Princess Connect! Re:Dive – S2 08 – The Rice Harvest

The Gourmet Guild starts this episode out split up, each member on a different errand or with a different plan for the day. Kokkoro heads into town to mail a large stack of letters when she encounters Suzuna and Misaki, two students at Lucent Academy with exceedingly bad grades. When bandits steal the guild’s treasure—and the letters—Kokkoro teams up with the busily-costumed kids to tack them down.

With help from Kokkoro’s faerie friends, locating the bandits’ hideout is no problem; the issue is getting their letters back without being detected. Misaki decides that detection is the whole point, and proceeds to attempt to use her “mature feminine pheromones” to distract the bandits. But once she starts pole-dancing on her staff, they lock her up as a little kid who is “messed up in the head.”

Meanwhile, Yuuki is wandering the capital, wondering why he forgot his old companions and couldn’t protect them. Labyrista bumps into him and provides an ear to listen, as well as some advice: he has a group of friends and companions now; he should just focus on them. Yuuki vows he won’t let Pecorine, Kokkoro, or Karyl come to harm this time. Across the city, in the palace, Karyl inadvertently snoops on Kaiser bathing.

As for Pecorine, she’s been harvesting rice all day in between catnaps, but spots “Princess Eustiana” in the field, worried that if the others know her true identity, they’ll forget her and everything about her, and she’ll lose everything all over again. She wakes up in tears.

Kokkoro and Suzuna manage to free Misaki, but not before getting spotted y the bandits, who chase them through the forest. Thankfully, the kids’ teacher Io-sensei saw the large cloud of smoke Kokkoro used and brings the city guard, led by Tomo, to arrest the bandits and recover both the treasure and the letters. But when it comes time to mail their letters of recommendation to another school, Suzuna and Misaki rip them up instead, choosing to stick with Io-sensei.

While surely unsettled by her dream, Pecorine is soon joined by Yuuki and then Karyl, who are back home and ready to pitch in. Their arrival means more to Peco than they know, considering how troubled she was, and the work goes that much faster…although there’s still a lot of rice to harvest. That’s where the purpose of Kokkoro’s many letters comes into focus.

Kokkoro arrives with dozens of friends in tow—a veritable who’s-who of PriConne characters, answering Kokkoro’s call to lend a hand (or hoof). The harvest is thus finished in no time, and a grand feast is prepared that everyone shares in, celebrating both a job well done and their friendship.

Pecorinehas a seat under a tree with Kokkoro, and sees the “ghost” of Princess Eustiana again, only she simply smiles at Peco, and Peco smiles back. She tells Kokkoro (who couldn’t see the ghost) that after losing everything she never thought she’d have a meal like this with everyone again, but is so happy she can, she starts to shed tears of joy in between bites of her onigiri.

Kokkoro can’t help but follow suit, and Peco tells her that she’s finally ready to tell Karyl and Yuuki who she really is—the true crown princess of Landosol. From seemingly innocuous errands, we arrive at the cusp of a major declaration.

Rating: 4/5 Stars

Attack on Titan – 83 – Putting Together a Team

Levi is lucky his companion in the woods is Hange, who is able to stiches him up and keeps his wounds clean. The two are in the dark until Eren’s message to all Eldians. Hange thinks the only option is to run, but even in his awful state, that’s not how Levi flies, so the two make contact with Magath and Pieck and propose an alliance.

We catch glimpses of Jean, Mikasa, and Annie at night trying to sleep through the din of the Rumbling, while Armin and Gabi ride through the night, trying to catch up to Connie in time to save Falco. Little did I know everyone in this little sequence would not only eventually reunite, but also have a plan involving Magath, Pieck, Hange and Levi. But first, Armin has to stop Connie from doing something he’ll regret.

Connie’s lie about “brushing the titan’s teeth” is not that convincing even to a dummy like Falco, but Armin and Gabi make it there in time, and Connie gets Armin to stand down by essentially forcing him to save him from his mother’s jaws. Almost losing Armin—and almost subjecting her mom to becoming the Colossal Titan—snaps Connie out of his crazed plan, as does realizing his mom would not have wanted him to kill a friend anda kid to save her.

After a downer of a scene where Mikasa gets her scarf back from her would-be protégé Louise (who is dying of shrapnel) and another scene of Floch going full Fascist, Armin, Connie, Gabi and Falco stop in town for some much-needed food and just happen to sit at the same bench where Annie is scarfing down her first food in four years. Sure, it’s convenient, but I’ll totally allow it, as well as Connie’s not-so-nice ribbing. These guys once trained together as kids, so after all that’s happened it’s nice to be reminded they still are kids.

