To Your Eternity – S2 03 – Everything’s Peachy

Tonari told Fushi to find friends, and Kahaku claims to be one. As the first male of Hayase’s successors, his sole interest in women means Fushi doesn’t have to worry about being seduced. He also brings warning to Fushi that there’s a bounty on his head from a Church that considers both him and the Guardians as heretics.

Kahaku encourages Fushi to join the Guardians on their travels through towns and cities, showing himself to the people. It’s basically a PR junket, and the first of the villages is full of those who regard Fushi as a savior. He acts the part, producing both coin and food out of thin air for his followers.

When some not-so-friendly villagers attack Fushi, the Guardians protect him, though he does get hit by an egg. Kahaku suggests Fushi travel to the next city in a different form. When Fushi settles on Parona, Kahaku develops a crush, but for the journey Fushi shifts to Joan for better mobility.

While in this larger city, as in all previous settlements, the Guardians raise their banner, bearing the symbol of Jananda: three crossed swords representing the three major churches coming together as one. It’s a nice idea, but it’s not currently a reality, and Fushi starts to question if he’s truly “doing what he wants” (as Pyoran urged), and whether Kahaku is really one of the friends Tonari told him to make.

One day while walking in the woods between cities, Parona and Kahaku are suddenly caught in a rope trap, and the other Guardians are captured by strange purple knights. An extremely eccentric and flamboyant man in elaborate finery introduces himself: Prince Bonchien Nikolai La Tastypeach Uralys, their captor.

Bon talks a big game and even has an attendant he uses as a chair, but when Parona!Fushi frees herself and brandishes a sword, Bon goes to pieces. The chair-attendant explains that Bon sometimes talks to someone who’s not there.  Fushi is intrigued by this strange fellow, and allows herself to be captured, as long as Kahaku and the others come to and are not harmed. Bon agrees.

Bon is voiced by Koyasu Takehito, who is always an absolute hoot and often plays these kinds of out-there, over-the-top characters. Bon is no different, and Koyasu’s performance is a big reason why I found myself taking an instant liking to Bon. Another is that he’s quite unlike any other character in To Your Eternity thus far.

The capital of the Kingdom of Uralys is as whimsical as its prince: towers of pink, purples, and other pastels rising out of fissures in the earth. Despite the somewhat barren landscape the city is bustling and prosperous, and the smallfolk love their flashy prissy prince. The use of mimicking birds as microphones is a nice touch, as is the fact Bon’s father the king is tiny and adorable.

Bon orders ninja-like fashionistas to pounce on Fushi and give her a glow-up for dinner, as well as wash the stink of the road off Kahaku. Bon introduces his brother Prince Torta and his sister Princess Pocoa, who are excited and curious about Fushi. While technically captives, Fushi and Kahaku are treated well, and even share the table with the royal family, who pepper Fushi with questions about his orb-y origins and “the black one”.

Fushi’s mood sours when she learns Tonari’s diary was published, meaning one of Kahaku’s ancestors dug up her grave to procure it. She leaves the table, goes outside, and attempts to scurry off in mole form, but Bon follows and catches her. Kahaku joins them, and asks Bon to provide an army to Fushi and the Guardians so they can properly fight the Nokkers.

Bon considers it, but their talk is interrupted when representatives from the Church of Bennett (the ones who issued the bounty) come for Fushi. Bon shoos them away, saying Fushi isn’t going anywhere for the time being. The Bennettans leave, but they’ll surely be back, and possibly in force.

It’s after that encounter that we learn from Bon’s father the king that he’s not actually the crown prince; that’s the far less flashy Torta. Apparently his father believes him unfit to rule, but he’s determined to convince him otherwise, and capturing Fushi is a big part of that. But Fushi has apparently had his fill of all of this, and is considering letting the Nokkers absorb him entirely.

