearance of Moeka Kiryuu puts Okabe on edge, and even if this is not the same world line in which she killed Mayushii, he suspects she’s still a “Rounder”, and cannot fully trust her. Suzu can tell almost immediately that Moeka is someone Okabe knows (or knew), even if he won’t come out and say it. Nevertheless, Okabe assents to Daru’s hiring of Moeka in order to find the lost girl.

Meanwhile, Hiyajou can tell that Okabe hasn’t been answering Amakurisu’s calls, and feels partially responsible for telling him that Kurisu he knows is dead, even if a part of her is jealous that he was so much closer to her. With Leskinen’s unsolicited blessing she strikes out into Akiba to meet with Okabe, but suddenly feels extremely paranoid about being followed.

The camera angles, editing, and music all conspire to make us really feel that paranoia, initially brought on by the sudden appearance of Moeka and only intensified here. By the time Hiyajou is calling Okabe in a near-panic, and he runs out to find her dropped bag, I truly feared for the worst, as he did.

Mercifully (though also a bit disappointingly) the person initiating contact with Hiyajou turns out to be Professor Judy Reyes, a colleague at her university. While communicating in English Okabe fails to correct Reyes’ assertion that he’s Hiyajou’s boyfriend (though the prospect makes Hiyajou blush).

Once they’re alone, Hiyajou brings up Okabe’s lack of responding to Amakurisu. She’s no dummy (obviously), and can tell Kurisu had an incredibly “large presence” in Okabe’s life; far larger than he lets on.

When she reminds him that Amadeus is merely a system, Okabe tells her he simply needs more time. He’s confused, but that’s because he’s not willing to dismiss Amakurisu out of hand, at least not yet (and with no other alternative).

Okabe (and the episode) finally remember the somewhat urgent call Rukako made to him about a guest of his family’s…he comes to the lab with that guest in tow, and Okabe is shocked to find that guest is a dead ringer for Kurisu. However, he later chalks it up as a coincidence (plenty of blue-eyed redheads with bangs out there, after all).

Rukako informs Okabe that the girl has amnesia, and they’ve simply been calling her “Kana” in lieu of her name. She’s hoping Okabe with all his brainy sciency know-how can find a way to help Kana find her real name, where she came from, and how she lost her memory.

While flattered, Okabe is honest about not being an expert in any of that stuff (even if he knows people who are), but Kana’s identity is quite surreptitiously revealed by Mayushii, who recognizes the oopa that is the only possession of Kana’s that might be a clue.

What’s odd is that the oopa is from a very recent movie, but looks like it’s much older than that. Upon the pointing out of that fact, Kana suddenly collapses, just as Suzuha shows up, and instantly recognizes the girl for Kagari, the girl she lost. Well, now she’s found. What’s next; and is it merely a coincidence that she so closely resembles Kurisu?

Steins;Gate 0 – 04 – Another Girl Lost in Time

Okabe experiences a number of strange flashes in various world lines before waking up in bed, only to eventually return to the roof of the lab with Maho. They include running from enemy forces (likely in the bad future) and answering a mysterious phone call. He wonders if he somehow experienced Reading Steiner, and fears for the worst.

Thankfully, both Mayushii and everyone else are fine, so if there was a world line change, it was a subtle one, at least in terms of how it affected his life. Later, Amakurisu suggests Okabe give his mismatched present (a sexy red dress) to Maho, saying she’d likely be “surprisingly happy.”

Okabe doesn’t do that, but both Maho and Leskinen can tell he’s gotten close to Amadeus in not much time at all, feeding Leskinen’s hope that the AI will be able to fall in love, which would obviously be a huge breakthrough.

It seems like fate that they’d find the person who just happened to be in love with the real Kurisu. Maho just wants to know more about the side of her good friend and colleague that she never knew, lamenting that she “knows nothing”, despite the fact she is not Jon Snow.

Meanwhile, as Suzuha tries to get her eventual dad to go on a date with her eventual mother, Daru senses Suzu is hiding something, and isn’t thrown off by Suzu’s weak “it’s nothing.” What Daru learns is that Suzu did not board the Time Machine alone, but took Future Mayushii’s adopted war orphan daughter, Kagari.

In 1998, Suzuha and the 11-year-old Kagari were separated in Akiba, meaning in the present she’s a 22-year-old woman. Suzuha has been busy searching for her, with no success. Daru relays this information to Okabe, along with a request to help with the search.

Okabe quickly agrees, and when Amakurisu gets word of his task, she offers to search the vast networks she has access to in order to assist him. He pockets that offer for now, not wanting himself or Amakurisu to get into any unnecessary trouble (doing what she proposed may not be legal, strictly speaking).

After a flashback to 1998 when Kagari pulled a gun on Suzu in order to stop her from changing the future (the one in which her mother Mayushii lived), we’re back in the present, where Okabe asks Rukako and Feyris (who both grew up in Akiba) to put feelers out about a girl.