Back at the ruins of the fort, Floch, who believes Jean has chosen a side, prepares to execute Yelena and Onyankopon. The former has no final words, but Floch wants Jean to prove his loyalty by killing Onyankopon first, and Onyankopon, who was dealt a terrible hand in all this, has a lot to say. The camera cuts away as Jean shoots once, twice, four times, all of the shots missing…on purpose. He pushes Floch away as the Cart Titan pounces, swallowing Jean, Onyankopon and Yelena.

The four shots were a signal to “continue the plan”, meaning Armin, Mikasa, and Connie had a plan, working with Magath, Pieck, Hange and Levi. Armin and Mikasa leave the city driving wagons packed with supplies, with Connie, Annie, Gabi, and Falco all along for the ride. Annie notices someone watching them leaving, something that will most likely come up later. But it’s just thrilling watching all these characters I like teaming up.

Pieck stops by a stream to regurgitate Jean, Onyankopon, and Yelena, the latter of whom was saved because she’s part of Hange and Levi’s deal with Magath and Pieck. Jean explains to Onyankopon that he just couldn’t plug his ears and remain a part of Floch’s xenophobic Jaegerist regime. Like Connie, he held on to his pride as a soldier.

In his cabin hideout, a recovering Reiner is kicked awake by Annie, someone he probably never expected to see alive again. He’s even more confused by the odd combination of people around him: Mikasa, Connie, Armin, Annie, Gabi, and Falco. He asks what’s going on, and he gets an answer: they’ve assembled a team…to save the world. Despite the magnitude of the difficulty of their goal considering the Rumbling is already underway, in that moment, I believed them.

This is the first episode of this cour of Titan that was actually fun to watch more often than not. Turns out there are a few good guys (or the closest thing to it) in this world, who never asked Eren to destroy the world for them, and are committed to stopping the slaughter or die trying. This episode was thrilling (and at times pretty damn funny) enough that I’m content to wait for the next episodes to explain exactly how they’re going to do that.

Akebi’s Sailor Uniform – 08 – Feels Like Summer

Exams are over and the athletics festival is nigh. President Tanigawa and Vice President Tatsumori Ai assign everyone the sport(s) in which they’ll be participating. Not only is Akebi (as well as Tanigawa) in the cheer squad, but also on the relay swim team. She’ll be swimming with Ohkuma, Tatsumori and anchor Minakami Riri, voiced by Ishikawa Yui affecting a Kansai dialect. Erika suggests Akebi should also be considered for the anchor position

It’s decided that Akebi and Minakami should race, one-on-one. Minakami makes it interesting: if Akebi wins, she’ll do anything Akebi wants. If she wins, she gets Akebi’s sailor uniform. It’s the closest thing to conflict and discomfort that Akebi has yet faced, and as her mother is prepping a summer sailor uniform for her, she can tell her daughter is troubled. I mean, the anime’s title might have to change!

If Minakami believes that since Akebi smiles too much she won’t take this seriously, she has another thing coming. Akebi ranked fifth in exam score in the whole class simply by studying hard, having never been ranked. She’s also never measured her times, but the focused, defiant look she gives Minakami says it all: she’s not surrendering that uniform!

The race commences, picking up where the cold open left off, and as expected, the water and swimming animation is a cut above. It’s almost not fair how good this show looks doing whatever it wants; I almost wish the school had a spaceship in addition to a pool! Erika’s role in this episode is small but important; the race might not have happened had she not spoken up for her friend, and she alone starts to cheer for Akebi, loudly and proudly.

In the end, Minakami wins, but it’s bang-bang at the wall due to her quicker wall touch, a product of her experience. Akebi’s eyes fill with tears, but Minakami stretches across the lanes to give her a hug, overjoyed to have been so seriously challenged. I mean, she was in the nationals, and even going all out Akebi almost beat her. When Akebi mentions the uniform, Minakami puts her hands together in apology: she was just joking about that; rattling Akebi’s cage to ensure she’d give this her all.

Minakami is more pumped up than ever to compete beside Akebi, Ohkuma and Tatsumori. The only problem is, unlike them, she did horribly on her exams, and needs some help. Cashing in her win over Akebi, she asks her to help tutor, but Tatsumori and Tanigawa also help, and Minakami presumably passes her make-ups, meaning she can train with the others for the festival.

It was nice to see Akebi make friends in a different way; with Minakami initially starting out as the closest thing to an antagonist before revealing that she meant well all along and is truly looking forward to swimming with—and being friends with—Akebi. After the credits, her mom finishes the summer uni, and her dad and sister are blown away—as Akebi says, it’s a “whole new level of cuteness”!

But the cutest and most heartmelting moment is saved for the end, when Kao sneaks into Akebi’s room to try on her sailor uniform. When Akebi comes in to tell Kao their bath is ready, she sees Kao, swimming in the huge pullover and looking very blue because she “doesn’t look as cool” as her big sister.