The Beholder appears to tell him even if he does that, he’ll simply return to being an orb and have to start over from nothing. Fushi claims not to care, as long as he’s not sacrificing any more of the living. To the Beholder’s count, over 13,000 people have been killed by the Nokkers, which isn’t much compared to natural disasters but still too many for Fushi’s taste.

The Beholder sees there’s no reasoning with Fushi, so he descends into the ground, but Prince Bon tells Fushi he’ll create “a new world” for him, so he should at least wait until after that to decide whether he wants to surrender to the enemy. While Fushi has value to Bon as a tool (like the Guardians), there’s also a chance, given time, that Bon could become a real friend. I want to see that friendship, and that new world. Then there’s the fact Fushi’s eye briefly changes from yellow to purple.

Rating: 4/5 Stars

More than a married couple, but not lovers. – 05 – Sharing fabric softener

Akari’s crush continues to be supplanted by feelings for the mock husband right in front of her, and throughout the episode she expresses this though lots of teasing and physical contact, starting with a loving wife’s hug before Jirou heads off for school duties. Little does he know that Shiori has arranged to swap duties with her sporty pianist wife Hamano Mei so she can get some quality time with Jirou.

Before the arrangement, Mei is trying to get Shiori to do what needs to be done to get the man she wants—which may yet involve a giant Acme-brand mallet with which to smack him over the head. Shiori says “Jirou doesn’t think of me that way” but Mei knows better; Shiori just needs to make her feelings plain and obvious before Akari snatches him up. Akari’s galfriends only tease her about the prospect of falling for Jirou, but they’re on the right track!

Despite my increasing affinity for Akari and Akari x Jirou, being a sucker for childhood friends I relished the opportunity for Shiori and Jirou to hang out together without interruptions from Akari, Minami, or Sadaharu (who sits this episode out; I don’t mind the guy but appreciated a break from him).

The results are predictable: having class duties together reminds them of when they had them in middle school, and the two settle into that warm, happy nostalgia and familiarity. But when it comes time to leave the safety of the past and try to grasp the future with a solicited kiss, Akari thinks he’s dreaming, while Shiori withdraws at the last moment and must beat the shit out of the erasers in frustration with herself.

Unfortunately, this leaves Jirou with the same impression as the start of the day: that while there are occasional signs here and there, Shiori doesn’t like him “that way”. That leaves him gloomy on the balcony an otherwise dazzlingly starry night, and Akari joins him with mugs of hot milk in a genuinely heartwarming gesture of trying to cheer him up.

That inherent kindness in Akari’s character is at odds with a deep resentment that he’s feeling so down over another girl, which of course reflects how he feels whenever she gets riled up about Minami. Akari decides to press the teasing by insisting he start calling her by her name, and is shocked when he does it immediately, while explaining why he had trouble before.

Akari gets much more than she bargained for here, and has to retreat before Jirou sees her beet-red face and ears. Gathering her patio door curtain around her, she curses these confusing feelings. To this point she’s been in love with the idea of Minami, but that idea is losing ground to the reality of Jirou.

When their teacher announces that practical couples’ scores will be combined and everaged together, Jirou is anxious, as he’s not sure the extent of Akari’s academic prowess. But rather than simply presume she’s a dunce, he asks her about it, and her tone and body language make it clear she’s far from confident about it.

He asks her to cancel her karaoke plans so they can study together, but she says it’s “not so easy” to break said plans because she was invited by other guys, as opposed to her galfriends. To this, Akari says “I’m asking for you too here,” and she relents, but believes he’s only being this “desperate” for Shiori’s sake. Meanwhile, Mei continues to prove that she may just be the most deserving of Shiori’s hand in marriage. If nothing else, she’s trying her best to make Shiori happy and successful in love.

Jirou finds that while Akari picks things up fast, she hates the fundamental idea of studying. Her frustration from the assumption he’s only doing this for him and Shiori leads her to up her teasing and flirting game considerably, cozying up to Jirou and saying he can “do whatever he wants”.