Feyris gets back to him about a “ghost with braids” asking people about a lost little girl (obviously Suzuha), but nothing concrete about Kagari. As Okabe is receiving Feyris’ call, he spots Dr. Leskinen turning a corner, but when he follows him he hits a dead end of boxes. Weird.

When Okabe returns to the lab, Daru has called someone he apparently knows who may have information for them. While waiting for this person to arrive, Okabe gets a call from Rukako with an urgent request to come meet him at his house, and no other time will do.

Then there’s a knock on the door, and who should be on the other end but Kiryuu Moeka, the sight of whom triggers all of the awful dealings Okabe had with her in other world lines. Oddly, I knew with some certainty that it would be her, partly because there was just something off about the suddenness of Daru’s connection.

Of course, this may not be a Killer Kiryuu…but from the glimpse of the hair of Rukako’s guest, it’s pretty clear her assistance isn’t needed to find Kagari…Kagari is that guest. All Okabe has to do is go to Rukako’s and he’s found her. The question is, will he be able to?

Steins;Gate 0 – 03 – Easy to Be Deluded

As Mayushii organizes a huge Christmas bash to cheer up Suzuha, Okabe is finding Amakurisu’s constant calls a nuisance. But she insists he keep his promises to her by showing her the lab. While her first impression is that it’s a dump, she admits she always yearned to share a room with people, with “forks and spoons and stuff.” She already feels so much like Kurisu, it’s almost as if Okabe’s Facetiming the real thing.

As Suzuha is visited by her benefactor Feyris to try to convince her to come to the party, all Suzu can think about is how to convince Okabe to accompany her to the Steins Gate.

At the Brain Institute, Leskinen is excited to see what comes of Okabe convering with Amakurisu, while Hiyajou is more weary, thinking of displacement behavior and knowing firsthand how easy it is to replace the Kurisu she lost with Amakurisu in her mind.  Leskinen has an answer for that as well: go out with Okabe for Christmas Eve.

The next day Leskinen and Hiyajou meet with Okabe, but before they do, Okabe and Amakurisu have a crucial conversation on her true nature as an “incomplete AI” due to the fact everything she sees and hears is logged, meaning she can never “forget” by anything resembling the same methods real humans forget, which is not so much about missing information as information that slowly changes over days, months…or decades.

Along those lines, Okabe and Hiyajou are at the mercy of their memories of Kurisu, which are constantly meshing with Amakurisu, to the point she feels more and more real.

Hiyajou looks the tiniest bit disappointed when Okabe says he has plans for the Eve (even if she likely wasn’t going to take Amakurisu or Leskinen’s advice and ask him out), but Okabe presents a third way: he invites them both to the party.

Everyone ends up turning up—even Suzu, whom Daru fooled and who nearly killed her mother when they all surprised her—and it’s a jolly good time, bringing back life and vitality to the lab. They even get in another “Hiyajou is kid-sized” gag when Nao asks her what grade she’s in, while Leskinen mistakes Ruka for a girl (though he’s dead sexy regardless).

Okabe’s participation in the party is interrupted by a call from Amakurisu, which he goes to the roof to answer. When he takes a while, Mayushii follows him up there, and after overhearing him talking with someone (whether she knows it’s Kurisu), heads back to the lab. Poor Mayushii, who had to tell her cosplay buddies that despite how close they are, Okabe likes someone else…without mentioning that someone else is dead, of course.

One thing Amakurisu will never forget is that Okabe called her Christina when they first met, and one of her three theories is spot on: it’s the name he used to call the real Kurisu (whom she calls “Original Me”). She didn’t think that theory was likely because of the way she knew she’d react, and says the exact same words she always said to him, and in the same way. He confesses he used to call Kurisu that because he was too embarrassed to use her real name.

The problem is, he’s talking to Amakurisu as if she were Kurisu. Escaping a Santa costume photo shoot, Hiyajou, who came to the roof to check on Okabe right after Mayushii, snatches his phone from him and turns off the app. The Amadeus app. Not a Facetime call with Makise Kurisu, whom she tells Okabe “isn’t here anymore.”

This upsets Okabe greatly, as if suddenly lifted from some kind of spell, and triggers a torrent of muddled memories from other world lines. Hiyajou may have thought Okabe was just another good friend of Kurisu’s who’d be all-too-easily deluded by Amadeus, but there’s a lot more going on than she knows or would quickly believe.

Like, say, the fact that Suzuha is from the future and her father is inventing a time machine.

Steins;Gate 0 – 02 – Okabe Chooses Not to Run While He Still Can

When Dr. Leskinen (through Hiyajou Maho) announces he’s about to demonstrate an AI developed from memories stored as data, and there’s a bit of a delay before the Amadeus program starts up, a skeptic stands up and deems such a venture “insanity,” calling into question the research of a 17-year-old like the late Makise Kurisu.

He’s quickly rebuffed, not by Leskinen or Hiyajou, but by Okabe, who won’t stand by silently and let such slander pass. All scientific advances are borne from a desire to make the impossible possible, after all. With his outburst he gains the attention and applause of Leskinen.