Akebi, once again demonstrating what a good big sis she is, promises Kao that when she’s a little bigger she’ll definitely look cool in a sailor uniform. Until then, she ties her winter bow around Kao like a scarf, so she can look cool right now. Now if you’ll excuse me, I must step out into the cold so my completely melted heart can re-solidify!

Vanitas no Carte – 19 – Quelqu’un avec qui se Blottir

The prison Chloé has found herself in for centuries was never entirely of her own making. Its bars were forged in part by her love of her father, and his lifelong devotion to returning her to human form. As much as she loved her father, the human Chloé d’Apchier he loved was gone and could never come back. Because of this, the vampire Chloé always felt alone, even before her father and the rest of the d’Apchiers died.

Astolfo is also in a prison, albeit one that doesn’t also hold everyone else: his anger over being betrayed and grief over the slaughter of his sister and family set him on a laser-stright “Kill All Vampires” path. Noé may have suffered equal or greater torment, but has Vanitas by his side to tell him not to lose himself in that rage, even if he can’t back down.

…But back to Chloé, who only got more and more sympathetic and compelling as her arc progressed. Within the prison built in part by the loneliness of a father who couldn’t accept or love what she’d become, she chose to stay there, but now that it’s crumbling around he she has a choice: stay within its bars and vanish into oblivion, or take the hands of the two people who do love her for who she is—Jean-Jacques and Jeanne—and let them pull her to freedom. Chloé wisely chooses the latter.

As J-J and Jeanne pull her from the black cage, Vanitas uses the book—and begs for Luna’s strength—to obliterate that cage and the false world of endless winter around it, as well as reveal Chloé’s true name: Canorus, “she who makes music with snow flowers.” As the cursed world vanishes to reveal blue skies and patches of astérique flowers, Astolfo finds some relief in the arms of his senpai, Roland.

Chloé finds herself in one of these astérique patches, and her first action is one of anger, slapping and then uppercutting J-J for letting himself get so brusied and bloodied. But once that passes, her eyes fill with tears of relief and joy. The flowers remind her of when she looked up at the sky with lil’ Jeanne, thinking if she could die, it would be on that day. But now she wants to live, and J-J is there to love, accept, and be there for her, warts and all.

Seeing Chloé and J-J embrace, Jeanne’s thoughts turn to Vanitas, and when she finds him, she can’t hold back her relief, gratitude, or joy. Their relationship may have started out fraught, but all Vanitas has done since then is what he said he’d do. She thought Chloé was beyond saving, but he showed her there was another way. He also saved her from the regret of not having saved Chloé befoe. Jeanne celebrates by lustily drinking Vanitas’ blood, and then planting a pure yet passionate kiss on his cheek.

Nobody may yet live happily ever after. There’s the looming threat of Ruthven’s control over Noé to kill Vanitas, Vanita’s spreading affliction, and the consequences for Chloé, Jeanne, and others by the powers that be. But right now, none of that matters. Jeanne’s radiant smile says it all—Everyone can relax, at least for a little while, with the clear blue sky above them the pale blue flowers below, and the ones they love beside them.

When Vanitas and Misha were little, Luna told them that everyone, be they human or vampire, is alone, and most of them go their entire lives never understanding themselves. That’s why they reach out for someone to snuggle with and keep them warm in a cold world; who will accept and love them for who they are, and thus no longer feel as lonely. Chloé and Jean-Jeaques have each other, while Vanitas now has two such someones in Jeanne and Noé.

Karakai Jouzu no Takagi-san 3 – 08 – 415 Steps

“Side Trip, Pts. 1-4” involves three different couples and the three girls climbing the 415 Steps to a shrine and a commanding view of the ocean. Nishikata climbs the steps with Takagi, chatting the whole time, hoping he’ll win the contest of guessing the number of steps. But Takagi already knows the exact number, because these steps are famous.

Specifically, they’re famous for having romantic powers, as the characters for “415” can be read as “sweet love”. Nishikata may not have known that, but after the school roof segment he’s shown a knack for accidentally picking super-romantic spots. Next up are Houjou and Hamaguchi, an example of a couple that aren’t quite there yet.

Contrast that with the most lovable couple after the main one, Mano and Nakai, who are so damn cute precisely because they have long been extremely upfront and honest about their feelings for each other. When Nakai refuses to write her name in the book (which means you’ll be with that person forever) it’s only because he’s already written it there!

Naturally the girls join in, and since Yukari knows the meaning of the steps, she assumes Mina and Sanae have both found lovers. In reality, Sanae wanted to run up a long stair, and Mina wanted some sunset selfies. Yukari may not yet be able to gossip with her girlfriends about guys, but she definitely wants to go back there with her future guy.

