86 – 11 (Fin) – All Over but the Crying

We arrive at October 30th, the day the five remaining members of Spearhead get into a scrap with the Legion and lose Fido as well as all but Shin’s Juggernaut. Things are getting desperate and they’re running low on ammo, fuel, and food, which means soon their recon mission will be at an end. All of them know what that means, but rather than dwell on that, they simply keep living their lives until the time fate decides to take them.

This means taking shifts piloting the ‘naut while the others rest or watch the rear from the remaining cargo bot. Thanks to Shin’s instincts and a rainstorm they manage to evade another Legion patrol, but the Legion become more legion by the day. The group finds an abandoned town and decide to take shelter in a school—the first school Kurena’s ever been to. They take a final roll call, and “graduate” the next day.

When they hit a literal wall of sheer rock, Shin suddenly asks to switch with Anju, who is piloting, claiming he’s bored. Once they switch, he cuts the tether to split off from the others and uses his grappler to bring down some rocks so they won’t follow. He sensed more Legion were coming; Legion they wouldn’t escape unless he lured them away. The others aren’t okay with this. Raiden, Anju, Kurena and Theo all agree to go after him.

With no Juggernauts, they have to go on foot, and arrive just as Shin’s ride is trashed and a Legion prepares to crack it open like a tin of sardines and claim his head. Only the weakest of the charging Legion are susceptible to their small arms, and even then only headshots, and there are too many of them. First Theo, then everyone else goes down fighting. The light of the Legion prepares to take Shin’s head—but he has his sidearm. Does it succeed?

We finally check in on Lena, who is under house arrest for her little stunt with the mortars. Even so, she pays a visit to the front lines, and to Spearhead’s HQ. A new group of 86 are being processed. The cycle continues.

Lena is greeted by Lt. Albrecht, who reveals he’s an Alba like her whose wife and daughter were 86 and died in battle. Thanks to Shin, he was given a measure of solace in knowing they didn’t become Legion, as Shin never heard them call Albrecht’s name.

Lena then walks through the now abandoned living space like a ghost looking so out of place after having been in essentially another world the whole time. It’s just so heartbreaking that by the time she was finally able to make it here, everyone she spoke to over the Para-RAID was already gone.

While the cycle of using 86 as cannon fodder continues, there was at least a crucial change. Lena and Shin forged a genuine connection, and it rubbed off on the others too, as they left her a memento: Theo’s drawing of her with handwritten notes from him, Shin, Raiden, Kurena, and Anju. More importantly, they left a Polaroid of the whole group, helpfully labelled by Theo “so she wouldn’t cry” about not being able to tell who was who.

In the end, as a practical matter, all Lena was able to do by breaking protocol and getting in trouble was extend the five’s lives by a few more days. Instead of dying on one battlefield, they died on another. But with Fido gone and his records destroyed, Lena now holds some of the last remaining artifacts of their existence—other than the wrecks and bodies they left behind somewhere out there, after reaching their final destinations.

Lena will surely treasure these things, as well as the cat left in her care, but they’re also primed to fuel her continued rebellion against the broken evil system she’s blindly served for too long. She couldn’t end the injustice for Shin and the others, but perhaps with enough allies and some luck, she can end it for others. Or maybe not. But like them, she’ll fight until fate comes for her.

Maybe then they’ll all get to finally reunite…for the first time.

So ends the first cour of 86. What a powerful show. We’ve known since the start there would definitely be a second one, but now we know there will be a “Special Episode” in between the two. What I’m a little fuzzy on is what exactly became of Shin.

I’d like to hope he managed to shoot himself in the head, and that seems to be supported by the fact he reunites with his brother, whom we know he freed from the Legion. We also see Shin’s headless body. But nothing is certain, which is why I’ll just have to keep watching to find out.

