I have watched the UBW anime, but not the original Fate/stay night. I intend to watch and assess stay night’s prequel Fate/Zero on its own merits, forgetting/disregarding wherever possible what transpired before or after, since. That being said, having watched UBW I’m not a complete novice to the Fate franchise, so I know the basics of the Holy Grail War and its Servants.
Zero takes all of the limited information I know and recontextualizes it and expands my understanding of its players, all of them operating ten years before the events of night. Things obviously feel familiar to UBW for the most part, but they are still, in fact, quite different. Dare I say, more significant…and more emotionally resonant?
I’ll admit I was a little lost in the woods as I watched flashback after flashback to the present day of Zero, in which Irisviel von Einzbern and Emiya Kiritsugu’s newborn child Illyasviel, or Kotomine Kirei’s father Risei and Toosaka Tokiomi informing Kirei that he’s to ensure Tokiomi’s victory.
But as I carefully watched and took a few notes, the complex network of characters and relationships—both good and deeply troubled—gradually took shape. Rin, Sakura, and Illyasviel are all players I’ve known and seen, but this is the story of how their older relatives assembled and summoned their Servants to fight the Fourth Holy Grail War.
I thus found myself gaining lots of insights into the kind of families and personalities those familiar faces came from. For instance, I had no idea Shirou and Illyasviel have the same dad…or that Sakura and Rin are biological sisters.
Watching this epic introduction jump from one party to another as they begin to circle one another and size each other up is, in a word, thrilling (I say that despite the mundane-ness of the image above). And without exception, I found myself invested in everyone for very different reasons, even though I know they’ll all be at each others’ throats and most of them will have to lose and/or die.
Kirei and Kiritsugu may think each other the most underhanded, dangerous men alive (in a masterful dual-monologue in which the two shit on each other for what seemed like five solid minutes), but I never felt the compulsion to take a side, because both men have their reasons. I also never felt like the show was trying to make me take a side.
The exception to that is, of course, the clearly demented Matou Zouken, who needs go fuck off immediately to hell with Sugou Nobuyuki and/or some similar assholes. It’s good to see Kariya sacrifice his freedom, health, and maybe life to keep poor Sakura out of the fighting. I also appreciated the layered characters of both Rins’ dad Tokiomi and apparent wild card Waiver Velvet.
This episode is long and talky, but it’s length well spent and talks that kept me interested. Call it a crash course in Fate, only with a little bit of prior knowledge, and far more comfortable and entertaining than a crash course has any right to be. This is setting the stage done right.
Speaking of that stage: once all the talking and sizing up ceases in this first episode, it’s time to start summoning some Servants, and the inter-cut scenes between Saber, Archer, Berserker, and Rider’s awakenings form a compound momentousness (just as Assassin’s intro was stealthy and low-key, as befits an assassin).
In short, I was pleased with this opening. The fact that nobody so much as laid a finger on anybody for nearly an hour only reinforces my confidence in this show’s narrative chops. Timelines and venues may jump around, but it’s just people talking-talking-talking in rooms, to one another, to themselves, about each other…then summoning some Servants. It just…worked.
Captions by sesameacrylic