The episode shifts to something completely different: Nishikata joining Takagi at a book and video store…remember those? Takagi notices a magazine touting the upcoming 100% Unrequited Love movie, as well as a “special gift for couples,” only available Christmas Eve an Christmas. When the two agree to rent DVDs for each other to watch, Takagi initially looks at scary horror movies, but one look at Takagi and he picks a movie he’d actually want her to see (a sci-fi western).

Since he owes her a reward for winning their last contest, Takagi almost asks Nishikata for something. I’m pretty sure she means to ask him out to the Christmas movie for couples. But she can’t do it, instead suggesting they each rent a second DVD for each other. After they part ways for the day, we get a rare moment with Takagi’s thoughts, as she curses herself for not having the courage to make use of all the opportunities.

Considering Nishikata’s density, Takagi has nothing to be ashamed about, especially since she manages to get her message to Nishikata anywhay through the power of LINE. As he’s sobbing over the credits of the action drama she picked for him (being good at picking movies is yet another Takagi skill), she sends him a pic of the 100% UL movie, and asks, simply, “How about it?”

Nishikata doesn’t hesitate in his reply: “I would appreciate if you’d go with me.” And just like that, their next date is set—and it should be a damned good one!

Rating: 4/5 Stars

Love of Kill – 07 – Overboard

Aside from an all-too-brief chase between Song and the kid on the deck of the Artemisia, this episode moves at a glacial pace, which almost had be hoping for an iceberg. Coming as a surprise to no one ever, the kid, not Song, is the one who stabbed Euri in the neck. That he’s not dead but taken back to land by medevac seems like backpedalling afer making a bold move…but at least it means there’s a minimum of Jim talking, since he accompanies the Ritzlands.

Song alerts Chateau to the fact something’s up when he speaks to her through Euri’s earpiece. Euri tells her Song isn’t the one who stabbed him, and she soon meets the kid who did: Won Jinon. Won is armed with nothing but a sound recorder of Chateau’s mom answering the door back home. Won offers Chateau a deal: she sells him Song, and her mom lives. This scene and the one where Chateau meets Song back in the stateroom are needlessly chopped up mixed together.

The overzealous editing doesn’t do much to change the fact that very few things actually happen this week—most of which are boring—and can’t mask just how streeeeetched for time everything feels. Before Chateau enters the room, Song is repairing his gun, and the camera takes a leisurely pan across the plain room for no particular reason.

Chateau, who is as much of a wreck as we’ve ever seen her, can barely hold her gun steady, and once the wheels have turned in her head, she decides maybe the best thing to avoid people getting threatened because of her is to off herself. This angers Song to the point he not only disarms her, but chokes her out. Honestly, I could have done without this excruciating choking scene, which seemed to go on forever.

Then bang, we’re back in another Song flashback. We learn that he was trained by one “Mr. Donny”, the same guy who sent Won Jinon, who has a brother named Mifa back at Donny’s mansion. Nothing like dipping into a flashback of someone you just watched choke a woman until she passed out, as if I cared anymore about him. Honestly…I think I’m done with this.

Tokyo 24th Ward – 07 – Thinker, Baker, Ogler, Guy

It’s an old axiom that absence makes the heart grow fonder—after a week off for “quality control” purposes, Tokyo 24th Ward fields my favorite episode to date; an episode that could only work now that all the myriad characters in this community have been introduced and fleshed out.

It’s a brisk, pleasant, stripped down episode that mostly dispenses with the Big Picture plotlines and sci-fi, focusing almost entirely on Aoi Shuuta, the biggest, dumbest, and to date least explored member of RGB. That means lots of good honest slice-of-life that really brings the 24th Ward setting to life.

Shuuta’s hulking dad Louis is away in Paris, so it’s up to him to bake the family’s signature “Golden Sunrise” bread for the regularly scheduled food bank drive in Shantytown—where the KANAE bandwagon onto which Kouki has so enthusiastically hopped serves as a boot gradually pushing down.

In an instance of her husband not doing her any favors by naming an Orwellian technological abomination after her, it was Suidou Kanae who first came up with the idea of combining a hero show and the baked goods of Aoi bakery to fill the bellies of Shantytown’s at-risk youth. That’s also how Shuuta met Asumi, and the idea of blending heroism and bakery came about.

But it’s not the same as it was. Kanae and Asumi have passed away; the hero show fizzled out; and one pint-sized Shantytown gourmand can tell something is lacking in Shuuta’s version of his dad’s Golden Sunrise. He decides to ask his dad for some pointers, and only gets one word in response: Chest.

Shuuta, never the sharpest knife in the drawer, becomes fixated on the word and what it might mean, focusing first on the literal interpretation: how a chest feels. This leads to some hilariously awkward moments between him and, in order of instance, Mari, Tsuzuragawa, and Kozue—all of whom agree something’s off about him when they all meet at the bathhouse.