Jirou averts his gaze, and ends up seeing that Akari figured did a challenging math problem correctly. The rest of the study session progresses and their couple score continues to go up. When they’re done, Akari isn’t ready to eat dinner yet, and would rather get Jirou to admit she makes his heart race.

She does this by jumping into his lap, but she grows more frustrated when he tries to ignore her, so she turns around so they’re front-to-front, and tells him he can look at her if he wants. When he still won’t, she grabs him even tighter, and he ends up flipping them over so she’s on her back.

At this point the two are in dangerous territory, and Akari can hear his heart pounding now. It’s here where Jirou starts to let his hormones take over, caressing her cheek. Akari says he can’t once, then twice, but then takes hold of his shoulder to pull him nearer, and closes her eyes to prepare for a kiss …

I knew amorous congress was going to be interrupted by something, be it doorbell, phone, or Sadaharu. This time, it’s Jirou’s nose, which suddenly starts bleeding. Though Jirou thanks his nose profusely for stopping him from doing something he’d regret. Once the bleeding is stemmed by a tissue, the two fold laundry together—the hot-and-heaviness replaced by a picture of domestic bliss.

Akari laughs at Jirou for getting a bloody nose in such a situation, but Jirou in turn asks her what is up with her pestering him so heavily all night. She brings up how she’s frustrated by how desperately he’s trying to prevent Shiori from leaving him behind. He, in turn, tells her he’s not just doing it for him and Shiori, but her and Minami, and further tells her he’s sure she’d reach A-rank with anyone, not just him. He simply hoped that after she’d gained so many points for them, he’d try to contribute by helping with her studies.

Jirou doesn’t know just how happy it makes Akari to hear that, because as far as he’s concerned she doesn’t feel anything serious for him, and her amorous actions have only been to tease him. But Akari is feeling less grateful that he’s doing this for her and Minami when it’s currently the two of them together that makes her heart race for real. She thinks about a future where they switch partners, and their clothes no longer smell like the same fabric softener, and … it’s not necessarily something she wants.

Fuukoi continues to do tremendous character work in the midst of what will always be a silly and contrived premise, and its deft “couch time” animation and Akari’s facial expressions in general continue to impress. There’s still a lot of confusion and awkwardness from all parties, but Shiori is gradually fumbling her way closer to Jirou, while dangerous couch session Akari’s true feelings may be coming into better focus.

Jirou’s self-loathing-fueled obliviousness can’t hold out forever. If it isn’t already, his confidence in Shiori being his one and only will surely start taking the same dents as Akari’s in Minami being hers.

Mobile Suit Gundam: The Witch from Mercury – 06 – Scaling the Wall

Lady Prospera has a chilly reunion with her former Vanadis colleague, Bel, AKA Belmeria Winston, who says she had little choice but to join Peil Group in order to survive after the punitive assault on their facility years ago. She asks Prospera why she’s using her daughter as an instrument of revent, but Bel retorts by asking “how many” Gundam pilots there have been before Elan.

While Earth House reconsiders their opinion on Elan in light of his treatment of their new housemate, Guel is thrown out of House Jeturk and cut off from all but the remaining school tuition. He leaves with his head held high, having done what he (and I believed) to be the right thing in standing up for Suletta. She and Elan meet for pre-duel formalities, but she has yet to decide her stakes.

Earth House know theirs: the 2.7-to-1 odds they’ll enjoy if Suletta wins. Led by Nana’s cautiously-can-do attitude, they scrounge around scrap and spare parts to cobble together a flight unit for Aerial. I can only imagine Suletta’s mom didn’t provide her such a unit because she was confident her daughter would make the necessary connections.

Meanwhile, Elan undergoes more lonely testing and his blurry recurring image of a candle is interrupted by a surprise visitor in Elan … the real Elan Ceres. He’s every bit the smug, privileged aristocrat you’d imagine would be heading up Peil House, and is the rightful recipient of a future face-punch from Chuchu, Miorine, and/or even Suletta herself.

