The Duke of Death and His Maid – 05 – The Viola Method

Viola is back, ostensibly to visit her dear old brother—who let it be said she does actually care about—but mostly to be in the presence of her beloved Rob. This may make Viola a “panther”, but she doesn’t care; men her age act like children and she has no use for them.

Viola also offers some unsolicited advice to Alice about having more charm and human appeal which…fine. Alice humors her by going along with her “Viola Method” of training, if for no other reason than it offers her yet another avenue to tease Bocchan, by talking and acting in a more cutesy manner than he’s accustomed to.

Rob later leads Viola to the kitchen to help bake, and the two find Alice and Bocchan already there making a stew. Rob is flattered by Viola’s feelings, but as she’s the age of her granddaugher (if he ever had any), nothing will ever come of it. Nevertheless, Viola likes being with Rob and Alice, and is glad her brother has them in his life.

For the next segment Viola heads home and Bocchan and Alice head to the frozen lake for some ice skating. Bocchan ends up encountering Caph’s old friend Zain (voiced by Kamiya Hiroshi), who is a magic user and bird-man, while Alice finds Caph on the ice and warms her up in her bosom. Bocchan doesn’t like how forward Zain is with Alice…and neither does Caph!

The four eventually link up (with Bocchan gingerly holding Alice’s sleeve) and skate/walk across the lake as a unit, looking very much like two couples on a double date. Just as Bocchan envies how physically close Zain and Caph can get, Zain envies how open Bocchan and Alice are with their feelings.

Caph and Zain have such a good time, they decide to invite Bocchan to the next Witches’ Sabbath. While they’re bound by oaths not to say anything that might help him, there’s nothing saying he can’t try to investigate on his own and possibly track down the witch who cursed him. And if he runs into trouble, Caph and Zain will help him out. Could some actual progress on the curse-breaking front be in the offing?

However it happens, I’m hoping breaking of the curse is definitely something I hope happens, period. Who knows, maybe due to their love for each other, Bocchan and Alice are already able to touch without her coming to harm…but it’s not exactly something they can test out, considering what would happen if they were wrong!

Instead, it’s Viola who ends up cozying up to Alice in the last segment. Kept away from Rob’s room by Bocchan, she decides to have a sleepover in Alice’s cottage, where they can engage in girl talk. Alice isn’t accustomed to bonding with other women, while Viola always wanted a big sister to pamper her, so it’s win-win for the pair.

Finally, while it’s a bit silly I haven’t mentioned it yet in five episodes, super kudos go to Mano Ayumi as the prim, silky, calm and alluring voice of Alice, particularly in her vocal performance of the ED, which is a bittersweet banger.

The Detective Is Already Dead – 05 – To Hel and Back

This week dispenses with the present day event of Char preparing to reunite with Kimi and takes us back to when he has been Siesta’s sidekick for around a year. They’re on vacation at the beach, Siesta is showing off the ripped abs that make her a formidable combatant; she also gets to see that Kimi is in better shape than she expected.

This continues the quasi-romance, but as important as Siesta ends up being to Kimi in the present once Nagisa shows up with her heart, they never actually dated. That said, Siesta never let Kimi forget she was a woman, he was a man, and if “no one is watching”, why not have a little more fun?

The duo return to business in London where a modern-day Jack the Ripper named Cerberus is poaching hearts of their victims. Detective Kase only shows up long enough to hand Kimi her lit cigar and lighter along with what seems like a tough serial murder case. Obviously, Siesta is already well into this case; the main issue is that every time she gets close to Cerberus they manage to slip through her fingers, suggesting a powerful sense of smell.

Siesta neutralizes Cerberus’ olfactory advantage by using Kimi as bait. At first it looks like Char was sent by Siesta to protect Kimi, but when Char calls Siesta by her name instead of “Ma’am”, Kimi exposes her as an impostor. Sure enough, “Char” is really Cerberus, who is also a werewolf, hence the great sense of smell. Bereft of any other weapon, Kimi tosses Kase’s lit lighter on the bed, starting a fire that activates the sprinklers.

This whole time, a special gas was released in Kimi’s room by Siesta, which when mixed with the water of the sprinklers, blocks Cerberus’ sense of  smell. This allows her to get the jump on him, blasting through the window, shooing him with her silver rifle and delivering a kick for good measure. While clearly fluster moments earlier, Kimi breathes a sigh of relief, implying he never doubted she’d show up in time.

Unfortunately, Cerberus nearly gets away, only to be beheaded and de-hearted by his boss, Supreme Leader of SPES, codenamed Hel (Norse goddess of the dead). With her black hair, red eyes, and evil affiliation, Hel is very much Siesta’s opposite.

Hel uses some kind of magic eyes to stop Siesta dead in her tracks, and then takes Kimi hostage. Cuffing him to a chair in a huge facility beneath Parliament, she reveals a giant monster she’s been feeding human hearts. You’d think someone with this power and reach would have made sure Kimi didn’t have anything on him he could use to unlock his cuffs. Alas.

Hel is interested in Kimi because the Secret Writ she follows already predicts that Kimi will work for her someday in the future. She doesn’t see him as a magnet for trouble, but an entity who brings out trouble; a “pivot point” of the world—the perfect person to have around if you want to “save” the world by destroying its present version.

But yeah, Hel spends too much time talking about her plans and the facility they’re in, giving Siesta time to use an industrial mech to blast through the stone walls to rescue Kimi once more. Kimi is her sidekick, and she’ll be damned if she’ll let anyone poach him.

Want to read more about this episode? Head over to Crow’s!