That bathhouse is also where Kinako is back to work, having essentially been jettisoned from DoRed since the authorities don’t suspect her as a member. Two months have passed since the Kunai incident resulted in the implementation of KANAE, and in that time Shuuta hasn’t been able to reach either Ran or Kouki.

Instead he must try getting to them through secondary channels: Kinako for Ran; Tsuzuragawa for Kouki. In Kinako’s case, she’s as in the dark as he is vis-a-vis Ran, no doubt for her own good. That said, I really enjoyed watching Shuuta’s interactions with both Kinako and Tsuzuragawa, who get a little more fleshed out in the absence of the other two RGB members.

In the absence of his colorful old comrades, Shuuta takes it upon himself to investigate Carneades, who seems to have begun a campaign of painting over DoRed’s works, in particular those depicting Kozue’s late father.

Sherlock or Poirot may not have to worry about Shuuta in the investigative department, but I’m amazed how each and every person in the 24th Shuuta interacts with this week lends him a piece of the puzzle he’s trying to solve—not just the Carneades puzzle, but the Shuuta Aoi puzzle.

As Shuuta sees it, Ran with his now-underground mobile guerrilla art movement and Kouki with his dad’s creepy Orwellian nightmare, have transcended childhood and entered adulthood. They each chose a side and committed to it; as Chikuwa tells him, becoming an adult is “getting rid of possibilities”—a subtractive process.

It isn’t until the exhaustion he’s built up nearly results in his drowning that Shuuta realizes that Chikuwa is wrong: being an adult can also be a process of addition. And might I say, in addition to Kinako’s laid back after hours look being absolute fire, her asking forgiveness of both Mari and Ran before going in for the kiss of life, then being bailed out by Shuuta’s dad, was a breathtaking sequence both awesome and side-splitting in nature.

Shuuta’s dad revives him with a very precise thump to the chest. That’s when it dawns on Shuuta: “chest” meant the gradual working of his own pecs kneading the dough. Golden Sunrise is as good as it is because of the strength required to knead it; strength that only comes with years of kneading…of baking.

If baking is going to make you swole, well shit, you might as well be a hero while you’re at it, right? It was Asumi who first told Shuuta he could be both, and in fact being both would be more awesome than being either. He didn’t, and doesn’t have to limit himself. He can talk to everyone, laugh with everyone, feed everyone…and save everyone. Chest.

Then, almost regrettably, considering what a wonderful portrait of Shuuta and love story to the Ward I just experienced, we get back to the meat of the plot. That said, I love how it required being buff enough to make bread the Shantytown kid who’s a food critic would acknowledge resulted in said kid showing Shuuta the studio of the guy covering up the Kaba murals.

That guy turns out to be Zeroth (or 0th, if you’re into that whole brevity thing), who I imagine is being set up not necessarily as a big bad (that’s Mayor Suido, obviously) but as a kind of Extreme Ran, back from the shadows vowing to “set the 24th Ward right”. Carneades has by far been the weakest part of this story, so hopefully connecting it with Ran’s mentor will spark some interest.

Fabiniku – 07 – A God This Delicious

When Tachibana ends up a captive of the squid worshippers, such is the Premier’s vanity that she commits herself entirely to a beauty contest between her and Tachibana regardless of the fact the winner will be sacrificed to a giant squid. Even so, she loses to Tachibana.

Jinguuji and a village trader (who develops a thing for him) soon find and free the Premier, and they discuss strategy over her first hot meal in days (she’s been through some shit). The Premier agrees to work with Jinguuji to kill the Giant Squid God and save Tachibana.

Alas, any admiration or affection she might’ve been developing for Jinguuji is dashed when he uses her as literal floating bait for the squid, whom we learn is very particular about the girls he eats. After a whole day, the squid finally takes the bait at dusk. All the while, Jinguuji has noticed his strength has been sapped of late.

As Tachibana is carried in a cage litter for the seaside sacrifice, she curses the fact she and Jinguuji chose now to have another big fight. She remembers the first one, when she (or rather he at the time) fell behind in his studies and got mad at Jinguuji for not being an easy tutor.

The “useless eggplant” moniker was born, and the two friends didn’t speak for days. However, present-day Tachibana isn’t about to die before she can make up with Jinguuji, so she busts out of the cage and manages to wrest loose her tiara, thus instantly charming the men holding her captive.

This plan backfires when the wives and lovers of those men threaten to kill Tachibana before the squid can. Jinguuji tries in vain to pull the giant squid out of the water with his diminished strength, but regains that strength and then some when he hears Tachibana give an honest and heartfelt rant to the villagers about not judging people by appearances and taking responsibility for themselves.

