Kageki Shoujo!! – 04 – Opening of Borders

I was both fully expecting and looking forward to Sarasa either scaring Mr. Stalker away with her imposing stature or showing off her jujitsu moves if he persisted. Thankfully something completely unexpected and much better happens. Truly great art tends to challenge the viewer in some way, rather than giving them what they expect or predict.

That kind of narrative and thematic creativity really suffuses this, the best episode yet of Kageki Shoujo and the one that finally had me coming around hoping there’d continue to be less actual on-stage performance and more human drama. Like last week, there are some tough-to-watch moments, but also moments of great joy, goofiness, and redemption.

Mr. Gross Otaku, one of Sarasa’s many hilarious, unintentionally insulting nicknames for the guy, didn’t come to exact “revenge” on Ai; he came to apologize for being the one who ruined her career. He was a shut-in NEET who had lost hope until he first saw Naracchi on-screen, and it fascinated him how she was trying so hard never to smile.

In one unguarded moment, Naracchi does smile, and there’s video evidence, but that little smirk at the sight of her favorite mascot shattered Mr. Gross Otaku’s hermitic existence, inspiring him to get a job and make friends (naturally, other admirers of Naracchi). At the in-person event, he was so nervous about properly thanking her for helping save his life, he held on her her hands too long, leading to her making the remark that ended her idol career.

Taichi, who had been observing from a close distance in case Mr. Gross Otaku was a Mr. Total Perv, tells the guy that it wasn’t anything personal; in fact, it was likely only the straw that broke the camel’s back. Like Otaku Guy once did, Ai has given up on the world, and it led her to shut off her emotions. And yet, running away and leaving Sarasa alone invokes very strong emotions indeed, to the point Ai works up the courage to go back.

Naturally, her timing is terrible, and when she sees Sarasa doing goofy dance moves with the would-be tormentor while Taichi watches, Ai’s concern immediately curdles into something resembling hatred, and she storms off once again. The only problem is, poor Sarasa doesn’t know what she did to engender such hate!

Sarasa is persistent, and Ai finally makes a deal: she’ll tell her why she’s mad if she leaves her alone from now on. But when she does, Sarasa still doesn’t get it: if she came back out of worry for her, she should’ve been happy she was alright! As usual, Sarasa is right, but too blunt, and Ai retreats behind her curtain. Both girls seem incredibly unsatisfied where things end.

Sarasa, understandably getting a little fed up with being treated like this, declares that they’re “through”, though later confesses that might’ve been too harsh via Twitter to her friend Akiya—whose fellow Kabuki actor-in-training is tweeting more profound responses on his behalf. He tells Sarasa not to rush until they know each other, to be prepared for her feelings to be entirely one-sided, and appreciate that that’s beautiful in its own way.

The next day, Hijiri, Kouka’s Shit-Stirrer-in-Residence, confronts Sarasa with the pic she snapped of her with a guy (Mr. Gross Otaku), but Sarasa doesn’t have any time for this nonsense, as Ai is skipping classes and Taichi is worried about where she ended up. Sure enough, while staring at the sea, Ai is harassed by a couple of guys who recognized her, and one of them grabs her arm.

I have scarcely felt more fear and apprehension for a character than I did for Ai in this moment, but that was tempered by the knowledge that somehow in short order, Ai would be rescued. I just didn’t know it would happen by Sarasa calling Mr. Gross Otaku, who predicted Ai would go to the ocean to calm down (as she once stated in an interview) then run a social media search and locate her .

From there, all Mr. Gross Otaku has to do is buy a little time by haplessly trying to attack Ai’s harassers. He fails, faceplants, and gets a bloody nose, but still wins, as Taichi and Sarasa arrive and the latter screams for the police, who come running. There are no words for Sarasa’s transformation above as she voices satisfaction for scaring off the jerks.

What’s even more heartwarming about this entire scene that lets me forgive its many contrivances—as well as the entire premise of using stalking methods to save the target of stalkers—is that at this point, Sarasa is sticking to her guns when she said they were “through.” Yet even if she’s uncertain Ai will ever want to be her friend, she rescued her anyway, because it was the right thing to do.

When Sarasa explains to Ai how they found her and the role Mr. Gross Otaku —real name Kitaouji Mikiya—played, it’s Ai’s turn to do something completely unexpected: offer her handkerchief for Mikiya’s bloody nose. During the hand-off she drops the cloth on the ground, but it wasn’t intentional or meant as a slight.

As Ai says with tears welling up in her eyes, “this is the best I can do right now.” But Mikiya, being uncharacteristically cool, tells her to dry her eyes; all he and her other fans wanted was to see those rare and amazing moments when Naracchi genuinely smiled. Because that meant their idol was happy. He promises to return to see her perform on the Kouka stage.

Ai and Sarasa take the long walk back to their dorms, where they’ll face consequences for the incidents that transpired. While they walk, Ai opens up to Sarasa, asking her what she should do about something she wants to forget but can’t (though not going into detail). All Sarasa can tell her is to keep having good memories that will eventually cause the bad to fade from prominence.

Notably, Ai can’t see Sarasa’s face when she says this, but it sounds like a new invitation to make some of those memories with her, if she’ll have her. At this point, it’s safe to say the cat-and-mouse game between these two girls will continue, but they’ve definitely already made one of those memories Sarasa speaks of, and I’m looking forward to them making more.

As for poor, Yamada Ayako, who is now purging regularly and barely has the energy to sing, all I have to say is that every one of her upperclassmen and every adult on the faculty are totally failing her, and I’m terribly worried about how bad things will get until someone helps her. It shouldn’t have to fall to someone like Sarasa and/or Ai, but if it does I won’t complain. I just want Ayako to be happy and healthy!

Author: sesameacrylic

Zane Kalish is a staff writer for RABUJOI.

One thought on “Kageki Shoujo!! – 04 – Opening of Borders”

  1. I’m glad to see that you loved this episode, sesameacrylic. One thing I want to point out is that I’m not convinced that the older male is a kabuki actor-in-training. He seems to be a much older man, and I think he might have already made it in contrast to Akiya. He said in an earlier episode that he hopes Sarasa and Akiya are keeping their tweets to each other wholesome while Akiya wanted him to get with the times and get his own device instead of using Akiya’s device as a proxy, which suggests he is an older male who has some relation to Sarasa.

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