The “Elan” we’ve known thus far is no villain, only a pawn and victim, though he apparently volunteered for this with the promise he’d get his “face” back and a citizens ID should he prevail. I suspect the memories of his past life have been subordinated by the Permet conditioning.

During flight testing out in open space, Suletta is down in the dumps, feeling dumb and annoying after Elan’s hurtful words. Miorine is out there assisting with Nana, and gives her bridegroom a bit of tough love, as well as reflect back Suletta’s “move forward, gain two” credo.

Suletta snaps out of it and gets back to testing, then afterwards visits Peil House insisting to speak to Elan. She’s put over house-wide loudspeakers calling out to Elan, asking if he meant everything he said, and then singing him “Happy Birthday.” He only calls her to tell her to go home, saying he has no birthday. But we know better; her singing briefly brought his hazy memory into focus.

But the die is cast, and the next day the duel unfolds as planned, with Suletta announcing that her stake is that if she wins, Elan has to tell her all about himself. This further rankles an Elan already understandably frustrated by his lot in life; from his perspective he has absolutely nothing, while Suletta has everything, and yet still wants more from him, and won’t let him have this victory.

A thrilling space battle ensues, with both Aerial and Pharact’s Bit Control Systems dueling, and the latter suit’s superior mobility creating a long-range disadvantage for Suletta and her jury-rigged unit. Once again the corporate bigwigs—in this case Peil—arranged for unfair conditions. Perhaps they know that they need every edge they can get against Suletta and Aerial.

The entire school is watching, including Guel from his new home—a tent in the woods (I’ll admit to laughing out loud as this uncommented-on development, and part of me hoped Shimarin or Honda Tooru would show up). It looks bad for Suletta, but she has an advantage Elan doesn’t: time.

Elan has to continually up his Permet Score to maintain his edge, which takes a toll on his already depleted body. He even predicted this would be his last duel, judging from Bel’s reports on his testing. He and Suletta trade flurries of beams, and the latter’s flight suit is damaged.

Now a drifting sitting duck, Pharact’s Bits prepare to envelop Aerial as they did Guel last week, but in a development that may even come as a surprise to Suletta, an emergency defense system is activated that neutralizes the Bits and Pharact. The laughter of children can be heard as Aerial’s Bits form a spinning ring around her and then blast Pharact to hell.

Suletta has won, her house has more than doubled their money, which means they eat next month, and Miorine doesn’t have to worry about Elan becoming the Holder and her new groom. Elan drifts in defeat, but his memory finally comes into focus: a mother, his real mother, with loving eyes, presenting him with a birthday cake.

The light of the candle becomes the light of the glowing debris as Suletta stretches out her hand for him, and he takes it. As they drift together in the void, she assures him he doesn’t have nothing, and she and many others will celebrate his birthday.

As Elan flashes perhaps his first genuine smile, Miorine sits in the repair pod with Nana and endures this bit of “minor two-timing”, which extends to a second date for Suletta and Elan, so he can fulfill the stakes of the duel. Miorine leaves Suletta to await his arrival, but the clock ticks by and he doesn’t show.

Suletta cheerfully sings “Happy Birthday” once more as she waits, but she waits in vain. Elan isn’t standing her up; the Peil bigwigs have decided to scrap him. He was never anything other than a disposable tool for them, and with his failure to gain Aerial he’s no longer of any use to them. That they unceremoniously stick him in what looks like a goddamn sci-fi cremation furnace while he’s fully freaking conscious seems inhumane to the extreme.

Just as they did with new Yuru Camp cast member Guel Jeturk, Gundam successfully rehabilitated Elan’s character into someone with whom we could sympathize and root for. Unfortunately, it looks like we’ll also have to grieve for him. Will the real Elan replace him in both the cockpit and at school, or will it be another “spare” with his face? Either way, Suletta’s victory is tempered by a bitter loss; the latest casualty in this corporatocracy’s unrelenting thirst for profits.

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