Magia Record – 14 (S02 E01) – Don’t Let Go

We begin this second season of the Madoka spinof in media res with what else, a battle against a weird and unsettling witch. This one has a general spider form, only her legs are human limbs and her web in the sky is made up of clotheslines stocked with sailor fuku shirts. The combatants are a trio of familiar faces: Kaname Madoka, Homura Akemi, and eventually, my avatar, Miki Sayaka, who saves the other two from getting wasted.

Of course, this isn’t the timeline or story we know from the original series; this is an alternate timeline, one of countless Akemi has traveled through in a so-far-vain effort to save Madoka. This episode is the equivalent of the original episode where the girls learned The Truth from the famously blunt and unsympathetic Kyuubey, who will only ever insist that magical girls are getting a fair deal. The Mami Sayaka saw is no longer the Mami they knew.

Sayaka, classically one of the moodiest of the girls, goes home and sits on her bed, depressed, while Akemi prepares to take a train to Kamihara City, where magical girls—and thus Madoka—can purportedly be saved. Before she can depart, the spider laundry witch returns. Madoka, sensing Akemi went off on her own, soon joins the battle, and through telepathy urges Sayaka to join her, with Madoka saying “she wont be coming back”.

Sayaka can’t exactly keep sitting at home when Madoka says this, so she once again arrives just in time to save Madoka, who along with Akemi had been just barely holding serve against the quick and crafty witch. Now that Madoka knows the witch was once a magical girl like them, all she can do is apologize before firing her pink laser arrows.

With the battle stalled, Akemi calls a timeout with her escutcheon, and because she’s touching Sayaka, she can move along with her even though time is stopped. They collect Madoka, touch her so she can move, and then the three magical girls operate as a single entity bound by their arms, with Sayaka in the middle providing transportation around the frozen witch as Madoka looses arrows from all sides.

When time starts back up, the hundreds of arrows find their target, and Sayaka delivers an excellent coup-de-grace with her sword, leading to that ever-so-satisfying sound of the witch’s domain fading away and reality returning. Sayaka, Madoka, and Akemi won the day, but there are no promises for tomorrow, especially in Kamihara, where the witches are much stronger.

While I went into the first season of Magia Record with a healthy dollop of tempered expectations and was ultimately frustrated with how few questions it answered (and how many new magical girls it introduced), I also made clear the original masterpiece bought more than enough goodwill for me to not dismiss the second season out of hand.

I was rewarded for my loyalty to the franchise with a stunning barn-burner, but as with the OG magical girl trio this episode focused on, there are no guarantees for the future. Will we even see these three next week, or will we shift back to Iroha, Yachiyo & Co.? I don’t know, but I also know I want to find out.

Armed with the knowledge there will also be a third and final season in December means there is ample time to set up and execute a satisfying, coherent conclusion. Like Sayaka and Madoka held on to Akemi in the timeless zone, I’ll hold on to hope this is building to something. And if it isn’t, at least it looks and sounds like no other anime currently airing.

Rating: 4/5 Stars

Meikyuu Black Company – 04 – Shiacalypse Now

Shia leads Ninomiya and Wanibe on a training expedition on the second floor, armed not just with a sword, those lovely star-filled eyes, and those diamond highlights, but a filled-to-brimming tank of enthusiasm for Being a Good Corporate Drone and Doing One’s Duty The Right Way.

Ninomiya has even less energy for this nonsense than usual because he has to produce five million gold in a month or his loan shark will take his life. He doesn’t have time to do things by the book. With his literal life at stake, one can’t begrudge him embracing methods some might call…unsound.

The team encounters a Majin, the monster of legend that causes a “Death March”—treated by Raiza’ha as an unavoidable but potentially profitable natural disaster. Turns out Shia’s employers set her up to be the latest in a long line of powerful human sacrifices to appease the Majin.

What they didn’t count on is that one of the grunts with her is Ninomiya Kinji, who has an ant army at his disposal and soon starts farming monster parts for gold.

As for the Majin, it’s too tough even for the great Shia (its laser beams really pack a punch), so Ninomiya suggests they retreat. Unfortunately the emergency magic crystal dagger used to transport back to the surface only works on one person.

Naturally, Shia gives it to Ninomiya, but her ensuing melancholy goodbye melts his cold cold heart and he not only stays behind with her, but throws the dagger at the Majin, transporting it to the surface where it becomes the company’s problem, as it should be.

The Majin, drawn to Shia’s considerable mana, eventually makes his way back down into the dungeon, where Ninomiya is ready for him in the form of a giant pit trap into which the Majin falls. Ninomiya then has his ant minions fill the pit with cement, and has Shia dry it with her wind magic. When that isn’t enough, he sets the whole thing on fire. Shia can’t argue with Ninomiya’s ends, but the means disturb her.

When the Majin still won’t die, Shia resolves to defeat it, as is her “duty and destiny”, even at the cost of her life. It’s here where Ninomiya unfortunately decides grope her, losing a lot of goodwill he’d built up recently. He admits he looked up her family history, and how her father was of the absentee adventurer variety.

He deduces that Shia has been “brainwashed by thoughts that benefit Raiza’ha”, in part because she was happiest once she joined the company. But just because it improved her life doesn’t mean that life is theirs to throw away and call it “duty”. Raiza’ha isn’t a nation, and Shia isn’t a soldier. She’s just a damn at-will employee.

After being rescued in the nick of time by Rimu, who then quickly dispatches the Majin she reports was “incomplete”, Ninomiya claims victory…for himself, continuing to cement his role as an incorrigible sonofabitch. But he made some good points to Shia about casting aside the corporate conditioning and determining what she wants to do with her life.

If that’s continuing to work hard, fine. If it’s working hard for a company that just tried to sacrifice her to an eldritch abomination, that’s not fine. We’ll see if Ninomiya’s core message gets through to Shia, despite the messenger being a cad.

Rating: 4/5 Stars