Akane doesn’t believe the law protects the people so much as the people protect the law. The law in the culmination of mankind’s amassed hopes and dreams for a better world to live in; without that collective input, the law—and society—cannot exist. When the will of the people is usurped by a system like Sybil, the momentum of human progress towards that ideal goal is arrested.
I said all Akane cared about was saving Kogami’s soul, but once it became clear after a heartbreaking sequence of events that she wasn’t going to be successful, I realized I was wrong about her becoming lost if she did fail, or that her desire to save Kogami was selfish. To her, no matter how vicious Makishima’s crimes were, on-the-spot execution is a crime, and she does everything in her power to prevent that crime. She just came up a bit short.
She wasn’t being selfish; she was being patient. She doesn’t like Sybil anymore than Kogami or Makishima, but she knows society as it is can’t live without it; not yet. So she’ll continue being one of their ideal poster girls. She does exactly what she’s done every time something horrible has happened in her life, whether it was her first traumatic experience as an inspector, losing Yuki, or losing Kogami, twice: she moves forward.
Sybil is disappointed that Akane couldn’t deliver Makishima to them, but that doesn’t mean they cut her loose. They “lower her ratings” a bit, but they’re sitll all outstandingly high. They want to someday reveal themselves to the world as they did to Akane, and when that happens, they want the people to accept them and be happy about it, and they think Akane and people like her will help pave the way to that. Faced with that grotesque hubris, sucking up her pride is actually quite selfless on Akane’s part.
Two months pass, and we’ve got some changes, all of which do a decent job of setting up the second season that arrived a couple days ago. That’s right, because of the timing of my watching of Psycho-Pass, I will not have to endure a two-plus year wait, but will jump right back into it. Ginoza is now an enforcer, Shion and Yayoi still seem to be having pretty okay sex, and Akane is now in charge of the division.
Perhaps most awesomely, the show ends on a note that may not bode well for Akane’s chances of exacting the change she wants, rather than the “evolution” Sybil seeks. That’s because the show ends just like it began: with a young and eager rookie inspector arriving on a tense crime scene, and the more seasoned inspector telling her they afford to go easy on them. Only this time Akane is the seasoned one and Shimotsuki Mika is the even younger rookie in question. That’s some fantastic symmetry there.
It may intrest you to know that even though we only saw her for a brief moment, I found myself identifying more with Mika, as I did with Akane when she was new. Considering how long this show has been around, I kind of feel like the second line that Mika represents, who can only repeat the deeds or mistakes of her forbears. Similarly, most of what I’ve prattled on about in these twenty-odd reviews may have already been said before in different forms, but better to have stumbled on this great piece of quasi-Utopian fiction late than never. Thanks for bearing with me. On to Psycho-Pass 2.