Jinguuji rips the giant squid out of the water and impales its head on the statue of itself where Tachibana is clinging to dear life. Wounded but still alive, the squid notices Tachibana and attempts to eat her, and the Premier, soaked in black ink, almost helps by pulling Tachibana in.

But then Jinguuji tosses her his trusty Damascus steel kitchen knife, and the Premier, who you thought could sink no lower, pulls what in Demon Slayer parlance could be called a “Sleeping Zenitsu”, which is to say that for a brief moment she does something incredibly impressive and cool—in this case lopping off the squid’s tentacles and rescuing Tachibana in style.

The timing couldn’t be better, because up until this point the Premier had been little more than a walking joke and punching bag. Here, she plays a crucial role in ensuring Tachibana is safe…and goes a step further by grilling the village’s god and having a feast. Her actions are so audacious, the villagers agree to give up their power struggle make her their new leader.

Naturally the Premier isn’t interested, and as she runs from the villagers, Jinguuji and Tachibana make up. It’s not surprising that Tachibana even forgot she was mad at him, considering how much happened to her over the course of a day.

The episode ends with them basically exchanging vows: Jinguuji is to never take his eyes off Tachibana, while Tachibana is to never leave him again. Unfortunately, the Demon Lords generals have now learned that Jinguuji’s power is diminished when he and Tachibana are separated. Their vows will be more important than ever as they draw closer to the capital.

Rating: 4/5 Stars

The Genius Prince’s Guide – 07 – Creative Differences

Whelp, color me surprised the Festival of the Chosen-whatsit never took place! Prince Wein is beset by a plethora of challenges both in Cavarin and Natra, but manages to overcome them all by the end by following his own advice: “trust gains value when there is the potential for treachery.”

King Ordalasse didn’t expect Natra to defeat Marden, but now seeks to bring Wein to heel via the lucrative Holy Elite nomination. Zeno asks Wein if she can accompany him to the meeting, promising she won’t assassinate him…and using his own words to convince him.

King Ordalasse’s “right of blood” policy is gaining disfavor in Cavarin, and he’s gradually losing support, which could eventually lead to a coup. I like how the show makes us aware of this before Wein greatly accelerates the natural course of events by slaying the king with his own damn hand. Yes, Wein becomes the “uncultured barbarian” he warned Zeno about, after hearing how Ordalasse killed his consort and disowned his only daughter.

But the real kicker is when the king asks Wein to loan him some Flahms to hunt for sport. Wein’s barely-masked contempt is plain to see to all but Ordalasse and Holonyeh. After Wein kicks Ordalasse in the face and stabs him in the heart, he gives Zeno leave to kill Holonyeh, traitor to Marden.

It isn’t until Wein, Ninym, and Zeno have fled the capital that word comes of the noble rebellion back in Natra. But Wein is confident that with Zeno and Marden’s freedom forces on their side, they’ll have a fighting chance to quash the attempted coup.

Sitting by a campfire, Ninym playfully kicks Wein, asking him to confirm he devised this plan before killing the King of Cavarin, saying killing him and then coming up with a plan is the same as having no plan at all. Wein isn’t going to say he did it to rid the world of another Flahm-hater…but he didn’t need to. Ninym knows he did what he did, in part, for her sake.

General Levert’s cavalry forces give chase, but Wein arranges things so they meet the Natran rebels at the border before they encounter Wein’s traveling party, then pincers them with a combination of Marden freedom fighters and a loyalist Natran contingent led by General Hagal—at the sight of whom I’ll admit I pumped my fist!

Hagal pulling a Jordan was Wein’s plan all along: make the rebellious Natran rebels think Hagal retired, thus bringing them out of the woodwork. In the ensuing melee both the Natran rebels and Levert’s cavalry are annihilated, taking troublesome pieces off the board and truly killing two birds with one stone.

“Prince Helmut” eventually pays a visit to Wein in Natra, and quickly reveals herself to actually be comely Crown Princess Zenovia of Marden, who’d assumed the alias of Zeno during her time with Wein.

Ninym’s lovely blend of protectiveness and jealousy is plain to see, especially when she wordlessly refuses to help Wein when Zenovia offers to swear allegiance to Natra, thus making Marden a vassal state. Once again, Wein loses by winning, more than doubling his kingdom’s lands while also butting them up against a fresh western enemy.

Last week’s density of political entanglements made me weary, but this week resolved most of them in thoroughly satisfying fashion. That said, the fact Ibis (the woman who helped stoke the Natran rebellion)  is working for Caldmellia—who wants nothing more than bloody chaos to reign—means Wein’s troubles are far from over.

