Akebi’s Sailor Uniform – 03 – Free as a Cloud

Akebi Komichi isn’t trying to stand out, she’s just being the best damn Akebi Komichi she can be. That Akebi is bereft of guile, devoid of ego…and runs fastest while barefoot. So fast, in fact, she posts the best time in P.E., and attracts three upperclassmen who want her to join their sports clubs.

Those upperclassmen burst in on Akebi’s class just before the bell, and have to be set straight by the class president, Tanigawa Kei. When she comes over to thank her, Akebi mentions how beautiful Tanigawa’s legs and skin are. Tanigawa isn’t sure what to make of Akebi quite yet, but she knows one thing: Akebi keeps talking to her.

After Akebi’s other three friends head home, she runs into Tanigawa again, and shares her earbuds with her as they listen to her favorite idol’s music, music Tanigawa is amazed Akebi can dance to. But Akebi doesn’t think anything she does is amazing; just the product of hard work, practice, and love of Fukumoto Miki-chan.

Tanigawa is amazed though, by how easily Akebi can do things she wants to do. It makes her want to come out of her shell a little, if only for Akebi. When they exchange numbers, Tanigawa even considers sending her new friend a selfie of her legs…and torso. She even ends up sending this rather risqué pic, albeit accidentally when her mom startles her. But Akebi is ecstatic to receive it, and believes Tanigawa has a real talent for photos. It’s another lovely new friendship forged.

Due to Akebi’s considerable athletic attributes, a sports club seems like a no-brainer. But after spending the day with Kojou checking out all the clubs,  she’s still not able to pick one.

She and Kojou are caught in the rain, and upon finding shelter, Kojou gives Akebi her warm blazer, which her thin sailor uniform lacks. Akebi finds one of Kojou’s book in a pocket, and decides to read to Kojou like she does to her little sister as they wait out the rain.

Kojou is impressed with Akebi’s ability to bring the characters in the book to life—she even does all the distinct voices like a rakugo performer—but it’s been a long day and she eventually nods off. She wakes up with her head resting in Akebi’s lap, looks up and sees Akebi wearing her glasses, and for a moment thinks it’s her mom.

The next day, Akebi learns Tanigawa has chosen the photography club, while Akebi announces that she’s joined the drama club. It’s a place where she’ll be free to employ all of her acquired talents, while utilizing her innate ability to draw attention and admiration.

Just about every frame of Akebi is a joy to watch, and not just due to the intense love, care, and detail put into the production by Cloverworks. I can’t stop watching because Akebi is such a gregarious, magnetic presence. She really is Cardcaptor Sakura without the card capturing!

Rating: 4/5 Stars

Vanitas no Carte – 14 – Nu au Coin du Feu

Jeanne’s complex relationship with Vanitas gains a new layer as she rescues him from dying of exposure, finds a cabin, and orders him to disrobe. The two sit by the fire together, naked under a blanket. While she’s most often disgusted by his usual arrogance and terseness, she can’t help but find this vulnerable side of him refreshing…even cute.

On the surface, nothing she does for Vanitas is with romantic or amorous intent—even feeding him water with her mouth—she’s just helping to save someone who helped her. But it’s impossible to ignore their history together thus far—all their scenes here are sexy as hell. Vanitas even tells her that they want different things: he wants to save the Beast and she’s been ordered to execute it.

That makes them foes in this enterprise, and she’d be better off letting him die. Of course, Jeanne isn’t going to do that. Instead, she tells Vanitas why she feels responsible not just for getting Vanita’s wounded by a poisoned blade, but for the whole Beast of Gevaudan affair. When she was a little girl, she met the vampire Chloé d’Apchier while left in the care of the Marquis d’Aphcier. Chloé was like a big sister and Jeanne loved her, but that no longer matters: she’s killed scores of people, and must now answer for it.

The reason Jeanne is here is that she failed the first time, but Ruthven gave her a second (and probably last) chance to do it. The next morning, when Jeanne is far more flustered than the fully-recovered Vanitas by the previous evening’s activities, she finds him speaking with Johan, and eventually Dante shows up as well. After threatening both Dhams to tell him everything about this Beast situation, he bids the four of them make haste to the castle to retrieve Noé.

Vanitas is right to worry—Noé wakes up in an unfamiliar bed with the tiny vampire lying on top of him sucking his blood. Despite Chloé being tiny, Noé is so weakened from the battle that he can barely move, leaving him completely at her mercy. If she wants another taste of his blood (and the memories it reveals—though that’s not touched upon here), there’s nothing stopping her…

Except for her attendant, Jean-Jacques, who scolds her for sucking someone’s blood without their consent while also expressing deep loathing for the owner of the other neck she bit. That said, JJ presents Noé with a safe-and-sound Murr and his freshly cleaned and mended clothes. When Noé meets Chloé and JJ in the banquet hall, they’re accompanied by a troupe of musical automatons…along with Naenia.

It addition to being its usual sexy self, this episode of Vanitas added texture to what had initially been labeled a simple mission of kill-or-save the Beast. Chloé is an intriguing potential antagonist, but despite her apparent alliance to Naenia doesn’t come off as pure evil; she was kind to Jeanne, after all.

Instead, as is typical of ancient vampires, she seems to float over everything and everyone, seeking nothing but entertainment and satisfaction out of this scenario…a balm for the ennui of the centuries.

Rating: 4/5 Stars

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