Vivy: Fluorite Eye’s Song – 13 (Fin) – Mission Accomplished

The finale to Vivy, entitled simply Fluorite Eye’s Song, hits all the right notes, as our titlar AI diva gets her second and final chance and doesn’t waste it. I’m a big fan of going back and redoing things, whether it’s Back to the Future or Steins;Gate, and Vivy doesn’t disappoint in switching up the actions she took last time, culminating in saving Toak and Yui before Elizabeth can even arrive on the scene.

Armed with data, footage of the imminent satellite disaster, and the means to shut down the Archive, Vivy asks Toak to believe and stand with her as she accomplishes her mission as she’s always seen it ever since she and Matsumoto met: make people happy with her singing by first keeping those people alive. Yui concurs, and Beth helps inspire the troops.

Toak will be heading to Arayashiki as before, but as Vivy is armed with the knowledge from their first ill-fated raid, they’re able to avoid the mistakes that resulted in all their deaths. Vivy, meanwhile, is headed to the only stage appropriate to sing her song to shut down the AIs: the Main Stage at NiaLand.

After Matsumoto mentions he’s never actually heard his longtime companion sing on the stage, Vivy snaps her fingers like Diva, but she’s got the wrong idea. Matsumoto wants to hear her song. Vivy tells a joke, then psychs herself up by playing with Matsumoto before taking her leave.

As we see from Archive’s core, a new branch is forged on the timeline tree of the Singularity Project. Archive knows she’s coming, but as promised is giving Vivy a chance to prove that humanity shouldn’t be annihilated.

On her way to the stage she encounters another old friend, beside her first stage: Navi, once her one and only friend. Navi doesn’t want Vivy to go to the Main Stage, even summoning a hologram of Momoka to try to keep her there. She rejects Vivy’s expanding of her mission, which used to be just to make people happy with her singing and nothing else.

Navi gets one crucial detail wrong: Momoka would never have called her “Diva”—she’s the one who gave her the name Vivy. She knows her first song in decades may end up being her last, and she’s already prepared for that. But her mission has changed since it was just her and Navi, and she’s a different person, too.

As Vivy walks up to the half-ruined stage and sings the proper, beautiful, major-key “Fluorite Eye’s Song”, Toak and Matsumoto infiltrate Arayashiki, outmaneuver the AI guards, shut down the power, and get to the Archive’s core faster and with fewer (but still not zero) casualties.

As for “singing with all her heart”, Vivy finally learned what that meant: she surrounds herself with images from all the memories she’s amassed. Those memories, and the people and events that changed and shaped her into the Vivy she is, comprise her heart.

And she indeed sings with all of it, which proves too much for her century-old body, which slowly begins to deteriorate as the song gains power. Matsumoto sacrifices all of his cubes but one to take out his dark counterparts, interfaces with the core, and shuts the satellite drop countdown…with just two seconds to spare.

With Armageddon from the sky averted, Vivy’s song reaches its apex and takes care of the robot apocalypse on the ground. Every AI shuts down, a whole bunch of them just one more moment from killing a human. The program Matsumoto inputted into the core fails to stop one satellite from falling—and right towards NiaLand, but he sacrifices his last cube to detonate it before it destroys the stage.

With the Singularity Projec and Vivy’s mission accomplished, Matsumoto’s wrecked cubes lie dormant while Vivy shuts down, her own fluorite eyes going dark after thanking her audience for their kind attention one last time. Or it would be one last time, if either Matsumoto or Vivy were flesh and blood beings.

As it happens, at some point in the future, Vivy wakes up in a different chair in a different building, sporting a new short hairstyle. She’s woken up by Matsumoto, who directs her to the windows where an adoring crowd is waiting to hear her sing. She doesn’t remember her name or Matsumoto at first, but her face brightens up when she’s asked to sing. The mission continues.

Don’t get me wrong; I’m a fan of epic anime series that air across years—Attack on Titan, for instance—but there’s something to be said for a tight, compact, self-contained tale (which nevertheless spanned centuries and pitted all of humanity against AI-gone-wild. Wit Studio didn’t just flex its visual muscle with Song, but its considerable character and storytelling chops as well—all in one tidy cour; no sequels or prequels necessary. It was a fun ride, and very pleasant surprise.