Rating: 4/5 Stars

Princess Connect! Re:Dive – S2 07 – Foggy Memories

On their way to the tavern for a meal after tending some fields for a job, the Gourmet Guild encounter Ayane and Kurumi, who live at Sarens orphanage. Kurumi is extremely cute and shy, while Ayane carries around a staff with a seemingly sentient bear named Pikuchi on the end of it (though Karyl suspects ventriloquism).

The Serendia girls join the guild, but they soon encounter Chika of Carmina looking very much the worse for wear. Kokkoro heals her in the tavern, but she seems to have lost her memories and forgotten who she is. This tracks with the cold open of her running through the forest from what sounds like a laughing spirit, cursing herself for unsealing it.

Chaos reigns in the tavern when Kurumi’s memories are manipulated, turning her into a girlfriend who slaps the shit out of Charlie and demands he leave his (nonexistent) wife. Then Chika’s memories change again, and she starts to exhibit animal-like behaviors like licking and biting. But she also saves Ayane from getting hit by an errant bottle.

This clues Ayane in to the fact that somehow her beary good friend Pikuchi is inhabiting Chika, and helps the real Chika to surface so she can explain what’s going on. Her, Ayane, and the tavern owner’s strange behavior is due to memory manipulation by Foggy, the great trickster spirit of memories. Chika was trying to help Yuuki get his memories back, but instead all this happens.

Peco and Karyl are dispatched to the spring where Foggy’s seal lies; on the way Karyl twists her ankle, but Peco is happy to carry her the rest of the way. Its nice in the midst of an episode packed with so many characters that these two get a little alone time; their first since the two found themselves at the bottom of that pile of golem wreckage. As Karyl picks burrs out of Peco’s locks, Peco likens her to a big sister, with Kokkoro as their mom and Yuuki as their litle bro.

A helpful bird points them to the location of Foggy’s seal, and soon they’re back in town, revealing Foggy’s true form. When Peco slices Foggy in to, it splits into four Foggys, but Chika, who is herself again, sings her signature song of spirits, and Nozomi backs her up in taking care of the trickster spirit.

Before that happens, however, Foogy launches an attack at Peco, whose Princess Strike split it into four. When Yuuki shields her, he’s hit by a sudden rush of memories of a previous life he shared with a totally different family-like guild, led by a girl named Yui. The five-person party is preparing to go to the Sol Tower. Just the latest chapter in Yuuki’s mysterious and complex backstory.

With Foggy dealt with and everyone back to normal, Ayane and Kurumi set up a lemonade wagon, treating their new friends and local kids alike and showing that Saren really is the best orphanage mama. That said, it was some kind of tawdry romance novel Kurumi found at Saren’s orphanage that was the source of her switched out memories, so…maybe hide those from the kids!

As everyone enjoys their lemonade, Yuuki keeps looking up at the Sol Tower that looms high in the sky over Landosol, as if looking at it long enough may help him to remember more of that life. Kokkoro, who’s always been most attuned to Yuuki’s behavior, can sense something’s wrong, but even Yuuki probably couldn’t tell her exactly what. Perhaps more answers will come in time, but even if they don’t, there’s plenty to love about the family he has here and now.

Attack on Titan – 82 – Wanting to Go Home

Eren’s Rumbling army hasn’t even left earshot and his great plan to save Paradis is already going sideways. Turns out destroying the rest of the world will only result in the Eldians on the island splitting off into pro- and anti-Eren factions. It’s already starting in Trost where Hitch is stationed.

Of course, the main reason we’re back with Hitch is because she was assigned to watch Annie, who surprises her in a dark room but is too weak to hurt Hitch or even transform into a Titan. We also learn that Annie has been conscious these last four years, listening to Hitch talk about terrible men while in what felt like a hazy dream.

With Annie awake and sure to transform and wreak fresh havoc once she’s recovered her strength, Hitch puts her on a horse and rides as far away from the city as she can. Annie recounts her life up to that point, noting how she was forced to listen to Hitch talk about herself for four years; turnabout is fair play.

It’s both darkly comic (in an episode that needed a little comedy) and provides fresh insight into Annie’s current attitude, she’s no longer the nihilist she once was. Instead, all she wants is to go home to the imperfect father who turned her into a weapon, but was also the only one who didn’t abandon her. Even if the only thing waiting for her back home is death and destruction.

As Eldians around the world panic over their shared dream and their non-Eldian oppressors don’t believe them (and Annie’s father is among those shot on the spot for “conspiracy”), Shadis and his trainees are cornered by the Jaegerists, whom he’s certain will take control of the island. Shadis is too old to keep playing suck-up to his enemies, and would rather welcome his impending death, but insists the kids get in line and do as the Jaegerists say, for the time to rise up will come, and they’ll know it when it does.

