Don’t Toy with Me, Miss Nagatoro – 12 (Fin) – The Exhibition

With the cultural festival fast approaching, Naoto has managed to belt out a whole series of Nagatoro Being Nagatoro, and her friends are impressed. Hayacchi herself is happy they turned out well, even if they give off “creepy virgin vibes”—though it’s obvious by now she’s a virgin too.

When the others go to the other side of the clubroom to spy on the President’s progress, Naoto doesn’t go with them, and Nagatoro tells him even if the Prez is “Queen of the Lewds”, he can still beat her. That is, until she sees the Prez’s piece and passes out. Gamo assures the two that she, Yosshi and Sakura will figure something out to help them.

Naoto and Prez have a slightly tense but also very honest little scene together, with the Prez making it clear this is less about winning and losing and more about tapping into the artistic potential she knows Naoto has within him. She’s not holding back, so she urges him to “hit her with a soulful work of passion.”

She then produces a “Torocat” strap that closely resembles Nagatoro, and the next day Naoto learns what that’s all about: Yosshi and Sakura are in costume as Torocats to support Nagatoro in her now familiar catgirl cosplay—though it’s clear Nagatoro is not at all into having to “toy with” all the guys who come to visit Senpai’s exhibition.

That said, as the day goes on, she becomes less stiff and starts to have more fun. When Naoto sees her basically flirting with other guys the same way she does with him, it’s hard for him to hide his jealousy.

The reverse occurs when other girls approach Naoto, express how impressed they are with his work, and ask him to teach them how to draw. Nagatoro doesn’t like that one bit!

That said, when Naoto asks her to join him for lunch, she still comes along. She calls him out for suddenly being so popular with the ladies now, and he chalks that up to the paintings turning out so well, for which he credits her. This causes a rapid succession of Nagatoro faces, and ends with her toying with him, but unlike with the other guys, she genuinely enjoys it.

When they return from their break, which essentially serves as a little mini-date during the festival, they find a huge commotion outside the Prez’s side of the club: the Disciplinary Committee is censoring her super-provocative painting, citing it a threat to “moral order” after hearing rumors it was being used to “play with the male students’ lust”.

While I initially thought we saw the Prez meeting with the committee last week to set this whole thing up in order to create more buzz and win the competition, it seems that isn’t the case, and she’s not in on anything. In fact, she’s outraged her art is being censored.

That’s when her kohai Naoto comes in to defend her, stating that her amazing art has inspired him to find the subject he wanted to draw the most: Nagatoro. Gamo and Sakua push Nagatoro in to back Paisen up, and even she admits that Prez’s art is amazing. Yosshi even produces video footage that proves that there were more people were taking the art seriously than horny boys leering at it.

This might’ve been one of my favorite scenes not involving just Naoto and Nagatoro, because it subverts the “competition with the club on the line” trope in favor of something more interesting: doing the right thing, even if the person you’re doing it for is a rival. It’s not just Nagatoro; Yosshi, Sakura, and Gamo are good people at heart!

When the Prez returns, tells the others she worked out a compromise, and voices her appreciation for their support with her very first expression resembling a smile, the girls can’t help but gloat over the fact that she lost. That said, the Prez isn’t a sore loser, and even takes their chosen punishment: that she dress up as a bunny girl to help sell Torocat merch. Naturally, it all sells out.

With the festival in the rearview mirror, Prez pays Naoto a visit on his side, explaining her getup as “the fate of the defeated.” She admits it’s humiliating, but also “a new form of oppression” to “stimulate her creative desire” and bring her “unprecedented deliverance.” Let it never be said Prez doesn’t have a way with words, but Naoto’s reply—“Just get changed already!”—is equally sublime!

When Nagatoro, eager to see Naoto, leaves her friends and enters the club room to find the Prez seemingly about to undress, she nearly flips her shit…but the Prez is only joking. She has a sense of humor! She also admits she likes Naoto’s paintings of Nagatoro, which not only contain “a definite passsion”, but love as well.

