The apathetic, androphobic, recently canceled idol Narata Ai (Hanamori Numiri in top form) enrolls and is accepted into the exclusive Kouka School for Musical and Theatrical Arts, which is the training stable for the even more exclusive all-women’s Kouka Revue, a stand-in for the real-world Takarazuka Revue.
Her opening scene is a harrowing one, as she attempts to escape one pushy fawning fan only to nearly end up in the clutches of another. Considering she had to “graduate” from her idol group (an AKB48 stand-in) due to publicly calling a male fan “creepy”, the inherent unfairness of that industry has followed her to the outside.
Like Chihayafuru, Rakugo Shinjuu, 3-gatsu no Lion, and Snow White Notes, this is an anime about a very specific-to-Japan thing, which means we’re sure to get an education on the cutthroat world of elite all-women musical theater while reveling in the absolutely wonderful odd-couple pairing of Ai and Watanabe Sarasa, who is fleet, fearless, and five-foot-frikkin-ten. Ai’s quiet jadedness and practiced apathy pairs perfectly with her bold, loud skyscraper of a roomie.
The animators clearly have a lot of fun both with the size comparison and the confident ease with which Sarasa moves those impossibly long limbs. She simply moves differently from everyone else. We’ve yet to see what Sarasa can do on the stage, but it’s great to see how much chaos her huge frame and loud voice causes during ordinary life, as no bed—or hastily-built privacy curtain—can hold her.
Where the two women are similar, however, is that neither intends to play The Game of catty whispers, rumors, gossip, and bullying in which nearly all the other girls on their periphery seem to engage. Ai, because she’s trained herself not to care (though it’s clear she Idoes care); Sarasa because her head is literally in the clouds. Neither of them care what others think. In that regard, they’re two peas in a pod. They can, in theory, support one another in this hostile environment.
When a positively delightful JSDF captain drills the new students on moving in sync, he singles out both Ai and Sarasa. He tells Ai to improve her core and posture, as iodl “cutesiness” has no place in Kouka. As for Sarasa, he just reminds her to be mindful of her limbs, but is impressed when he shoves her back and she keeps her balance.
This in turn leads Sarasa to cheerfully challenge him to shove her again when she’s in a special stance that keeps her firmly grounded. It’s later revealed she used a stance taught by her grandfather, a former kabuki actor (lest we forget, there are no women in kabuki).
While she’s being a lot less aggressive about it, Sarasa is employing a similar stance with regards to Ai, insisting that as roomies they should be friends and support one another. It’s only fitting that Sarasa’s the only girl at school who doesn’t know about Ai’s dark idol past. But even if she did, I seriously doubt she’d turn on her!
Kageki Shoujo!! is off to a strong start, packed with colorful personalities and potential for some pretty cool musical and theatrical performances, which the first episode only hints at. Sarasa has also loudly proclaims she intends to be the school’s top star, and I dare anyone to try to move her from that position.
I’m totally psyched to watch the girl who won’t let herself be emotionally moved live and work with a girl who won’t let herself be physically moved unless she allows it. I imagine Ai will eventually thaw a bit in the searing sunshine of Sarasa’s personality. That stalker coming for Ai better watch out—he wants no part of that Watanabe Sequoia smoke!