One of the more tragically hapless and rudderless characters in this whole mess Eren created is poor, poor Mikasa. It’s bad enough Eren said those horrible things to her, but now she finds herself being abandoned not just by him, but by Armin, who is going to Rakago to convince (or if necessary force) Connie to give up Falco.

Mikasa asks Armin what they’re going to do about Eren, and Armin, who usually has an answer, tells her to think for herself for once. He’s juggling too many things he has a chance of doing, and the Eren situation is something he feels is frustratingly outside his control. After chewing her out, Armin says Erwin wouldn’t have done so, and the wrong person died.

The Braus family bids Gabi a warm farewell. Even Kaya tells her to take care, and while Gabi gives her her real name, Kaya prefers Mia. In a world full of increasingly shrinking populations splitting off into warring factions, Kaya and Gabi’s rapprochement is one of the few beacons of hope that remains. It’s too late for old men like Shadis, and probably even younger soldiers like Armin and Mikasa, but not for Gabi, Kaya, and Falco, which is why Armin has to save the latter. If Gabi loses him, like that, that faint glimmer of hope could fizzle out.

The case against Armin’s generation is the fact that zealots like Floch seem poised to inherit control over the island. Floch encourages the Marleyan volunteers to bent the knee to him. He’s drunk with power, and considers himself almost equal to Eren in that Eren is taking care of the outside world while he takes command the island.

He doesn’t hesitate to kill a defiant volunteer, hoping the others will fall in line, or else. He tries to assure Jean, who does not like what he’s watching unfold, that essentially “it’s over”, and “the good guys won.” He can take it easy in the military police like he wanted to years ago. But Floch is ill-informed; that’s not who Jean is anymore, and Jean would probably make a better leader, precisely because he has doubts about the direction things are headed.

Pieck and Magath managed to escape Shiganshima in one piece, and watch as the airships speed home to at least warn Marley of what’s coming (and confirm what the interned Eldians there already know). But the two agree that Marley is probably hosed, and they’re out of options…or are they? Hange sidles up to them unarmed, bearing a wagon with Levi, who is somehow still alive. While I’m not sure what if anything this meeting of four people can accomplish, I’m excited by the wild-card vibes it invokes.

Rating: 4/5 Stars

Akebi’s Sailor Uniform – 07 – Hebimori Unplugged

Hebimori loves the sound of guitars, especially electric ones, but didn’t join the music club, preferring to simply listen to the music of others. But when Akebi notices the magazine she’s reading with her headphones on has sheet music, Akebi assumes Hebimori can play, and with eyes sparkling, states that she’s looking forward to hearing Hebimori play for her.

If Hebimori had simply said “Actually, Akebi-chan, I don’t know how to play at all,” Akebi would have surely understood. And yet Hebimori decides to use this opportunity to dust off her father’s old guitar and give it a strum. Once she does, she finds it so fun she dances around the dorm when her roommate, the quiet basketball clubber Togano, comes home.

Unlike Akebi and Erika, the skills they’ve chosen to master don’t come easily for Togano and Hebimori. Togano wonders whether it made sense for Hebimori to keep her inability to play from Akebi, but also understands how frustrating it can be to not be great at something upon first trying it. Like her shooting, Hebimori simply needs to put in the practice, starting a little at a time and not letting oneself get discouraged or overwhelmed.

And as Akebi practices annunciating and projecting with her voice outside and Togano keeps taking shots in the gym, Hebimori repairs the old string she broke, finds some beginner lessons, and gradually teaches herself to play the guitar. In one particularly heartwarming moment, Togano turns away from her studies to find her roommate asleep on the floor and gently lays a blanket on her.

When the time comes for Hebimori to finally play for Akebi, her jitters aren’t helped by Erika entering the music room and playing something on the piano just for the heck of it; because the piano was there. Akebi and Hebimori are hidden under the piano, and while Akebi learns that Erika can be scary when she’s mad (something she’s never seen), Hebimori decides she can’t follow Erika’s act with her shaky guitar, and confesses to being a complete newbie.

As she prepares to flee the room Akebi takes her hand and says, simply, “I want to hear.” Hebimori understands that Akebi isn’t looking to be wowed by a stellar, virtuoso performance. She’s there to hear her friend doing something she loves that she’s finally learned to do, and support her. Hebimori proceeds to play and sing with a lovely rawness and vulnerability.

It’s not perfect, but it is beautiful and from the heart, which is why Akebi stands up and applauds emphatically. There are a lot fo things Akebi can’t do, and playing guitar is one of them. In this way, Akebi is a muse to all her classmates, providing the enthusiasm, encouragement, inspiration, and motivation needed to carry through, while they in turn inspire her to work harder at what she’s invested in—a marvelous cycle of love, support, and good vibes.

Rating: 4/5 Stars

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