She may have lost the competition, but the fact her underclassman learned a valuable lesson about art and vastly improved his work renders that competition moot. As a senpai, the President actually won. When Naoto is hesitant to admit his pieces contain his love for Nagatoro, he’s mercifully saved by the bell for the festival’s closing concert.

Remembering Nagatoro’s words at the summer festival, Naoto meekly comes out and asks her if she’d like to go together. Nagatoro, happy beyond words, asks him to ask again, only louder, then takes him by the hand and off they go!

After the credits, we see Nagatoro and Naoto alone again in the clubroom they won back together. Nagatoro is resting her eyes, but looks up to flash a soft smile before returning to her catnap. When Naoto’s drawing is complete, she tells him to close his eyes and accept his reward, which this time is a real kiss on the cheek.

Even this chaste peck proves too much for Nagatoro, who runs out of the club room after pulling down an eyelid and sticking out her tongue. But she can’t undo that kiss, nor does she want to. This has been a relationship of small but meaningful steps forward all along, and I have no reason to think that slow but steady progress won’t continue.

And that’s a wrap! Don’t Toy with Me may have started out with a sharp edge of kinkiness, but turned out to be one of the sweeter loves stories of the last couple years. We watched both Naoto and Nagatoro come into their own as two people who found each other, navigated the often stormy waters, and found happiness and inspiration in one another. We should all be so lucky!

Episode 12 “Senpai” Count: 9 (+2 “Paisens”)—hardly any at all!
Final Count: 391

The Saint’s Magic Power is Omnipotent – 12 (Fin) – Quite the Day

After Drewes and Aira join the battle in the forest, we’re back in Krausner’s capital experimenting with crops with the Alchemist lady. Both she and the Gran Magus really put Sei to work such that she’s exhausted by the evening, but Drewes knows she’ll have to perfect her conjury and speed it up if they’re going to win the war against the monsters. The next morning, Aira joins Sei along with Leo, Drewes, and Al on the next adventure into the woods.

We get Saint’s Magic Power’s longest and most sustained battle, as both toxic slimes and demonic monsters hassle the expeditionary force. Both melee and elemental magic attacks fly freely, with the various magic users employing teamwork for maximum efficiency. All the while, Aira and Sei perform healing and protection duties. There are number of close calls, but someone, usually Al, always has Sei’s back.

When they come close enough to the miasma-infected swamp for Sei to begin her purifying conjury, she is distracted from the task when Al and Aira end up in danger. Drewes insists Sei keep herself focused on her conjury duties, and when the enemies start to surround them, he goes back on his promise to hold back and unleashes a devastating Inferno attack that destroys both nearby fiends and burns the forest. Sei is able to purify the swamp, but that’s all she has the energy for.

That night, Sei finds it hard to sleep, both due to the forest having been destroyed and her unannounced feelings for Albert and what to do about it. Albert escorts her to her tent, but before she heads in to retire, she turns around just as Al does, and they share a tender moment that fades to black and could be interpreted as sharing a chaste kiss. The next day, Sei is back at 100%, and with Al holding her hands, she’s able to revive the forest to its former glory, wowing Aira, Leo, and everyone else in the process.

After the exertion, Sei loses consciousness, coming to in Al’s arms as he princess lifts her back to the city. Sei insists she can walk on her own two feet, but doesn’t pass up Al’s offer to hold her hand as she does. Aira is loving it the whole time! When it’s time to return home to the capital, the old alchemist tells Leo that the Saint’s Magic Power is…love. Well, duh, that’s been pretty clear for a while now! And that love is more often than not focused on a single individual: Albert Hawke.

After the bombast of the forset battles, this very quiet, steady, and pleasant show ends on a characteristically quiet, steady, and pleasant note: Sei and Al enjoying the gorgeous view of the capital from a good vantage point at sunset. As the sun sets on Sei the Saint and her dashing and valiant love interest, I came away nodding agreeably. MAL is often very wrong in its scores, but 7.32 is just about perfect for this show. Never terrible, but also never game-changing, and bolstered by the warm and expressive Ishikawa Yui, whose voice I’m always happy to hear in non-dystopian series!