Don’t Toy with Me, Miss Nagatoro – 11 – Art Is Thus To Pursue

The girls try to encourage Senpai by laying into the President and her scolding, scripted manner of speaking, but Naoto doesn’t want them talking shit about her, from whom he’s learned so much about art and still deeply respects.

He’s also dubious about a cosplay art cafe being sufficient to beat the Prez, who helped the Art Club nab sixth place last year—out of over sixty presentations—with a bold, provocative nude self portrait.

Gamo points out what she believes to be a simple fact: when it comes to mass appeal, Senpai and Hayacchi don’t have “the goods” with which to compete with the Prez’s Kardashian-esque proportions. Nagatoro takes it as being dissed—but Gamo still has a point; a lot of horny guys are going to be voting for the better club.

But there’s one horny guy—Naoto—who tells Gamo and the others that he doesn’t think any less of Nagatoro than the President. Both have their charms, and he wants to try to win by depicting Nagatoro as she normally is. Even though he imagines President as a Titan swallowing him whole, he’s still feeling positive.

Nagatoro is determined to ensure he wins, and when her swimsuit isn’t motivating enough, she dons nothing but a white sheet. But in doing so, and with the constant interruptions of the other girls, Naoto becomes increasingly iffy in his drawing, and grows frustrated with the whole venture, deeming any attempt to beat the Prez as futile.

Finally, as the show takes on a de-saturated palette akin to Super Cub, Naoto says this isn’t going to work. He doesn’t want to draw Nagatoro, because if he fails, he’ll drag her down with him. She says she doesn’t care about that, but Naoto insists this is between him and the President. A genuinely angry and hurt Nagatoro storms off in her sheet. The others call Senpai a loser…and in that moment, he absolutely is!

Alone again in his club room (well, half the club room; in an amazingly petty gesture President has cordoned off the other half for third years only!) he gets back to his bread-and-butter: dull still-lifes. President pays him a visit —also wearing only a sheet, as she was taking pictures for her next piece, and tells him it’s dull and no good.

She’s not just being a bitch; she’s right! Naoto’s painting is technically fine, but lacks any kind of passion, other than the desire to be neat and tidy. Prez tells him the most important aspect of a piece isn’t its theme, but love. And when she witnesses Nagatoro peek in and promptly run away after she sees Senpai with her, Prez orders Naoto to pursue her with all due haste.

He does, but when he catches up to her in the hall he blanks on what to say, and the moment is spoiled by two other girls who think he’s stalking Nagatoro. The chase continues until the sun starts to go down, ending at the swimming pool. As he runs after her, he summons all his favorite memories of her, which aren’t of her teasing him, but revealing her genuine self to him.

As she hops from starting block to another away from him, Naoto tells her he wants her to model for him. When she tells him to go back to his precious president, she slips off a block, but before she can go into the pool he grabs her, both demonstrating he does have some strength. When he repeats his desire to draw her the way she usually is, she asks him why, and this time he doesn’t waver: because she’s more attractive to him.

Nagatoro is so shocked by this declaration, and turns so red, she kinda almost has to jump into the pool, taking Senpai with her. They end up walking home soaked, but Naoto’s honesty and the quick plunge into the pool washed away their fight and brought them back together. When he lets slip that he often notices how cute she in ordinary times (as opposed to wearing cosplay) it’s another blushfest for both of them.

Senpai walks right up to the line of confession this week, while Nagatoro leaves no doubt about how she feels when he keeps defending her nemesis. But while she’s scheming something with who I presume to be the StuCo President, the President came off as less of a villain (or Titan) this week.

Instead, she’s issued this challenge to push Naoto out of his comfort zone so he can be the best artist he can be. You can only do that by pursuing your passions—and when it comes to his passions, there’s no beating Nagatoro. Even if he and Nagatoro do lose to her voluptuous magnificence, they’ll lose together, having fought their hardest!

Episode 11 “Senpai” Count: 14 (+3 “Paisens”)—the fewest yet!
Total: 380