Then the Amadeus demonstration proceeds, with an AI version of Hiyajou using her memories from four days ago splashes across the screen, making discreet observations about the room around her and also forgetting certain information. It really is Hiyajou from four days in the past…sort of.

At the social event that follows the seminar, Okabe and Hiyajou both end up in an isolate corner together, neither very good at such functions…and they find an easy, casual chemistry together. Hiyajou is an adult, and thus able to overlook Okabe’s initial misunderstanding about her age due to her stature.

When she discusses some of the problems she and Leskinen are still having with Amadeus, Okabe is reminded of Kurisu’s lecture about Top-down memory search signals, impressing Hiyajou. He then admits he can converse about such things because he was a friend of Kurisu’s.

She was more of a kohai to Hiyajou, but when they discuss her at length she can’t help but tear up, as it’s clear she cherished her kohai deeply; Okabe doesn’t look far behind with the tears, but manages to maintain his composure.

Leskinen then cuts into the conversation, and when he learns Okabe was a friend of Kurisu, he suggests to Hiyajou that they should introduce him to another Amadeus AI program they’re working on…using the eight month-old memories and taking the form of none other than Makise Kurisu.

Okabe thought he’d never see or hear Kurisu ever again, but after seeing how closely Hiyajou’s version of Amadeus emulated her living counterpart, it’s a stunning proposition. Hiyajou warns that the closer he was to Kurisu, the crueler meeting her Amadeus version will be.

Still, Okabe can’t resist accepting the invitation to the Brain Science Institute, where Hiyajou is waiting outside for him and guides him inside, all the while continuing to warn him that he may be in for a thoroughly heartbreaking experience—especially if he knew her better than Hiyajou.

The venue in which Okabe is poised to meet the digital “ghost” of Kurisu couldn’t be more spartan: a drab room empty save for an unassuming PC station with a single shortcut on the desktop. Hiyajou clicks on the application and steps aside for Okabe to behold.

Okabe reacts how one expected him to, and how anyone who’d just seen a ghost of a loved one might react. Part shock and despair, but also part wonder and relief. Leskinen and Hiyajou really did make the impossible possible; at least what Okabe had concluded would be impossible.

However, this Kurisu of the Beta World Line of eight months ago does not remember Okabe. Considering Miyajou’s Amadeus counterpart couldn’t remember the pajamas she wore a week ago, perhaps that’s part of the human flaws inherent in the program? Then again, perhaps not; it’s likelier the Kurisu whose data they used simply hadn’t met him yet—to say nothing of falling in love.

Speaking of love, “Amakurisu” is sharp enough to sense the nice vibes coming off of Hiyajou and Okabe, and briefly takes Hiyajou aside to address that observation, much to Hiyajou’s chagrin. Her blushing at the party and here suggest she has at least a passing affinity for the former Mad Scientist, something Amakurisu picked up on almost immediately; a testament to the program’s sophistication.

Amakurisu’s response to Okabe’s first question put to her—about what she thinks about the possibility of constructing a time machine—is actually different from the answer he got from the real Kurisu. The late Kurisu dismissed such machines as impossible, but Amakurisu adds the caveat that her belief in their impossibility doesn’t mean they actually are impossible, just that the crucial discovery that would make them possible has yet to be found.

Were she willing to dismiss the possibility of such a discovery, she’d be scarcely better than the skeptic Okabe took down back at the seminar. Okabe wonders if the difference in views is a matter of the difference between world lines, but it could also be a product of Amadeus having learned through conversations with Leskinen and Hiyajou, thus making her a being distinct from the person whose memories form her foundation.

When Leskinen makes an appearance and greets Okabe in English, Okabe’s attempt to respond in English nets him criticism from Amakurisu, causing him to instinctively call her “Christina”, something he does a couple more times, confusing everyone around them but also piquing their curiosity.

Ultimately, Leskinen wants Okabe to be a “tester”, talking with Amadeus on a semi-regular basis so they can collect more data than if just he and Hiyajou continued chatting with her (plus they’re running out of things to talk about, so “fresh blood” is crucial to the program). To that end, they give him an app that not only allows him to contact Amakurisu, but allows her to call him whenever “she” likes.

And she does just that…calling him eight times; the last few attempts occurring while Okabe is on a walk with Mayushii, who is planning a Christmas party to cheer Suzuha up and thinks Okabe should attend so he and Suzuha can make up. Mayushii notices someone calling him repeatedly and steps aside to let him address it.

When Okabe finally answers her call, Amakurisu is not pleased, and Okabe can’t help but admit that she really is Makise Kurisu, all stubborn and moody and spunky and wonderful. Sure, it’s not really her, but it’s most definitely a version of her, and having lived the last few months with a grey cloud over his head, there’s surely overwhelming comfort in the “next best thing”.

I’m frankly bowled over by the amount of material just the first two episodes of Steins;Gate 0 has managed to cover, and how deeply involved and invested I already am in this very bittersweet story. Yahagi Sayuri does some really fine work as Hiyajou, and just hearing Imai Asami’s voice again nearly brought tears to my eyes. We’re off to a stirring start.